The meaning of 'elephant formless' was as follows: 1. In terms of aesthetics, it originated from the ancient China literary theory proposed by Lao Tzu, advocating the beauty of nature rather than man-made beauty. That is, the best image is invisible, and the better the image, the more ethereal and invisible. It meant that the grander the image, the harder it was to describe it with human perception. The shape of the universe was invisible. It also meant that the grander the image, the more inclusive and indescribable it was. 2. In terms of dealing with people and things, it was extended to not be overly assertive in dealing with personnel, but to be compatible with various forms. Take Marshal Zhu De for example. He was generous, unassuming, took the lead, had a strong sense of the overall situation, endured humiliation, was good at communication, and handled matters as if they were light. Although he had high military ability and prestige, people did not feel that he was grand. This realm reflected the "invisible elephant". 3. In terms of describing scenes and realms, it represented the greatest, most magnificent, and most magnificent scenes and realms in the world. It was often not limited to specific things and patterns, but presented the appearance and scenes of "myriad climates".
The meaning of " elephant invisible " included intentionally turning into unintentionally, accommodating all kinds of things, and not deliberately revealing themselves; grand imposing scenes often did not have a certain shape; it could also mean that capable people seemed ordinary, but had grand but not grand characteristics. For example, Marshal Zhu De was generous and without airs. He had superb ability in leading troops but seemed ordinary. This was also a kind of " elephant invisible."
"The elephant is invisible" had many meanings and symbolic meanings. In terms of aesthetics, the aesthetic concept in ancient China literature theory proposed by Lao Tzu advocated natural beauty rather than artificial beauty. The highest realm was that the larger the image, the more shapeless it was. In terms of dealing with people and things, it was extended to not be overly assertive towards people and things, and to be able to accommodate all kinds of situations. From the perspective of existence, the existence of elephants was not only reflected in their size and strength, but also through symbolic significance, historical and cultural significance, and ecological value. In Asian culture, it symbolized strength, wisdom, gentleness, good fortune, abundance, and beauty. In the West, it symbolized a stable and powerful gentleman who was not angry and was not angry. It also symbolized wisdom, strength, longevity, happiness, and good fortune. In terms of ecology, elephants, as a key species in the forest ecosystem, help maintain the balance of the forest, promote the growth and reproduction of plants, and protect the habitat of other wild animals.
The meaning and symbolism of the "invisible elephant" included many aspects: 1. From the perspective of aesthetics: This concept was proposed by Lao Tzu and belongs to the aesthetic concept of ancient China literary theory. It advocates natural beauty rather than man-made beauty. Its highest realm is that the larger the image, the more shapeless it is. 2. In terms of dealing with people and things, it was extended to not be overly assertive towards people and things, and to be tolerant of all kinds of things. 3. From the point of view of existence, the existence of elephants is not only reflected in their size and strength, but also through symbolic significance, historical and cultural significance, and ecological value. In Asian culture, elephants were regarded as mascots, symbolizing strength, wisdom, gentleness, and also symbolizing good luck, abundance, and beauty. In the Western world, elephants symbolized stable and powerful natural gentlemen. Elephants 'invisibility meant that their existence could be expressed in many ways, such as their historical use as tools of war and work, their role in religious rituals and celebrations, and their ecological value as a key species in the forest ecosystem, helping to maintain the balance of the forest, promoting plant growth and reproduction, and protecting the habitat of other wild animals.
The meaning and symbolism of the "invisible elephant" were mainly as follows: ** 1. In terms of aesthetics ** It originated from the aesthetic concept of ancient China literature theory proposed by Lao Tzu. It advocated natural beauty rather than man-made beauty. The meaning was that the better the image, the more intangible it was. The best image was without an image. This meant that the grander the image, the harder it was to describe it with what people saw and heard. A large image like the shape of the universe was invisible. It meant that the more magnanimous it was, the more it was inclusive of all things and indescribable. ** 2. Regarding people and matters ** It is extended to not be overly assertive towards people and things, but to be tolerant of all kinds of things. For example, Marshal Zhu De was generous, had no airs, took the lead, had a strong sense of the overall situation, endured humiliation, was good at communication, and handled matters as if they were light. He had very high military ability and prestige, but people did not feel his grandeur. This realm reflected the "invisible elephant". ** 3. Description of scenery and realm ** It represented the world's most magnificent, lofty, and magnificent scenery and realm. It was often not limited to certain things and patterns, but rather showed the appearance and scene of a myriad of phenomena.
The most incisive explanation of "elephant formless" was that it was intentional and unintentional. It was compatible with all kinds of things, not overly assertive, nor did it reveal its intention. It came from the 41st chapter of Lao Tzu's Tao Te Ching. It was an aesthetic concept in ancient Chinese literary theory proposed by Lao Tzu. It was intended to praise natural, not man-made beauty. From a philosophical point of view, the most magnificent, lofty, and magnificent style and realm in the world were often not limited to certain things and patterns, but showed the appearance and scene of "myriad phenomena". In the realm of Dao, the larger the image, the more shapeless it was. This was the highest realm of Dao. For example, the shape of the universe could not be described by what people saw and heard, because such a large image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable it was.
It meant that the most beautiful music was without music, and the most beautiful image was without image. Human hearing had a range, and sounds beyond that range could not be heard. The shape of the universe could not be described by what people saw and heard, because such a large image was invisible. This was also the highest realm of art and beauty. It revealed that the most perfect literary works needed to enter the realm of Dao, enter the true realm of nature and simplicity without any traces of man-made. It can also be understood as the loudest music but no sound, the largest image but no trace, metaphor: the Great Dao is hidden and hidden, and the body cannot seek to see.
There were many explanations for the word "Xi" in "Da Yin Xi Sheng". One explanation was that it was rare and sparse, which meant that the loudest sound sounded sparse. Another explanation was that "Xi" meant "nothing", which believed that the loudest sound had no sound and was the accumulation of "Da Yin". There was also a view that "Xi Sheng" was not heard by the ear, but to feel the eternal and harmonious "Heavenly Music", or that "Da Yin" was the transcendence of sound emotions. The original meaning of the " elephant " in " elephant formless " was " Tao " or " truth ", and could also be understood as images and scenes." elephant " could represent the better and bigger image. Some people believed that " elephant " could also refer to " divinatory symbols ", which represented elements." elephant " was an important element. In short, the better the image, the more distant or important the elements were, the easier it was for people to ignore them.
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from the following aspects: From the literal meaning, a better explanation was that the better the music, the quieter it was, and the better the image, the more ethereal it was (it could also be understood that the best music was without sound, and the best image was without image). This was because the range of human hearing was limited, and sounds beyond the range could not be heard. The shape of the universe was so vast that it could not be described by what people saw and heard, so it was invisible. From a figurative point of view, it could be said that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable it was. It could also be understood as a person who was truly "square" had no edges and corners. The real success of something would always be at the end. Beautiful music was a sound that could not be heard, and the best image was an image that could not be seen. Or, the louder the sound, the more monotonous the tone. The bigger the scene, the more uncertain the shape. Ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. When Lao Tzu said,"Great sounds are silent, and elephants are formless," it could also be said that "Great sounds are silent, and the Great Dao is formless." It was equivalent to Lao Tzu's so-called "Dao is hidden and nameless." The nature of this inaction was difficult to speak, express, and describe.
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. There were many ways to understand its meaning: - From a more common understanding, the better the music, the more distant and silent it was. The better the image, the more distant and invisible it was. It meant that the greater the achievement, the more distant it would be. The more magnanimous it was, the more inclusive it would be. - From the scholars 'explanation of "Great Sound Hope Sound", firstly, they believed that the loudest sound had no sound; secondly, they believed that the loudest sound was sparse; Thirdly, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourthly, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifthly, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. - There was also another understanding that the more elegant the music, the fewer people would be able to appreciate it, and the more brilliant the advice, the fewer people would accept it. As for the " invisible elephant ", in addition to the aesthetic understanding mentioned above, it could also be understood that the more important the elements were, the easier it was to be ignored. For example, people often ignored the important basic elements such as sunlight, air, water, and food in their lives, and paid too much attention to relatively less important things such as gold and jewelry.