The names of Ci tablets had fixed forms and rhythms, which determined the rhythm and rhythm of Ci. In terms of format, the name of the Ci tablet stipulated the limit of the number of words and the use of flat tones. Just like the basic melody of a song (song score), it provided a standard and framework for the creation of the Ci writer in order to achieve a specific musical effect.
The following are the names of some Ci tablets with the word "Ling": Bu Suanzi Ling (Bu Suanzi), Ding Fengbo Ling (Ding Fengbo), Magpie Bridge Immortal Ling (Magpie Bridge Immortal), Tang Duo Ling, Qing Pingle Ling (Qing Pingle), etc. These Ci names all had their own origins, forms, and rhythmic characteristics. For example, Bu Suanzi Ling was said to borrow the nickname of the Tang Dynasty poet Luo Binwang. He liked to use numbers to name his poems, so he was called Bu Suanzi. Qing Ping Yue Ling was originally named Tang Jiaofang Qu, named after the two tunes of Han Yuefu,"Qing Yue" and "Ping Yue".
The 16-word order had the least number of words, 16.
The jade chain shadow is the song of Qing Nalan's virtue. Its Ci card is monotonous, thirty-one words, seven sentences, three-tone rhyme to three-level rhyme, nine sentences as up two down seven or up four down five, up six down three sentences. The score of the poem is: 31 characters (flat) There are examples of Nalanxing De's "Where?" how many leaves rustle in the rain? The flowers on the eaves are wet, and the people at the bottom of the flowers are speechless. Cover the screen mountain, jade furnace cold. Who can see my two eyebrows gathered together and leaning against the railing?" As well as "just slept." sorrow pressed down on the quilt, the flowers shattered. Counting carefully, I watched the silver worm fall. Dreams are difficult to rely on, and information is difficult to come true. It's just to earn her a frown all day long." There was also Hongyi's (modern)'Old House'. The plum blossoms on a tree are small. Live a poet, add a new poem. I love leisure and nature, and I love the West Lake outside the city with green mountains on it." Wait.
Magpie Bridge Immortal was a name for a poem, also known as "Magpie Bridge Immortal Order","Remembering Everyone","Golden Wind Jade Dew Reunion Song","Guang Han Qiu", etc. It originated from the myth of the Cowherd and the Weaver Girl meeting on the Magpie Bridge on the Chinese Valentine's Day every year. It got its name from Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji", which read,"Magpie Yingqiao Road connects Tianjin". The original form is fifty-six words in double tone, five sentences in front and back, two oblique rhymes, fifty-six words in double tone, five sentences in front and back, three oblique rhymes, fifty-eight words in double tone, five sentences in front and back, two oblique rhymes and other variants. Su Shi's "Magpie Bridge Immortal·Qixi Festival", Qin Guan's "Magpie Bridge Immortal·Xian Yun Nongqiao" and Lu You's "Magpie Bridge Immortal·Hua Deng Zong Bo" were all representative works of the Magpie Bridge Immortal Ci Board. " The Legend of White Feather: A Long Way to Immortality " was equally exciting. Everyone was welcome to click and read it!
Some of the shorter Ci tablets include the 16-word Order, which only has 16 words in total, and the Dream Order, which usually has about 33 words. There was also the << Daolianzi >>, which had relatively fewer words, usually 27 words. These Ci poems had a fixed rhythm, and the number of sentences, word count, tone, and rhyme position had corresponding requirements.
Ci tablets determined the meter, sentence number, word count, tone, and rhyme position of a word. If one chose three of them, the Ci tablet determined the rhythm, sentence number, and word count of the word.
Yao Tian Feng Cuihua cited Ci card, tune can be found in "lazy cave word." Judging from the existing Ci works, this Ci card has 90 words in double tone, eight sentences in front and back, and five flat rhymes. There were certain requirements for the specific rhythm, such as the mountain outside the snow melting building. It is the Qinhuai River, and the green water overflows the waves. Fragrant cardamom, red light still afraid of spring cold. In the morning light, the halberd is painted, the embroidered curtain is rolled up, and the wind warms the jade hook. Zifu Immortal, flower surrounded by feather cape star crown. Penglai Langyuan, tired of playing, often play in the world. Wearing unicorns in the old capital, Jiangzuo short clothes and trousers singing happily. I'm afraid I'll have to go back to see him. I'll leave the banquet and rest and complain about the wine glass. I'll see you next year, and you'll dance in your sleeves and sing." From examples, we can understand its rhythm and rhythm, but there is no clear explanation of the exact meaning of this Ci. It may be that the ancients named it according to the creation situation and music melody at that time. Now, it is speculated that "Yao Tian Feng Cuihua Yin" may be a more poetic and ancient expression. It may be related to the guidance of distant places, palaces (Cuihua refers to the emperor) or specific emotions and artistic conception, but the exact meaning is difficult to determine.
The name of a Ci tablet is the name of the format of a Ci. The following are some common Ci names and related information: - ** Sandianzi **: Composed by Yuan Dynasty poet Yuan Haowen, the poem is 67 words in double tones, with nine sentences in the front and back, with four levels of rhyme. - Spring in Dongtian: It was created by Ouyang Xiu, a writer of the Northern Song Dynasty. It was represented as Spring in Dongtian. The orioles chirped and the green trees sang early. It usually used the form of forty-eight words with two tones. It was divided into two sections. The first section had four sentences with four rhymes, and the second section had five sentences with three rhymes. - [Remembering Jiangnan]: This was originally the name of the Tang Dynasty's Jiaofang song, and later used as a Ci tune. - ** Long Yearning **: The original name of Tang Jiaofang's song, later used as a tune. - Fisherman's Song, also known as Fisherman. - ** Su Mu Zhe **: Originally the name of Tang Jiaofang's song, later used as a Ci tune. - The name of the poem was taken from the meaning of "eternal encounter", which meant eternal joy and eternal peace. - ** Beauty Yu **: The name of the poem comes from Xiang Yu's favorite concubine, Beauty Yu. - [Qingping Music]: It was originally the name of the Tang Jiaofang song, named after the two tunes of the Han Yuefu,"Qingyue" and "Pingyue". - ** Picking Mulberry **, also known as "Ugly Slave's Order","Luo Fumei", etc. - ** Bodhisattva Man **: This is the song of Jiaofang in Tang Dynasty. Later, it was used as a Ci tune and also used as a Qu tune. Other than that, there were also names like Dream Order, Nian Nujiao, Qin Yuanchun, and so on. Different Ci tablets had different requirements for the rhythm, including the number of words, the number of sentences, the tone, the rhyme, and so on.
It is generally believed that the longest poem is the Preface to the Oriole's Cry, which has four sections and 240 words. This long tune first appeared in Wu Wenying's collection of "Dream Window Ci" and Zhao Wenli's "Spring Snow" in Xu Bao's Ci. There was also a saying that the longest Ci tablet was Jiu Zhang Ji, which was regarded as a big tune in the Imperial Cipu. It was first seen in the Song Dynasty's nameless Ci recorded in the Song Dynasty's Yuefu Ya Ci.