Silver gilded jewelry had different technological characteristics and artistic expressions in different historical periods. During the Spring and Autumn Period and the Warring States Period, gilt gold and silver were used in bronze ware. In the middle and late Qing Dynasty, for example, the silver gilded silk phoenix crown collected by the British Museum was made of silver and gilded. It was 18.5 centimeters high and was decorated with traditional China auspicious patterns such as entangled lotus flowers and Buddha's hand. The gold and silver jewelry of the Ming Dynasty reached its peak. The forging techniques that were popular during the Song and Yuan Dynasties were still used in the Ming Dynasty. Moreover, the inlaid and tied-silk techniques that existed in the Song and Yuan Dynasties were developed to the extreme in the Ming Dynasty. The gold and silver jewelry of the Ming Dynasty had a variety of flower and bird motifs. The development of craftsmanship during this period also laid the foundation for the inheritance and development of the silver-gilded jewelry of the Qing Dynasty. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
The reference materials mentioned a variety of gold-gilded cultural relics, such as gold-gilded copper ornaments inlaid with gemstones in the Western Han Dynasty, Nepal gold-gilded copper conch hand-inlaid with gemstones, tiger-shaped silver pillow inlaid with gold-gilded lotus flowers in the Tang Dynasty, and gold-gilded jade ornaments. However, based on the current reference materials, it was difficult to make a comprehensive and comprehensive description of the gilded gemstone ornaments. It could only be said that gilded gemstone ornaments appeared in different historical periods, and their styles, uses, and values varied due to regional, cultural, historical background, and other factors. For example, the gilded copper ornaments inlaid with gemstones in the Western Han Dynasty were unearthed as cultural relics, and the related crafts in Nepal could be sold as Buddhist religious ornaments. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
There were many types of gilded jewelry in the Tang Dynasty. In terms of hair accessories, there was a silver-gilded hollowed-out flower pattern double-piece hairpin with an exquisite hairpin head. There was also Bu Yao, as described in the poem,"Cloudy Hair, Flower Face, Golden Bu Yao." On the arm ornaments, the gilded silver arm bracelet of the Tang Dynasty was unearthed from the underground palace of the Tang Dynasty under the pagoda of the Fa Men Temple. It was hammered into shape, with patterns cast or flat chisel. The pattern was gilded. The surface of the bracelet was oval, and the top was engraved with exquisite patterns such as the Karma Vajra Pestle. The arm bracelet was a ring-shaped jewelry worn on the upper arms of Buddha, Bodhisattva or women. In addition, there are rings, such as the gold ring inlaid with blue gemstones in Tang Dynasty, the oval ring holder of the early Tang Dynasty is decorated with beads, and the place where the ring connects is also decorated with three golden millet, and the middle is inlaid with blue transparent gemstones; There are also rings unearthed from the stone coffin tomb of Tang Dynasty in Zhujiawan, Chengguan Town, Yuzhong County. The ring surface is relatively round, inlaid with one ruby and two amethysts. The shape and craftsmanship have Arabian cultural characteristics. From the container jewelry, there was a gilded parrot silver box of the Tang Dynasty, size was 8.5 centimeters high and 11 centimeters in diameter. There was also a gilded octagonal silver cup of the Tang Dynasty found in Hejia Village in the southern suburbs of Xi'an City in 1970. It had a unique shape and was composed of eight faces. Each face was decorated with the image of Hu people holding different musical instruments. There was also the Tang Dynasty silver-gilded "Buddha Shuo Guang Yi Fa Men Jing"(upper and lower volumes) with a sutra tube, each 29.5 cm high, the diameter of the tube body 7 cm, the widest 10 cm, the total weight 3588 grams, the top of the lid was cast with exquisite decorations such as sitting Buddha, there were sutra scrolls inside the tube, each sutra scroll was 178 cm long and 13.8 cm high. In addition, there was also a gold-plated silver teapot with a cup in the mouth of a dancing horse. The teapot was decorated with exquisite gold-plated decorations of a horse kneeling on the ground with a cup in its mouth. There was also a historical story behind it. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The gilding of silverware was a type of metal processing technique. There were mainly the following methods: 1. "Cold Gold Refinement": Use a strong acid (such as aqua dire) to melt gold to obtain a liquid gold salt with gold. The gold salt will be applied to the surface of the silverware. After evaporating, the gold will be deposited. After polishing with a polishing brush, a shiny gold layer will appear. 2. ** Traditional gold gilding (similar to the principle of gold-mercury hot gilding)**: Cut a gold foil about one millimeter thick into pieces, put it in a crucible, heat it to 400 ° C, and add mercury (mercury). After stirring the gold and mercury in a certain ratio (such as 1:7), pour it into water to form a "gold mud." He dipped the gold stick in the gold mud and brushed it over the silver ware repeatedly. Finally, he baked the surface of the silver ware with hot charcoal to evaporate the mercury. The gold remained on the surface of the silver ware and became gilded silver ware. 3. The principle of gold-mercury hot gilding was similar to this: Mercury and gold were mixed (the ratio of gold to mercury was about 6:1). Using the characteristic of gold dissolving in mercury in a hot environment, a gold-mercury solution was obtained. After squeezing out the excess mercury from the antelope skin, an object with a thickness similar to butter was obtained. After smearing it on the surface of silverware, the mercury was evaporated at a controlled temperature, leaving a gold layer. After cooling down, it was carefully polished to obtain a gold-plated silver ware. The gilded silverware not only had the characteristics of silver itself, but also added the luxury of gold. It was of great significance in both ancient and modern silverware decoration techniques. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Silver gilding was a special technique to gilt a layer of gold on the surface of a silver product. From the reference materials, there were silver gilded golden-winged bird crowns from the Song and Liao Dynasties, which were collected in the Shanghai Museum, silver gilded beaded golden-winged birds from Dali, which were exquisite and unique in shape, silver-gilded "Buddha in the Heart" hanging pendant from the Qing Dynasty, which was an antique with many artistic values and cultural meanings, and silver-gilded phoenix crowns from the British Museum in the middle and late Qing Dynasty. There were also silver gilded products such as silver gilded silk auspicious bird appreciation tools, silver gilded silk Buddhist shrines, silver gilded silk hundred treasure inlaid ruyi, a pair of silver gilded vases, and the double Buddha of Samantabhadra Bodhisattva in silver gilded gold in Qing Dynasty. These products had different characteristics in terms of size, weight, shape, craftsmanship, and cultural significance, reflecting the technological level and cultural characteristics of different periods. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
There were many types of gilded silver bowls. For example, the gold-plated silver bowl of the Tang Dynasty was collected in the Tang Art Gold and Silver Museum in Luoyang. The big bowl had a diameter of 18.5 cm, a height of 6 cm, and a weight of 322.52 grams. The small bowl weighed 290.35 grams. The two bowls were basically the same in shape. They were open and the inner wall was smooth. They were hammered into shape. The bowl body was engraved with six round flowers. The patterns were gold-plated and the soles were short. There was also a gold-plated flower-and-bird sunflower style silver bowl from the Tang Dynasty. It was 6 centimeters high, had a deep belly, a round bottom, and a relatively straight abdominal wall with a protruding ridge as the boundary. The pattern was a slender flying bird. The bird holding a fine cloth in its mouth meant to summon happiness in Persia. It had a strong Persian style and was now stored in the Palace Museum. In addition, the gilded silver bowl with flower and bird patterns unearthed in Hejia Village in Tang Dynasty is now stored in Shaanxi History Museum. The inside and outside of the bowl are carved with patterns and gilded patterns. The whole body is based on fish roe patterns. There is a treasure flower in the center and the bottom of the bowl. The inner abdominal wall is decorated with broken branch flowers and flowing clouds. A pair of mandarin ducks and two parrots are carved between the broken branches and flowers on the outer abdominal wall. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded gold big silver basin is sunflower petal shape, extravagant mouth, round lips, inclined abdomen down, roe pattern lining the ground, four curved sunflower mouth short circle foot. The inside and outside of the four curved mouth edges are carved with a simplified lotus petal pattern. The basin wall is concave from the mouth of the basin to the bottom of the basin. The basin wall is divided into four petals. Each petal is carved with two horizontal broad-leaved pomegranate flowers. In the flowers, there is a pair of drum-winged mandarin ducks standing on the lotus, facing each other. Between the mandarin ducks and flowers, there were flowing clouds and triangular broad-leaved patterns. The bottom of the basin was molded and hammered into a large group of flowers composed of a pair of mandarin ducks and broad-leaved pomegranate playing with each other. The fish roe pattern was applied around it, forming a shallow embossed effect, echoing the pattern on the inner side of the basin wall. The decorative patterns on the inside and outside of the basin were exactly the same, as if they were carved. The basin was a washbasin used to hold water. It was unearthed in the center of the back room of the Tang Dynasty underground palace of the Fa Men Temple. There were also Ega bottles that contained holy water in the Tantra. Its use should be related to the "Buddha Bathing Basin" in Buddhism, which was the tool used to bathe Buddha statues on the Buddha's birthday every year. The gilded silver basin reflected the superb wisdom and craftsmanship of the working people of the Tang Dynasty. It was a precious object for studying the production of gold and silver ware in the late Tang Dynasty. It also reflected the people's wishes for more children, harmony and happiness. It is now hidden in the museum of the temple. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Silver gilding was a type of art. According to the introduction of some silver-gilded products, the surface of the object was plated with silver. For example, the interior of the silver-gilded tea set was based on porcelain, and the exterior was plated with silver. It was made of 99% pure silver, so that the object had some characteristics of silver and the appearance of silver. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The reference mentioned a variety of silver-gilded products, including silver-gilded vases. For example, the silver gilded silk baked blue vase decoration, 28cm high, 12cm wide and 504g heavy; there was also the Tang Dynasty pure silver gilded chisel beautiful woman flower vase, the specifications were 17cm high, 15cm wide and 184.9 g heavy. It was cast in fine copper, the shape was classic and simple, and the gilded chisel carved the beautiful woman flower vase. The pattern was exquisite, the technique was exquisite, and the skin was old and spicy. These silver-gilded vases were different in terms of craftsmanship, size, weight, and decorative patterns, reflecting the craftsmanship of different periods and regions. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Pure silver gilding was a process of gilding the surface of silver products. Gilding was an ancient metal processing technique. It was to combine gold and mercury into gold amalgam, apply it on the surface of an object (silver in this case), and then heat it to evaporate the mercury. The gold would adhere to the surface of the object and not fall off. This kind of craft had a long history in China, and there were many exquisite works preserved in the world. For example, the Ashoka Pagoda, which was unearthed in the underground palace of Leifeng Pagoda in Hangzhou, was made of pure silver hammer-shaped and sewn together. It was an antique from the Wuyue period of the Five Dynasties (907-978). In modern times, there were many jewelry made with pure silver gilding, such as natural freshwater pearl bracelets with pure silver gilding ancient accessories. The production of silver and bronze wares and gilding techniques in Huangzhong County, Qinghai Province, were listed as the third batch of national intangible cultural heritage. Among them was the silver-gilding technique, which was hand-made with fine craftsmanship and rich patterns. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Silver Dream was one of the earliest organizations in China that was engaged in the promotion, processing, and retail of silver jewelry. It was a modern jewelry enterprise that integrated the sales of exquisite silver jewelry, high-end jewelry, and craft gifts. It was founded in Shanghai in 2005. The brand has been based on classics and creativity since its development. It has gathered the essence of many silver jewelry manufacturers. It has adhered to the marketing strategy of novel styles, a wide variety, reasonable prices, and differentiated services. Its corporate mission is to "make the world more beautiful and more confident." Silver Dream had a number of direct stores in the country, and it planned to launch a model such as joining and joint operations. To a certain extent, it showed that it had the nature of a national chain operation. Through its professional attitude and good quality, Silver Dream had won the honorary certificates issued by many national authorities such as "China's top ten influential brands in the silver jewelry industry", which helped it to promote its chain operations nationwide. The novel " Dream of Silk Fate " is equally exciting. Everyone is welcome to click and read it!