Great sound, hopeful sound, elephant, invisible metaphor, what character
The sound of a big voice is rare, and the elephant is invisible. It can be used as a metaphor for the character of a person with a broad mind and tolerance. People with this kind of character could tolerate the mistakes of others and would not seek revenge for the smallest grievance. For example, Premier Zhou reflected on himself after his face was cut by a hairdresser, Su Shi repaid his enemies with kindness, and Mandela showed tolerance to the people guarding him after he was released from prison. Although they were in different situations, they all reflected a kind of inner generosity and tolerance. It was just like the meaning of " the louder the sound, the more tolerant the elephant was, the more tolerant it was." At the same time, it could also be used as a metaphor for a person who had inner self-cultivation and quality and was not ostentatious. The real voice came from the inner feeling and not the external noise. The real image depended on the inner temperament and not the external decoration. Such people were low-key and rich in content. They would not show off, but silently stick to their inner quality.
Great sound, hopeful sound, elephant, invisible metaphor
When used to describe people, it could be understood that the higher a person's realm was, the more magnanimous he would be. A person with true self-restraint and depth was like a distant and low music that would not be too flamboyant and noisy, just like a distant and distant image that would not show off its abilities and would have an indescribable atmosphere. A person who was truly upright would not have obvious edges and corners, nor would he show his hardness and stubbornness everywhere. Instead, he would know how to live a mellow life. A person who could achieve great things would often not be anxious for success. Instead, he would quietly accumulate and settle down. In the end, such achievements would often have far-reaching influence and a long aftertaste. The image of a magnanimous person could not be simply described with a specific form. His mind and content were inclusive and difficult to define with conventional concepts.
Big sound, hopeful sound, elephant, invisible meaning of hopeful and elephant
There were many explanations for the word "Xi" in "Da Yin Xi Sheng". One explanation was that it was rare and sparse, which meant that the loudest sound sounded sparse. Another explanation was that "Xi" meant "nothing", which believed that the loudest sound had no sound and was the accumulation of "Da Yin". There was also a view that "Xi Sheng" was not heard by the ear, but to feel the eternal and harmonious "Heavenly Music", or that "Da Yin" was the transcendence of sound emotions. The original meaning of the " elephant " in " elephant formless " was " Tao " or " truth ", and could also be understood as images and scenes." elephant " could represent the better and bigger image. Some people believed that " elephant " could also refer to " divinatory symbols ", which represented elements." elephant " was an important element. In short, the better the image, the more distant or important the elements were, the easier it was for people to ignore them.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from the following aspects: From the literal meaning, a better explanation was that the better the music, the quieter it was, and the better the image, the more ethereal it was (it could also be understood that the best music was without sound, and the best image was without image). This was because the range of human hearing was limited, and sounds beyond the range could not be heard. The shape of the universe was so vast that it could not be described by what people saw and heard, so it was invisible. From a figurative point of view, it could be said that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable it was. It could also be understood as a person who was truly "square" had no edges and corners. The real success of something would always be at the end. Beautiful music was a sound that could not be heard, and the best image was an image that could not be seen. Or, the louder the sound, the more monotonous the tone. The bigger the scene, the more uncertain the shape. Ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. When Lao Tzu said,"Great sounds are silent, and elephants are formless," it could also be said that "Great sounds are silent, and the Great Dao is formless." It was equivalent to Lao Tzu's so-called "Dao is hidden and nameless." The nature of this inaction was difficult to speak, express, and describe.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
Great sound, hopeful sound, elephant, invisible path, hidden nameless meaning
Big sound, hopeful sound, elephant, invisible term, explanation
"Great sounds are rare, and elephants are invisible" came from the Tao Te Ching, an aesthetic concept in ancient China literary theory. Its meaning was as follows: From the literal meaning, it could be understood that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). This was because the range of human hearing was limited, and the human ear could not hear sounds that were beyond or smaller than this range. The shape of the universe could not be described by what people saw and heard, and such a grand image was invisible. From an aesthetic and philosophical point of view, this concept was intended to promote natural beauty rather than man-made beauty. It symbolized that the greater the achievement, the more distant it would be. The more magnanimous it was, the more inclusive it would be. It was the transcendence of "sound" and the pursuit of "silence". The loudest sound was no sound. With sound, there would be a specific form. It could only be partial and could not be comprehensive, so it could not become "big sound"."Solid formless" could accommodate "multi-form". The sound of the Great Way was the most real, the most touching, and the most touching. It was a realm where "silence was better than sound". Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"Dao is obscure and nameless."
Which work does the great sound, the hopeful sound, and the invisible elephant come from?
I recommend " Ear of Evolution ", a fantasy novel written by Super Fatty. The story was about the recovery of the entire universe's reiki. Guo Ruo had awakened a special ability that allowed her to hear the obsessions of mysterious things. She would be rewarded for eliminating them. The setting was novel, the relationship between the characters was normal, and it was humorous, as comfortable as drinking sugar water. Although it was a new book, it was not bad. There were no negative points. It was a four-star recommendation. There was a shortage of books to read. " My Pet Can Transmigrate " was not bad either. It was written by a chubby hippopotamus. After the great change in the world, the potted plants in his house mutated and gave birth to mythical creatures. The protagonist Jiang Bei interacted with these creatures very lovingly. Daily style, combining myth and reality, good writing style, refreshing novel without harem plot, updated and powerful, although the opening is common but attractive, the story and other aspects of the score are high, food ++. There was also 'The Top Is Near, White Beard Regiment Chief Can't Hide,' written by the titled coachman. Krogdahl traveled through the Great Voyage World and became the captain of the White Beard Pirates. He wanted to survive but activated the system, changing the strength of the members. The story was interesting. 'Super Radio' was written by the emotionless monk. Zhang Jian's radio received Dao Ancestor Hongjun's preaching after being struck by lightning. It was a xianxia cultivation novel and related readers. However," Starting from the Village Branch Doctor to Rewalk the Path of Life " was not recommended. There were many mistakes, and the plot was stiff and unreasonable.
Great sound, hopeful sound, elephant, formless beauty
"Great sounds are rare, and elephants are invisible" came from Tao Te Ching, an aesthetic concept in ancient China literary theory. The meaning of "Da Yin Xi Sheng" was roughly understood in the following ways: First, it was believed that the loudest sound had no sound; Second, it was believed that the loudest sound was sparse; Third, it was believed that "Xi Sheng" was "soundless", which contained "Da Yin"; Fourth, it was believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, it was believed that "Da Yin" was the sound of the combination of Dao, mainly referring to the transcendence of sound emotions. Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best. "Elephant formless" referred to the better the image, the more ethereal and formless (or "the best image is without image"). It could also be understood as the human's vision was limited. If the image was too big, it would be like formless. It meant that the more magnanimous the image was, the more indescribable it would be. When he mentioned 'great beauty', he could see from the aesthetic concept of' great sound is rare, great elephant is formless'. Great beauty might be a kind of beauty that transcends conventional perception, is natural and not man-made, and is inclusive and difficult to define with specific forms or standards. It reflects a kind of magnanimity and realm. It contains the meaning that the grander the beauty, the more limitless it is and cannot be described with conventional methods.
Big sound, hopeful sound, elephant, invisible, full-text annotation
dà yīn xī shēng，dà xiàng wú xíng。dào yǐn wú míng。fāng wú yú，qì wǎn chéng。shàng shì wén dào，qín ér xíng zhī;zhōng shì wén dào，ruò cún ruò wáng;xià shì wén dào，dà xiào zhī。bú xiào bù zú yǐ wéi dào。yǒu jiàn yán zhě：míng dào ruò mèi，jìn dào ruò tuì，yí dào ruò lèi;shàng dé ruò gǔ，guǎng dé ruò bù zú，jiàn dé ruò tōu，zhì zhēn ruò yú;dà bái ruò rǔ。
Great sound, hopeful sound, elephant, formless, the meaning of the great path is simple
" The simplest way " referred to the general rules and principles of things in the world. Its logic was quite simple, and the complicated truth was often the details on the surface of things. " Great music makes sound " had many meanings. One was that the better the music, the quieter it would be. It could also be understood as a human's hearing range, and sounds beyond or smaller than this range could not be heard. The best music had no sound, which meant that the greater the achievement, the more distant it would be. Another understanding was that this was an aesthetic concept that advocated natural beauty rather than man-made beauty. The better the music, the more distant it would be. "Elephant is invisible" came from Lao Tzu's Tao Te Ching, which meant that the world's greatest, magnificent, lofty, and magnificent style and realm were often not limited to certain things and patterns, but showed the appearance and scene of various climates. It could also be understood that the grand momentum scene seemed to have no certain shape. Only without shape and frame could it accommodate all forms. It should not be deliberate, not overly assertive, and should be compatible with all kinds of things.