In 2016, Xu Jingqing's Journey to the West concert, which had been planned for 30 years, was held in the Great Hall of the People. There were no empty seats for men, women, young and old. Read more exciting novels for free
In the performance of songs related to Journey to the West, different songs had different dubbing instruments. For example, students from the Beijing Institute of Modern Music used five instruments, namely erhu, bass, guitar, keyboard, and drums, to perform "The Avenue to Heaven is wide and wide.""Love for Women" was performed by Liao Nini, a guqin player, and Liao Nini, a guzheng player. In some versions of the performance,"Pigsy Carrying His Wife" might use erhu as the background music (erhu was a very common background music instrument at that time). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Miss Zhuoma was an original musical created by the Yushu Tibetan Autonomous Prefecture folk song and dance troupe. This musical took ecological protection as the starting point and highlighted the local cultural characteristics of Qinghai. It showed the spiritual outlook of the people on the snowy plateau who loved the party, loved the motherland, loved their hometown, and cherished nature. It told the moving story of the children of the grasslands protecting the ecology and protecting their beautiful homeland. The composition rehearsal lasted for three years and was held at the Yushu Grand Theater on June 15,2021. Its main creative staff and actors were all from Yushu. The play realizes narration through music, dance, singing and poetic language, and combines lighting, scenery, clothing, video and other artistic forms to achieve a comprehensive stage art effect. It will pass on the beautiful stories of the people in the source area of the three rivers to protect the natural environment and wild animals to more people, so that the audience can perceive the beautiful hearts of the people in the source area of the three rivers, the spirituality of wild animals and the friendliness of the natural environment. The audience generally reflected that it was a successful attempt to highlight the ecological theme through the form of a stage play. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
😋I recommend the novel "The World of Hell System" to you. It is a martial arts and anime novel with a system. The protagonist can travel between different worlds to collect resources. It involves many anime worlds, such as Naruto, Ode to Joy, Battle Through the Heavens, and so on. There are also two worlds that you want, Demon High and Qin Shi's Next Year. I'm sure you'll like it. Hurry up and take a look! I hope you like this fairy's recommendation. Muah ~😗
There were many interludes in the 86 edition of Journey to the West and its sequels. For example,"Tower Sweeping Song" appeared when the monk who had stolen the luminous pearl on the tower was wronged, and Tang Sanzang and Wukong were sweeping the tower;"Great Holy Song" was used for the plot of causing havoc in the Heavenly Palace. Sun Wukong sang after coming out of the alchemy furnace, showing his dominance;"Go" sounded when Tang Sanzang bid farewell to the Tang King and set off on the journey to the west;"Clear Sky Moon Bright" came from the mouth of Xing Xian;"Can't Blow Away This Sorrow" was used for the scene of Wukong being driven away by Tang Sanzang after three fights with White Bone Spirit;" Indian Girl" was full of exotic customs."Daughter's Love" sang the voice of lovers who were destined to be apart,"Dare to Ask Where is the Road" was the theme song, and "Five Hundred Years of Changes" was the theme song. In the early days of Journey to the West, the opening theme song was composed by Wang Liping,"A Hundred Songs and Thousands of Folds Show Sincerity." In 1986, the first 11 episodes were replaced by "Cloud Palace News Sound". There were also interludes such as "Born Nameless, Originally No Surname" that had undergone replacement. In addition, there were interludes such as "How He Wants to Be a Grass".
The following are some of the original singers of the episodes of Journey to the West: Wang Xiaoqing was the original singer of "Born Nameless, No Surname"; the full version of "Daughter Love" was the original singer; Chi Chongrui was the original singer of "Clear Sky and Bright Moon"; Jiang Dawei was the original singer of "Returning from the Buddhist Scriptures"; and Yu Junjian was the original singer of "Five Hundred Years of Change." However, based on the information retrieved so far, it was impossible to provide the exact original singers of the 23 episodes of Journey to the West.
There were many ways to perform Journey to the West in kindergarten. Some kindergarten would carry out a combination of parent-child reading and performance activities. For example, the children would first read the story of Journey to the West with their parents at home, such as Zhu Bajie's Apprenticeship and Three Beats of the White Bone Spirit, and then perform. During the performance, they did not pursue perfection, but focused on creating a happy and pleasant atmosphere. Parents had to lower their status and play with their children. There were also some that would organize special parent-child sports events with the theme of Journey to the West. Before the event, the children would read the story with their parents at home to familiarize themselves with the content, and discuss the game plan with their peers in the park. During the activity, children could role-play according to their own preferences, such as playing Sun Wukong, Guanyin, etc. Parents would also write and direct their own scenes of Journey to the West. At the same time, a variety of parent-child sports events would be set up to allow children and parents to work together. The kindergarten would also hold a parent-child story performance competition. Each class would choose a story from Journey to the West according to the children's physical and mental development characteristics, write a script, set up characters, and create an environment for parents and children to participate in the performance. In addition, some places would have parent-child reading clubs related to Journey to the West. At the reading clubs, there would be children's picture books such as Wisdom Fighting King of Gold and Silver Horn, as well as related talent shows. There would also be family performances such as Dragon Palace Borrowing Treasures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Tiangong Dance was pure music with a unique artistic charm. Its artistic conception yearned for freedom, peace, and happy life. It was very suitable as a palace or folk dance music. It had the imposing manner of the royal bell and the big Lu, and it could be matched with a gentle and charming dance. The music reflected a strong contrast. Behind the magnificence, there was struggle and shouting, reflecting the difference in the state of mind between the Jade Emperor and the immortals and Sun Wukong. It was a joyful song of heaven and earth, but it was also a passion song of the monkey brother. The sometimes soft and sometimes cheerful melody could make people feel as if they were in a fairyland. Through the interpretation of various instruments, the prelude seemed to bring people into heaven and earth, making the audience feel the profoundness of China culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some key points about organizing children to perform "Three Beats the White Bone Demon": ** 1. Initial preparations ** 1. ** Character Selection and Assignment ** - For children aged 5 - 6, the roles could be assigned according to their personality traits. For example, a more lively and active child could play the role of Sun Wukong, and a more round and cute child could play the role of Zhu Bajie. Children with a calm and kind-hearted personality were suitable to play the role of Tang Sanzang. The role of White Bone Demon could be played by a girl who had a strong desire to perform, because White Bone Demon needed to have a certain "cunning" performance. Other children could also be arranged to play supporting roles such as Monk Sand, village girl, old woman, and old man. 2. ** Prop creation and preparation ** - Making simple props. Using cardboard and colored paper to make Sun Wukong's Golden Cudgel, the cardboard could be rolled into a suitable thickness and wrapped with yellow colored paper. Tang Sanzang's kasaya could be decorated with a rectangular piece of red cloth and yellow strips of cloth. Zhu Bajie's rake could be tied together with a few bamboo sticks or plastic pipes, and then wrapped with black tape to make the shape of a rake. White Bone Demon's props could be used to make a white skull headdress. It could be cut out of white cardboard into the shape of a skull and tied to the child's head with a string. - As for the props, he made a few simple signs with the mountain scenery of the White Tiger Ridge drawn on them to represent the location of the story. He could also use cardboard boxes to build a simple cave as the White Bone Demon's cave. 3. ** Story explanation and simplified lines ** - Explain the story of "Three Beats the White Bone Demon" in a way that children can understand. He simplified the story and emphasized the main plot. For example, in order to eat Tang Sanzang's meat, Bai Gujing turned into three different people, but was seen through and defeated by Sun Wukong. - Design simple lines for children. For example, Sun Wukong could say," Monster, where are you running to?" "Master, that's a monster!" Tang Sanzang said,"Wukong, don't kill." Zhu Bajie said," Brother Monkey, did you see wrongly?" Wait. ** 2. Performance process ** 1. ** Opening Guide ** - The teacher could first briefly introduce the background of the story of Journey to the West and tell the children that they would perform the scene of Three Beats the White Bone Demon today. Let the children get ready and stimulate their passion for performance. 2. ** Plot performance ** - The first fight: White Bone Demon turns into a village girl and goes on stage, pretending to bring food to Tang Sanzang and his disciples with a basket. When Sun Wukong came back, he saw that it was a monster with his Fiery Eyes. Without saying anything, he raised his Jingu Staff and hit it. At this time, the child who played the village girl could make a frightened expression and then fall to the ground. Tang Sanzang blamed Sun Wukong for killing and began to chant the Golden Hoop Incantation. The child could simply imitate the action of putting his hands together and chanting scriptures. - The second fight: The White Bone Demon was not satisfied and turned into an old woman to look for her daughter. Sun Wukong saw that it was a monster and killed it again. Tang Sanzang became even angrier and continued to chant the Golden Hoop Incantation. He chanted longer and harder. Sun Wukong held his head and expressed that he was in unbearable pain. - The third fight: The White Bone Demon turns into an old man. This time, Sun Wukong invited the local mountain god to testify and then killed the White Bone Demon. The White Bone Demon revealed its true form as a pile of skeletons. At this time, Tang Sanzang was very angry and wanted to drive Sun Wukong away. Sun Wukong begged but Tang Sanzang did not listen. Sun Wukong could only helplessly return to Huaguo Mountain. 3. ** Ending interaction ** - At the end of the performance, the children could talk about their feelings about the story. Teachers could also give simple evaluations of children's performances to encourage their brave performance and teamwork. It could also guide children to think about what they would do if they were Tang Sanzang or Sun Wukong, further deepening their understanding of the story. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
In the large-class performance area activities related to Journey to the West, there were the following playstyles: 1. ** Character recognition and performance preparation ** - Children can first watch the "Journey to the West" series of cartoons to understand the characters of the Journey to the West (such as the kind-hearted Tang Sanzang, the magical Sun Wukong, the honest Zhu Bajie, and the hard-working Monk Sand, etc.) and the content of the story. They can have a basic understanding of the character image and plot, which is the foundation of the performance. - After they had a certain understanding of the characters, the children could record their favorite characters in the Journey to the West to further deepen their understanding of the characters. - The children could also draw the characters they understood and strengthen their impression of the characters through painting so that they could better interpret the characters in the performance. 2. ** Realistic performance ** - The children in the upper class had a strong desire to show off. They could wear the costumes of the four characters in the performance area, such as the master and disciple, and perform games with music. During the performance, the children could imagine boldly, use their body movements to express their understanding of the role, and experience the joy of performing and negotiating with their peers. - During the performance, the children could also reproduce the story scenes in Journey to the West, such as classic plots such as "Havoc in Heaven" and "Three Beats on White Bone Spirit". They could show their understanding of the story through the performance of the plot in the story. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A large-scale map is a phrase that means that a map with a larger scale indicates a larger distance or range from a certain location.