Gilded mandarin duck pattern silver box
The gilded mandarin duck pattern silver box is round, the lid and bottom are slightly raised, there are mother and son mouths, and the whole surface is fish roe pattern. It was 1.9 cm high, 4.2 cm in diameter, 0.11 cm thick lid, 0.15 cm thick body, 0.08 cm thick mouth, and weighed 35.9 grams. The winged animal in the middle of the cover was a mandarin duck that the China loved, and the center of the bottom of the cover was a treasure flower. Around the theme of the cover and the bottom were a circle of regular lotus petals. Although there was still space for the "badge" round frame, there was no "badge" round frame made of wheat ears (or ropes). It had a somewhat stiff and restrained feeling after imitation. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Tang Dynasty gilded flower and bird pattern six-song silver box
The gilded six-song silver box with flower and bird patterns weighed 18.13 grams. It was formed by hammering, and the patterns were gilded without rings. The box body was decorated with flower and bird patterns, and the images of flowers and birds were vivid. The side of the box was decorated with clouds, and the surface was decorated with fish roe patterns. It symbolized the meaning of having many children. The whole box was exquisite and auspicious, rich and extraordinary, and had a high collection value. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Phoenix Pattern Six-song Silver Plate
The gilded phoenix pattern six-song silver plate is a cultural relic of the Tang Dynasty. It is now stored in the Shaanxi History Museum. It was unearthed from the cellar of Hejia Village in the Tang Dynasty. It was made by hammering and cutting. It was shaped like a six-curved sunflower, 1.8 cm high, 16.4 cm in diameter and weighed 221 grams. In the center of the plate, there was a phoenix that was flapping its wings and looking back. The phoenix was gilded and its color was as bright as new. The carving technique was fully applied to the ears, eyes, hooks, pecks, feathers and other parts. This posture of raising its tail, turning its head sideways, spreading its wings and flying made the Luan's body form a cohesion towards the center, full of movement, fully reflecting the style of the prosperous Sui and Tang Dynasties. In the hearts of the ancients, the Luan was a lucky bird. The entire scene was filled with happiness, peace, and tranquility. On the back of the corresponding pattern, the bottom of the plate is slightly concave, with a narrow flat folding edge and a round and smooth outer edge, shallow belly and flat bottom. The decoration technique adopted the single-point decoration technique of decorating a single animal in the center of the plate, which was commonly used by Sogdian and Sassanid silverware. However, from the traditional Chinese patterns such as phoenix, it should be an object made by China craftsmen who absorbed and borrowed the decoration techniques of Sogdian or Sassanid. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Feilian pattern six-song silver plate
The gilded Feilian pattern six-song silver plate was a cultural relic of the Tang Dynasty. It was unearthed in 1970 in Hejia Village, the southern suburb of Xi'an City, Shaanxi Province. It is 1.4 cm high and 15.3 cm wide. It is now in the Shaanxi History Museum. The silver plate was shaped like a six-curved sunflower. The center of the plate was raised and carved with the image of a Feilian, with unique patterns. The appearance of Feilian pattern on the silver plate was created by the Tang Dynasty craftsmen who had absorbed the practice of decorating foreign objects with animal patterns alone and integrated it into the local Feilian. From this, one could see the Tang people's reference and choice of foreign culture. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
A brief introduction of the gilded silver plate and dragon pattern copper teapot
The gilded gold and silver dragon pattern copper pot was unearthed in 1968 from the tomb of Liu Sheng, King Jing of Zhongshan in Lingshan, Mancheng. It is now in the collection of Hebei Province Museum. The pot was decorated with gold and silver. It was 59.5 centimeters high, 37 centimeters in diameter, and weighed 16.25 kilograms. The mouth of the pot is slightly extravagant, the belly is round and round, and there is a pair of rings on the upper abdomen. The lid of the pot is curved, and the edge of the lid is slightly closed. The mouth of the lid is used to insert the pot. There are three cloud-shaped buttons on the lid. The buttons are gilded with silver and decorated with three gold-plated Kui phoenixes. It was huge and majestic. In terms of decorative patterns, the mouth and the foot were decorated with silver-gilded cloud patterns. The neck was decorated with a triangular pattern of gold and silver. There was a gilded wide band under the neck and the foot. The main decorative pattern was the gilded dragon pattern on the abdomen. Four thick single-headed double-bodied dragons rolled up and down, circling left and right. The dragons were decorated with smooth golden cloud patterns. The gold and silver patterns complemented each other. It was magnificent and elegant. It skillfully combined the complexity of the composition and the balance of the color tone perfectly. It showed the peak of the bronze decorative craftsmanship of the Western Han Dynasty. The bottom of the pot was engraved with an 18-word inscription: "Chu official, groove, can hold a stone, weighing two jun eight jin ten liang, first". According to the inscription, this pot was originally owned by Liu Jiao, King of Chu Yuan. Later, Liu Wu, the grandson of Liu Jiao, participated in the "Rebellion of the Seven Kingdoms" and died in defeat. The imperial court confiscated this pot and gave it to Liu Sheng. From the inscription, it could be seen that this pot was a container for holding "wine grains". It was a continuation of the "Li pot" in the Spring and Autumn Period and was specially used to hold many wine grains. The inner wall of the pot is painted with a layer of red paint. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded bear pattern six song silver plate teaching plan
The following is a lesson plan example of the Gilded Bear Pattern Six-Song Silver Plate: * * 1. Teaching objectives ** 1. Knowledge and Skill Target - Let the students understand the basic information of the gilded bear pattern six-song silver plate, including its source of excavation, size, production process, etc. - To help the students understand the cultural meaning of the bear pattern on the silver plate, such as the symbolic meaning of strength and vitality represented by the bear in ancient China. 2. process, method, goal - Through pictures and text explanations, the students 'observation ability and the ability to analyze and understand historical relics were cultivated. - Guide the students to compare the differences in decorative styles of utensils under different cultural backgrounds, and raise the students 'awareness of cultural comparison. 3. Emotions, attitudes, values, goals - To stimulate the students 'love for ancient Chinese history and culture, and to enhance the students' awareness of the protection of traditional cultural heritage. * * 2. Important and Difficult Points in Teaching ** 1. * * Teaching Focus ** - The appearance and craftsmanship of the gilded bear pattern six-song silver plate. - The ancient Chinese culture behind the bear pattern decoration. 2. * * Teaching Difficulties ** - Understand the differences between Chinese and Western cultures reflected in the decorative style of silver plates and the phenomenon of communication and integration. * * 3. Teaching Method ** Teaching method, picture display method, discussion method * * 4. Teaching process ** 1. Introduction (3 minutes) - He showed some beautiful pictures of ancient gold and silver ware to arouse the students 'interest. Then, he introduced the gilded bear pattern six-song silver plate that he was going to introduce today. 2. Basic information on the silver plate (7 minutes) - It introduced the excavation of the silver plate, such as the cellar of Hejia Village in the southern suburbs of Xi'an in 1970. - For example, the silver plate was in the shape of a six-petal sunflower. It had a shallow belly and a flat bottom. It was 1.1 centimeters tall, 12.7 centimeters long and 12.3 centimeters short. It weighed 146 grams. - When it came to craftsmanship, for example, the silver plate was made of hammer and the center of the plate was decorated with bear patterns. 3. Interpretation of the cultural meaning of bear pattern decoration (10 minutes) - Explain the symbolic meaning of the bear in ancient Chinese culture. For example, the bear represents strength. In the relevant records of Huainanzi·Military Strategy Training,"tigers and leopards are convenient, and bears are strong." The bear is also a symbol of vitality and has the meaning of being suitable for men. For example, in the Book of Songs·Xiaoya·Sigan,"Wei Xiong Wei Pi, the auspicious sign of men." - It tells the story of Empress Wei's sister making a bear pillow to suit men. It deepens the students 'understanding of the cultural meaning of bear patterns. 4. Comparing and analyzing decorative styles (10 minutes) - He pointed out that in the style of silver plate decoration, the practice of decorating a realistic animal in the center of the plate and leaving a blank space around it was popular in Sassanid and Sogdian silverware. This style was far from the traditional Chinese aesthetic habits. - The students were organized to discuss the possible reasons for the differences between Chinese and Western decorative styles, as well as the cultural exchanges that this phenomenon reflected at that time. 5. Class interaction (5 minutes) - Show the picture of the silver plate with the gilded bear pattern. Let the students observe and describe the characteristics of the silver plate to consolidate their knowledge. - Ask the students about the cultural meaning of the bear pattern or the decoration style of the silver plate. Check the students 'understanding. 6. Class summary (3 minutes) - The basic information of the gilded six-song silver plate with bear pattern, the cultural meaning of bear pattern and the decorative style were reviewed. - It emphasized the importance of learning ancient cultural relics for understanding history and culture and inheriting cultural heritage. 7. Homework (2 minutes) - Students were required to look up the information and find out about the other cultural relics unearthed in the cellar of Hejia Village. They were also required to find a cultural relic that was similar to the gilded bear pattern six-song silver plate in terms of cultural meaning or craftsmanship. They would share it in the next class. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Gilded Silver Box with Double Wild Goose Patterns
In the center of the gilded double goose pattern silver box was a pair of double geese standing opposite each other on the lotus seed pod, with their mouths facing each other. The lotus leaves on both sides of the lotus seed pod were curled into a semi-closed shape, and above the winning belt was a three-out lotus with one flower and two leaves. In the center of the bottom of the box were four peach leaves connected to the petals of the Honeysuckle. The two wild geese, lotus pod, and lotus leaf symbolized the harmony of the couple and the blessing of many children. It was a typical China pattern. Whether it was the composition or the decoration, it was already a new work of the Tang Dynasty. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Pattern Material
The following were some materials for the gilded patterns: 1. China style gilt gold auspicious cloud pattern. 2. The simple background of gold landscape, such as green ink gold national style ink painting creative background, gold foil bamboo landscape ink painting gold landscape material, etc. 3. China style New Year's calendar, simple 2024 art words, China style New Year's calendar, golden 2024 dragon year, creative art words. 4. He could use the Midjourney hint to create a gold-gilded pattern in the national style, such as gold, blue, and green mountains, pavilions, and pavilions with gold-gilded details under the China embroidery technique; golden lines depicting the outline of the mountain, with green clouds, thin lines surrounding the mountain, people carrying bamboo baskets on the mountain path, flying cranes, gold-inlaid peach blossoms fluttering in the wind, and other elements; Klein blue, golden waterfall, mountains, trees, and other elements, gold-plated mountains and rivers, golden flowing water, gold foil, layers of pink and jade green mountains, orange suns, and other elements. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Sunflower mouth three-legged lion pattern gilded silver plate introduction
The gold-plated silver plate with a three-legged lion pattern was a cultural relic of the Tang Dynasty. It was 6.7 centimeters high and 40 centimeters in diameter. It was unearthed in Bafuzhuang, Xi'an, Shaanxi Province in 1956 and is now stored in the National Museum of China. The silver plate was shaped like a sunflower petal, with three casted curly leaves on the bottom. The plate was decorated with the pattern of a lion roaring back. The image of a lion was realistic, full of muscles, powerful and powerful, and its posture was mighty and majestic, which perfectly displayed the insufferably arrogant style of the king of beasts. The plate had a wide edge, and there were no auxiliary patterns around it. The plate was decorated with peony patterns. These were the characteristics of the golden flower silver plate in the prosperous Tang Dynasty. In the Tang Dynasty literature, the golden flower silver plate referred to a silver plate decorated with gilded patterns. The golden hammer with a very high quality was hammered into thin slices, cut into fine threads, and placed into a clean pot to heat up until it was red. Mercury, which was seven times the weight of the gold wire, was poured into the pot and stirred into mud. After cooling down, he added sulfuric acid into the gold mud, cut out the gold mud, and repeatedly applied it on the carved patterns. After applying it evenly, he washed off the sulfuric acid with warm water and baked it. He used crystal or agate to constantly grind the gilded parts to evaporate the mercury. Finally, he polished the surface of the silver plate. There were no lions in China. During the Sui and Tang Dynasties, the Silk Road was peaceful, and merchants from the Western Regions came and went. The Western Regions countries paid more lions to the royal family of the Tang Dynasty. The craftsmen of the Tang Dynasty integrated the foreign patterns (such as lion patterns) with the traditional patterns (such as peony patterns) to create artifacts with their own national characteristics. This was reflected on the gold-plated silver plate with the three-legged lion pattern in Kuikou. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Gilded in silver
Silver gilding was a special technique to gilt a layer of gold on the surface of a silver product. From the reference materials, there were silver gilded golden-winged bird crowns from the Song and Liao Dynasties, which were collected in the Shanghai Museum, silver gilded beaded golden-winged birds from Dali, which were exquisite and unique in shape, silver-gilded "Buddha in the Heart" hanging pendant from the Qing Dynasty, which was an antique with many artistic values and cultural meanings, and silver-gilded phoenix crowns from the British Museum in the middle and late Qing Dynasty. There were also silver gilded products such as silver gilded silk auspicious bird appreciation tools, silver gilded silk Buddhist shrines, silver gilded silk hundred treasure inlaid ruyi, a pair of silver gilded vases, and the double Buddha of Samantabhadra Bodhisattva in silver gilded gold in Qing Dynasty. These products had different characteristics in terms of size, weight, shape, craftsmanship, and cultural significance, reflecting the technological level and cultural characteristics of different periods. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
What is the effect of the gilded pattern?
The gilding process used the stable chemical properties of gold to plate the surface of copper objects. The pattern effect was mainly reflected in the following aspects: 1. Beauty 1. colour respect - The gilded pattern was golden in color. This golden color had a unique luster that could add a luxurious and solemn visual feeling to the object. For example, on ancient Buddha statues, jewelry, and other gilded products, the golden gilded patterns made them look beautiful and noble. 2. decorative - Gold gilding could be applied according to various patterns or requirements. Whether it was a complicated pattern or a simple shape, it could be well attached to the surface of the object and play a very good decorative role. For example, on some ancient architectural decorations, traditional silver-gilded nails inlaid with pearls, and other artifacts, the gilded pattern could enhance the overall exquisiteness and artistic value of the artifact. II. Durability - The gilded pattern was firmly attached to the surface of the object and did not fall off easily. This allowed the gilded pattern to maintain its beauty for a long time. Even after a long time, it could still display its unique decorative effect. After a long time, it could still retain its original color and shape, thus reflecting its durability in craftsmanship. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!