The combination of Dunhuang flying allusion and aerospace
The Dunhuang Flying Apsaras originated from the image of Buddhist culture. According to legend, they were a composite of Gandarva and Jinnara. After they were absorbed by Buddhism, their functions were mixed into one and became the Dunhuang Flying Apsaras. Their image did not have wings, and they soared in the sky with fluttering dresses and flying ribbons. Aerospace referred to the entry, exploration, development, and use of space and celestial bodies outside of Earth. The combination of the two is reflected in the development of cultural and tourism industry in Jiuquan City, which is led by "Dunhuang Feitian" and "Jiuquan Aerospace" as the core. On the one hand,"Jiuquan Aerospace" is the gold-lettered signboard of the tourism industry of Jiuquan City. The local government constantly exploits the potential of aerospace culture and continues to do a good job in aerospace tourism operation; On the other hand, it insists on the combination of "Dunhuang Feitian" and "Jiuquan Aerospace" to create a tourism brand of "ancient and modern flying sky, dream realization in Jiuquan", cultivates a distinctive cultural tourism industry, carries forward traditional culture, tells flying stories and creates aerospace culture at the same time, so as to promote the high-quality development of aerospace cultural tourism industry. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The story of flying in Dunhuang
I recommend a few super interesting novels. The King of the Entertainment Industry's Data, a novel written by an urban entertainment celebrity. The male protagonist, Chen Lang, was nicknamed Langjun Chen. He was the king of the entertainment industry and would be on the trending searches every week. However, he was vicious and loved to diss people. His reputation was poor and he was often beaten up and blown up. " Plane Power Train " was a novel written by the Dunhuang garrison lord. The main character was the conductor. The train was outside Earth, carrying guests from all over the world to trade. It could even enter the guest world. There were super exciting battles and trading plots. " The Days When I Was a Puppeteer Teacher in Koba." It was a Doujinshi novel written by Shiraishi Jigsaw. Hideki returned to Koba as a Puppeteer Teacher and used all sorts of novel methods to promote Puppeteers. " Invincibility Begins from Battle Break " was a light novel written by Bright Moon Sky Cliff. Lin Qingyun transmigrated to Battle Break's system and received various rewards to become invincible. There were also a bunch of special characters. " The Perfect Life of the Tang Dynasty " was a historical novel written by Wuhui. It told the story of the early Tang Dynasty. There were keywords such as Li Zhan, the Tang Dynasty, and the Western Regions. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras originated from Dunhuang culture and were an important artistic image in Dunhuang murals. From the point of view of artistic creation, the dance program "Dunhuang·Flying Sky" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. The director Fei Bo went to Dunhuang to collect wind in 2012 and was touched by the watchmen of Dunhuang, and then drew from the story of Dunhuang. There are generations of watchmen in Dunhuang, such as Chang Shuhong, the first president of the Dunhuang Research Institute, who gave up the opportunity to study in France in the 1940s and came to Dunhuang to protect Dunhuang art; Duan Wenjie, the second president, spent half of his life copying more than 300 Dunhuang works; Fan Jinshi, the third president, took root in the desert, carried out grotto archaeological research and innovative management, and built "Digital Dunhuang". The dedication and perseverance of these Dunhuang people became the source of creation, and their stories were condensed into related works. The dance drama "Dunhuang" was revised by the Central Ballet Troupe for 28 drafts and took 7 years to prepare. The main creative team experienced the life of Dunhuang people for 3 months. The dancers used their limbs to pursue the oriental lines. Its picture modeling was based on the real painting environment and situation design of Dunhuang Mogao Grottoes. For example, the "lotus" shape symbolized the spiritual character of Dunhuang people such as noble and clean. The art of flying in Dunhuang had a deep cultural foundation. It was a part of China traditional culture and reflected the aesthetic concept of ancient China art. The flying goddesses in the murals were beautiful, their clothes fluttering, their movements light and elegant, their clothes gorgeous, and their ribbons were agile. Their images were extraordinary and elegant, conveying the freedom and elegance of the spirit, becoming a wonderful symbol in China culture. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
The Dunhuang Flying Fairy Portrait was a type of portrait with a unique charm. As an important town on the Silk Road and a holy land of Buddhist culture, Dunhuang's flying image was the most dazzling existence in Dunhuang murals, especially the murals related to the Tang Dynasty. Today, Dunhuang Flying Sky Portrait is very popular. In the photo shoot, it would involve clothing selection, makeup, and other aspects. For example, men would choose suitable clothes to present a feminine style when shooting Dunhuang Flying Flying Pictures. For example, Wang Churan's portrait of the Dunhuang Goddess. She was wearing a pink elegant long dress, holding a lute, her hair tied up high, and her eyes were red. She was so beautiful that she could not be compared to others. During the shooting process, the photographer would instruct the photographer to pose in various poses. Although some poses might make people feel uncomfortable, they could still produce good results. At the same time, there were many places that could create a realistic flying experience for tourists, providing gorgeous clothing and dazzling accessories, allowing people to instantly transform into fairies in murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Poetry
The following are some poems related to Dunhuang Flying Apsaras: 1. Li Yu's " Dunhuang Flying Apsaras ":" Beautiful makeup, elegant clothes, and shadows, surrounded by auspicious clouds. The strings move the nine heavens and the music rises, and the three worlds of drums and flutes listen from afar. Dome south to the north of the sky, suddenly east and west around the Buddhist court. In the morning and evening, the flowers in the sky will fall, and the sound of the fairy dance will stop." 2. "Seven Absolutes: Flying Snow of Dunhuang":"The vast sea hides the Mogao Grottoes, and the Dang River nourishes the crescent moon spring. Flying in the sky, the auspicious snow increases its magnificence, and scattered with the jade flower, half of the soul is round." 3. Guo Qun's "Linjiang Immortal" "The Beauty Plays the Old String Guqin." I miss you so much, and I know you well. The moon shone on the beautiful figure in the sky, and the breeze accompanied the long song. Her fairy-like bearing fills my lapel with fragrant flowers beyond the heavens. It's clearly a dream, but it moistens the heart of an old friend." "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Poem
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras were one of the symbols of Dunhuang art. In terms of dance, for example, the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Spring Festival Gala" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. Fei Bo, the director, once went to Dunhuang to collect folk songs and was touched by the watchmen of Dunhuang. These watchmen included Mr. Chang Shuhong, Mr. Duan Wenjie, Mr. Fan Jinshi, etc. They dedicated their youth and energy to protect Dunhuang art. The main creative team of the dance drama had gone through many years of preparation and revision. The dancers experienced the life of the Dunhuang people and used their limbs to show the oriental lines, allowing the audience to see the beauty of historical and cultural heritage. This dance program combined thousands of years of Silk Road culture with the art of Ballet. It was a unique dance that combined traditional China art with Western Ballet. Although the evaluation of the first combination was mixed, it was colorful and reflected the brilliant artistic achievements of Dunhuang. It also paid tribute to the artists of Dunhuang. From the perspective of cultural image, Liu Yifei's Dunhuang Flying Apsaras also brought us a lot of inspiration. Her style was inspired by the flying image in Dunhuang murals. Both her clothing and makeup were full of Dunhuang cultural elements. The clothes were colorful and the patterns were exquisite. The makeup was based on classic elements and had a sense of both classical and modern fashion. Her style not only gave people a visual enjoyment, but also caused a lot of discussions about traditional culture and modern aesthetics. On the one hand, some people think that this is a successful cultural innovation, re-interpretation of Dunhuang culture through modern aesthetics, attracting more people to pay attention to and love traditional culture, and stimulating people's desire to understand and learn deeply; On the other hand, some people worry that this is too commercial and entertaining, which may weaken the seriousness and historical sense of Dunhuang culture, making people ignore the profound meaning behind it. However, it was undeniable that this style was a beautiful collision between classical beauty and exotic customs. Her eyes, movements and expressions all showed unique charm, which made a good demonstration in the integration of cross-cultural art, letting people feel the infinite charm and possibility of art. It was also a good presentation and transmission of Dunhuang Feitian culture image in modern society. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The story of flying in Dunhuang
The Dunhuang Flying Apsaras were the treasures of ancient China art. In the culture of Dunhuang, the image of Feitian carried a rich meaning. From the point of view of dance art, for example, the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Spring Festival Gala" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. His creation was based on Fei Bo's trip to Dunhuang in 2012. He was touched by the stories of generations of watchmen in Dunhuang, such as Chang Shuhong giving up his opportunity to study in France and coming to Dunhuang to protect art, Duan Wenjie gathering half of his life to copy Dunhuang works, Fan Jinshi taking root in the desert for research and protection, etc. The dedication of these Dunhuang people reflected the spirit of Dunhuang, and the dance of "Dunhuang Flying Apsaras" condensed the experience of the Dunhuang watchmen into the story of the male and female protagonists, showing their protection of the murals and their feelings for each other, reflecting the brilliant artistic achievements of Dunhuang. From the perspective of modern image interpretation, Liu Yifei's Dunhuang flying photos received widespread attention. Her style was inspired by the flying image of Dunhuang murals. Her clothes were gorgeous, and her makeup drew on classic elements, retaining both the classical flavor and the modern fashion sense. Her performance reflected the combination of traditional and modern aesthetics. While arousing people's yearning for beauty, it also triggered a debate between cultural innovation and commercial entertainment. One side thought that it might weaken the seriousness and sense of history of Dunhuang culture, while the other side thought that it was a successful cultural innovation that could make more people pay attention to and understand traditional culture in depth. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The Flying Apsaras in Dunhuang
The flying murals in Dunhuang are the artistic treasures of the Mogao Grottoes. The Mogao Grottoes were built in the former Qin Dynasty and had been continuously built through many dynasties. They were huge in scale and contained many caves, murals, and clay sculptures. The image of "Flying Apsaras" in Dunhuang Flying Apsaras Murals had experienced a long process of development and evolution. At first, the image of the flying sky originated from the flying god in Indian Buddhism, but when it appeared in China, it was different from the flying god in Indian Buddhism. During the period from the Sixteen Kingdoms to the Northern Wei Dynasty, the flying gods of Dunhuang were deeply influenced by the flying gods of India and the Western Regions. Their images carried a strong foreign cultural atmosphere. The image of the flying gods of Buddhism in this period was probably a human figure with horns and the ability to ride clouds and fog. After being introduced to Dunhuang, they were created as the image of a gentle and beautiful woman who was dancing in the air and tied with long streamers. From the Western Wei Dynasty to the Sui Dynasty, the Dunhuang Flying Apsaras were in the stage of the exchange and integration of Buddhist Heaven and Man and Taoist Feather Man, and the Western Region Flying Apsaras and the Central Plains Flying Immortals. The Sui Dynasty had the largest number of "Flying Apsaras" and the most diverse types. The dynamic description of flying, the changes in limbs and clothing had been greatly improved. During the Tang Dynasty, the Flying Apsaras culture reached its peak, and the image was basically China. The change of line style became the dominant element, and the craftsmen's skills matured, making the image of the Flying Apsaras of this period almost perfect. Although there were modifications in the Xixia and Yuan dynasties, there were no major innovation. Dunhuang Flying Sky Murals had unique artistic features, including natural and agile lines, which were concentrated on the image of Flying Sky, which could show the flying track of the fluttering clothes and the rhythm of music. It had the shape of a weak willow supporting the wind, expressing the beauty of the shape through delicate texture and pen and ink language. The strokes were agile and colorful, and the ribbon enhanced the sense of movement of Flying Sky. At the same time, Dunhuang Flying Apsaras were not only a display of human beauty, but also a symbol of exuberant vitality. They were the product of the combination of romanticism and creative methods, with extremely high aesthetic and artistic taste. Flying Apsaras had missions such as scattering flowers and playing music in the Buddhist Kingdom. For example, some of them held flowers in one hand and scattered them in the other to create a beautiful atmosphere. There were also some who played the pipa, the waist drum, and the empty throat. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Beauty
In the content related to Dunhuang culture, there are two forms of presentation related to "Dunhuang Flying Beauty". One was the female dancers in the dance show "Dunhuang Flying Sky," which combined Dunhuang culture with Ballet art and was broadcast on the Spring Festival Gala in 2019. The dancers showed the elements of Dunhuang culture through dance. The second was Liu Yifei's photos of flying in Dunhuang. This group of photos was inspired by the flying image in Dunhuang murals. Her clothes and makeup were full of Dunhuang cultural elements. Liu Yifei's image and demeanor seemed to have crossed from Dunhuang murals. This group of photos triggered discussions about traditional culture and modern aesthetics, cultural innovation and commercial entertainment. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!