The beginning of Journey to the West discussed the process of the creation of all things in the world to determine its view of the universe. There was heaven and earth, and then all things were born. It corresponded to the two hexagrams of Qian and Kun in the Book of Changes. The sky was Yang, and the earth was Yin. Heaven and earth were the source of change. The birth of the stone monkey corresponded to the hexagram Tun in the Book of Changes. The stone monkey was born with the spiritual aura of heaven and earth, but it was still weak and unstable. The hexagram Tun symbolized that all things were turbulent and unstable at birth. The stone monkey found the Water Curtain Cave to settle down. Wang Zheng responded to the hexagram's words,"Don't go there, it's beneficial to build a marquis." The Monkey King traveled across the sea to study under the Patriarch. This was the process of the Monkey King receiving education and understanding things, just like the Meng hexagram Meng Heng. It was not that I begged Tong Meng, Tong Meng begged me. Wukong, who had returned from his studies, considered strengthening the monkey clan of Huaguo Mountain and guarding against invasion. This corresponded to the hexagram of the Book of Changes, which said," Fu, Guang, Heng, and Li wading across the great river." In the process of satisfying the needs, it was inevitable that there would be friction and disputes with the outside world. The disputes between Wukong in the Dragon Palace and the underworld, as well as the Jade Emperor who was sued, corresponded to the lawsuit hexagram. The lawsuit hexagram was " auspicious in the middle, evil in the end." After the lawsuit, the Jade Emperor sent heavenly soldiers and generals to capture Wukong. Wukong led the small demons to fight against him. Read more exciting novels for free
"The twelve news hexagrams correspond to the month to reflect the growth and decline of Yin and Yang. However, according to the rules of the corresponding months, Fu was in charge of eleven (Zi) months, Lin was in charge of twelve (Chou) months, Tai was in charge of Zheng (Yin) months, Dazhuang was in charge of two (Mao) months, Zang was in charge of three (Chen) months, Qian was in charge of four (Si) months, Gou was in charge of five (Wu) months, Dun was in charge of six (Wei) months, Nou was in charge of seven (Shen) months, Abbey was in charge of eight (You) months, Bao was in charge of nine (Xu) months, and Kun was in charge of ten (Hai) months. If one wanted to further subdivide it into every day, one could roughly follow the 30 days of a month and correspond the change ratio of the Yin and Yang lines in the month of each hexagram to each day. However, this was not the established correspondence in the traditional sense. The novel "Battle of Yin and Yang" is equally exciting. Everyone is welcome to click and read it! "
Okay, here are the six locations in Journey to the West and the corresponding monsters: 1. Huaguo Mountain: Sun Wukong's birthplace has demons such as the Bull Demon King and Red Boy. [2. Bull Demon King: A demon based on Princess Iron Fan possesses treasures such as the banana fan.] 3. Flaming Mountain: The Flaming Mountain is a monster with a fire spear and other monsters formed by the combination of the sea of fire and the volcano. 4. The Coiled Silk Cave: The Coiled Silk Cave has Spider Spirits, Bai Jingjing, and other monsters. There is also a Spider Kingdom in the cave. 5. The Heavenly Palace: The Heavenly Palace is a Taoist fairyland. It has mythical figures such as the Cowherd and the Weaver Girl, as well as monsters such as the Ox Spirit and the Yellow-robed Monster. 6 Xiliang Women's Kingdom: The Xiliang Women's Kingdom is a story about the king of Xiliang and the daughter of a monster. It has the king of the women's kingdom, the monster of the women's kingdom, and other characters.
"Yes, the demon of water corresponds to the Dui hexagram in the Eight Trigrams. The novel " Battle of Yin and Yang " is equally exciting. Everyone is welcome to click and read it! "
"The peeling hexagram is the information hexagram. It is the hexagram of the ninth month. There are five yin and one yang. The yin line erodes upward, so the hexagram says," There is a way to go if there is a disadvantage." In the peeling hexagram, the yin lines rose and eroded the yang lines, showing the situation of 'softness turning into toughness'. Yang was a gentleman, and Yin was a villain. In this situation, the yang lines were gradually peeled off by the yin lines. The lower hexagram Kun is Shun, and the upper hexagram Gen is the end. A gentleman should advocate the law of things 'disappearance, growth, fullness, loss and change. This is the law that conforms to the operation of Heaven. The novel " Battle of Yin and Yang " is equally exciting. Everyone is welcome to click and read it! "
The hexagram of the Big Dipper hexagram was Shangze Xiamu (Xun Xiadou Shangmu). Judging from the hexagrams, the main hexagram was Xun hexagram, which represented wind and wood, and its characteristic was Shun. The guest hexagram was Dui hexagram, which represented Ze and its characteristic was Yue. This combination of divinatory symbols had the following hints: On the one hand, there were too many Yang lines, with four Yang lines in the middle and two Yin lines in the upper and lower. It symbolized the excess and imbalance of Yang qi. It could indicate that the current situation was a relatively heavy burden for the host, but it was not an unsolvable disaster. The host needed to deal with it carefully. On the other hand, from the intuitive performance of the hexagram, it was like water flowing over the trees, showing the image of a flood, suggesting that the development of things may be excessive, such as the development of things beyond the normal range, resulting in a state of excessive masculinity and insufficient softness. In specific situations, such as when it was used in human affairs, it could be used to indicate that there was a problem with the supporting structure or foundation of the thing. The upper and lower ends (such as the Yin lines of the sixth day and the upper six) were too weak to bear the heavy part in the middle (the power or affairs symbolized by the four Yang lines). However, if we can go hand in hand with hardness and softness and conform to the current situation, we can also move towards prosperity. For example, although masculine is too strong, we can keep it in the middle and move smoothly and happily. Then it is suitable to go somewhere and achieve a smooth result.
"In the traditional view, the Yang hexagram is not simply defined as a lucky or unlucky hexagram. In terms of composition, Yang hexagrams were hexagrams with an odd number of hexagrams. For example, Zhen hexagram had a number of 5, which was Yang hexagram. In the Book of Changes, the Yang hexagram had its own rules for the combination of the Yin and Yang lines. For example, the Yang hexagram had more Yin. In terms of symbolic meaning, for example, the Yang hexagram in the Three Yang Kai Tai hexagram, winter passed and spring came, Yin disappeared and Yang grew, which was regarded as an auspicious sign. The Yang hexagram here was related to good luck. However, the Yang hexagram with two flat surfaces facing up and two flat surfaces facing down (smiling cup) indicated that the gods had not made up their minds and that it was difficult to do things. This was not simply a good omen. Therefore, the Yang hexagram could not simply be judged as a good or bad hexagram. Its meaning depended more on the specific hexagram system, the divination situation, and the interpretation of the philosophical and cultural implications contained in it. The novel "Battle of Yin and Yang" is equally exciting. Everyone is welcome to click and read it! "
Journey to the West was an ancient Chinese novel that mainly told the story of the adventures of Sun Wukong, Zhu Bajie, and Monk Sand in the Western Paradise. The background of the story was a fictional Tang Empire. It told the story of how they finally obtained the true scripture after going through eighty-one difficulties. Plot: In order to retrieve the scriptures, the four of them embarked on a journey to the Western Paradise to obtain the scriptures. Along the way, they encountered many demons and devils, but Sun Wukong, Zhu Bajie, and Sand Monk defeated these enemies again and again with their wisdom and strength. They also made many friends, such as the Dragon King, demons, and immortals. The most famous one was the battle between Sun Wukong and the Bull Demon King. In this battle, Sun Wukong used his magical power to turn the Bull Demon King into a small bug and finally defeated him. Character: Sun Wukong: Sun Wukong is the protagonist of Journey to the West. He is smart, brave and fearless. He is good at fighting. He was straightforward, open-minded, and loyal to his friends. Zhu Bajie: Zhu Bajie is Sun Wukong's senior brother. He is greedy, lazy and cunning. His open-minded personality would sometimes make some absurd decisions. Sand Monk: Sand Monk is Zhu Bajie's junior brother. He is loyal, kind and smart. He had a quiet personality and was not good with words, but his heart was firm. Language features: The language of Journey to the West was concise and clear, and the description was exquisite and poetic. One of the most famous lines was," Looking at Chang 'an under the sun, Wu will meet in the clouds." This sentence showed the image of Sun Wukong flying between Chang 'an and Wu Hui, and his remarkable ability.
Journey to the West was a classic with rich content. There were many ways to interpret it. ** 1. The perspective of society and officialdom ** 1. ** Reflects the officialdom of the Ming Dynasty ** - The Heavenly Court was seen as a reflection of the officialdom of the Ming Dynasty. The Jade Emperor was similar to the Jiajing Emperor of the Ming Dynasty. He was superstitious about Taoism and devoted himself to cultivation, just like the Jiajing Emperor, who devoted himself to longevity and did not care about government affairs. - The Taoist ancestor, the Grand Supreme Elder, and the others were hinting at the civil officials of the imperial court. They had great power and appeared to be worried about the country and the people, but in reality, they harmed the public and benefited their own interests. The Jade Emperor could do nothing about it, so he used the Buddhist forces to contain it. - The Pagoda-Bearing Heavenly King and his faction were too close to Buddhism. Buddhism was humble in front of the Jade Emperor, but in fact, they secretly cultivated their power. On the surface, they obeyed, but on the inside, they opposed. On the way to the scriptures, the two factions sent people to do official business. They supported the project in name, but in reality, they competed for benefits. Along the way, there were two factions of demons and ghosts. They were transferred away after finishing their work, and the local tyrants without backgrounds were eliminated. - The book revealed the ugliness and internal struggles of the Heavenly Court, as well as Buddhism's apparent compliance with the Heavenly Court and its self-interest. It also hinted at the hardships on the way to the scriptures, reflecting the author Wu Chengen's dissatisfaction with the feudal system and his understanding of the darkness of society. ** 2. Symbol angle ** 1. ** From the perspective of traditional Chinese medicine and traditional Chinese culture ** - Sun Wukong represented the mind that grew with enlightenment. The "Crescent Moon and Three Stars Cave" that he was apprenticed to symbolized the place where the mind grew. The combination of the "Crescent Moon and Three Stars" was the word "heart". His master was Bodhi, and "Bodhi" had the meaning of enlightenment. He also symbolized a kind of teacher who transcended the limitations of religion. Sun Wukong's Dharma name, Wukong, corresponded to his mind, which represented the growth of enlightenment. - Zhu Bajie was in charge of the kidneys. Because the kidneys could not be "Wukong" like the heart, his Dharma name was "Wuneng". - Sha Wujing was related to the spleen. The heart was fire, and the kidney was water. Water and fire were transported and transformed by the spleen (earth). The heart, kidney, and spleen corresponded to Sun Wukong, Zhu Bajie, and Sha Wujing respectively, symbolizing the unity of the primordial spirit, essence, and vitality to form Sanzang. - From this point of view, Journey to the West could be understood as a person's mental journey of enlightenment."A trip is a thought." This thought was the distance from ignorance to enlightenment. The 81 difficulties were all mental demons. The Holy Mountain was in the heart. Everyone had a Holy Mountain Pagoda and had to cultivate their hearts under the Holy Mountain Pagoda. 2. ** From the perspective of a character prototype ** - Sun Wukong abhorred evil and dared to offend both the Heavenly Court and Buddhist forces. He had a stubborn temper and there were many possible explanations for his original form. ** 3. Perspective of literary creation ** 1. ** Relationship with other works ** - Among the Four Great Masterpieces, Journey to the West was the most adapted work. It originated from stories such as "The Great Tang Sanzang's Poetry on the Pilgrimage to the West","The Commentary on Journey to the West", and "The Zaju of Journey to the West". The first protagonist of the Journey to the West was changed from Tang Sanzang to Sun Wukong. - At the beginning, the author constructed a magnificent "Journey to the West Universe", setting the time of the universe (such as the number of heaven and earth, the division of one yuan into twelve meetings, etc.) and space (the structure of the four continents, the four seas, the underworld, the celestial heavens, etc.). 2. ** Literature Evaluation ** - Lu Xun believed that "Journey to the West" was a book written by a Confucian scholar, but it was actually a game, not a language. Therefore, the book only occasionally talked about the five elements of life and death, especially did not learn Buddhism. Therefore, there were absurd and nonsensical scriptures in the last chapter. It was because of the mixed teachings that it had been popular for a long time. Therefore, his works were also the same as Sakyamuni and Laojun. The true nature and the primordial spirit were mixed, so that the disciples of the three religions could be attached to it." - Hu Shi mentioned,"Therefore, although he narrates things that change suddenly, but also every word that is used to explain the situation, so that the gods and devils have human feelings, the essence of charm is also familiar with the world, and the meaning of cynicism is contained." The two masters both thought that Journey to the West had the characteristics of "game" and "cynicism." However, Journey to the West could also be said to be a profound book. It was not just a simple game. ** 4. Thematic perspective ** 1. ** Positive energy and harmony ** - Journey to the West could also be regarded as a masterpiece full of positive energy. It was a description of the image of China's "fighting gentleman", a secret manual to free himself from worries, and a classic work of harmony between Confucianism, Buddhism, and Taoism. 2. ** Dark side revealed ** - The world of Journey to the West was filled with dark phenomena. For example, demons ate people (General Yin, Techushi, etc.), people ate people (the monk king failed), and immortals ate people (Kui Wood Wolf). Buddhism was greedy for money and killed people (Guanyin Zen Monastery coveted the kasaya, and the Great Thunderclap Monastery demanded personnel), Daoism caused chaos in the country (Wuji Kingdom's national master murdered the king, and Bhikhu Kingdom's national master harmed the children), the underworld was bent on favoritism (Judge Cui privately changed the Life and Death Book), and the Heavenly Court was plunged into misery (Fengxian County had no rain for three years, and two people starved to death). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were two web novels related to the hexagram. They were " The Legend of the Hexagon " written by Left-handed Mingyue and " Hexagram: Search " written by Feng Qiyu and published on Jinjiang Literature Network.