All the commercial photographers use those fixed-focus lenses
In the field of advertising photography, fixed-focus lenses were used because of their high resolution and contrast. The most common fixed-focus lens was Canon's 50mm F1.8 fixed-focus lens for a full-frame micro-camera. It was designed to fit into the Eos R series. The 43mm filter diameter made it easy to install a protective lens. The anti-shake function and autofocus system ensured that the image was stable in dark light or when shooting with a hand-held camera. There was also Canon's small spittoon 3rd generation ef501.8stm, which was specially designed for full-frame single-lens reflex cameras. When paired with Canon's Canon series body, it could show excellent wide-angle fixed-focus performance and background blurring effect brought by large aperture. The YONGN 50mm F1.8 autofocus lens could also be used for advertising photography. It was compatible with a variety of micro-single systems and continued the advantage of large aperture. In addition, 35mm, 50mm, 85mm, 200mm, etc. were also common fixed-focus lenses. Read more exciting novels for free
Professional photographers use telephoto lenses
Professional photographers used telephoto lenses mainly based on the following aspects: ** 1. In terms of shooting topics ** 1. ** Wild animal photography ** - The telephoto lens could zoom in on wild animals in the distance and record their natural behavior and details without disturbing them, such as the subtle movements and expressions of wild animals such as birds. 2. ** Sports photography ** - It could capture the exciting moments and details of athletes, such as football, basketball, racing, and other sports events. Even if the photographer was far away from the subject, he could still capture high-quality images. 3. ** Landscape photography * - It could zoom in on the distant scenery and highlight its details and layering. For example, shooting distant mountains, distant urban landscapes, etc., showed a unique perspective that was different from the wide-angle lens. 4. ** Portrait photography ** - With the shallow depth of field effect of the telephoto lens, it was easy to blur the background, making the main body of the character more prominent, creating a soft and dream-like effect, and shooting high-quality portrait photos. 5. ** Street Shooting ** - It could capture the wonderful moments on the street without attracting the attention of the subject, such as the movements, expressions, and interactions of pedestrians, thus creating a unique visual effect. 6. ** macro photography ** - It was used to capture small objects such as insects and flowers, showing their unique shapes and patterns. ** 2. In terms of visual effects ** 1. ** Compressed background ** - The angle of view of the telephoto lens was narrow. When shooting, it could make the distance between distant and nearby objects seem to be " compressed ", simplify the background, and make the subject more prominent. It could create a unique sense of space in portrait and landscape photography. 2. ** Shallow Depth-of-Field Effect ** - It was easier to achieve a shallow depth of field. Under the same aperture, compared to a short focal length lens, it could make the subject clear and the background blurry, increasing the artistic sense of the photo and effectively separating the subject and the background. 3. ** Reduces X-ray Distortion ** - Compared to a wide-angle lens, it could more faithfully reproduce the actual size and shape of an object. It was suitable for shooting scenes that required precise proportions of objects such as buildings and products. 4. ** Void Effect ** - When used with a large aperture, it can create a soft, creamy background blurring effect, enhancing the emotional expression and aesthetic value of the photo. ** 3. Points to note in shooting operations ** 1. ** Focus selection ** - Choose the appropriate focal length according to the subject and the desired visual effect. For example, shooting wild animals might require a longer focal length such as 180mm-300mm or even longer, while street portraits might not require too long focal lengths. 2. ** Shutter parameters guaranteed ** - Due to the small angle of view of the telephoto lens, slight shaking would be magnified in the photo. The longer the focal length, the higher the shutter speed requirement. When shooting hand-held, shooting with a large aperture tested the photographer's posture and physical strength. If necessary, a tripod or other supporting equipment should be used to fix the camera. 3. ** Make good use of depth of field ** - Although the shallow depth of field of the telephoto lens could highlight the main body, excessive blurring of the background would lose details, making the photo lack elements. Sometimes, retaining some of the background details would make the photo more layered. 4. ** Shooting and composition ** - Some people thought that the composition of a telephoto lens was easy because the angle of view was narrow and there were few elements included in the lens, while others thought it was difficult because it required the ability to compose the scene to express the characteristics of the scene. Due to the limited angle of view, one had to pay special attention to the focal length and camera position when composing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
China photographers often use lenses
Here are some common shots used by China photographers: - Canon EF50F1.8 (commonly known as the small spittoon), which had a certain price-performance ratio. The large aperture could bring a better blurring effect and was suitable for shooting in a variety of scenes. - Canon EF70 - 200F2.8, can be used to shoot portraits, close-ups, etc. In the telephoto range, it can compress space, highlight the subject and blur the background. - Canon EF17 - 40F4.0, suitable for shooting scenery, able to accommodate more scene elements in a wider angle of view. - The 85mm lens was almost known as the king of portrait photography. The shooting angle was 28 degrees, which could simplify the background and highlight the character. The background blurring effect was good, and the distance from the full-body to the close-up was about 1.5 meters to 5 meters. The image quality was good, but the fixed angle was its shortcoming. - Standard lens. The focal length of the standard lens of the Model 135 camera was mostly 55 or 58mm. Its focal length and angle of view were moderate. The perspective relationship of the scene in the shot picture was similar to that of the human eye. The aberrations were easy to correct, the image quality was good, and the relative aperture was large, suitable for shooting in dark environments. When the Model 120 camera used 6×6 and 6×7 picture size, the focal length of the standard lens was 75mm, 80mm or 90mm. - Wide-angle lenses, such as the 35mm and 28mm lenses commonly used in Model 135 cameras, and the 50mm focal length wide-angle lens commonly used in Model 120 cameras, were suitable for close-up shots of large-scale scenes. They could make both close-up and long-distance shots clear and have a sense of depth. They could exaggerate and distort the perspective relationship, creating a feeling of vast depth. - Ultra-wide angle lens (in the 135 model camera lens series, the focal length is from 17 to 21 mm), which can shoot a wider scene. In the 135 model camera, the common focal length is 24, 21, 20 mm, etc. - Fixed focus lens, excellent image quality, better resolution, out-of-focus, anti-glare power, distortion control, etc. than zoom lens; good portable, small body; large aperture, shallow depth of field and better blurring effect. However, as the image quality of the zoom lens improved and the large aperture was no longer exclusive to the fixed-focus lens, the zoom lens was also widely used. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Several commonly used fixed-focus lenses for portrait photography
The common fixed-focus lenses for portrait photography were as follows: 1. ** 35mm fixed-focus lens **: It has a wide range of uses in character photography. It can shoot full-body photos at a suitable distance, and can also shoot headshots with a strong sense of distance and slender figures. It has an irreplaceable role in character environment and cultural photography. For example, Canon's EF35mmf1.4L USM wide-angle fixed-focus lens had ultra-high resolution, excellent description ability in low light, and perfect background blurring effect. It could focus manually at all times, and a slight dark angle could draw attention to the middle of the picture. Nikon AF-S DX35mmf1.8G lens was compact and light. SIGMAR Art 35mmf1.4 was very cost-effective. 2. ** 50mm fixed-focus lens **: Its angle of view is close to that of a single human eye and is called a standard lens. Using it to shoot characters could restore the real scene very well, and it could also achieve the effect of wide-angle and telephoto lenses. The 50mm fixed-focus lens with a large aperture was very attractive. For example, the small spittoon had good image quality, high performance, and low price. 3. ** 85mm fixed-focus lens **: The focal length was widely used in portrait photography and commercial photography. It was the focal length that major manufacturers fought for in portrait photography lenses. Many excellent lenses were also born, and it was called the golden focal length of portrait photography. For example, Canon's EF85f1.2L SUM was known as the "Emperor of Portrait Mirrors", with silk-like blurring and razor-like sharpness; Nikon AF-S Nikkor 85mm f1.4G was a high-quality and fast mid-range fixed-focus lens, suitable for half-body portrait creation. 4. ** 135mm fixed-focus lens **: It is a medium-range and long-range lens. The 85 - 135 focal length can achieve a dream-like blurring effect, maintaining the appropriate distance between the photographer and the subject, and at the same time, obtaining a natural image effect. For example, Canon's 135mm f/2L has excellent image quality. It is sharp inside the focus and soft outside the focus, but it may not be used frequently. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Hand-held photography and fixed lenses
Hand-held photography was a kind of film photography technique. It referred to the photographer using a hand-held camera to shoot without the use of auxiliary equipment such as stabilisers or stands to fix the camera. During the shooting process, there would be lens shake and camera shake, presenting a more realistic and vivid picture effect. The fixed lens was when shooting a single shot. The camera position, lens optical axis, and focal length were fixed, and the subject could be static or dynamic. The core was that the frame attached to the picture did not move, but the characters in the picture could move, enter the painting, and leave the painting. The light and shadow could also change. It was a static modeling method, not completely equivalent to art works and photography photos. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The lenses needed for commercial photography
The lenses commonly used in commercial photography varied according to the needs of the shoot and the scene. Here are some shots that might be used in commercial photography: - **24 - 70mm focal length lens **: For commercial photographers, this focal length has a higher appearance rate in portrait photography, landscape photography, and commercial photography. It was highly adaptable to the environment and could reduce the number of lens changes and the number of lenses carried, which helped to improve work efficiency. - ** macro lens **: For example, some of Nikon's macro lenses, such as Nikon Z105mm F2.8VR S, Nikon 105F2.8G VR macro lens (100mm), Nikon 60mmF2.8G ED macro lens, etc. The macro lens had the characteristic of high sharpness. Some commercial photographers would use its high sharpness to leave a large space for post-editing when shooting portraits. Moreover, the macro lens had different zooming ratio, some could reach 1:1 or even higher, and the closest focusing distance could reach 30cm-50cm. This feature made it possible to use it for short shots, portraits, scenery and other shooting topics in addition to macro shooting. - **70 - 200F2.8 lens **: Covers classic focal lengths such as 85, 135, and 200. It has the advantages of good image quality, large aperture (with a good depth of field), fast and effortless (outdoor scenes can basically be done with one lens), good coordination (very compatible with some DSLR), internal zoom (some are internal zooming, and the experience is good), etc. It can be used for scenery (zooming in or compressing the distant scenery), portraits (more convenient for external photography), street sweeping, night portraits, flower still life, and many other commercial photography scenes. Different commercial photography scenes may also use other lenses. For example, in still life photography, you may use the Nikkor AM/ED 210mm f/5.6 lens, the Rodensted Apo - Ronar 480mm f/8 lens for close-up and macro photography (such as jewelry, clocks, etc.), and the Schneider Symmar-S 300mm lens for general distance photography. If the layout requires more extreme perspective, you may use a wide-angle lens as short as 75mm. In outdoor shooting, the Nikon D3 may be used with the older Nikkor 105mm f/4 macro lens, as well as 45mm and 85mm focal length shift-axis lenses. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Is it better to use a camera to take photos with fixed focus or zoom?
Fixed focus lenses and zoom lenses had their own advantages and disadvantages. The choice of lens depended on the specific shooting needs and usage scenarios. The focal length of the fixed-focus lens was fixed, and the structure was relatively simple. The lens group only needed to correct the image quality for a single focal length, so the image quality was better, and the price might be cheaper than the same level of zoom lens. It could train the photographer's understanding of composition and help to improve aesthetics. However, it required the photographer to move back and forth to frame the composition, which might be detrimental to the shooting efficiency. Moreover, it was relatively difficult to operate. Its scope of application was mostly in professional fields, such as commercial portraits, macro photography, etc. The focal length of the zoom lens could be adjusted, so most camera heads were zoom lenses. It could lengthen the focal length and zoom in on the subject in place. It had a wide range of applications. It had a wide-angle end, a standard focal length, a telephoto end, etc. It could cover more shooting subjects, improve shooting efficiency, and achieve a one-shot world. It could reduce the number of photographic equipment and the time to change lenses. However, due to its complex structure, more lens components were needed to reduce the image quality problems when the focal length changed. Therefore, the interior was more complicated, the "body" was larger, and the price was more expensive. The image quality was not as perfect as the fixed-focus lens, but this difference was difficult for most photographers to distinguish unless they enlarged the photo. For beginners and most people who buy cameras for daily shooting (such as traveling), zooming lenses are more suitable. If you want to get better picture quality, practice your framing and composition skills, or develop in the direction of professional photography, you can consider adding a fixed-focus lens, but it is not recommended in the early stages. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
fixed-focus camera
The fixed-focus camera had its own unique characteristics and uses in the field of photography. In terms of image quality, fixed-focus lenses usually provided excellent image quality, with advantages in terms of resolution, out-of-focus, anti-glare, and distortion control. For example, in some flat photography scenes that required demanding image quality, the fixed-focus lens could meet the needs of the photographer for high-quality imaging. The fixed-focus lens had a simple structure, low design complexity, and a single focal length, which made the lens body small and easy to carry. In terms of aperture, the traditional fixed-focus lens could easily achieve a large aperture, which could achieve a shallow depth of field and better blurring effect. However, in 2024, large apertures were no longer exclusive to fixed-focus lenses. Some zoom lenses could also achieve large apertures. In terms of video shooting, fixed-focus lenses had applications in live broadcasts and other scenes. For example, when fixed-focus mobile cameras were used for live broadcasts, the fixed-focus lens could make up for the gap between fixed-focus zooming lenses and fixed-focus mobile cameras when the image might be lost through wireless image transmission. However, in general video creation, the zoom lens had a wider range of uses because video shooting usually required the lens to have a larger zoom range, a constant aperture, a relatively stable image quality, and better anti-shake performance. Many zoom lenses could meet these requirements. In contrast, fixed-focus lenses might have problems such as too shallow depth of field becoming a burden in video creation, frequent lens replacement affecting work efficiency, and so on. In short, fixed-focus cameras had irreplaceable value, but with the development of technology, they also faced the competitive challenge brought by zoom lenses. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon fixed focus
If you like the Nikon fixed-focus hanging head, 35f/1.8 is a choice that can be considered, it has a larger aperture; Nikkor Z 35mm f/1.8S is priced at 4999 yuan, using a large aperture design of f/1.8, the size is similar to Nikkor Z24 - 70mm f/4S, and the design style is highly unified. In addition, the Nikkor ZDK 24mm f/1.7 was also a good choice. It was the first APS-C fixed-focus lens for Nikon's mirrorless camera. It was equipped with a maximum aperture of f/1.7 and the closest focusing distance of 0.18m, which was equivalent to a 36mm practical focal length. It was suitable for shooting scenery, food, portraits and many other subjects. The ATM motor operated smoothly and quietly. The lens weighed only about 135g, which was very suitable for daily use as a hanging head. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of fixed-focus lens does macro photography use?
There were many options for fixed-focus lenses commonly used in macro photography. For example, the Nikon AF-S VR macro Nikkor 105mm f/2.8G IF-ED, which came with a quiet wave motor and anti-shake system, cost 5799 yuan. There was also the Old Frog FF 100mm F2.8ca- Dreamer Macro 2X (Canon EF mount). Sima also had a few fixed-focus lenses suitable for macro photography, such as the world's first telephoto macro lens with APO design, the APO Marco 180mm F2.8, launched in 1989. Later, the APO Marco 180mm F3.5IF EXs (HSM) and its digital single-lens reflex optimized version (DG) were launched. The APO Marco 180mm F2.8 EXDG OS, launched in 2012, was a combination of many advantages. In addition, Sima also had the APO Marco 150mm F2.8EX DG OS HPM, which weighed about 1.15Kg. In 2006, it was launched as a 70mm F2.8EXDG lens for macro photography. When choosing a fixed-focus lens for macro photography, factors such as magnification, focal length, minimum focusing distance, weight, size, and price needed to be considered. The magnification of the macro lens must be at least 1:1 or above to have a better macro shooting effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Dog fixed-focus camera
In dog photography, the fixed-focus lens had its own unique application. If you were shooting dogs indoors, considering the poor lighting and small space, you could choose a 24 - 85mm fixed-focus large aperture lens. The large aperture could guarantee the shutter speed of indoor shooting and improve the image quality with relatively low sensitivity. In addition, if you use a fixed-focus lens to shoot, you must open the aperture completely. In terms of the characteristics of the fixed-focus lens, the angle of view of the 85mm fixed-focus lens was about 28 degrees. With the deep background of the large aperture, the background could be easily simplified to highlight the subject during composition, and the background blurring effect was better. When shooting a full-body close-up, the shooting distance was about 1.5 meters to 5 meters. This distance allowed the photographer to maintain a comfortable distance from the dog to avoid the pressure on the dog when the distance was too close. The image quality of the 85mm fixed-focus lens was usually higher. However, the fixed-focus lens had a fixed angle of view. If the shooting distance and angle were not controlled well, the picture would lack variation, which would easily make a group of photos seem monotonous and cause aesthetic fatigue. For beginners, if they only wanted to buy a single lens, considering its functionality, it was recommended to choose a telephoto lens with a larger focal length range such as 70 - 300mm f/4.5 - 6.3. However, this was not a fixed-focus lens but a reference given from the perspective of the lens. When using a fixed-focus lens to shoot a dog, you can learn to use the background to make the picture more atmospheric and layered. When taking a set of photos, try to make the dog's physical emotions change as much as possible. Control the light and tone, try to use backlighting and side lighting, and choose to shoot in the morning or sunset at dusk to make the photos more brilliant. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>