Li Deyin's 32 Swords Teaching
Li Deyin's 32-style Taiji Sword was published by the Hei Long Jiang Audible and Video Press on September 4, 2009. It was aimed at the elderly group. It was led by Li Deyin, an international martial arts referee and professor of the People's University of China. The movements included preparation, parallel step sword, independent counter-stab, horizontal sweep, flat belt to the right, flat belt to the left, independent squat kick, virtual step back, independent step up, seven steps down, bow step, turn diagonal belt, virtual step diagonal belt, knee lift, jump step flat stab, left knee waist, right bow step, turn back, parallel step flat stab, left bow step block, right bow step block, step forward counter-stab, independent flat support, virtual step grab, retreat step counterattack, forward step flat stab, Ding step back to the ground, spin flat sweep. Bow stance, straight stab, draw back, etc. He pointed his sword at the east, east by north, and west.
32 Sword Li Deyin's Teaching Practice
The contents of the 32-style Tai Chi Sword Li De printing plate included preparation, parallel step point sword, independent counter-stab, horizontal sweep, right flat belt, left flat belt, independent squat kick, virtual step back, independent step up, seven step down stack, bow step, turn inclined belt, virtual step inclined belt, knee lift, jump step flat stab, left knee waist, right bow step, turn back, parallel step flat stab, left bow step block, right bow step block, do bow step block, advance counter-stab, independent flat support, virtual step grab, retreat counter-attack. He stabbed forward with a forward step, returned to the ground with a forward step, rotated and swiped forward, stabbed forward with a bow step, and retracted his momentum.
Li Deyin's 32 sword demonstration
Li Deyin's demonstration of the 32 Tai Chi Swords consisted of a series of movements, such as the Qi movement: left foot step, arms forward, waist swing, arm bend, foot lift, turn around, step forward, bow forward, turn around, sit on the plate, stretch arms, bow forward to receive the sword; the first movement was to point the sword at the same time; the second movement was to stab back independently.(Including withdrawing the sword, raising the sword with one foot, and independent counter-stabbing) The fourth movement was to move to the right side of the belt (including retracting the foot and retracting the sword, moving forward to deliver the sword, and moving forward to deliver the sword with the sword); the fifth movement was to move to the left side of the belt (including retracting the foot and retracting the sword, moving forward to deliver the sword, and moving forward to deliver the sword with the sword); the sixth movement was to turn around to grab the sword, move forward to raise the sword, and raise the leg to slash the sword; the seventh movement was to retreat and pull back (including retreating to lift the sword, and moving forward to hold the sword); the eighth movement was to stab upwards independently (including turning the waist and moving forward, raising the leg to stab upwards independently), and so on. These movements formed the complete demonstration of Li Deyin's 32 Tai Chi Swords.
Li Deyin's 32 Sword Manual
[Thirty-two Forms of Taiji Sword Manual (Li Deyin): The preparatory stance: Stand side by side with your feet facing south, body upright, eyes level, collar above neck, arms down, left hand holding sword, tip facing up, right hand pointing with palm facing inward. Starting Power (Three Rings Moon): The key point of starting a step with the left foot is to point and fall. Raise both arms forward, squat down and press down, and set the direction to the east. Take a step forward to pierce the sword, sit in a circle and spread your arms. Bending your elbows to take a step forward, and then take a bow stance to receive the sword. When taking a bow stance, the horizontal distance between your feet should be maintained at about 30 centimeters, and your knees should not exceed the toes. Withdraw your feet. Invert the sword independently. Raise your left knee as high as possible, flatten your feet, and slightly buckle your crotch. Your left knee is facing forward (due east), facing up and down with your left elbow. Raise the sword with your right hand, palm facing outwards, and the sword body is level. Unchanging, the direction of the foot was the opposite of the direction of the retreat. Swept Sword: When setting, the right hand stops in front of the left rib, and the sword is placed in front of the body and straight with the right arm, facing east and north, higher than the chest level; The direction of the upper step is about 30 degrees (right) from the southeast and the middle line. Do not fall to the right with a flat belt in the bow step. Turn the sword in the reverse bow step. Turn the palm of the right hand down, and the belt is straight and flat. Turn the sword while tilting it. When carrying the sword, the belt should be pulled from the right front and back. Do not push it horizontally to the right or sweep the sword to the right front; Down, the sword should be delivered in the upper step. The direction of the upper step is about 30 degrees (left) from the middle line. Bow to the left with the sword, right hand turning palm up, straight belt (to the left with the same method as the fourth stance, but in the opposite direction), the height of the sword tip is the same as the height of the head, when the stance is set, the two arms are half bent, the shoulders are loose, and the grip of the sword should be loose. [Right Bow Stance (Fishing for the Moon in the Sea): [Independent Upward Stab (Night Bird Throwing into the Forest): Turn your waist and take a step. The step length should not exceed one foot, and the direction should be due east. Independent Upward Stab Sword: The left knee should be raised in front of the left side of the body, and the sword tip should be higher than the head.] Faint Step Lower Cut (Black Dragon Tail Swaying): Step back, turn your waist and swing your sword. Don't swing your left foot straight back. Leave a horizontal distance of 10 - 20 cm. The sword swing should be at the same height as your shoulder, and the palm of your right hand should be facing up. Faint Step Lower Cut. The direction of the right step should be about 30 degrees east, and the direction of the head should be 45 degrees east and south. The horizontal distance between your feet should not exceed 10 centimeters. [Left Bow Stance Stab (Green Dragon Out at Sea): Raise your leg, step back, and raise your sword. The tip of the sword points to the left and the front about 30 degrees upward.]
Sword Manual Li Deyin
The sword manual of the 32 forms of Taiji Sword (Li Deyin) was as follows: The preparatory stance: Stand side by side with your feet facing south, body upright, eyes level, collar above neck, arms down, left hand holding sword, tip facing up, right hand pointing with palm facing inward. Starting stance (three rings of the moon):(1) Start with your left foot; key points: point to start and fall. (2) Raise both arms forward, squat down and press;(3) Turn fat, swing arms, and withdraw feet (the left toe does not touch the ground). There were also moves like the Double Step Point Sword (dragonfly skimming the water). Each move had different movement essentials and direction requirements.
Li Deyin's 32-style password complete exercise
The 32 Tai Chi Fist Starting Stance: 2. Raise your arms horizontally in front of you. 3. Squat and press the palm. Fourth, hold the sparrow's tail with your right hand. 1. Withdraw your feet and hug your arms. Second, step forward with your left foot. Third, bow stance left tent. Fourth, sit with your legs buckled. Fifth, pull back your feet and hug your hands. 6. Turn around and step forward. 7. Bow stance on the right side of the tent. Eight, stretch out your arms and turn your palms. 9. Turn your waist and stroke your back. Ten. Turn around and put your hands on your waist. 11. Squeeze forward with a bow stance. 12. Left leg swinging palm. 13. Turn the waist and rotate the palm. Fourteenth, Ding Bu pressed his palm. Left whip. 1. Hook your hand, turn around, and step forward. 2. Bow Stance and Palm Push. Left lute style. 1. The root of the palm. Second, sit on your legs and swing your palms. Third, Virtual Steps Combined Hands. progress, multicolored hanging down. 1. Turn the waist, pierce through the palm, and move the palm. Second, the emperor moved his palm. Third, go up and take the palm. 4. Bow Stance Fist. Like a seal, like a seal. 1. Left leg flip. 2. Step forward and withdraw your palm. 3. Bow Stance and Palm Pressing. He hugged his knees and walked forward. 1. Turn around and wave your hands. Second, stop and wave. 3. Step forward and withdraw your palm. 4. Bow Stance, Hand Push. Fifth, turn your waist, lift your feet, and swing your palms. 6. Withdraw your feet and swing your palms. 7. Step forward and withdraw your palm. 8. Bow Stance, Hug and Push. Right whip. 1. Sit on your legs, turn your waist, and swing your palms. Second, sit on your legs, turn your waist, and retract your feet. Third, step forward and kick. 4. Bow Stance and Palm Push. Right hand cloud hand. 1. Turn your waist and buckle your feet to loosen the hook. Second, the right cloud withdrew its feet. Third, Zuo Yun's foot is out. 4. The cloud on the right closes its feet. Five, the left cloud out of the foot. Six, the right cloud pull back the foot. Wild horses split their manes. 1. Hands and feet. 2. Turn around and step forward. Third, break up with a bow. Fourth, turn your waist and kick your feet. Fifth, hold your hands and feet. 6. Step forward with your left foot. 7. Break up with a bow. Undersea Needle. 1. Turn the palm at the root. Second, raise the palm with wide legs. Third, step down and insert your palm. Flash through the back. 1. Stand up and walk up. Second, bow forward. Holding the sparrow's tail in his right hand. 1. Turn your waist and kick your feet. 2. Hands and feet. 3. Step forward with your right foot. 4. Bow stance tent. Fifth, extend your arms and turn your palms. 6. Sit on your legs and turn your waist back. 7. Turn your waist and put your hands on it. 8. Squeeze forward with a bow. Nine, sit down and stop. 10. Bow Stance Pressing. Turning body, turning body, pounding. 1. Turn around and break up. Second, retract your feet, clench your fists, and close your hands. Third, step forward and raise your fist. 4. Bow Stance. Squeeze. 1. Turn your waist and buckle your feet. 2. Bow Leg Penetration. Third, pull back your feet and stroke them. Step forward and hold hands. 5. Squeeze forward with a bow. 6. Turn your waist and buckle your feet. 7. Bow Stance Penetration. Eight, pull back your feet and stroke them. 9. Step forward and hold hands. 10. Squeeze forward with a bow. He slapped his right foot. 1. Turn your waist and buckle your feet. Second, raise your left leg. Third, break up with a kick. Left leg. One, step down and flip the palm. Second, bow legs break up. Three raised legs and hands. Four feet apart. Right kick. He landed and waved his palm. Second kick, shaking fist. Step forward and fall. He landed and waved his palm. Second, he withdrew his feet and waved his hands. Three steps forward and a fist retracted. Four Bow Stance, Falling Fist. He shuttled left and right. She turned around and broke up with him. Second, pull back your feet and hug your hands. Three steps up, hands crossed. four bows, stance, and push. Five turns, waist buckle. Six put his feet back and hugged his hands. Three steps up, hands crossed. four bows, stance, and push. Elbow Punch. He sat down and kicked her. His two legs turned over. Three Void Steps Palm Strike. Turn your arms upside down. He flipped his palm. Second leg retracted. Three steps back. Four virtual steps, push palm. The third one. Lower right. He turned around and clasped his hands. Second Leg raised his hand. Three pounce steps separated. The golden rooster stood alone. He bent his legs and raised his hand. The two stood on their own palms. Lower left stance. With a step, he turned around and put his hands together. Two pounce steps to break up. Step forward to seven stars. He bent his legs and raised his hand. The second is the virtual step of the canopy fist. step back and step over the tiger. He stepped back and let go. The two sitting legs support the palms separately. He turned around and waved the lotus. He clasped his hands. Rank two, donning. Three swings of lotus and patting of feet. He shot the tiger with his bow. He landed and waved his hand. Second, bow stance and boxing. He held the acupuncture points on his left. He turned around and kicked. He hugged his hands and feet. Three steps forward. Four bows, hands clasped. He stretched out his arms five times and turned his palms. The six men sat on the donkey's back and turned their backs. Seven turns, hands on waist. Eight steps forward. Nine sitting legs behind the croon. Ten bow steps, push and press. Cross Hands. She turned around and broke up with him. The two sat with their legs clasped and their hands clasped. Three times, he retracted his feet and hugged his hands. Retract. He waved his hand. Two arms drooped down. Three times, he retracted his leg and returned to his original position.
Wudang Thirteen Swords Teaching
The Thirteen Swords of Wudang was a sword technique that was formed by combining thirteen basic movements. It was an important foundation for learning the Seven Stars Sword of Wudang and the Taiji Sword of Wudang. The specific movements were described differently in different materials. The common movements were a little sword, a sword, etc. It also included drawing, carrying, lifting, blocking, hitting, stabbing, pointing, breaking, stirring, pressing, chopping, cutting, washing, etc. Internal cultivation of Yin and Yang Qi was the basic requirement for practicing the Thirteen Swords of Wudang. One had to be calm and hold one's mind, use the sword as if it was a fist, and use one's mind as the main force. Eye techniques, hand techniques, footwork, body techniques, and waist techniques were coordinated. When practicing, one had to follow the principles of empty collar and top strength, chest and back, loose waist and wrist, qi sinking into the dantian, strength from the spine, etc. One had to walk with the sword, carry the sword with one's body, and combine the sword with one's body. One had to have the spirit to move forward bravely. The key to using the sword was to observe the changes (eyes). If the opponent moved slightly, I would move first (technique). If I moved, I would change (body technique). If I changed, I would be obvious (footwork). At the same time, it required courage, inner strength, speed, composure, and other qualities. In the Wudang swordsmanship, the cultivation of inner strength required a long period of accumulation. In addition, the practitioner should have perseverance, sufficient spirit, energy, and courage, and diligently cultivate internal and external martial arts to reach the realm of body and sword unity. The sword is like a part of the body, and the inner strength can be poured into the sword edge, making the sword edge untouchable.
32 Tai Chi Sword Li Deyin Complete Practice
Li Deyin's full set of 32 Tai Chi Sword moves were as follows: The first is to open the left foot. 2. Raise your arms horizontally in front of you. Third, turn your waist, swing your arms, and withdraw your feet. Fourth, turn around and step forward, bow forward. Fifth, step forward to pierce the sword, sit on the plate and stretch your arms. 6. Step forward and take the sword with a bow. The first move was to step forward and point at the sword. The second style was Independent Reverse Stab. This included withdrawing his sword, turning around to pick up his sword and withdrawing his leg, and stabbing back independently. The third move, Pounce Step Horizontal Sweep. It included turning around, retreating, and sweeping the sword. The fourth move was a flat belt to the right. The steps were to withdraw the sword with the foot, step forward to send the sword, bow step to the right with a flat belt, and the wrench bow step with a sword. The fifth move was a flat belt to the left. This included retracting his leg and sword, stepping forward to deliver the sword, and taking a bow to the left with the sword. The sixth move, Independent Snatching Slash. There were those who retracted their feet and turned their waist to snatch the sword, raised the sword and walked up, and slashed down independently. The seventh move was to retreat and draw back. It included stepping back and raising the sword, as well as using Void Steps to whip and explode. The eighth move, Independent Upward Stab. It included turning waist and moving steps, and stabbing the sword independently. The ninth move, Void Step Lower Cut. Some stepped back, turned their waist and swung their swords, and stepped down. Tenth move, Left Bow Stance Stab. This included lifting the leg and stepping back to lift the sword, sitting on the leg and turning the sword with the belt, retracting the sword and retracting the left foot, and lunging forward. The eleventh movement, turn around and belt diagonally. It included sitting on the legs, clasping the feet, turning the waist to draw the sword, sitting on the legs, lifting the feet to send the sword, turning around and landing on the ground to wait for the sword. Twelve forms: Shrinking body, slanted belt. There were those who retracted their legs and sheathed their swords, reversed their sword fingers, stepped back and sent their swords forward, sat down and retracted their legs, and Ding Buping carried his sword. [Thirteen forms: Raising knees and holding sword.] It included stepping backwards and splitting the sword with empty steps, and moving forward and raising the knee to hold the sword. Fourteenth style: jump step flat stab. There were the steps of sinking the sword, sending the sword forward to stab, jumping steps to retract the sword, and bow steps to stab. The 15th move, left virtual step lift. This included retracting his feet, raising his sword, and circling back, moving forward to circle the sword, and moving forward to lift the sword. The sixteenth move was the right bow stance. It included turning his waist and circling his sword, taking a step forward and raising his sword. [Seventeenth movement: Turn around and draw back.] There were sitting legs, turning waist, drawing sword horizontally, turning body, and drawing sword downward (sitting legs, turning waist, drawing sword downward). Eighteen forms: parallel step flat needling. It included waving his hands and feet, and stabbing at the same time. The nineteenth stance was the Left Bow Stance. This included turning around on tiptoe to raise the sword, circling the sword to take a step forward, and taking a bow to block the sword. The 20th move: Right Bow Stance Block. It included turning his waist and lifting his sword, retracting his feet and turning around to circle the sword, and blocking the sword with a bow stance. [Twenty-one Stance: Left Bow Stance] This included turning around to bite the sword, retracting his feet to turn around and circle the sword, and using a bow stance to block the sword. Twenty-two forms: Advance Backstab. It included high steps, high rest steps, back stabbing, sword lifting steps, bow steps, reverse stabbing. Twenty-third move: Turn around and chop back. There were sitting legs with legs buckled and turned around, sitting legs with legs retracted and swords raised, and bows with swords slashed. [Twenty-four forms: Virtual Step, Point Sword.] This included retracting his feet and hands, turning around and stepping forward to raise his sword, and stepping forward.
Han Li's 72 Swords
In "A Record of a Mortal's Journey to Immortality", Han Li had 72 swords. Han Li had obtained the refinement method for the Bamboo Cloudswarm Swords in the Scattered Star Seas and began to refine flying swords. Later on, he obtained the Profound Heaven Spiritslayer Sword and fused it with the other flying swords. The number of flying swords reached 72. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
Han Li's 72 Swords
In "A Record of a Mortal's Journey to Immortality", Han Li's 72 swords were named the Azure Bamboo Cloudswarm Swords. The Azure Bamboo Cloudswarm Swords were a set of refinement techniques and the materials to refine the 72 flying swords that Han Li had obtained in the Scattered Star Seas. After his continuous refinement, the number of flying swords had increased to 108, becoming one of his main offensive techniques. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
s29 Li Bai's Teaching
The following is the content of Li Bai's teaching in the S29 season of Mobile Legends: ** 1. Equipment recommendations ** Pursuit Blade + Boots of Resistance + Blood Weeping Blade + Shadow Axe + Star Shattering Hammer + Army Breaker. Jungler Blade would first be upgraded to Pursuit Blade, Resistance Boots could increase toughness, Bloodshed Blade could increase endurance, and Jungler could recover health better; Shadow Axe reduced CD and provided Armor Penetration, sufficient mid-stage damage, Star Shattering Hammer could make tanks fear, Army Penetration increased damage output and harvesting ability. ** 2. Inscription recommendations ** 5 Crimson Moon +5 Peerless +5 Hunting +5 Gathering +10 Eagle Eye. ** 3. Game Thinking ** Li Bai needed to use normal attacks to refresh the cooldown and unseal his ultimate skill, so he needed a certain amount of attack speed to refresh his ultimate skill in the shortest amount of time. Due to the special characteristics of the ultimate skill, in order to deal the maximum damage during the duration of the Invincible Slash, attack and armor penetration were necessary attributes. Healing could ensure that it could stand better on the battlefield. ** 4. Skill Release Sequence ** Usually, one could first use Skill 2, Descending Faith, to get close to the enemy, then Skill 3, Soaring Strike, to attack, and finally Skill 1, Flying Sword, to quickly retreat. ** 5. Key Points of Skill Usage ** 1. He could use the displacement ability of Skill 2 to increase his mobility. 2. Skill 1 can be cast on teammates and minions, providing additional attack power and health recovery. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>