As an aesthetic concept,"Da Yin Xi Sheng" was used in many scenes: ** 1. Art Creation ** 1. ** Music Creation ** - In modern music creation, some avant-garde music might draw lessons from the concept of " great music hopes for sound." For example, some experimental music works would deliberately leave gaps in melody, rhythm, and other aspects. They did not pursue a strong auditory impact, but instead created a profound artistic conception through short silence or weak notes. This kind of composition technique was similar to the concept of " Da Yin Xi Sheng " where the better the music, the more distant it was. It allowed the audience to express their imagination in the blank space of the music and feel the emotions and meaning behind the music. 2. ** Creation of visual arts ** - In terms of painting, some artists would adopt a minimalist style. There would not be too many colors and complicated shapes on the picture. Instead, it would use simple and ethereal picture elements to convey profound thoughts. This was just like the phrase " a loud sound is heard, an elephant is invisible ", which contained the richest meaning in the simplest form. For example, an ink-wash painting with a large area of blank space and only a few simple strokes outlining the outline of the landscape would allow the viewer to feel the distant artistic conception of the landscape through such a simple picture, just like the best image was the most ethereal and grand. - In the creation of sculptures, some modern sculptures were simple in shape and abandoned cumbersome decorations. They used simple lines and shapes to express an abstract and indescribable beauty, just like the natural beauty advocated by "Da Yin Xi Sheng". This simplicity could make the audience feel the strong artistic appeal of the works. ** 2. In the field of literary creation ** 1. ** Poetry Creation ** - When a poet was composing, he might use concise and meaningful language. He would not use too many flowery words or lengthy descriptions. Instead, he would use short sentences to convey profound emotions or philosophy. For example, Japanese haiku often used three short sentences with seventeen syllables to outline a picture full of artistic conception, leaving the reader with endless space for imagination. This was in line with the concept of " Great Sound Hope Sound ", which used the least amount of words to express a profound artistic conception. 2. ** Writing a novel ** - In some novels, the author would not exaggerate the plot and characters. Instead, it was through implicit descriptions to shape the character's image and promote the development of the plot. For example, when describing the psychology of a character, it would not directly express the inner thoughts of the character. Instead, it would hint through subtle movements and short conversations of the character, allowing the reader to experience the feelings and thoughts deep in the character's heart. It was like " Great Sound Hope Sound ", leaving the reader with room to think and feel. ** 3. Personal Cultivation and Life Attitudes ** 1. ** Interpersonal Communication ** - When interacting with others, a person who had the cultivation of "great voice and hope for fame" would not boast. Instead, he communicated with people with simple and sincere words and knew how to listen. Although they didn't say much, they often hit the nail on the head and gave people profound inspiration. For example, in team discussions, they would not compete to speak in order to express themselves. Instead, they would put forward constructive opinions at the appropriate time. This low-key and subtle way of communication reflected a kind of magnanimity. 2. ** Dealing with Life's Pressure ** - In the face of difficulties and pressures in life, maintaining a "loud voice" attitude meant not complaining and not being ostentatious. He silently endured it and actively looked for a solution to the problem. This attitude was like a silent power. Although it was not loud, it had perseverance and inner strength.
The phrase "Da Yin Xi Sheng" came from Tao Te Ching, which was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. Ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. The better the music, the more distant it was. It could also be understood as the greater the achievement, the more distant it penetrated.
The philosophical meaning of "Da Yin Xi Sheng" was mainly reflected in the following aspects: 1. In terms of aesthetic concept, this expression advocates natural beauty rather than artificial beauty, meaning that the better the music, the more distant and low it is. This is an aesthetic concept in ancient China literary theory, indicating that truly great music is beyond the existence of ordinary sound forms. 2. ** Worldview perspective **: The "sound" here is not purely a musical meaning, but an explanation of "Dao." Dao was the law of nature between heaven and earth. It was supreme, hidden, and nameless. It was not unique and unchanging. It was everywhere and existed in all things in heaven and earth. "Great Sound Hope Sound" revealed the characteristics of Dao with a seemingly contradictory expression. Like Dao, the truly great sound was an existence that was difficult to grasp with conventional perception, reflecting the profundity and elusiveness of Dao. 3. ** The perspective of the relationship between the two: Similar to many concepts in Lao Tzu's philosophy that are explained by antonyms, such as "Being and non-existence are mutually generated, difficult and easy complement each other","Great Sound Hope Sound" also reflects the relationship between the two. It implied a relationship of opposites and complementing each other, that is, the unity of great sound and small (rare, weak). Great things often existed in a more obscure form that was different from conventional cognition.
Da Yin Xi Sheng had the following meanings: 1. From an aesthetic point of view, this concept was proposed by Lao Tzu to advocate natural beauty rather than artificial beauty. The better the music, the more distant it was. The better the image, the more distant it was. The greater the achievement, the more distant it was. The more magnanimous it was, the more inclusive it was. 2. In terms of the nature of sound, due to the limited range of human hearing, The largest or smallest sound could not be heard, so it could be understood that the sound beyond this range (smaller or larger than this range) was hopeful. This could also be compared to the universe and other grand things. The shape of the universe could not be described by what people saw and heard. Such a large image was invisible. It meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was. 3. From the different perspectives of scholars, there were roughly six explanations: First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was Heavenly Music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. 4. From the surface meaning and the inner meaning, the more elegant the music on the surface, the fewer people would be able to appreciate it. The more profound the inner meaning, the fewer people would accept it. 5. In terms of contemporary social significance, Great Sound of Hope reflected people's desire for communication. It not only represented people's demand for information transmission, but also reflected people's pursuit of freedom and equality. It helps to actively transmit information, allowing information to be more widely disseminated and shared, thereby promoting communication and understanding between people, helping people better solve problems and cope with challenges. At the same time, it also reminds people to listen to the voices of others, respect the views and opinions of others, and build a harmonious society.
"Da Yin Xi Sheng" was not a term used on the internet, but from Lao Tzu's Tao Te Ching. It mainly had the following understandings: First, the most beautiful and loudest sound was silent sound; Second, the loudest or the smallest sound could not be heard, and the sound that people could hear was limited (the human ear could recognize the sound between 20 - 20000 Hertz); It could also be understood that people had to listen to the inner voice and live the truest self.
In the reference materials, when the zodiac animals such as the ox, chicken, rabbit, and pig were mentioned, they all quoted the word "Da Yin Xi Sheng". However, it was not clearly stated that "Da Yin Xi Sheng" represented a specific zodiac, so it was impossible to determine exactly what zodiac "Da Yin Xi Sheng" was.
Da Yin Xi Sheng had many meanings. The first type was from an aesthetic point of view. It advocated natural beauty rather than man-made beauty. The better the music, the more distant it would be. The better the image, the more distant it would be. The greater the achievement, the more distant it would be. The more magnanimous it was, the more inclusive it would be. It could also mean that the loudest or the smallest sound could not be heard. The sound that people could hear was limited. It could also mean that the sound was loud but the meaning was very weak. It could also mean that although the words were grand, they were actually empty. From another point of view, the more elegant the music, the fewer people would be able to appreciate it. The inner meaning was that the more brilliant the suggestion, the fewer people would accept it. It could also be understood that the loudest and most beautiful sound was silent.
In the reference materials, when the zodiac animals such as the ox, chicken, rabbit, and mouse were mentioned, they all quoted the "Great Sound Hope Sound". However, it was not clearly stated that "Great Sound Hope Sound" represented a specific zodiac, so it was impossible to determine exactly what zodiac "Great Sound Hope Sound" was.
The concept of "Da Yin Xi Sheng" originated from "Lao Tzu·41 Chapters", which was an aesthetic concept in ancient China literary theory. In Lao Tzu's mind,"Da Yin Xi Sheng" had a close relationship with nature. From an aesthetic point of view, Laozi believed that the most beautiful music should be the sound of nature, not man-made or partial sound. The sounds in nature were the most authentic and natural sounds. They were not artificially modified or processed, and could directly touch people's hearts. However, man-made and partial sounds were limited and partial, unable to achieve the beauty of natural sound. Therefore,"Great Sound Hope Sound" reflected the respect for natural sounds and advocated people to pursue the beauty of natural sound. From a philosophical point of view, the concept of nature in Taoism emphasized that it was natural and natural. The realm pursued by "Great Sound Hope Sound" was also in line with this natural philosophy. The more natural the sound was, the closer it was to the distant and low state described by "Great Sound Hope Sound", which was difficult to define with specific forms. This concept also influenced the development of ancient China music, making ancient music pay attention to the sound and rhythm of nature and pursue harmony with nature. At the same time, this also reflected the Taoism's admiration for nature and inaction. It was to follow the laws of nature and not deliberately pursue a specific, sculpted form of sound, but to pursue a natural state of "Da Yin" that contained infinite possibilities.
Da Yin Xi Sheng was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It had many meanings: 1. From an aesthetic point of view, natural beauty was respected. The better the music, the more distant it was. The better the image, the more distant it was. The greater the achievement, the more distant it was. The more magnanimous it was, the more inclusive it was. 2. From the physical characteristics of sound and the range of human hearing, human hearing had a range. People couldn't hear sounds that were beyond (smaller or larger than) this range, but it meant that the best music had no sound. 3. From a philosophical point of view, when it was said that "great sound is rare, and an elephant is formless," it could also be said that "great sound is rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"Dao is obscure and nameless." The greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was. 4. In terms of understanding of the acceptance of suggestions, the more brilliant the suggestion, the fewer people would accept it. 5. In modern society, the Great Sound of Hope reflected people's demand for information transmission and their pursuit of freedom and equality. People should actively transmit information and let it be widely spread and shared. At the same time, they should listen to the voices of others and respect their views in order to build a harmonious society.