What kind of single-lens reflex lens do you usually bring when you go on a trip?
If it was an APS-C format single-lens reflex camera, Canon users could choose the ESF-S15 - 85mm f3.5 - 5.6IS USM lens. Its focal length covered the equivalent full-frame 24 - 136mm, with anti-shake function. The 85mm telephoto end could take clear photos from afar. The image of each focal length was sharp and felt good. The disadvantage was that the lens was a little heavy and the aperture specifications were low. If you were concerned about these shortcomings, you could also consider the Sima 17 - 70mm C lens. The focal length was narrower, but the aperture was larger and lighter. The sharpness was comparable to Canon's 15 - 85mm and had optical image stabilization. However, it did not support full-time manual focus. The focusing ring would rotate during autofocus. Nikon users can choose the SIMAHA 17 - 70mm f/2.8 - 4 ADC Macro OS HSM as their first choice| C. If it was a full-frame camera, 24 - 105mm lenses, 28 - 300mm lenses, Sima 24 - 105mm lenses, and Tenglong 28 - 300mm lenses could all be considered. In addition, super specs such as 28 - 400mm, 50 - 300mm or 50 - 400mm lenses were also suitable for photography users who pursued lightness and did not want to bring too many lenses for landscape photography, social fear street sweeping, etc. Read more exciting novels for free
Canon single-lens reflex character photography lens
There were many types of Canon DSLR lenses for character photography. Among them, the 35mm f1.4 lens had excellent performance in portrait shooting. It could capture the delicate expression of the character and show the surrounding environment. The f1.4 large aperture background blurring effect was good, suitable for traveling portraits or indoor portraits. The 85mm f1.2 medium-focus lens could capture the details and expressions of the characters while maintaining a certain distance on the full frame. The picture was natural and realistic. The f1.2 large aperture allowed it to take bright and clear photos in low-light environments. The blurring effect was better than that of the 35mm f1.4 lens. The 70 - 200mm f2.8 telephoto zoom lens had a flexible focal length range, and the background blurring effect was better than the 35mm and 85mm lenses. It was suitable for long-distance shots such as stage portraits, athletes, concerts, etc., but indoor shooting required a large space. The EF100mm F2.8L IS USM lens could be used for macro and portrait shooting. It had double IS optical image stabilization, good sharpness and out-of-focus performance, and ideal autofocus speed for macro shooting. The ESF135mm F2LIS USM lens was a close-up shot of a portrait. It could bring a stronger sense of compression and better blurring effect. The focusing speed was fast, the lens body weighed 750g, and the image quality was excellent when the aperture was fully opened. It was sharp inside the focus and soft outside the focus. The 50mm fixed-focus lens was also commonly used for portrait shooting. The F1.2 lens with a large aperture had a better portrait shooting effect. The 50mm focal length belonged to the standard focal length, and the shooting effect was close to what the human eye could see. It would not cause space compression and could better express the surrounding environment of the subject. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to stack the lens of a single-lens reflex camera
The full name of the DSLR was " single-lens reflex viewfinder camera." It only had one mount. In theory, it could only be connected to one lens for optical imaging. Under normal circumstances, the lens could not be stacked. However, there were special uses, such as reversing the lens or connecting the zoom lens. However, these still needed to rely on a pure optical lens to use. On the basis of this lens, you could stack the transfer ring, zoom lens, etc. to achieve different effects. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon old-fashioned single-lens reflex lens
Nikon's old-fashioned DSLR lens had many features. In terms of optical quality, some of the old lenses of Nikon DSLR had extremely high optical quality, such as the Nikon Nikkor 105mm f/2.5. Its design had been verified for a long time, and the lenses were polished and assembled carefully. Some of the materials used were more expensive than modern lenses, and special glasses such as thorium glass and lead glass, which were now no longer used, were used. This helped to provide a higher index of refraction, improve color difference control, and overall image quality. In terms of sharpness and color performance, it was not bad by today's standards. In terms of mechanical technology, the metal lens barrel and smooth focus ring of the old Nikon DSLR lens were different from the modern automatic lens made of plastic. It was more mechanical, and its texture, weight, and feel could give the photographer a retro film era feeling. In terms of adaptability, the old-fashioned lens of Nikon's DSLR could be perfectly combined with some current cameras, such as the Sony A7 series, the Fuji X-T series, and the Canon Eos R series. The electronic viewfinder of the mirrorless camera could enlarge the real-time view, making it easier to manually focus. Combined with the focus assist function, it greatly improved the experience of using it on digital cameras. However, for beginners, it was not recommended to use the old Nikon DSLR lens because the old lens had problems such as focusing stagnation and hesitation, although the accuracy was acceptable. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Image quality of a single-lens reflex telephoto lens
Different single-lens reflex telephoto lenses had their own characteristics. For example, 85mm f1.2 was easy to run out of focus when the aperture was fully open and the purple edge was a little serious, but it could present beautiful pictures when shooting portraits or still lives;70 - 200mm f2.8 was one of Canon's big three yuan, with a wide focal range and no obvious shortcomings in image quality;100 - 400mm f4, in addition to being heavy and not having a large aperture, had sharp image quality; 50mm f1.8 "small spittoon" had average image quality, but it was cheap; The 24 - 70mm f2.8 Canon lens was more versatile, but the aperture was not large enough. The RF100 - 400mm F5.6 - 8IS USM lens was light and sharp. The Canon EF50mm F1.8II had a F1.8 large aperture circle focal lens, which made the background blurred and beautiful. The Canon EF40mm F2.8ATM had advantages in workmanship, overall quality, and performance, and the picture quality was excellent. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Photographic single-lens reflex
In the field of DSLR, the situation was different. Usually, a camera with a resolution of more than 30 million was considered a high-resolution camera. The most popular range was between 24 million and 26 million. There were many DSLR cameras in this range. However, there were also higher-resolution DSLR cameras. For example, Canon's Eos 5D Mark IV DSLR camera used a new 30.4 million resolution sensor; the Nikon D810 had 36 million resolution; the Nikon D850 had 45.75 million resolution; and Canon had a Pixel-Emperor camera with 50.6 million resolution. At the same time, there were also DSLR cameras with relatively low resolution, such as some professional video cameras such as the Sony-A7S3, which had 12 million resolution. The quality of the image was not the only standard for measuring the image quality of an SLR camera. The image quality was also affected by the size of the sensor, the tolerance, and various parameters. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Single lens reflex photography
If it was about DSLR photography, the following were some of the key points for DSLR photography: ** 1. Selection of shooting mode ** 1. ** Portrait Shooting ** - **A (Aperture priority mode)**: suitable for portrait shooting. In this mode, the aperture size could be adjusted manually. A large aperture (such as f/1.8, f/2.8, etc.) could make the background blur, highlight the main body of the character, and obtain a natural blurring effect. It could also increase the amount of light in the case of insufficient light. - **M file (full manual mode)**: Can be used for portrait photography. The photographer had to manually set the sensitivity, aperture, shutter speed, white balance, exposure compensation, focus, color temperature, and other parameters. This mode was suitable for taking portraits under complex lighting conditions, such as indoor lighting or scenes that used specific lighting to create a special atmosphere. 2. ** Shooting of moving objects ** - **S (Shutter priority mode)**: Adjusts the shutter speed. The faster the shutter speed, the more it can freeze the instant image of a moving object. It is suitable for capturing people, animals, or sports events in motion. 3. ** Scenery Shooting ** - **M (Full Manual Mode)**: It is very useful when shooting scenes such as sunrise, sunset, night scene, sea of clouds, starry sky, etc. For landscape photography, you can manually adjust the sensitivity, aperture, shutter speed, and other parameters according to the desired effect. For example, when shooting the starry sky, high sensitivity, large aperture, and slow shutter speed were needed (generally, a tripod was needed to keep the camera stable); when shooting sunrise and sunset, the parameters had to be adjusted according to the light intensity and the desired color effect. ** 2. Shooting Points ** 1. ** In terms of composition ** - ** Find a unique subject **: Choose a good-looking or oddly-shaped subject. This kind of subject will be easily remembered by the audience. - ** Use geometric composition **: For example, a triangular composition can make the picture full of geometric beauty. When shooting a picture that contained multiple elements, the elements could be arranged and combined to form a triangle to increase the stability and beauty of the picture. 2. ** Focus ** - Portrait and animal photography: If you are shooting portraits or animals, pay attention to the light in your eyes. This will make the subject more vivid. For animal photography, you can use methods such as feeding to get the animal to cooperate so that the eyes of the subject have a bright reflection. 3. ** Picture level ** - When shooting a scene, you can increase the layering of the picture by changing the angle of view. For example, lowering the angle of view, using the front and back arrangement of the characters or the changes in reality to create a sense of hierarchy. ** 3. Later adjustments ** Most of the photos taken by the DSLR camera were original photos. They couldn't completely restore the scenery seen by the human eye, so they needed to be retouched later. He could use the phone APP to adjust the light, shadow, contrast, saturation, atmosphere, color temperature, clarity, and other parameters of the photo to adjust the photo to his liking. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Single-lens reflex photography
There were a few things to pay attention to when doing a Hong Kong style single-lens reflex photography: 1. ** Understand the characteristics of Hong Kong style **: Hong Kong style photos are usually rich in color, thick filter, strong contrast, and yellowish highlights. You also have to consider the character's expression, eyes, composition, and the story expressed in the photo. 2. ** In terms of composition **: Choose a suitable composition method, composition is the basic element of shooting. 3. ** Color environment **: The Hong Kong retro style requires a high level of color and lighting. You can add more red to enhance the retro feel and try to make the picture more colorful. 4. ** Light Usage **: - When the contrast between light and shadow was strong, use side backlighting to increase the sense of penetration. The use of light scattering would make the color tone of the photo soft. - You can use street lamps as the ambience light, or you can use light sticks to create a special color tone (such as green). You can also set up a 40-Watt COB light about two meters in front of the character. - Try to shoot the face facing the light as much as possible. This way, it would be easier to capture the light in the eyes of the character and improve the overall expression of the picture. 5. [Blur the background]: You can blur the background and focus on the character to highlight the character's personality and achieve the theme of the photo. 6. ** Use of props **: You can use old TV sets, posters of Miss Hong Kong's beauty pageant, iron wire beds, old picture frames, sunglasses, mirrors, Victoria lamps, flannel sofas, bamboo fences, cheongsams, fans, pearl earrings, radio, tape, roses and other props to add to the atmosphere of Hong Kong. 7. ** Character Make-up and Styling **: - In terms of makeup, women's exquisite sword-shaped eyebrows and iconic "fiery red lips" were more representative. Their makeup did not need to be too white, and their eyebrows could refer to wild eyebrows. Men did not pay much attention to their makeup, but their hairstyles were "30 - 70" or "back hair". - In terms of hairstyle, women could comb their hair into braids, tie up their hair in full curls, or push their hair to one side as much as possible. If the hair was not thick enough, women could use wigs or wig patches. - In terms of clothing matching, one could refer to the previous outfits of Hong Kong and Taiwan actresses, such as white T-shirts with wide-legged pants or halter skirts, or choose bright red dresses to capture the intellectual and mature femininity, etc. Men could choose shirts, jeans, sweaters, and other items. 8. ** Picture Effect Creation **: - It was a common effect for many Hong Kong-style portraits to make the image appear hazy and blurry. It could be achieved by putting stockings on the lens, applying some vaseline lipstick or transparent sunblock. - It could capture close-ups of parts such as eyes, collarbones, hands, lips, etc., making the character more comfortable and relaxed. The effect was advanced and beautiful. 9. ** Position Selection **: - Only the side of the character's body was shot. With his hands on his shoulders and his head raised, his eyes naturally looked at the camera. Through his eyes, he could express his emotions, haggardness, intellectual charm, and so on. - He could also sit sideways at the intersection of the two colors, with his hands on the ground behind him and his legs bent, or he could sit on the patterned fabric sofa with a book in his arms. 10. ** Use of filter **: If you really don't have a suitable scene or prop, you can also use a yellow filter to show the Hong Kong style. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens is used to blur the background of a single-lens reflex camera?
Large aperture lenses (such as f/1.8, f/1.4) were the best choice for DSLR cameras to achieve background blurring. In addition, the telephoto lens (such as 70 - 200mm) could also effectively compress the background and achieve the effect of background blurring. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What's with the flash screen of the single-lens reflex lens?
The flash screen of the DSLR lens could be caused by the following reasons: 1. Light Reflection: When the light in the shooting environment is reflected by the lens, it may cause the screen to flash. 2. hardware problem: For example, if the internal components of the lens were faulty, such as the possible ERR, black screen, half black screen, broken pin, button failure, shutter failure, blurred screen, flash screen, out of focus, no response to operation, photo distortion, slow focus, rubber peeling, etc., or Canon lens err01, err20, err30, err05, err06, err70, err80, err99, etc., all of which may be accompanied by the flash screen phenomenon. 3. Shutter problem of the single-lens reflex camera: If the shutter of the camera fails, it may also affect the image of the lens and cause a flash screen. For example, the curtain of the mechanical shutter of the single-lens reflex camera does not open and close normally, or there is a problem with the electronic shutter-related electronic components. If you encounter a flash screen, you can take the following solutions: 1. As for the flash screen caused by the light reflection, you can find the professional mode in the menu bar of the camera. After entering it, you can choose the imo mode and adjust the degree to improve it. 2. If you suspect that it is a hardware problem, you can contact the manufacturer's after-sales service for specific inspection and repair. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Wear the metal when installing the lens of the single-lens reflex
When installing the lens of an SLR camera, if it was not handled properly, it might cause metal wear. The following are some related situations: 1. ** Bayonet Worn **: - Changing lenses frequently would wear out the bayonet. However, under normal use, this kind of wear and tear was relatively light, and it might take a long time to show obvious effects. For example, when the wear and tear reached a certain level, it might affect the stability of the connection between the lens and the camera body. However, it was rare for such wear and tear to cause the lens to be stuck before the camera shutter's life was exhausted. 2. ** Sensing contact wear **: - For the sensing contacts on the camera and the lens that controlled the focus and aperture, the lens would also wear out during the installation and dismantling process. However, when the camera was still in its normal life, this kind of wear and tear would not affect the camera's high sensitivity and other functions, unless the machine was very old. In order to reduce the metal wear when installing the lens, it is recommended to hold the lens before twisting it when installing or disassembling the lens, and to reduce the number of unnecessary lens changes as much as possible. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>