Destroy the best painting

Answer 1

Hua Can had many excellent paintings, and it was difficult to determine which one was the best. The following are some of his unique works:
- [Rain Washing Mountain Root Painting]: The realm is deep, the brush and ink are green, and the structure is appropriate. The mountain was drawn with the method of removing the hair of a cow, which was a typical technique of the dead. Nearby, there were cliffs and ancient trees, pine pavilions, a pool of fresh water, and a noble man fishing alone at the head of a boat. White clouds surrounded the mountainside, and the peaks were green. In the distance, the mountains and rivers were winding, showing the purity and tranquility of the mountains and rivers after the rain. However, pure ink landscape paintings that had been handed down for generations were rare.
- ** Serene Painting **: It was a self-made portrait. Nearby, in a thatched cottage under a pine tree, a person sat on an old tree and looked back at the lake, showing a sense of self-comfort. The brush was thick and simple, with a slight touch of light color, with the meaning of autumn.
- ** Volume of Mountains and Rivers (1)**: Collected in Shanghai Museum. Although the size was not large, the stream, spring, thatched cottage, layers of forest, steep peaks, and white clouds were complicated and meticulous, reflecting the unique ingenuity of Xu Can, and the color of the pen tended to be old and spicy.
- [White Cloud Painting of the Cottage]: Streams, cliffs, tall pines, and villages are arranged in a complicated and unpredictable manner. The painting style was similar to that of King Meng of Yuan Dynasty. The painting was magnificent, changing vertically and horizontally, and strange and exquisite. The thirsty pen and burnt ink had the feeling of "dry autumn wind, moist with spring rain". However, the composition was more complicated than Wang Meng's. It was full of charm and had the style of being old and vigorous. It could best reflect the characteristics of the painting style of "mysterious realm, mysterious and deep".
- "Mountains and Rivers"(also known as "The Painting Scroll of Cangshan's Grass Forming"): It depicted the scene of a reclusive scholar living in seclusion among the peaks and ravines. The rising white clouds surrounded the green mountains and valleys, as if to block the path into the mountains. In front of the house, the cranes swam freely. The tree trunks, houses, rocks, and other parts of the painting were made of ochre, and the rest were dyed with ink green. It was full of a quiet air outside the world. It was magnificent, the brush and ink were heavy, and the composition was meticulous.
- [Landscape Volume IV]: The page of the album wrote about the water pavilion under the cliff. It was the autumn season with red leaves, tall pine trees, rugged rocks, and the shadows of sails in the distance. The brush was crude, and the scorched ink and dry brush were used at the same time, creating a vast and solemn feeling in the picture.
- [Mountain and River Volume (6)]: The inscription shows that it was written by the person who destroyed the path of Stone Creek in the mountain house of Tianque.
- **<>: Painted mountain, orchid, pine forest and pavilion. The brush and ink are smooth and moist. The mountains are thick and dense. The pine forest trees are marked with glue ink, lush and boundless.

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