In low-light environments, it was suitable to use a large aperture lens, such as a lens with an aperture of f1.4 or f1.8. For example, a 35mm fixed-focus lens (maximum f1.8) was more commonly used. In addition, Canon's RF85mmF1.2L USM TS lens with a large aperture and high optical quality was also suitable for shooting in low light environments. Its TS coating could also bring a special blurring effect. There was also the Star Light Night God 50mm f0.95, a half-frame lens with a large aperture. It was suitable for photographers who liked low-light subjects such as ultra-large apertures, street sweeping, and night portraits. Read more exciting novels for free
When shooting furniture, different shooting purposes were suitable for different shots: 1. ** Charm Shooting (Overall Sense)**: To capture the charm of the furniture, you need to use the long-range mode. You can place the furniture in the background to show its overall sense. 2. ** Shooting structure **: If you want to show the beauty of the furniture structure, it is more appropriate to use the middle shot mode. 3. ** Shooting Craftsmanship **: When shooting the craftsmanship of the furniture, you can use the middle shot or close-up mode. 4. ** Symbol Shooting **: If you want to shoot a symbol that can determine the era of furniture, you need to use the middle shot and close-up mode. 5. ** Shooting the leather shell **: For parts of the leather shell such as paint cracks and wood decay, use close-up mode. In addition, when using the 1+2 shooting combination method to present the furniture products, first take a video of the character explaining the product name, and then the character leaves the product. You can first turn on the 0.5x wide-angle lens of the phone to shoot the surround lens of a product, then switch the 0.5x wide-angle lens of the phone to double, and continue to use the surround lens to shoot the details of the product. If the copy mentioned scenes such as moving goods, open the double scope and shoot directly. When talking about the material of the product, use the first person perspective to clap and interact with the product, you can also use the double scope. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
If you are not a professional photographer, but want to take good photos while traveling, you can choose a lens that is suitable for "one shot to travel the world." The selection process mainly followed the following points: 1. * * Focus ** - * * Wide-angle requirements **: The lens should meet the requirements of wide-angle shooting. For example, the scenery and buildings of large scenes should be shot with wide-angle. - * * Telephoto Requirement **: Telephoto is indispensable. For long-range shots, portraits, and close-ups, telephoto is needed to highlight the subject. For example, the Tenglong 16 - 300mm F/3.5 - 6.3 Di II VP PZD macro lens could capture magnificent scenery at the wide-angle end, and the telephoto end could capture close-up images of long-distance objects. It also had a macro focus function of 1: 2.9. 2. * * Dimension and weight **: The size of the lens cannot be too big, and the weight cannot be too heavy. After all, it was chosen for lightness. 3. * * Type of lens **: Although the quality of the fixed-focus lens is good, it may not be able to capture the desired scene and subject if you only use a fixed-focus lens with a specific focal length during the trip. In contrast, a large zoom lens is more suitable for travel lenses. Different camera manufacturers had introduced suitable lenses: 1. * * User of Fuji X-series mirrorless camera **: The Fuji XF18 - 120mmF4LMPZW lens is a good choice. Its focal length covers 18 mm wide angle to 120 mm telescope (equivalent to 35mm format, 27 - 183mm focal length), 6.7x power zoom, compact design, convenient for shooting all kinds of scenes, including landscapes and portraits. It also has a constant F4.0 maximum aperture in the entire focal length range, and a 0.2x maximum magnification for close-up shots. At the far end of the lens, the F4 full aperture can be used to shoot portraits to obtain a soft blurred background. It's also an electric zoom lens. There was a zooming control ring on the lens to make it easy to shoot videos. 2. * * Full-frame micro-single user **: Canon's RF24 - 240mm F4 - 6.3IS USM lens is a world-famous full-frame multi-function travel lens. The lens has a 10x optical zoom that can shoot scenery and buildings. It is also convenient to record daily life and take portraits. It uses a lightweight design and has a simple and compact appearance. It has a high level of optical performance in the entire focal length. The closest focusing distance of 0.5m wide-angle end/0.78m telephoto end can take close-up photos. 3. * * Canon users **: Canon's EF24 - 105mm f/4L IS USM combined multi-function zooming range and built-in image stabilization, covering a wide range of focal lengths. It could capture everything from urban landscapes to architectural details, but the maximum aperture of f/4 was not ideal for astrophotography and low-light hand-held photography. 4. * * Nikon mirrorless camera user ** - The Nikon Z24 - 120mm f/4S was a travel lens with good appearance, size, and optical performance. The maximum aperture of f/4 was reasonable. - The Nikon Z 24 - 200mm f/4 - 6.3 VR was impressively portable and had an excellent design. It was sealed against the wind and rain, and the zooming range was suitable for almost any type of travel photography, but there might be softness in the corners of the image. 5. * * SonyUser ** - The SonyEPZ18 - 105mm f/4G OSS was an excellent daily travel photography lens. Although it was not a super zoom lens, it had a 5.8x zoom range from super wide angle to short focus. It was suitable for street photography and landscape photography. The autofocus was stable and quiet, and it used optical SteadyShot technology to reduce camera shake. - Sony E18 - 135 lens (No additional advantages mentioned, may need to be considered based on actual usage scenarios such as weight, price, etc.). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
When shooting peony, you can choose a 50mm or 100mm lens. If you were shooting a close-up of a peony flower, you could use a large aperture lens or a long zoom lens to zoom in and compress it to blur the background; if you were using a 1.4 large aperture lens, you could use a 1.8 aperture when shooting; if you were using a zoom lens, regardless of the zoom size, you could pull the zoom to the nearest. When taking a photo of a person and a peony, it was more appropriate to set the aperture to 5.6 - 8. When shooting the whole peony, it was not appropriate to use a large aperture lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The depression angle lens had the following advantages: 1. The description of the environment, location, number distribution, distance, and distance was usually rigorous and realistic. 2. It had the effect of reducing the background. When the background was water, grass, and other simple scenery, it could obtain a pure background, thus avoiding the messy scenery on the horizon. 3. It was beneficial to show space, scale, and level. It could show the clear sense of spatial perspective of the distant and distant scenery. It was also beneficial to show the momentum or terrain of the main body of the picture, such as mountains, fields, military parades, etc. It was also beneficial to show the relationship between objects. 4. The visual object would naturally become small, reducing its threat, and relatively increasing the threat of the subjective perspective. It could also be used to highlight the threat that was too great, and the subjective perspective seemed to be unable to resist. 5. It could make the character appear weak. 6. When the scene was dark, it would create a crazy and terrifying atmosphere, causing people to feel chaotic in the space. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
When choosing a suitable DSLR lens for shooting makeup tutorial, there were many factors to consider. For example, the lens could provide a clear picture, accurate color reproduction, and the appropriate focal length to meet the shooting needs. The following lenses might be suitable for shooting makeup lessons: ** 1. Standard focal length lens ** 1. ** Strengths ** - The standard focal length (usually around 50mm, on a full-frame camera) lens could provide a picture effect close to the human eye's perspective. The captured image looked more natural without obvious perspective distortion. It was very important to show the facial details in the makeup tutorial. It could accurately show the effect of cosmetics on the face, such as the actual application effect of eyeshadow, blush, etc. - This type of lens usually has good optical performance, providing high resolution and good color reproduction. When shooting makeup tutorial, the texture of the skin and the color of the cosmetics could be clearly displayed, so that the audience could better understand the effect of the products. 2. ** Instance ** - Canon's EF50mm f/1.8ATM lens was relatively affordable, and it was a good choice for creators with limited budget. Its maximum aperture was f/1.8, which allowed it to shoot in dark environments (such as indoors where there was not enough light). At the same time, it could also create a certain background blurring effect to highlight the subject (such as the model's face). ** Two, macro lens ** 1. ** Strengths ** - The macro lens could capture very close objects and maintain clear focus. It could show the details of cosmetics in detail, such as the texture of lipstick and the graininess of eyeshadow. This was very helpful for the makeup tutorial to show the product close-up, so that the audience could see the details of the product more clearly. - The macro lens usually had a high resolution and could present a very delicate image effect, making the skin texture and makeup effect in the makeup tutorial more realistic. 2. ** Instance ** - The Nikon AF-S Micro60mm f/2.8G ED lens was excellent in macro photography. The 60mm focal length was suitable for close-up shots of faces at a short distance, and the f/2.8 aperture could provide a certain background blurring effect, which could highlight the details of cosmetics and make the picture look more layered. ** 3. Medium telephoto zoom lens ** 1. ** Strengths ** - Medium and long focal length zooming lenses (such as 70 - 200mm focal length) could shoot from a certain distance to avoid the interference of the model when the lens was too close. At the same time, it could zoom in on the subject, suitable for shooting busts or close-ups. In the makeup tutorial, it could be used to shoot the model's overall makeup effect or a close-up of a specific part (such as eye makeup). It could also be used to adjust the focal length to flexibly compose the composition. - The optical anti-shake function of this type of lens (some lenses have it) helps to reduce the blurring caused by hand shake when holding the camera. When shooting makeup tutorial, if you don't use a tripod, you can also ensure the clarity of the picture. 2. ** Instance ** - It had excellent optical performance, providing high resolution and excellent contrast over the entire focal length range. The large aperture of f/2.8 could achieve a good background blurring effect at different shooting distances, allowing the audience to focus on the face area after makeup. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The fixed-focus lens was suitable for shooting various subjects, including portraits, scenery, indoors, and environments. Canon's 35mm fixed-focus lens was suitable for shooting culture and scenery. It was especially suitable for shooting small scenes of culture and scenery. It focused quickly and was often used to shoot landscape portraits and indoor portraits. Canon's 50mm fixed-focus lens was a standard lens. Its angle of view was similar to that of the human eye. It was suitable for shooting long-distance scenery and people. It had a bright and blurred effect. The quality of the image was excellent and practical. It was the first choice for group photos. Canon's 85mm fixed-focus lens was the golden focal length of portrait fixed-focus lenses. It was suitable for shooting portraits and had good image quality and practicality. As for the 135mm fixed-focus lens, some people called it a conscience lens. It was cheap and practical, so it was popular with everyone. In general, the fixed-focus lens was suitable for shooting various subjects, and the image quality was better than the zoom lens.
For Canon cameras, the following lenses are suitable for travel use: - APSC camera: - 15 - 85mm lens (equivalent focal length 24 - 136mm). - 18 - 135mm lens (equivalent focal length 29 - 216mm). - 18 - 200mm lens (equivalent to 29 - 320mm focal length). - Tenglong 16 - 300mm lens (equivalent to focal length 25.6 - 480mm). - 18 - 400mm lens (equivalent focal length 29 - 560mm). - 18 - 270mm lens (equivalent focal length 29 - 430mm). - Full-frame camera: - 24 - 105mm lens. - 28 - 300mm lens. - Sima 24 - 105mm lens. - Tenglong 28 - 300mm lens. - RF24 - 240mm F4 - 6.3 (Although the picture quality is average, it can satisfy the needs of a world-famous lens, weighing 750g). - RF24 - 105mmF2.8LIS USMZ (It was one of the best lenses for travel photography). - RF10 - 20mm F4L IS ATM (wide focal length, small size, light weight, and a new IS anti-shake component, suitable for travel, video, and other scenes). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Photographers should bring drones, tripods, wide-angle lenses, and medium telephoto lenses. Among them, telephoto lenses are mostly used for shooting. The telephoto end of the lens should reach more than 200mm, and the focal length of 400mm is the best (24 - 70mm/105mm/120mm, 70 - 200mm lenses are commonly used lenses, 80mm/100mm-400mm/500mm). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The fixed-focus lens was suitable for group shots. When taking group photos, the best fixed-focus lens was a standard fixed-focus lens, such as a 50mm lens for a 135 camera or an 80mm lens for a 120 camera. The standard fixed-focus lens had many advantages. Its technology was mature, the quality of the lens was good, the image quality was excellent, and the price was relatively cheap. It had almost no distortion and could meet the requirements of group photos that did not allow exaggeration or reduction of distortion. The scope of the shot was basically the same as what the human eye could see. It had a real perspective effect and did not exaggerate or reduce the space. When taking large group photos, using a standard fixed-focus lens could ensure that the front and back rows of people were clear, the layout of the picture was reasonable and substantial, and there was no distortion of the middle. It also worked well when stitching panoramic photos, making every face clearly visible. However, if it was a group photo taken indoors and the indoor space was extremely limited, and the standard lens could not cover the entire picture, you could consider using a fixed-focus wide-angle lens because the distortion control of the fixed-focus wide-angle lens was much stronger than the zooming wide-angle lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon's RF85mm F1.2L USM was the most suitable lens for travel photography. It was a mid-range and long-range fixed-focus lens for portraits. It made full use of the advantages of a large caliber bayonet and a short rear focusing distance. It achieved a top-notch combination of L-level high-quality imaging and F1.2 super large aperture. The imaging sharpness was high, the background was blurred and soft, and it had a high-quality feel. 85mm was a classic focal length for portraits. It had little distortion and natural x-ray vision. It could not only improve the body proportion, but also make the facial features more exquisite. When shooting night portraits and sunset portraits, its super anti-shake performance and large aperture were the key to the film. When used with the Eos R series camera, the combined anti-shake effect could reach 8 levels. At the same time, the advantages of the F1.2 large aperture could be fully utilized, and the night scene effect could be perfectly blurred and rich in layers. When shooting against the light, it used an anti-reflective coating that could reduce problems such as black, unfocused, glare, and haziness. In addition, Canon's Eos R6 with the RF35mm F1.8 Marcus SIM can also be used for traveling portraits. The large aperture of F1.8, the macro ability of 0.5x magnification, and the remarkable anti-shake performance can record the whole body image of the character very well. Moreover, the outstanding face recognition ability of the Eos R6 makes the character elegant, even if the character is moving, the face can be clearly captured. Canon's Eos R6 paired with an RF50mm F1.8ATM " small spittoon " was also an option. It was small, affordable, and had a large aperture. The focal length was more in line with what the human eye could see. It still had very high quality even when the picture quality was fully opened. There was also Canon's Canon's Canon Canon's Canon 'Canon <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>