What's the meaning of the word 'Taichang Yin'?
Tai Chang Yin was the name of Ci, also known as Tai Qing Yin and Laqian Mei. It has forty-nine words, double-tone, up and down each three flat rhyme, a rhyme to the end. At first, there were forty-eight words, forty-nine words, fifty words, flat rhyme and flat rhyme. Later, most of the people of Song and Yuan Dynasties filled in forty-nine words. Only two styles were recorded in the Imperial Ci Pu. Xin Qiji's "Taichang Yin·Immortal Ji seems to want to weave fine silk" was the main style. There were many representative Ci works, such as Xin Qiji's "Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian," Nalan Xingde's "Taichang Yin·Self-Inscription Small Zhao," Xiang Hongzuo's "Taichang Yin·Guest Wen Song," etc.
Immortal Lü Palace Taichang Yin
In the "Xianlu Palace Taichang Yin","Taichang Yin" was the name of the Ci tablet, also known as "Taiqing Yin" and "Laqian Mei". It belonged to the Immortal Lü Palace Tune. This Ci tablet was double-toned, with 49 words commonly seen, and other words such as 48 words, 50 words, 57 words (special cases), etc., and there were many forms of flat rhyme and oblique rhyme. However, most people in the Song and Yuan Dynasties filled in 49 words, and only two styles were recorded in the Imperial Cipu. The formal style is forty-nine words with double tones, the first piece is Siping rhyme, the second piece is Sanping rhyme, and the penultimate word of the two sentences must be the falling tone. The third and fourth sentences of the second half were two five-sentence sentences (although there was a sentence meaning separation in the middle, it could also be discordant), and the last seven-sentence sentences of the first and second half were both upper three and lower four (the upper three were beans, the meaning could not be broken, and the last four words could not be changed). This poem is suitable for light and leisurely content, but also can be used to express graceful and faint hidden bitterness. The words should not be too heavy or too fierce. There can be waves but not big waves. Many Ci writers wrote Ci with this type of Ci, such as Xin Qiji's "Taichang Yin·Immortal Ji seems to want to weave silk" as the main form, Xin Qiji's "Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian," Nalan Xingde's "Taichang Yin·Self-Inscribed Small Picture," Xiang Hongzuo's "Taichang Yin·Guest Wen Song" and other representative Ci works.
Xin Qiji's "Taichang Yin" poem with painting
"Tai Chang Yin·Fu for Lu Shu Qian on the Mid-Autumn Night of Jiankang" was a poem full of romanticism and vigorous artistic conception by Xin Qiji. If he wanted to create poems and paintings for her, he could start from the following aspects: * * 1. Main Element of the Picture ** 1. * * Bright Moon ** - The beginning of the poem,"A round of autumn shadows turning into golden waves, flying mirrors grinding again," depicted the scene of the Mid-Autumn Moon. There was a huge and bright moon in the picture. The moonlight shone with golden light, like golden waves flowing. The moon had to be smooth and round, just like a freshly polished bronze mirror. This was the most prominent element in the painting, occupying the main part of the sky. 2. * * Character (Xin Qiji himself)** - "I took the wine and asked the girl: What can I do if I'm bullied by my white hair?" He could draw a scene of Xin Qiji holding a wine cup, standing in the courtyard or on a high platform, looking up at the moon. His expression was slightly melancholic and unwilling, because his white hair was growing and his ambition had not been fulfilled. The costumes of the characters could be the typical attire of the Song Dynasty literati, with wide robes and large sleeves, and a scarf hat on their heads. 3. * * Mountains and rivers ** - "It's good to go with the wind. The sky is thousands of miles wide. Look down at the mountains and rivers." At the bottom or the distant part of the picture, you can draw continuous mountains, vast land, surging rivers, etc. The description of these mountains and rivers should reflect the grand momentum and show the magnificence of the mountains and rivers of the motherland. 4. * * Osmanthus tree ** - "Chop down the osmanthus tree, and the human way is, there will be more clear light." A osmanthus tree could be drawn on the moon, and the branches and leaves of the osmanthus tree swayed (showing the posture of "whirling "). Xin Qiji might hold a sharp axe and make a gesture of chopping down the osmanthus tree, or he might just stare at the osmanthus tree with a firm gaze, symbolizing his desire to eliminate the crafty sycophants and make the world clearer. * * 2. Picture color and atmosphere ** 1. * * Color ** - The overall color scheme was mainly cool, and blue and silver could be used to represent the night sky and moonlight. The moon itself was a bright golden color, and the clothes of the characters could be plain or light blue to reflect a cold and elegant temperament. Mountains, rivers, and earth could be represented by different shades of gray and green. Gray represented the shadow of the mountain range, and green represented the vitality of the earth. The color of the laurel tree could be dark green, contrasting with the golden color of the moon. 2. * * The atmosphere ** - The atmosphere of the picture should be filled with poetic romance, but also with a trace of heroism and melancholy. The brightness of the moonlight contrasted with the loneliness of the characters. The magnificence of the mountains and rivers echoed the ambition in Xin Qiji's heart, creating a grand and deep artistic conception.
What kind of feelings does Taichang Yin express?
Taichang Yin expressed Xin Qiji's complicated feelings. The first film contained grief, indignation, and desolation. At that time, the Southern Song Dynasty had no intention of recovering the Central Plains. Instead, they humiliated and attacked the anti-Jin people. Xin Qiji returned to the south for many years but his ambition was not fulfilled. Although he wrote many letters to the anti-Jin suggestions, they were not adopted. In the poem,"I ask my wife: What can I do when I'm bullied by my white hair?", I use "white hair bullying" to express my helplessness towards the passage of time and my unfulfilled ambition, my resentment towards my own experience, and the desolation in my heart. The next film expressed his lofty aspirations. "Go with the wind, thousands of miles in the sky, look down at the mountains and rivers" showed that even if he suffered grievances and was ignored, he would not give up his love and persistence for the magnificent mountains and rivers of his motherland. The "Osmanthus Tree" in "Cut off the Osmanthus, the people are, and the light is more" referred to the faction of peace in the court, expressing his strong desire to eliminate these forces that hindered the Southern Song Dynasty from recovering its homeland. His emotions were intense and inspiring.
What's the meaning of the word 'Chang Tai Yin'?
You may want to ask about "Tai Chang Yin", which is the name of the Ci. It was transferred to Xianlu Palace, also known as "Tai Qing Yin". Because Han Wei's Ci had the sentence "La Qian Mei in the early spring", it was also known as "La Qian Mei". There are only two types of words in the Imperial Cipu, and the only difference is the second sentence of the first paragraph, which is either five words (49 words in total) or six words (50 words in total). The original form is a double-tone forty-nine words, the first piece is Siping rhyme, the second piece is Sanping rhyme. The second last word of the two sentences must be dropped. Occasionally use long and short sentences, no antithesis requirements. At the beginning of the second half of the song, there were two four-character sentences, some of which were antithetical and some of which were not antithetical. The third and fourth sentences of the second half were two five-character sentences, because there was a full stop in the middle (the ancients should have divided the sentence meaning), which could not be matched. The last seven sentences of the first and second chapters were both upper three and lower four. The first three words were beans, and the meaning could not be broken. The last four words were flat and unchangeable. This tune is suitable for light and leisurely content, but also suitable for graceful and restrained, faint hidden bitterness. Send words do not need to be too heavy, too fierce. There could be waves, but there was no need for huge waves.
What expression technique did Taichang Yin Xin Qiji use?
In "Tai Chang Yin·Jiankang Mid-Autumn Night Fu to Lu Shu Qian", Xin Qiji used a variety of expression techniques. The first technique was to stir up the mood, using the 'a round of autumn shadow turning into golden waves, flying mirror grinding again' of the bright moon to stir up the emotions behind. Then, he used the technique of transformation, using Xue Neng's poem to express his melancholy of wasting his time and the difficulty of realizing his ideals. He also used myths and legends to create a realm that was beyond reality. He used the legend of Chang'e and Houyi's separation to express his desire for the country's division to be unified as soon as possible and for the displaced people to be reunited. He used the legend of Wu Gang's crusade against Gui to express the pain in his heart, his passion for serving the country that no one understood, and his state of mind that was ostracized by villains. At the same time, there was also a certain imagination in the poem, such as " riding the wind, thousands of miles in the sky, looking down at the mountains and rivers ". Imagine yourself riding the wind and looking down at the mountains and rivers, reflecting the love for the beautiful rivers and mountains of the motherland. This kind of imagination also swept away the loneliness and depression before, making the emotions richer and more diverse.
Taichang Quoting
Tai Chang Yin was the name of Ci, also known as Tai Qing Yin and Laqian Mei. Forty-nine words, double-tone, up and down each three flat rhyme, a rhyme to the end. The poem was transferred to the Immortal Lü Palace. Taichang set up official names for the Qin Dynasty. The Qin Dynasty set up Fengchang. Emperor Jing of the Western Han Dynasty changed it to Taichang. He was in charge of the etiquette of the ancestral temple and the selection and examination of doctors. He was one of the nine ministers. It was set up in successive dynasties and abandoned at the end of the Qing Dynasty. It was cited as one of the ancient music styles. At first, there were forty-eight words, forty-nine words, fifty words, flat rhyme and flat rhyme. Later, most of the people of Song and Yuan Dynasties filled in forty-nine words. Only two styles were recorded in the Imperial Ci Pu. Xin Qiji's "Taichang Yin·Immortal Machine Seems to Woven Silk" was the main style. His representative works included Xin Qiji's "Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian," Nalan Xingde's "Taichang Yin·Self-Inscription Small Zhao," Xiang Hongzuo's "Taichang Yin·Guest Wen Song." Wang Yun's "Tai Chang Yin Feng Ji (Zhu Xiao Yun Feng Ji two words doubt Yan) political participation Li" and so on.
The Meaning of Yin and Yang
"Yin and Yang are a pair of important categories in China philosophy. They are the two contradictory basic forces or two opposing aspects of things in the vitality. Different ideologists had different understandings of its meaning, but they were basically based on revealing the internal causes of changes in things and explaining nature and human society with the theory of Yin and Yang opposition. Its original meaning was the back of the sun. When it first expressed its position, Yang referred to the south of the mountain and the north of the water, and Yin referred to the north of the mountain and the south of the water. In terms of nature, bright, moving, outward, rising, dispersing, warm, and excited were generally yang, while relatively still, cold, dark, inward, descending, condensing, and suppressing were yin. There are many relationships between yin and yang, including opposing constraints, such as suppressing extreme activity with stillness, yin overpowering with yang; mutual dependence, where one side is conditioned by the existence of the other; change of growth and decline, where one side is too strong in the process of restriction, the other side is weak, and the interaction between the two sides needs to maintain a relative balance; mutual interaction, etc. Yin and Yang were also the most basic elements that constituted everything in the universe. They were everywhere, from the universe to the electron, from the three-dimensional space to the multi-dimensional space. It was reflected in many fields. For example, in the human body, life was the convergence of yin and yang energy in the body, aging was the change and decay of yin and yang in the body, illness was the imbalance of yin and yang, and death was the disintegration of the unity of yin and yang. In the field of society, it was related to divination, Taoism, and the Book of Changes. For example, the prediction techniques such as Taiyi and Liuren formed in the Han Dynasty. Taoism used the interaction and integration of yin and yang to explain the perfection and harmony of the world. In the Book of Changes, Tai Chi gave birth to Yin and Yang, Yin and Yang turned into four images, and four images gave birth to the Eight Diagrams. The novel " Battle of Yin and Yang " is equally exciting. Everyone is welcome to click and read it! "
What was the meaning of "demon-wielding"? The meaning of the word, or the meaning of the word
" Enchantment " usually referred to a concept that often appeared in novels. It referred to people who had powerful magic power or could control magic power. It could also refer to people or things that were entangled by magic power. In Chinese, the word " demonic " was usually written as " demonic ", where " demonic " meant " persistence, stubbornness, obsession " and " demonic " meant " magic, devil, evil ". Therefore," Enchantment " could be understood as " persisting in the power of evil " or " being addicted to magic power and unable to extricate oneself ". In some novels, people who possessed magic often had extraordinary abilities that could control the power of nature or manipulate the fate of humans. Their actions were often terrifying and could even threaten the safety of the entire world. As a result, magic became a terrifying element that often appeared in novels.
The meaning and meaning of the sweet word
The meaning of the word sweet referred to the taste of sugar or honey, as opposed to bitterness. It could be used to describe the sweetness of food, as well as comfort and pleasure. The word sweet could also be used to describe happiness. Its radical in Chinese characters was Gan, its Pinyin was tian, and the number of strokes was 11. The Kangxi dictionary explained that the word sweet referred to the sweetness of food. Therefore, the word sweet could be used to imply sweetness, beauty, happiness, and so on.
The meaning and meaning of the name of the word
The original meaning of the word "cage" was the cage for raising animals. It also referred to the window frame, the thin wooden strips that separated and supported the window glass, and could also be used to refer to houses, such as curtains and cages. When it was used as a name, the meaning was not very prominent and was more ordinary. However, from its original meaning, it could imply a kind of restriction and protection (for example, the closed nature of the cage cage has the meaning of protection, but also has the meaning of restricting freedom). From the meaning related to the house, it could imply a stable living environment. From the point of view of the five elements, the five elements of the word "cage" belonged to wood. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!