The Golden Mark of Kunqu opera is not yet cast into the well
The plot of " throwing himself into a well " in " Golden Mark " showed Su Qin's experience after he failed to seek an official position. Su Qin grew up in a peasant family outside Luoyang City. He was ambitious but his family was miserable and often ridiculed by his brother and sister-in-law. He brought the Wanyan Shu to Qin but was expelled from the Qin court. He returned home without food and clothing. Faced with the situation of his parents ignoring him, his sister-in-law not cooking for him, and his wife not getting off the plane, the huge contrast between his lofty ideals and the embarrassing reality made him so ashamed that he wanted to commit suicide. Fortunately, he was saved by his third uncle and encouraged. This plot reflected Su Qin's despair after encountering setbacks on his way to seek an official position, and also reflected the cold side of the feudal society at that time. In the Kunqu opera "Golden Mark", this plot was also an important part of the plot development. The play "Golden Mark" was a work of Su Fuzhi in the Ming Dynasty. It was based on the story of Su Qin during the Warring States Period. After a long time, the script form and storyline had changed, and different versions have been preserved until now. In 2012, the Kunqu opera "Golden Mark" created by Yongjia Kunqu Troupe won the Outstanding Play Award. In this version, there would also be a scene of the "Budi well". The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!
Kunqu Golden Mark
The Golden Mark was a legendary script written by Su Fuzhi in the early Ming Dynasty. It was based on the Warring States Strategy and Records of the Historian, and it told the story of Su Qin during the Warring States Period. When Su Qin failed to seek an official position, he was despised and laughed at by his family. After he became prime minister, his family flattered him. The script exposed the cold state of the feudal society. There were 42 episodes in the whole play. The arrangement of the scenes was good at comparison. The contrast between bitter and happy was strong. In the development of the plot, it deliberately imitated the structure of "The Pipa" and did not lose the original legendary quality. Among them,"Throw into the Well,""Stabbing Bones" and other single works are reserved plays of Kunqu opera, and high-pitched tunes are often performed in Jinben. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!
Kunqu opera and Beijing opera
The Qingyi in Kunqu and Peking operas belonged to the Dan Xing, and they had an important position in their respective operas. ** 1. Kunqu Qingyi ** 1. ** Acting Style ** - The performance of Kunqu opera was restrained, tactful and delicate. Kunqu Qingyi needed to adjust her breath reasonably when performing, because Kunqu singing did not "pass the door", and it was a test of strength to sing while doing the body. 2. [Character Creation] - For example, when Fang Tingyu played Cui Yingying, she showed her oriental aesthetics by turning her head and raising her eyes. Kunqu Qingyi emphasized on traditional China aesthetics when creating characters. 3. ** Inheritance and Development ** - There were examples of Peking opera actors like Lian Wenqing learning from Kunqu opera. Lian Wenqing had studied Kunqu's "Peony Pavilion" for a year and a half from Liang Guyin, an 80-year-old Kunqu artist. This showed that the performing arts of Kunqu Qingyi were worth learning from Peking opera actors. At the same time, it also reflected that the exchange and integration of opera arts would help the inheritance and development of Kunqu Qingyi performing arts. ** 2. Beijing opera, Tsing Yi ** 1. ** Acting Style ** - Peking opera performances were more external. The movements of Qing Yi in Beijing opera were relatively small, but her movements were more stable. She was usually dignified, calm, and beautiful. The recitation of the poem is generally called "rhyme", and the main focus is on singing. 2. [Character Creation] - The role played by Qing Yi in Beijing opera was usually a dignified and quiet married young woman. When performing tragic characters and people at the bottom of society, their costumes were often black (black was called "Qing" in ancient times, which was also one of the origins of the name Qing Yi). For example, Zhang Huoding played the role of Concubine Yu. As an actress of the Cheng School, she found a unique Cheng School performance style for the role of Concubine Yu when she performed Farewell My Concubine. From the singing to the performance movements, she carefully designed them, reflecting the uniqueness of the role creation of the Qing Yi in Beijing opera. 3. ** Inheritance and Development ** - In the course of development, it had undergone many reforms. In the 1920s, Wang Yaoqing and Mei Lanfang reformed the Qingyi industry, integrating the skills of Hua Dan and Dao Ma Dan into Qingyi performances. In the 1950s, Zhang Junqiu integrated the characteristics of the four famous actresses, making the Peking opera Qingyi continue to develop. According to the genre, the Qingyi of Beijing opera can be divided into the Qingyi of the Plum Sect and the Qingyi of the Zhang Sect. The singing of the Plum Sect is simple and fresh, with a combination of hardness and softness, with the beauty of natural harmony; the singing of the Zhang Sect is vigorous and euphemistic, beautiful and fresh. The development of different schools had enriched the performing arts of the Beijing opera. The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
What are the characteristics of Kunqu opera?
Kunqu opera is a traditional Chinese opera art form with rich local characteristics and cultural content. The language characteristics of Kunqu opera are mainly manifested in the following aspects: Elegant and smooth: The language of Kunqu is beautiful and elegant. It uses a lot of vocabulary and rhetorical techniques to make the language smooth and poetic. At the same time, the language of Kunqu opera also paid attention to rhyme and rhythm, often using the rhythm of level and tone to make the language more pleasant to hear. 2. Connotation and euphemism: The language of Kunqu opera is often very subtle and euphemistic. Through ingenious metaphor, metaphor, metonymy and other rhetorical devices, it can express profound feelings and thoughts. The words and sentences commonly used in Kunqu opera were often very delicate and required the reader to savor them carefully before they could comprehend the deep meaning. 3. Polysemy and ambiguity: The language of Kunqu has the characteristics of polysemy and ambiguity. The same word and sentence may have different explanations and meanings in different context, which requires the reader to think carefully and infer. Therefore, reading Kunqu opera required a certain level of cultural accomplishment and language skills in order to better understand and appreciate the deep meaning. The language of Kunqu opera focuses on elegance, elegance, implicitness, euphemism and polysemy, which requires readers to carefully taste and think.
Kunqu opera Qingyi Huandan
In the Kunqu industry, Dan Xing included different types such as Qingyi (Zhengdan) and Huandan. Qing Yi usually played dignified, serious, and upright characters. Most of them were virtuous wives and mothers or chaste women in the old society. Their ages ranged from young to middle-aged. Qing Yi's performance was mainly based on singing. Her movements were relatively small and her movements were relatively steady. Hua Dan was different from Qing Yi. Hua Dan's characters had their own characteristics in terms of personality and image. They were usually more lively and lively in their performances. There were many types of characters, including some young, lively, and playful female characters. The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
Famous Kunqu opera actor
Here are some famous actors in Kunqu opera: - Qian Wei, who came from Kunqu Theater of Jiangsu Province Performing Arts Group, was born in 1985. He was a national second-class actor and a clown of Kunqu opera. He studied under Li Hongliang, Zhang Jinlong and other teachers. He had won many awards such as "Performance Award" for outstanding young actors in Kunqu opera. He had participated in works such as "Happy Times: The Story of Leftover Men's Blind Date" and "Thirteen Homicide". He had performed Kunqu opera in many places. - Xu Dongyin, an ugly actor from Suzhou Kunqu Theater in Jiangsu Province, created three distinctive clown images through the performance of "The Beauty of Kunqu Ugliness--Xu Dongyin's Kunqu Drama Excerpt". He stood out among 83 participating plays and won the White Magnolia Award nomination award. - Li Qin was born in Kunshan, Jiangsu Province, the birthplace of Kunqu opera. When she was 11 years old, she was sent to an opera training class. In less than a year, she won the Golden Flower Award in the National Children's Drama Competition. In addition, there was also the Xu family in Xiao County, known as the Kunqu aristocratic family. In the "China Kunqu opera dictionary" edited by Wu Xinlei, a famous opera history expert and professor of Nanjing University, Xu Shuzheng, Xu Shenyi, Xu Daolin, Xu Ying, and Li Fanggui were included. Their descendants also contributed to the cause of Kunqu opera. There were also actors from the Shanghai Kunqu Troupe's "Kunwu Class 4" and "Kunwu Class 5" such as Zhou Yimin, Ni Xuhao, Yuan Jia, Zhang Weiwei, and Qian Yuting. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!
Shanghai Kunqu opera performance
Here is some information about Shanghai Kunqu opera performances: - On May 17th and 18th, the Shanghai Kunqu Troupe held a theme party and a collection of opera performances on the Tianchan Yifu Stage in Shanghai with the theme of "Colorful Flowers"-the 70th anniversary of "Kun Da Ban" and the 30th anniversary of "Kun San Ban". The performance team of "Five Classes and Three Generations" of Shanghai Kunqu Troupe showed the inheritance and innovation of recent years and paid tribute to Kunqu and Kunqu people. - From July 17 to 21, the "Five Children's Entrance Examination" performance season of Shanghai Kunqu Troupe was performed at Shanghai Lanxin Grand Theater. Five outstanding young Kunqu opera actors, Zhou Yimin, Ni Xuhao, Yuan Jia, Zhang Weiwei and Qian Yuting, took the lead in turn to show the diverse charm of Kunqu opera. In addition, on the evening of November 8th, the Zijin Grand Theater in Jiangsu Province staged the Kunqu opera "Peony Pavilion"(Master Inheritance Version), which was performed by five famous Kunqu opera troupes. This performance also included actors from the Shanghai Kunqu opera troupe. For example, Liang Guyin, the winner of the third China drama Plum Blossom Award, brought a discount of "Soul Separation". The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
The representative play of Kunqu opera
The classic representative plays of Kunqu opera include "Peony Pavilion,""Palace of Immortals,""Single Knife Club,""Tiger Bag Bomb·Mountain Gate,""1699·Peach Blossom Fan,""The Story of Washing Silk,""The Story of Singing Phoenix," and so on. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!
The male protagonist is good at Kunqu opera
I have two novels that I can recommend to you. They are " Fragrance of Cloud and Osmanthus " and " I and Kunqu ". " Fragrance of Cloud and Osmanthus " was a modern romance novel about the love story of the Republic of China. It told the story of the female protagonist, Du Linghan, who was the daughter of a Kunqu opera master and joined the revolution with the male protagonist, Gu Ziyu. Kun Qu and I was a romantic youth-and-pain novel that described the emotional entanglement between the female lead and the male lead. These two novels have plots where the male lead is good at Kunqu opera, which can meet your needs.
Kunqu opera night running lyrics
(Lin Chong.) Lin Chong (Xianlu Palace Diao Dian Jiang Lips) I've tried my best to change my plan. I've listened to the remnants of silver and fled from the Qin bandits. Oh, good. Teach me well. It's difficult to join a country. How can I ask for help? I want to send you to a thousand miles high, and the sad clouds are locked on Hengyang Road. Fish books do not come, wild geese do not rely on, several times want to write sad autumn Fu. Looking back at the Western Hills, the sun has already set, and it is really difficult to be a lonely guest in the world. A man does not shed tears easily, because he has not yet reached the place where he is sad. (White) An Linchong. In a moment of anger, he killed the two Gao Qiu spies with his sword. (There are also follow-up lyrics such as: According to Longquan blood and tears sprinkled on the robe, hate the end of the world, all lost.) Concentrate on the water margin, look back at the celestial dynasty. He hurried away, ignoring loyalty and filial piety, but only some examples of lyrics are listed here.) While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Who are the young actors of Kunqu opera?
The young actors of Kunqu opera included Zhou Yimin, Ni Xuhao, Yuan Jia, Zhang Weiwei, Qian Yuting from Shanghai Kunqu opera troupe, Wang Sheng and Lin Yujia from Kunshan contemporary Kunqu opera theater, Zhu Yingyuan from Suzhou Kunqu opera theater in Jiangsu Province, and Ou Longjuan from Hunan Province opera troupe. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!