What does Journey to the West song mean?

Answer 1

The songs in Journey to the West had different meanings.

As the theme song, the lyrics depicted the journey of Tang Sanzang and his disciples who carried a load and led a horse, crossing mountains and wading through water. Among them, the words "Spring, Autumn, Winter, Summer, Sour, Sweet, Bitterness" reflected the difficulties and hardships in the process of obtaining the scriptures, and "Where is the way?" The road is under their feet "expressed their courage and indomitable spirit in the face of difficulties.

Take " Fast Sound of the Cloud Palace " as an example. The music began with simple and light musical instruments, symbolizing the innocence of childhood. The passionate part showed the rebellious, arrogant, and rampage of teenagers. The soprano part represented the encounter of love. The manic part reflected the boredom of love and the continued search for satisfaction. The ethereal part reflected the constant search, disappointment, helplessness, and hesitation. In the hesitation, you know yourself and find your mission. The soprano that appeared again represented the love and innocence that had been lost; the high-pitched part was less sharp and more heavy, showing the struggle between reality and memories and finally finding his own way; the rapid drumming symbolized the battle with the difficulties on the road; the end of the peaceful and soothing minor tune represented the victory of difficulties and the inner peace.

Through the description of the characters and stories in Journey to the West, the song showed Sun Wukong's smart, brave, and tenacious character, as well as the spiritual outlook of the four masters and disciples who faced difficulties bravely. The melody of the song was passionate and full of power, implying the hardships and glory of the road to learning from the scriptures.

" Love for Women " told the story of Tang Sanzang and his disciples passing through the Kingdom of Women. It portrayed the deep feelings of the King of the Kingdom of Women for Tang Sanzang, as well as the entanglement between Tang Sanzang's feelings and the task of obtaining scriptures. For example, the lyrics of " mandarin ducks and butterflies flying in pairs, the garden full of spring makes people drunk " reflected the tenderness of the King of the Kingdom of Women and the inner contradiction of Tang Sanzang.

" 500 Years of Mulberry Fields and Vast Seas " was a song that was played when Sun Wukong was suppressed under the Five Elements Mountain. The lyrics expressed the vicissitudes of Sun Wukong after being suppressed for 500 years and his yearning for freedom.

" How I Wish I Was A Grass " was an interlude in the episode " Imprisoned in the Five Elements Mountain." The female voice was more lyrical and had a tear-jerking effect.

" Five Hundred Years of Mulberry Fields and the Ocean " was more inspirational and unyielding, and the effect was different from " He Wants to Be a Grass ", which was more graceful and tearful when the first 11 episodes were broadcast.

" Let's Go " was the interlude at the end of " Imprisoned in the Five Elements Mountain ", when Tang Sanzang bid farewell to Li Shimin and walked on the road to obtain scriptures.

" Born Nameless, Originally No Surname " was the earliest interlude in the third episode of " The Great Sage Havoc in Heaven."

The Great Holy Song showed the image of Sun Wukong. 'Can't Blow Away This Little Sorrow' expressed Sun Wukong's sorrow and helplessness when he was pressed under the Five Elements Mountain. The book described how Sun Wukong looked triumphant after he became the king of the horses. Song of Sun Wukong showed Sun Wukong's magical powers and unruly character. " Indian Girl " depicted the beauty and charm of Indian girls.
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