Dream of the Red Chamber 87, Lady Jia, admiring the moon in the Mid-Autumn Festival

There were many wonderful scenes of the moon in 'Dream of the Red Chamber'. During the Mid-Autumn Festival, the main gate of the garden was wide open, with a ram's horn lamp hanging from it. On the platform in front of Jiayin Hall, incense was burning, wind candles were held, melon cakes and various fruits were presented. Lady Xing and the other female guests waited for a long time. After the old lady washed her hands and offered incense, everyone bowed. After dinner on the 15th of August, Grandmother Jia led the crowd to the Grand View Garden with a ram's horn lamp hanging on it. They entered Jiayin Hall to burn incense and worship the ancestors of heaven and earth before going to Tubi Villa. Everyone sat around and played the game of drumming and passing flowers. Those who won the flower would drink a glass of wine and tell a joke as punishment. For example, Jia Zheng made an unprecedented joke about a man being afraid of his wife on the Mid-Autumn Festival; Jia Baoyu wrote a poem after the flower; Jia She made a joke about his mother's bias, which made the old lady unhappy; Jia Huan wrote a mediocre quatrain after the flower. At the second watch, Grandmother Jia asked Jia Zheng and his nephews to leave and let the girls have some fun. There was also a plot of listening to the flute on the front. After the drumming screen was removed, the two seats were combined into one seat. The women sat around. Grandmother Jia found that the two sisters, Baochai, were missing. Li Wan and Feng Jie were ill and absent. She could not help but sigh. After that, Grandmother Jia ordered people to carry the mooncakes and other fruits down for the servant girls to sit around and enjoy the moon. In addition, Lin Daiyu and Shi Xiangyun wrote a poem in the concave crystal hall. Shi Xiangyun wrote the first couplet,"Crossing the Crane Shadow in the Cold Pond", and Lin Daiyu wrote the second couplet,"Burying the Flower Soul in the Cold Moon". This scene raised the sad sound of the Jia family's Mid-Autumn Festival to the extreme, and also paved the way for the decline of the Jia family. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

If there was a statue of the Lunar Star Lord or a rabbit, it could be placed in the middle of the moonlight position for kneeling. If there was no statue, a memorial tablet could be set up with the name of the Celestial Lord written on it and placed in the middle of the back. If there was no statue or memorial tablet, the incense burner should be placed in the middle of the front row of the tributes (closest to the moon worshippers). Incense was essential. According to the rules of the temple, there were three sticks of incense. One could use the left hand to burn the incense. The order was middle, right, and left. The three sticks of incense had to be inserted straight and flat, with a gap of no more than an inch. The five offerings for worshipping the moon included: placing incense in the middle (there was good incense at home that could be used. The "Qi" of burning incense could communicate with the gods and better convey wishes. If there was no incense burner, apples or oranges could be used as incense seats), fresh flowers, clear water (no raw water or unclean water), and fruits and fruits. In some moon-worshipping ceremonies, cultural volunteers dressed in Han costumes would perform rituals such as offering incense three times, offering wine three times, reading blessings, and worshipping the moon according to ancient China rituals. In ancient times, families gathered together on the Mid-Autumn Festival. A sacrificial table was placed facing the direction of the rising moon. Moonlight paper was hung high in front of the table. Mooncakes, osmanthus wine, fruits, etc. were placed on the table. There were also rituals such as reading blessings and worshipping the moon. "Yun Anlu's Body Sacrifice" is equally exciting. Everyone is welcome to read it!

In Dream of the Red Chamber, there was a famous poem on the Mid-Autumn Festival: ``` I hope we can live together for a long time. ``` This poem was written by Jia Baoyu during the Mid-Autumn Festival to express his feelings of missing his loved ones and hometown. At the same time, this poem also became a classic poem of the Mid-Autumn Festival and was widely praised and quoted.

Moon to Mid-Autumn Festival was a movie that was released in China in 1983. It was directed by Yan Gong and starred Xia Zongxue, Yuan Mei, and Tan Mingdi. The film was set on the Mid-Autumn Festival and told the family story of Ling Mengqing and Fang Shu, who were over 50 years old, after they got married. After Ling Mengqing came to Fang Shu's house, he was treated coldly by Fang Shu's children. His daughter Juanjuan was wary of Ling Mengqing, and his son Shusheng was cynical. Ling Mengqing's son, Ling Qiang, was discharged from the military and returned home after exposing Shu Sheng to deceive his parents on the issue of money. The family set off an uproar. Shu Sheng ran away from home, Ling Qiang went to Qinghai, and Juanjuan quietly left home with her sister. In the face of this situation, although Ling Mengqing and Fang Shu had been dejected and discouraged, Ling Mengqing firmly believed that love could warm people's hearts. He worked hard to fight for the opportunity to attend a professional school for Shusheng and took care of Juanjuan and the other three siblings when Fang Shu went out to perform. However, Shu Sheng did not study seriously and accidentally dropped Juanjuan's academic paper into the water. Ling Mengqing helped Shu Sheng compensate his sister's information and at the same time explore the key to open Juanjuan's heart. The film showed the complexity of family relationships and marriage, as well as the courage and tenacity of people in the face of difficulties. It expressed the theme of the kind people of that era breaking through emotional entanglements, embracing life again, and obtaining happiness and joy.

The Mid-Autumn Festival Moon Sacrifice Ceremony had a long history. Its origin could be traced back to the pre-Qin period. At that time, there was a custom of the emperor worshipping the moon at the autumnal equinox to seek peace and prosperity for the country. This was the earliest prototype of the Mid-Autumn Festival Moon Sacrifice Ceremony. As time passed, in ancient times, offering sacrifices to the moon was one of the most important customs of the Mid-Autumn Festival. On the night of the Mid-Autumn Festival, people would hold ceremonies to welcome the cold and offer sacrifices to the moon. Mooncakes were originally offerings to the moon during the ancient Mid-Autumn Festival. This tradition of offering sacrifices to the moon expressed people's respect and prayers to the Moon God, and later gradually evolved into a folk custom. In modern times, there were still places that held the Mid-Autumn Festival Moon Ceremony, such as the Luyi Mid-Autumn Festival Moon Ceremony at 7 pm on September 17th, 2024, the Mid-Autumn Festival Moon Worship Dharma Assembly held on the evening of September 17th, 2024 in the square in front of the Mahavira Hall of Tongjue Temple, and the "Mid-Autumn Festival Night Gathering by the River of Full Moon" on the evening of September 15th in Huai 'an. These activities reflected the inheritance and continuation of the traditional cultural customs of the Mid-Autumn Festival. " Yun Anlu's Body Sacrifice " is equally exciting. Everyone is welcome to read it!

Here are some tips for taking photos during the Mid-Autumn Festival: ** 1. Basic settings ** 1. ** Focus selection ** - Most mobile phones had a wide-angle lens (the focal length was between 24mm and 28mm), which was not suitable for shooting distant objects like the moon. If the phone is equipped with a dedicated telephoto lens, try to use the telephoto lens to shoot the moon. 2. ** Mode selection ** - Do not use the automatic mode, because the moon is easily mistaken for a very bright object in the automatic mode, resulting in a mis-exposure, making the moon look like a blurry spot. Manual exposure (professional mode) should be used to set the shooting parameters. 3. ** Adjusting parameters ** - ** Iso-value **: Can be set to 100. - ** Shutter Speed **: The moon seems to be still, but it is actually moving. To avoid blurring due to movement, the shutter speed is set between 1/60 and 1/125 seconds. - ** exposure compensation **: If the moon is very bright when shooting, you can reduce the exposure compensation (-1 to-2 EV) to make the details of the moon clearer. ** Two, composition skills ** 1. ** Ternary composition ** - The moon could be placed on the three-point line of the screen to make the layout of the screen more beautiful. 2. ** Telephoto composition ** - If you don't have a telephoto lens, you can use the phone's zoom function, such as magnifying the moon by 3 times. ** 3. Other support skills ** 1. ** Techniques to reduce noise ** - When shooting the moon, to avoid noise, avoid using high Iso. When shooting the moon in a dark environment, the usual range of values was 50 - 100. - You can lower the RV value (such as-4.0) and lower the exposure compensation to reduce noise. - Increasing the shutter speed (usually set to 1/125 to 1/250 seconds) also helped to capture sharp images and reduce noise. 2. ** creative skills ** - Some props could be used to create unique effects. For example, at home, the bottom of the paper cup could be removed, and the phone could be fixed with transparent glue. The lights could be turned off, and the flashlight could be turned on to project on the white wall. The character could stand in the aperture, and then Meitu could be used to add a moon sticker and adjust the clarity. You could also use the bottom of the cup to block half of the bottom to project a crescent moon, and the character could be placed on the three-point line. Or you could prepare a balloon, and the character could light up the back of the balloon with a flashlight. The character could hold it sideways to illuminate the face, and the balloon's arms and face would form a triangle composition. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Dream of the Red Chamber was a classic Chinese classical novel, in which the description of the image and character of the Lady Dowager was an important part that could not be ignored. Grandmother Jia was Jia Baoyu's grandmother and one of the heads of the Jia family. She was a very smart and capable woman who not only held an important position in the family but also had a high status and influence in social interactions. In the novel, the image of Grandmother Jia was very full. She had a deep cultural background and superb wisdom, but also had a gentle, kind, loving and patient side. She was very concerned and loved her grandson, Jia Baoyu. Not only did she give him meticulous care in life, but she also provided him with good educational resources and social environment. She was also very good at handling family affairs and coordinating relationships, providing important support for the operation of the entire family. At the same time, Grandmother Jia was also a person who paid great attention to family harmony and interpersonal relationships. She respected the status and rights of each family and relatives very much and tried her best to maintain the unity and stability of the family. She was also very strict with her children's education, focusing on cultivating their moral character and talent, hoping that they would become useful talents in the future. Lady Jia was a very important character in Dream of the Red Chamber. Her wisdom, kindness, decisiveness, and leadership left a deep impression on people. At the same time, she also showed the image and values of traditional women in Chinese classical novels.

Jia Zheng's wife was Madam Wang. Madam Wang was Jia Zheng's official wife. Together, they gave birth to three children, Jia Yuanchun, Jia Zhu, and Jia Baoyu. However, the documents did not provide much detailed information about the marriage between Jia Zheng and Madam Wang. Jia Zheng and Mrs. Wang's relationship as husband and wife was not good. They had almost no common topics and rarely communicated about the big and small matters of daily life. Their marital status was described as bad in 'Dream of the Red Chamber'. However, there was no clear explanation in the literature as to why their marriage had become like this. Therefore, regarding the specific relationship between Jia Zheng and Madam Wang, we are unable to draw a definite conclusion.

Grandmother Jia was a very important character in the China classical novel, Dream of the Red Chamber. Judging from her background, she was born in the noble family of Shi Hou, who was a hero in Jinling. She married into the Jia family and had two sons and a daughter with her husband, Jia Daishan. After her husband passed away, the eldest son inherited the title and the second son was promoted. She also became a first-grade imperial concubine and had a respected status in the Jia residence. She was respectfully addressed as "Old Lady Shi","Old Ancestor","Old Lady", and so on. In terms of family relations, she was the core of the elders in the family. She loved her grandson Baoyu, granddaughter Daiyu and other juniors. When Daiyu joined the Jia family, Grandmother Jia led the crowd to welcome her, showing a loving image. She had an important influence on the marriage attitude of the younger generation. She approved of Baoyu and Daiyu's marriage, but was dissatisfied with Baochai's behavior. This was not only related to her love for Daiyu, but also related to Baochai's style of doing things. She didn't like Baochai pretending to be dignified and virtuous, and her personality was dull and boring. She preferred a girl with a lively and refreshing personality. She had rich experience in managing family affairs, handled matters steadily, and had outstanding methods of managing the family and educating them. She had experienced the process of prosperity and decline in the Jia family and witnessed many changes in the family, such as welcoming the visit of the Yuan Concubine and the looting of the Jia family. Although she had enjoyed a life of luxury and wealth, she also bore the ups and downs of her family's fate. She was the core character of the tragedy in the book. She had a strong tragic color and was also the fuse of the tragedy of Bao Dai's love and the tragedy of the Jia family. Her personality was complicated. She maintained the three cardinal guides and five constant virtues of feudalism, but also had the factors of the times that did not conform to the feudal ethics. In terms of treating relatives, it could be seen from her attitude towards Granny Liu. She invited Granny Liu to visit the Grand View Garden. It seemed like she liked this old woman from the countryside, but in fact, she was using this to knock down the Xue family. She gave Granny Liu a high-standard reception. By comparing her attitude with Baochai's birthday, she showed the Xue family that even a poor relative like Granny Liu knew how to be grateful, but the Xue mother and daughter lived in the Jia family for a long time and did nothing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

We can get the following answer: "Full Moon Mid-Autumn Festival Poster" refers to the poster design material used for the Mid-Autumn Festival. These posters usually used the moon, lanterns, mooncakes, and other symbols of the Mid-Autumn Festival as the theme. They were hand-drawn, cartoon, cute, and other styles. These posters could be used to make horizontal posters, advertising designs, greeting cards, etc. They could be edited online and downloaded for use. Some websites provided free posters and design materials for the Mid-Autumn Festival, making it convenient for users to design and produce them online. The specific poster style and content needed to be selected and edited according to the user's needs and preferences.