How to choose a camera lens
When choosing a camera lens, you can consider the following aspects: ** 1. Choose according to the shooting content ** 1. ** Street photography **: 35mm focal length is more suitable. Because the focal length was not too wide, there would be no obvious distortion at the edge of the picture, and more environmental elements could be brought in to tell the story. 2. ** Professional portrait photography **: 85mm focal length is more suitable. The key to taking a portrait was to highlight the subject, and this focal length helped to create a shallow depth of field, thereby separating the subject from the background. 3. ** Landscape photography **: You can choose the "Big Three-Yuan" lens (16 - 35mm, 24 - 70mm, 70 - 200mm focal length, different brands of wide-angle focal length may vary). ** 2. Choose according to your photography level ** 1. ** Newbie or newbie photographer **: If you are a newbie with insufficient financial resources, you can consider a "small three-yuan" lens (the same focal length as the "big three-yuan", a constant zoom lens with an aperture of F4). Its price was affordable, cost-effective, and smaller. However, for lenses with a focal length of 70 - 200mm, photography novices and novices should use them with caution in the early stages of shooting, because this focal length is difficult to control in terms of perspective and spatial sense, and it is easy to affect the basic skills such as the use of the focal length and cognition. However, this focal length also had a unique advantage when shooting busts and photos that focused on compressing the spatial atmosphere (such as oil paintings), and it was closely related to the subject. ** 3. Choose based on budget ** 1. ** Enough budget **: If you have a large budget, you can choose a higher-end lens, such as the "Big Three Yuan" lens (F2.8 constant aperture zoom lens). Its aperture is larger and the image quality is better, but the price of a single lens is often more than ten thousand yuan. 2. ** Limited budget **: You can choose entry-level lenses that are affordable to the public, such as the "Small Three Yuan" lens or some domestic lenses. However, when choosing domestic lenses or sub-factory lenses, you must pay attention to the bayonet fitting problem. ** 4. Choose according to the camera mount ** Cameras of different brands, different types (single-lens reflex or micro-camera), and different frames (APS-C frame or full-frame) had different bayonet systems, such as the Canon full-frame single-lens reflex camera's EF-bayonet, the full-frame micro-camera's RF-bayonet, and so on. When choosing a lens, make sure that the bayonet matches the camera. Even if there is an adapting ring that can be used to adapt different systems of lenses, there may be flaws in the image. Long-term use is not recommended. Read more exciting novels for free
How to choose the telephoto lens of the camera
When choosing a telephoto lens for a camera, many factors needed to be considered. First of all, it was necessary to make clear the purpose of buying a telephoto lens, whether it was used to shoot portraits, scenery, or other specific scenes. There were four common types of telephoto lenses: medium telephoto lenses (such as 70 - 200mm), telephoto to super telephoto zoom lenses (such as 70 - 300mm, 200 - 400mm, 100 - 400mm, etc.), and fully fixed-focus super telephoto lenses (such as 500mm, 600mm, 800mm). Different types had different usage opportunities and preferences. If it was just to gather the focal length, 70 - 200mm or 70 - 300mm was usually enough. The image quality of 70 - 200mm was better than 70 - 300mm, but the price was relatively higher. When choosing between these two lenses, one also had to consider the zooming ratio in the photography industry. The image quality of a lens with a zooming ratio of less than three times was relatively good. For example, the zooming ratio of a 70 - 200mm lens was about 2.9, which was within three times, while the zooming ratio of a 70 - 300mm lens was greater than three times. For special shooting needs, if long-distance shots were often needed, such as shooting birds, taking photos in places such as the Kenyan grasslands, etc., lenses such as 100 - 400mm, 200 - 400mm, and 100 - 500mm were more suitable. In terms of brand and model, users of different brands had different recommendations. For Canon users, whether it was F2.8 or F4, they should buy lenses with IS (anti-shake function) as much as possible. If the budget is sufficient, you can choose Love Xiao-White Bunny; if the budget is limited, you can consider the second-hand Xiao-Xiaobai; if you are conflicted between Love Xiao-Xiaobai and Little White, you can choose according to the use and weight. Love Xiao-Xiaobai is lighter, so you can choose it if you take more photos. If you were to use the Eos R system, the RF70 - 200mm F4LIS USM was a good choice. It was shorter than the EP version and lighter. For Nikon users, the electromagnetic pulse cannon would be the priority. If the budget was not enough, the Tenglong lens could be considered. However, the SP 70 - 200mm F2.8 Di VCUSD G2 should be chosen. For the users of the company, I recommend the F70 - 200mm F2.8 GM OSS II. In addition, when choosing between the original PE 70 - 200mm F4G OSS and the Tenglong 70 - 180mm F2.8 Di III VXD, the original Sony-made lens had been on the market for a long time, and the performance under the F4 aperture was not much different from the performance under the Tenglong F2.8 aperture. Only the internal zoom had an advantage, so the Tenglong lens was more recommended. When comparing the 70 - 200mm and 100 - 400mm focal length lenses, the large aperture of 70 - 200mm was better than 100 - 400mm in low-light environments, and it was more suitable for shooting portraits and more suitable for scenes;100 - 400mm could be positioned as a landscape lens, which was also suitable for travel shooting, but the disadvantage was that it was larger in size and weight. If you want to expand the focal length, you can use a combination of 100 - 400mm +85mm fixed-focus or 70 - 200mm + distance-increasing lens. At the same time, factors such as the weight of the lens and its maneuverability should also be considered. For example, the 70 - 200mm F4 may be more suitable because the new models of various brands have optimized image quality and focus, and the lens is more portable than the F2.8 large aperture model with the same bayonet. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to choose the camera lens interface
Choosing a camera lens interface required consideration of the following aspects: ###1. Type of camera mount 1. ** Understand the brand and model of the camera ** - Different camera brands had their own typical mounts. For example, Canon had the EF, ef-s, ef-m, and rf-mount; Nikon had the f-mount and z-mount; Sony had the a-mount and e-mount; Pantheon had the M4/3 and l-mount; Pentax had the k-mount; Fuji had the x-mount and g-mount. If you already have a camera body, you must choose a lens mount that matches the camera body mount. Otherwise, the lens cannot be installed on the camera body. 2. ** Consider compatibility with future upgrades ** - For some users who might upgrade their bodies in the future, they should pay attention to the development trend of the camera brand mount. For example, when Canon upgraded from a traditional mount to an all-electronic mount, choosing a forward-looking mount type lens interface might reduce the risk of the lens not being usable in the future. ###2. Use of the lens 1. ** Requirement for photography type ** - If you were mainly doing landscape photography, you might need to consider some types of lens with large apertures and high resolution to meet the requirements of shooting in different lighting conditions and the details of the picture. For example, on a full-frame camera, a large-caliber bayonet might be more suitable for a high-end wide-angle lens to reduce aberrations and dark angles. - If it was portrait photography, it might be necessary to consider a lens interface that could support fast autofocus to ensure fast and accurate focus when shooting people, such as some bayonet and lens combinations with advanced focusing technology. - For video shooting, like Canon C300 III with Canon lens, the stability of the lens interface during zooming and the video focusing performance had to be considered to ensure that there would be no problems such as out of focus during video shooting. 2. ** Special shooting requirements ** - If macro photography was needed, a special macro lens interface might be needed. This interface could ensure the accuracy and optical performance of the lens when focusing at close range. ###3. Brand of lens and compatibility 1. ** Original factory lens and sub-factory lens ** - The original lens generally had good compatibility with the camera body mount, and it performed best in terms of function implementation (such as autofocus, aperture control, etc.). For example, Nikon's F-mount lens could fully utilize the communication function between the Nikon body and the lens on a Nikon DSLR camera. - Although the sub-factory lens was cost-effective, one had to pay attention to the compatibility of the bayonet. Some sub-factory lenses may need to be reverse-engineering to fit the camera mount, and there may be compatibility issues, such as inaccurate focus on some mount cameras or the need for a hardware upgrade to be used normally. For example, sub-factory lens manufacturers such as Tenglong, Sima, and Tuli would release different versions of lenses for different bayonet mounts, and the time to market for different bayonet mounts might be different. The performance of the same model lens on different bayonet cameras might also be different. ###4. Budgets 1. ** Impact of mount on lens price ** - Some bayonet lenses with advanced technology or exclusive agreements were relatively more expensive. For example, due to the complexity of the agreement, Nikon's lens development cost may be transferred to the price, while Canon's radio frequency bayonet is more difficult to reverse, which may also lead to the high price of related lenses. Relatively speaking, some sub-factory lenses might have an advantage in price under the same bayonet, but they had to weigh the relationship between quality, compatibility, and budget. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to choose the lens of the Panasonic-GM 1 camera
The selection of lenses for the Pantheon GM1 had to be based on different shooting needs. If you are a travel enthusiast, you can choose the Lumix G Variant 12 - 32mm f/3.5 - 5.6. This lens has a wide focal length, which can meet the needs of shooting scenery and portraits. It is very light and suitable for use with the GM1. If you like to shoot portraits, the Lumix G 42.5mm f/1.7 is a good choice. Its aperture is large, which can bring a good background blurring effect. The focal length is also suitable for portrait shooting. If you are keen on street photography, the Lumix G 25mm f/1.7 is more suitable. The focal length is suitable for shooting people and buildings. The large aperture can bring a better background blurring effect, and it is light and suitable for matching with the GM1. If you need a lens that can cope with a variety of scenes, the Lumix G Variant 14 - 140mm f/3.5 - 5.6 is a good choice. Its focal length is wide, and its optical performance is excellent. It can meet a variety of shooting needs. At the same time, when choosing the lens, one had to pay attention to the weight, size, and other factors of the lens to ensure that it matched perfectly with the GM1. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is the lens of the camera lens?
Based on context alone The lens of the camera lens was made up of many different types of lenses. This included a concave lens, which had a thick middle and thin edge structure. It had a converging effect on light, which helped to focus the light on the imaging plane, making the image clear. There were also concave lenses, which were thin in the middle and thick at the edges. They had a diffusing effect on light and were often used to correct aberrations. In addition, there were also aspheric lenses. These lenses were not the traditional spherical shape. They could better correct aberrations, improve image quality, and reduce image distortion and blurring. They were widely used in modern camera lenses. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of camera lens do you choose for news photography?
There were many factors to consider when choosing a photoshoot. In terms of focal length, lenses between 70 - 300 were more commonly used. Medium telephoto lenses could complete the work without affecting the person being filmed, but individual scenes also needed to be replaced with wide-angle lenses. In fact, full-focal length lenses might be used, but medium telephoto lenses were more commonly used. At least a 70 - 200 lens was needed. If funds allowed, they could add a wide-angle lens to the two cameras. Judging from the impact of the overall performance of the camera on the choice of lens, news photography required the camera to be able to shoot continuously at high speed (about 6 photos per second), have good high sensitivity performance (at least at the time of Iso6400, the noise can meet the photo usage requirements), suitable frame (C frame or full frame), fast focusing speed, and on the basis of meeting these camera performance requirements, the lens that was suitable for it was selected. From the perspective of lens types, the zoom lens could quickly adjust the focal length on the news scene, making it easy to capture important moments. Although the fixed-focus lens was not the only choice, it could bring the advantage of image quality, focusing more on the picture, light and shadow, and composition, making the picture full of story. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Renting a camera lens
There were many ways to rent camera lenses in Dalian. There were some camera equipment rental companies that offered Canon, Nikon, and other brands of cameras and lenses for rent. For example, there were companies that rented Canon 5d3, 5d2, 6d, and other models as well as red circle lenses. The variety was relatively complete and the price was favorable. In addition, some professional photography studios also provided camera lens rental services. These studios had a wide variety of equipment, including single-lens reflex cameras, professional lenses, etc. They would also customize shooting plans for their customers. The scope of services covered Dalian areas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Professional lens camera
Interchangeable lens cameras were professional in the field of photography. The following are some of the situations regarding professional cameras: The biggest advantage of an interchangable lens camera (including single-lens reflex, mirrorless, rangefinder, etc.) was that it could be used to achieve various shooting needs by changing different lenses. The rich expansibility reflected its professionalism. For example, the Senyang RS af changeable lens set, its national version has been on sale in Jingdong, providing the option of sony e-mount and supporting autofocus, priced at 2899 yuan, it can be manually changed by changing the fixed-focus lens group to switch the focal length, users can freely choose from 21mm F3.5, 28mm f3.5, 32mm F2.8 three modules. Canon's professional cameras, such as the Canon Eos C500, were high-definition cameras, interchangeable lens cameras, and professional positioning cameras. Canon was suitable for Canon's EP lens (including the ES-S lens), Canon's EP Cinema lens (the EP mount), and so on. There were also Djiang's M43 cameras with changeable lenses, such as Djiang's X5 shock-absorbing pan-tilt camera. It was equipped with related accessories such as the 12f2 aperture fixed shaft head and shock-absorbing arm. It had certain characteristics in operation, such as the default manual operation after the rubber wheel was installed. The manual glue turned on the focus assist, and it could focus while moving. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Surveillance camera with a lens
The surveillance camera was just a single video capture device. The resolution and resolution of the lens were higher than that of the computer's video head, but it could not catch up with professional digital cameras or DVs. In reality, cameras and lenses were mostly purchased separately. The user can calculate the focal length of the lens according to the size of the target object and the distance between the camera and the object to determine the required lens. The lens required by each user depends on the actual situation. It cannot be assumed that the camera (head) already has a lens and does not need to be equipped with another lens. The focal length of the lens determined the field of view of the camera. For example, a wide-angle lens was suitable for shooting in a large space and could capture more content. A telephoto lens was suitable for long-distance shooting and could see details in the distance. Indoors, they usually chose short focal lenses, such as 2.8mm or 3.6mm lenses, while outdoors, they chose lenses based on distance. Moreover, different focal length lenses had different imaging effects. Long focal length lenses could see more details of distant objects, but the field of view became smaller and the viewing range became narrower. Wide-angle lenses had a wide viewing range, but it might be difficult to distinguish some details. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The lens and camera interface
The lens and camera interface was a component used to connect the lens and the camera. Suzhou Ouka optical instrument factory specialized in the production and development of a camera interface, this interface can be connected to different brands and models of lenses, so that the camera can be used normally. There are many types of industrial camera cable ports: - **USB port **: It is a commonly used port for digital cameras. It can directly output digital image signals. USB was the full name of Universal serial bus. The interface was 4-pin, including 2 power cables and 2 signal cables. There were different versions of USB. The early USB2.0 interface was convenient and widely used, but the transmission rate was slow (480Mbit/s), the communication distance was short (5m), and the band width was mostly used for image transmission (80%). The transmission required the CPU to participate in management and consumed a lot of resources, and the interface was unstable. USB3.0 added two sets of data lines on the basis of USB2.0, which were backward compatible. The transmission speed was increased to 4.8Gbit/s, and the communication distance was extended to 10m. However, the transmission distance was still relatively short. USB interface cameras were easy to use and had a wide range of ports. They were widely used in microscopes, scientific research experiments, portable equipment, and other industries. At present, USB Type Micro-B ports were the mainstream on industrial interface cameras. In the future, USB Type C ports might be popularized. - ** IMEE1394 (Firewire Interface)**: It is a high-speed serial bus. It supports hot swapping, real-time data transmission, and uses a bus structure. It is widely used in the industrial field. It has good protocol and coding methods, and the transmission speed is stable. The 1394a's maximum transmission speed was 400mps, and the 1394b's maximum transmission speed was 800mps (3.2mps was relatively rare). Its interface was divided into 4-core and 6-core. The 4-core contained two pairs of data cables, and the 6-core had a set of power cables in addition to the data cable. This interface did not require a controller and could be used for peer-to-peer transmission. The 1394a's maximum transmission distance was 4.5 meters, and the 1394b's transmission distance was usually 10 meters (100 meters, 100 Mbit/s, when the data rate was reduced). However, the interface's penetration rate was low and it had been slowly eliminated by the market. - **Camerlink interface **: A digital image signal communication interface protocol introduced by the Aia Association. It is a serial communication protocol that uses the LVVS interface standard. It was developed from the Channel Link technology, adding the transmission control signal and defined the relevant transmission standards. The protocol used the MDR - 26-pin connection or the SAR- 26-pin connection, which had high speed (up to 6400Mbps), strong anti-interference ability, and low power consumption. However, it required a separate CameraLink interface, which was not portable, expensive, and rarely used in practical applications. - ** Gige Giga-bit ether interface **: created and promoted by Aia. It is a camera interface standard developed based on the Giga-bit ether communication protocol. It is suitable for industrial imaging applications. It can transmit uncompressed video signals over the network and can use low-cost cables to transmit images over long distances. In addition, in the field of machine vision, other data transmission ports were also developed: - **CoaXPress (CXP) interface **: launched in 2008, supports high-speed imaging applications, uses 75 Omega coax cable, supports data transmission speed of up to 6.25Gbit/s per channel, and can increase the transmission rate of multiple channels. Each cable can provide up to 13W of power. It requires the "device" and "host" to support the GenICam camera programming interface. However, the cost of installing multi-channel cable components and frame clips on a single-channel coax cable increases rapidly. - **CameraLink interface **: In 2000, it was launched by Aia Association and gradually upgraded.（2.04Gbit/s）、Medium (5.44Gbit/s) and Deca/Extended (6.8Gbit/s). Base uses an ADC- 26 pin, medium/full requires a second cable to double the capacity, Deca/Extended can transmit up to 6.8Gbit/s data, and like the CXP interface, it requires an image acquisition card that is compatible with the CameralLink power supply (PoQL) standard for power supply. It lacks error correction or resend functions. The cable setup was expensive and troublesome. - **GigE Vision standard interface **: It is managed by the Aia Association and allows the use of existing low-cost ether cables, connections, switches, and other components. Copper cables can transmit image data up to 100 meters away, and more data can be transmitted through the switch and optical fiber adapters. It has the potential to create different network topologies. Each camera can be placed on the network independently through an IP address. It can be viewed, controlled, and monitored from any PC on the network. However, the maximum 115mb/s has limitations for certain applications. However, NBUSE-T technology could increase the band width within its framework. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The camera lens is expensive
In the field of photography, expensive lenses had their value. Generally speaking, more expensive lenses had higher performance in terms of optical quality, workmanship, and performance. For example, in the field of medium and long focal length lenses, Canon's RF70 - 200mm f/2.8L IS USM was priced at 16999 yuan, and the Sony70 - 200mm F2.8GM OSS II was priced at 18999 yuan. These lenses were expensive, but they could provide better imaging results, excellent focusing performance, and good durability on their respective cameras. However, with the changes in the photography market, the relationship between price and value did not completely follow the traditional principle of "you get what you pay". In the micro-monocle era, although some high-end lenses had improvements such as quieter focusing, better design, and improved electronic functions, compared to similar lenses in the DSLR era, users felt less about the improvement in optical quality, but the price generally rose. Some of the affordable entry-level lenses, such as the 50mm f1.8 lens, were no longer as affordable as before. Branded lenses of this size were even hyped up to three times the release price. 24 - 105mm f4 or similar lenses were nearly twice as expensive in the micro-single era as in the single-lens reflex era. Although the optical quality had improved, there was no particularly huge breakthrough. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>