"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. There were several explanations for this: - From the literal perspective, the better the music, the more silent it was, and the better the image, the more ethereal it was (it could also be understood that the best music had no sound, and the best image had no image). Because human hearing had a range, people couldn't hear sounds that were beyond the range, and they couldn't hear sounds that were smaller than the range. The shape of the universe couldn't be described by what people saw and heard. This kind of huge image was invisible. This also meant that the greater the achievement, the more inestimable it was, and the greater the magnanimity, the more indescribable it was. - In terms of content, the more elegant the music, the fewer people would appreciate it; the more brilliant the suggestion, the fewer people would accept it; the more important the elements, the easier it was to be ignored. For example, in the face of a complex situation, the correct and brilliant solution was often not accepted, but the bad idea was welcomed by everyone. Only when the matter was messed up did people regret not listening to the correct advice. This was a manifestation of the "great voice hoping for fame." However, sunlight, air, water, and food, which were very important but cheap elements in life, were often ignored by people. Instead, people pursued expensive items such as gold and jewelry that had no practical use. This reflected the formlessness of elephants.
It was a Chinese idiom, which meant that there was nothing hidden or subtle that could not be revealed. The novel,"The Morality of the Past", is equally exciting. Everyone is welcome to click and read it!
The simplest Dao referred to the general rules and principles of the operation of things in the world. Its logic was very simple. Those complicated principles were often applied and related principles on the surface of things. The original Dao in the world was the combination of relations and attributes. Its basic attributes, operating principles, and logic were very simple. 'Elephant formless' meant the greatest, most magnificent, and most magnificent style and realm in the world. It was often not limited to specific things and patterns, but showed the appearance and scene of 'myriad climates'. Intentions turned into unintentionally, and elephants turned into formless. They were not deliberately revealed or overly assertive. Only formless and unframed could accommodate all forms.
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. There were several explanations for this: - From a more intuitive explanation, the better the music, the more distant it was. The better the image, the more distant it was. In other words, the greater the achievement, the more distant it was. The more magnanimous it was, the more inclusive it was. It could also be understood as the best music without sound, and the best image without image. This was because human hearing had a range, and sounds beyond the range could not be heard. The shape of the universe could not be described by what people saw and heard. The big image was invisible. It meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was. - There were six explanations for "Da Yin Xi Sheng": First, the loudest sound was soundless; second, the loudest sound was sparse; third,"Xi Sheng" was "soundless" and contained "Da Yin"; fourth,"Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; fifth,"Da Yin" was the sound of the combination of Dao, mainly referring to the transcendence of sound and emotion; Sixth, no sound was the strongest sound, which meant that it was best not to say anything. - There was also another understanding that the more elegant the music was, the fewer people would be able to appreciate it. The more important the elements were, the easier it was to be ignored. The more profound the meaning, the fewer people would accept it. - From the perspective of the new literal interpretation,"Da Yin Xi Sheng" could be understood as the louder the sound, the more monotonous the tone;"Elephant formless" could be understood as the larger the scene, the more uncertain the shape.
The meaning of simplicity was that the great principles (referring to the basic principles, methods, and laws) were extremely simple, so simple that they could be explained in one or two sentences. The formless elephant meant that the most beautiful image had no image. The greatest, magnificent, and magnificent style and realm in the world were often not limited to certain things and patterns, but showed the appearance and scene of "myriad of phenomena".
" Great sounds are rare, and elephants are invisible " came from Tao Te Ching, which was an aesthetic concept. It meant that the best music had no sound, and the best image had no image. It could also mean that the greater the achievement, the more inestimable it was. The greater the bearing, the more indescribable it was. It could also mean that the better the music, the quieter it was. The better the image, the more ethereal it was. The loudest and most beautiful sound was the soundless sound. The greater the bearing, the more indescribable it was. From another perspective, the louder the sound, the more monotonous the tone, and the larger the scene, the more uncertain the shape.
"Great sound is rare, and the elephant is invisible" comes from Lao Tzu, Chapter 41. The "Da" here could be understood as "Dao","Da Xiang" was "Dao Xiang", and "Da Yin" was "Dao Yin". This expression reflected Lao Tzu's philosophical view of the world. From the perspective of Dao, Dao was the natural law of heaven and earth. It was a supreme existence. It was hidden and nameless. It was not unique and unchanging. It was omnipresent and existed in all things in heaven and earth. 'Elephant formless' meant that the Dao elephant was formless, and 'Great Sound Hope Sound' meant that the Dao sound was soundless. This was not talking about music or image on the surface, but explaining the nature of Dao. The seemingly contradictory expressions of 'formless' and 'soundless' were used to reflect the profound and indescribable Dao, and the 'image' and 'sound' that could be seen around human beings were used to explain Dao. It praised natural beauty, not man-made beauty. It also meant that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was.
The meaning of " elephant formless " was to turn intention into unintention, to accommodate all kinds of things, not to be overly assertive, and not to reveal deliberate intentions. It originated from the Tao Te Ching, and its original meaning was that grand scenes often had no definite shape. It was also often used to describe a person's deep inner cultivation. His wisdom and ability were not revealed on the surface, but hidden deep in his heart and only revealed at the critical moment. Such a person was like an elephant, whose strength and wisdom were not directly displayed on the surface. This kind of person was knowledgeable, understanding, approachable, but distant. They could achieve the same frequency with people of different levels, interact with people without prejudice, and freely switch between right and wrong in the secular world without discrimination or obsession.
" Great sounds are rare, and elephants are invisible " was an aesthetic concept in ancient China literary theory, proposed by Lao Tzu. There were several explanations for its meaning: From the literal perspective, the most beautiful music sounded lonely and silent, and the tall image could not see its shape. It could also be understood as the better the music, the quieter it was, and the better the image, the more ethereal it was. In other words, the best music was without sound, and the best image was without image. In terms of content, human hearing had a range. People couldn't hear sounds beyond the range. The shape of the universe couldn't be described by what people saw and heard. It meant that the greater the achievement, the more distant and immeasurable it was. The more magnanimous it was, the more inclusive and indescribable it was. There were also scholars who understood it from other angles. For example, there were six explanations for " Da Yin Xi Sheng ". One was that it meant that the loudest sound had no sound; the second was that it meant that the loudest sound was sparse; the third was that " Xi Sheng " was " silent " and contained " Da Yin ";;; The fourth was that " Da Yin Xi Sheng " was heavenly music, which could not be heard with the ears, but to comprehend and use the eternal and harmonious great heavenly music. Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. On a philosophical level, this concept also reflected the idea of inaction. Inaction did not mean not doing anything, but not going against one's heart in the process of doing things, not imposing one's own expectations and expectations on others, not deliberately pursuing specific results, and doing things according to the natural trend. In addition, the surface meaning of " Da Yin Xi Sheng " could be understood as the more elegant the music, the fewer people could appreciate it. The inner meaning could be understood as the more brilliant the suggestion, the fewer people would accept it. The surface meaning of " Elephant Invisible " could be understood as the more important the elements were, the easier it was to be ignored. For example, people often ignored important elements such as sunlight and air until they lost them.
" Late-bloomed " meant that the largest or most powerful objects needed a long time to develop and train before they could be formed. Later, it was also used to describe people who could take on heavy responsibilities had to go through long-term learning and training, so they would achieve their achievements later. 'Elephant formless' meant that the bigger the image, the more formless it was. This was the highest realm of Dao. Now, it was also extended to not be overly assertive towards people and things, but to be tolerant of all kinds of things.
The original meaning of the "image" in "elephant formless" was "Dao" or "reason". When Laozi said that the elephant was invisible, it could also be said that the Great Dao was invisible.