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Rodonst's large frame lens parameters

Rodonst's large frame lens parameters

2026-07-21 06:59
1 answer

The parameters of some of the large-format shots of Rodonst were as follows: - Rodonster APO-Grandagon N (specs @ f/11): focal length 55mm, maximum aperture f/4.5, minimum aperture f/45, image circle diameter 163. - Rodonster Grandagon N: focal length 65mm, maximum aperture f/4.5, minimum aperture f/45, image circle diameter 170. - Rodonster Magnifier, Rogonar-s f2.8/50mm (Rogner Normal, 4 pieces, 3 sets): The maximum film size is 24×36mm, the maximum magnification (optimal range) is 2 - 10× (4×), the minimum aperture is 16, the filter interface is M40.5×0.5, the distance from the ring to the film (focusing at infinity) is 47.0mm, the total length is 37.5mm, the lens diameter (maximum) is 50.0mm, the ring thread is M39×1/26 ", and the length from the ring to the end of the lens is 6.5mm. It is mainly used to play standard photos within a certain range of magnification, suitable for amateurs and professionals with high requirements. Read more exciting novels for free

Defy The Alpha(s)

Defy The Alpha(s)

Two centuries after the Great War, peace between humans and werewolves was finally achieved, or so everyone believes. Werewolves reign like gods, and humans remain blissfully unaware of their true place in the new world order. To maintain this fragile balance, each year, a handful of "lucky" humans are selected from various districts to attend Lunaris Academy, a prestigious institution that promises glory, status, and a chance to mingle with the elite. Those chosen are hailed as the lucky few, destined to marry powerful alphas and rise as luna. This year, Violet Purple is among the chosen, much to everyone's surprise. For an orphaned girl adopted by a disgraced prostitute, this is a golden ticket to a better life or so she's told. But Lunaris Academy isn’t the paradise it’s painted to be. Everything Violet and her fellow humans have been taught is a lie. Humans are far from equal; they're pawns in a much larger game. The academy is nothing but a gilded cage, and the students are lambs led to slaughter, playthings for the alphas to toy with in their ruthless games. To make matters worse, Violet catches the attention of the most dangerous players in this game, the Terror Four: the Alpha of the North, Alpha of the South, Alpha of the East, and Alpha of the West. Each one is more dangerous, more twisted, and more powerful than the last. But even among themselves, the alphas are divided, each with their own deadly ambitions. Yet, they all have their eyes on her. They expect Violet to play along, to fall in line like the others who worship at their feet, to break under their games. But Violet isn’t like the others. She refuses to bow. She’ll defy them all.
Fantasy
917 Chs
Défier Les Alpha(s)

Défier Les Alpha(s)

Deux siècles après la Grande Guerre, la paix entre les humains et les loups-garous a finalement été atteinte, du moins tout le monde le croit. Les loups-garous règnent comme des dieux, et les humains restent dans une ignorance bienheureuse de leur véritable place dans le nouvel ordre mondial. Pour maintenir cet équilibre fragile, chaque année, une poignée d'humains "chanceux" sont sélectionnés dans divers districts pour assister à l'Académie Lunaris, une institution prestigieuse qui promet gloire, statut et une chance de côtoyer l'élite. Ceux qui sont choisis sont acclamés comme les quelques chanceux, destinés à épouser de puissants alphas et à s'élever en tant que luna. Cette année, Violet Purple est parmi les élus, à la surprise de tous. Pour une fille orpheline adoptée par une prostituée déshonorée, c'est un ticket en or pour une vie meilleure ou du moins c'est ce qu'on lui dit. Mais l'Académie Lunaris n'est pas le paradis qu'on décrit. Tout ce que Violet et ses camarades humains ont appris est un mensonge. Les humains sont loin d'être égaux ; ils sont des pions dans un jeu bien plus vaste. L'académie n'est rien de plus qu'une cage dorée, et les étudiants sont des agneaux menés à l'abattoir, des jouets pour les alphas dans leurs jeux impitoyables. Pour aggraver les choses, Violet attire l'attention des joueurs les plus dangereux dans ce jeu, les Quatre Terreurs : l'Alpha du Nord, l'Alpha du Sud, l'Alpha de l'Est et l'Alpha de l'Ouest. Chacun est plus dangereux, plus tordu et plus puissant que le précédent. Mais même entre eux, les alphas sont divisés, chacun poursuivant ses propres ambitions mortelles. Pourtant, ils ont tous les yeux rivés sur elle. Ils s'attendent à ce que Violet suive le mouvement, tombe dans les rangs comme les autres qui vénèrent à leurs pieds, qu'elle casse sous leurs jeux. Mais Violet n'est pas comme les autres. Elle refuse de s'incliner. Elle va tous les défier.
Fantastique
917 Chs
Desafie o(s) Alfa(s)

Desafie o(s) Alfa(s)

Dois séculos após a Grande Guerra, a paz entre humanos e lobisomens finalmente foi alcançada, ou assim todos acreditam. Lobisomens reinam como deuses, e os humanos permanecem blissfully inconscientes de seu verdadeiro lugar na nova ordem mundial. Para manter esse frágil equilíbrio, a cada ano, um punhado de humanos "sortudos" é selecionado de vários distritos para frequentar a Lunaris Academy, uma instituição prestigiosa que promete glória, status e uma chance de se misturar com a elite. Os escolhidos são celebrados como os poucos sortudos, destinados a casar-se com poderosos alfas e ascender como luna. Este ano, Violet Purple está entre os escolhidos, para surpresa de todos. Para uma garota órfã adotada por uma prostituta desonrada, este é um bilhete dourado para uma vida melhor, ou pelo menos é o que dizem a ela. Mas a Lunaris Academy não é o paraíso que aparenta ser. Tudo o que Violet e seus companheiros humanos foram ensinados é uma mentira. Os humanos estão longe de serem iguais; são peões em um jogo muito maior. A academia é nada mais do que uma gaiola dourada, e os alunos são cordeiros levados ao abate, brinquedos para os alfas se divertirem em seus jogos impiedosos. Para piorar as coisas, Violet chama a atenção dos jogadores mais perigosos deste jogo, os Quatro do Terror: o Alfa do Norte, Alfa do Sul, Alfa do Leste e Alfa do Oeste. Cada um é mais perigoso, mais perverso e mais poderoso que o anterior. Mas mesmo entre si, os alfas estão divididos, cada um com suas próprias ambições mortais. Ainda assim, todos têm os olhos sobre ela. Eles esperam que Violet siga o fluxo, caia na linha como os outros que adoram aos seus pés, se quebre sob seus jogos. Mas Violet não é como os outros. Ela se recusa a se curvar. Ela vai desafiá-los a todos.
Fantasia
785 Chs
Desafía al Alfa(s)

Desafía al Alfa(s)

Dos siglos después de la Gran Guerra, la paz entre humanos y hombres lobo finalmente se logró, o eso creen todos. Los hombres lobo reinan como dioses, y los humanos permanecen alegremente inconscientes de su verdadero lugar en el nuevo orden mundial. Para mantener este frágil equilibrio, cada año, un puñado de humanos "afortunados" son seleccionados de varios distritos para asistir a la Academia Lunaris, una institución prestigiosa que promete gloria, estatus y una oportunidad de mezclarse con la élite. Los elegidos son considerados como los pocos afortunados, destinados a casarse con poderosos alfa y ascender como luna. Este año, Violet Purple está entre las elegidas, para sorpresa de todos. Para una niña huérfana adoptada por una prostituta deshonrada, esto es un boleto dorado para una vida mejor o eso le dicen. Pero la Academia Lunaris no es el paraíso que pintan ser. Todo lo que Violet y sus compañeros humanos han aprendido es una mentira. Los humanos están lejos de ser iguales; son peones en un juego mucho más grande. La academia no es más que una jaula dorada, y los estudiantes son corderos llevados al matadero, juguetes para que los alfas jueguen en sus despiadados juegos. Para empeorar las cosas, Violet atrae la atención de los jugadores más peligrosos de este juego, los Cuatro del Terror: el Alfa del Norte, Alfa del Sur, Alfa del Este y Alfa del Oeste. Cada uno es más peligroso, más retorcido y más poderoso que el anterior. Pero incluso entre ellos, los alfas están divididos, cada uno con sus propias ambiciones mortales. Sin embargo, todos tienen los ojos puestos en ella. Esperan que Violet se sume al juego, que siga la línea como los otros que adoran a sus pies, que se rompa bajo sus juegos. Pero Violet no es como los demás. Ella se niega a inclinarse. Ella los desafiará a todos.
Fantasía
771 Chs
Rebirth in the 80's: The Daily Life of the Villain's Mom

Rebirth in the 80's: The Daily Life of the Villain's Mom

Jiang Ran, a descendant of a family of traditional Chinese medicine, has developed new drugs and won numerous awards, but her greatest love is making and eating delicious food. After years of hard work, Jiang Ran finally won the national gourmet competition, but in her excitement, she entered a book, becoming the supporting character Jiang Ran, who divorces the male protagonist and ultimately dies tragically on the street. In the book, Jiang Ran is described as fat, with oily pimples and lazy, selfish habits. Before divorcing the male protagonist, she bullies his parents, siblings, and after the divorce, ends up homeless with her son. The newly transmigrated Jiang Ran: "......" Jiang Ran has transmigrated into a book. To avoid dying tragically on the streets, she focuses on making gourmet food, opening a restaurant, saving people diligently, and treating diseases. She pays off the debt owed to her husband’s family by the original character and raises her son, who in the book was to become a big villain, correctly. As for her husband? When he comes back, she plans to ask for a divorce! Pei Huai is about to graduate and plans to return home. But he discovers something strange in the letters his younger brothers and sisters have been sending recently. Brother: Sister-in-law’s cooking is so delicious! I like sister-in-law! Sister: The clothes sister-in-law made are so beautiful! I like sister-in-law! Pei Huai feels something is not right and decides to go home and take a look. As he steps into the house, he is greeted by a bright and charming face: "Husband, you’re back? Are you back to get a divorce?" Pei Huai remains expressionless: No, I am not! {Reading Guide: This text is set in an alternate world with creative liberties taken. The understanding of the '80s and '90s comes from online research, and I hope for your understanding.}
Urban
677 Chs

Single lens reflex lens parameters

The angle of view of the medium focal length lens was between 40 degrees and 18 degrees, and the focal length range was between 61mm and 135 mm. The angle of view of a standard/medium-focus lens was about 40 - 55 degrees. In terms of optical characteristics, the photos taken at this focal length had the least distortion and could accurately reflect the shape of the subject. It was also relatively easy to design a large aperture. Different models of medium-focal lenses had different performance parameters in terms of distortion, dispersion, resolution, contrast, and so on. For example, the Olympus OM Zuiko auto-macro 90mm f/2.0 lens had an actual focal length of 90.44mm, an aperture of f/2.04, a pincushion-shaped distortion of 0.47%, and an edge loss of 0.3 stops at f/5.6. Minolta MC Rokkor -85mm f/1.7 lens, the actual test focal length was 85.6mm, with 0.5% barrel distortion, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

1 answer
2026-07-22 02:54

The optical parameters on the lens

The following is some common optical parameters on the lens: 1. ** effective focal length (EFL)**: The distance from the center of the lens to the focal point. It could be divided into image focal length (the distance between the main surface of the image and the focal point of the image) and object focal length (the distance between the main surface of the object and the focal point of the object). If the focal length is too short, it will cause the field of view to be too large, causing distortion, difficulty in controlling the angle of the chief ray, low contrast, serious lens bending, difficulty in correcting the phase difference, and other problems. If the focal length is too long, the lens will be too long, which is not conducive to the miniaturized system. Moreover, the field of view is too small to meet the user's needs (FoV>60°). 2. ** Total length of lens (TL)**: It is divided into optical length (the distance between the first surface of the lens and the image surface) and mechanism length (the distance between the end of the lens barrel and the image surface). 3. ** Back focal length (BTL)**: The distance from the last side of the lens in the optical system to the image plane. 4. ** Front focal length (FFL)**: The distance from the first surface of the lens to the object surface in the optical system must be distinguished from the back focal length of the mechanism. 5. ** Mechanical back focal length (FTL/FFL)**: The distance from the last mechanical surface of the lens group to the image surface. 6. ** Field of View (FoV)**: The largest field of view that the camera can capture. It can be divided into diagonal field of view (FoV-D), horizontal field of view (FoV-H), and vertical field of view (FoV-V). The diagonal field of view is the largest, followed by the horizontal field of view, and the vertical field of view is the smallest. The so-called field of view refers to the diagonal field of view of the digital camera module. The size of the field of view was related to the focal length. Generally, the larger the field of view, the shorter the focal length. 7. ** Joules (F/NO.)**: It was the ratio of the effective focal length to the diameter of the pupil, which was used to determine the brightness of the lens. Under the premise of ensuring the same aperture, the shorter the focal length, the smaller the relative aperture should be. In general, the smaller the F/#, the larger the aperture. 8. Distortion: It is the off-axis phase difference. It is the height difference between the intersection point of the off-axis point and the main ray on the image plane and the ideal (paraxial-like) image plane. It is a function of the field of view and has nothing to do with the aperture. Distortion was divided into TV distortion and optical distortion. TV distortion was further divided into pillow type and cylinder type. Distortion is the image quality that users can easily feel. Different application scenarios have different requirements for distortion. For example, Optical-Distortion <3% is not easy to detect by the human eye, and the objective lens generally requires Optical-Distortion <2%. 9. ** relative illumination (Ri)**: The ratio of the central illumination to the peripheral illumination. If the contrast was too low, the center of the image would be bright and the surroundings would be dark (vignette phenomenon, commonly known as dark corners), which would also cause color distortion. The Ri is directly proportional to COS4 (semi-fov). Different semi-fov correspond to different theoretical values of the Ri. When the Ri<50%, the human eye can distinguish it. In serious cases, the four corners of the picture will be completely black. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

1 answer
2026-07-21 17:39

Canon lens parameters

Canon lenses had many parameters: ** 1. Type of bayonet ** 1. **EF** - It can be used directly on Canon's Canon's Canon 'Canon's Canon' Canon 2. **EF - S** - Canon's APS-C frame DSLR lens could not be directly installed on a full-frame DSLR. It could be used on the Eos-M series micro-lens and the Eos-R full-frame micro-lens through the transfer ring. 3. **EF - M** - Canon's Canon 'Canon's Canon's Canon 4. **RF** - Canon's Canon 5. **MP - E** - For macro photography, only MP-E 65mm f/2.81 - 5x. 6. **TS - E** - The electronic control shifted the lens. ** 2. Focus ** - The focal length in the lens model was the physical focal length. Standing in the same position, a small focal length meant a wide field of view, and a large focal length meant a good range of vision. For non-full-frame cameras, the actual use may need to consider the equivalent factor conversion according to the camera model. For example, the focal length range of the lens was 70 - 200mm, the angle of view at the 70mm end was relatively narrow, and the telescope ability at the 200mm end was better. ** 3. Maximum aperture ** 1. ** Permanent Aperture ** - For example,"f/2.8" could be set to this aperture value over the entire focal length range. For example, the EF70 - 200mm f/2.8 lens was a constant aperture lens. 2. ** Floating Aperture ** - Two numbers like "f/3.5 - 5.6" indicated that the maximum aperture changed over the entire focal length range. ** 4. Screen Level Identification ** - **L (Luxury) logo ** - It would only appear in Canon's professional lens identification information. It was the logo of the top Canon civilian lens. These lenses usually had a red decorative ring on the front end (red circle head). ** 5. Function ID ** 1. **IS (Image Stabilizer)** - This type of lens was equipped with Canon's unique image stabilizing device, which could offset the image blurring caused by hand shaking within a certain range. It was commonly used in Canon's high-end professional lenses. 2. **USM (ultrasonic motor)** - The lens using USM technology could achieve silent and fast-response autofocus. It was divided into three types: micro, ring, and NANO. There was also the STMs (Stepping Focus Machines), which were divided into two types: gear type and lead screw type. 3. **AL (Aspherical lens)** - It showed that the lens was designed with aspheric lenses to reduce the number of lenses. While reducing the weight and volume, it could provide better optical performance. It could solve the glare and edge distortion problems in wide-angle and zoom lenses, and it could also improve the optical quality of telephoto lenses. 4. **DO (Diffraction Optics)** - Lenses marked with this logo were equipped with multi-layered diffusing optical lenses, which had the characteristics of both fluorite and aspheric lenses. They were generally high-end Canon lenses. 5. ** DPS (a coating technology that optimized bokeh)** - It was commonly used in some Canon lenses to enhance the bokeh effect. 6. ** S-ud (S-ud glass) and UD (UD glass)** - The optical performance of S-KD glass was close to that of fluorite. The effect of one S-KD lens was equivalent to that of one fluorite lens, and the effect of two KD lenses was equivalent to that of one fluorite lens. These labels indicated that the lenses used the corresponding glass lenses. 7. **EMD (Electromagnetic Aperture)** - Lenses with this technology could open and close the aperture by electronic control. 8. **Float (Floating Function)** - When shooting at close range, the floating lens would compensate for the aberrations at close range to obtain better image quality. 9. ** CP (Focus Preset)** - It was Canon's high-end professional lens logo. The focus preset function allowed the lens to remember a certain focus distance. After setting the distance, the lens could automatically return to the set focus distance. This focus recovery function was even effective in manual focus mode. 10. ** ft-m (full-time manual)** - Canon lenses were equipped with full-time manual operation. The focus of the lens could be adjusted manually in the AF-mode. 11. ** Marco/macro ** - It means that the camera has a strong close-up ability. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

1 answer
2026-07-20 19:46

Canon lens shooting parameters

The common shooting parameters of Canon lenses were as follows: - ** Shot Type **: - "EP: Can be used with Canon's Canon's Canon 'Canon's Canon' Canon - ESF-S: Canon's APS-C frame single-lens reflex lens. It can't be directly installed on a full-frame single-lens reflex. It can be used on the eos-M series micro-lens and eos-R full-frame micro-lens through the transfer ring. - "ESF-M: Canon's Eos M series micro-lens. It cannot be used on other Canon cameras. - <<PR>: Canon's Eos R series full-frame micro-lens. It cannot be used on other Canon cameras. There were also MP-E (specialized for macro photography) and TS-E (electronic controlled shift lens), two special products. - ** focal length of lens **: A small number means a wide angle of view, and a large number means a good telescope. The focal length in the lens model is the physical focal length. For non-full frame cameras, you may need to consider the equivalent factor conversion according to the camera model. - ** Maximum Aperture **: For a zoom lens, if it is in the form of "f/2.8", it means that it is a constant aperture lens, and the entire focal length range can be set to this aperture; if it is similar to "f/3.5 - 5.6", it is a floating aperture lens, and its maximum aperture changes over the entire focal length range. - ** Lenses Grade **: L (Luxury) means Canon's high-end lenses, which are red circle lenses. These lenses usually have a red decorative ring at the front. - ** Image Stabilizer **: The IS (Image Stabilizer) logo indicates that the lens is equipped with Canon's unique image stabilizer, which can offset the image blurring caused by hand shaking within a certain range. It is commonly used in Canon's high-end professional lenses. - ** Focus motor **: - USM (Ultra-Sonic Motor): The lens using USM technology can achieve silent and fast-response autofocus. It is divided into three types: micro, ring, and NANO. - <strong></strong> - ** Other Marks **: - AL: It means that aspheric lenses are used in the lens design, which can reduce the number of lenses, reduce weight and volume, and provide better optical performance. It is used to solve the problems of glare and edge distortion in wide-angle and zoom lenses. It can also improve the optical quality of telephoto lenses. - DO: Lenses marked with this logo are equipped with multi-layer reflective lenses, which have the characteristics of fluorite and aspheric lenses. They are generally high-end lenses. - EMD: It means that the lens can open and close the aperture by electronic control. - Float: When the lens is used for close-up shooting, the lens will compensate for the aberrations at close range to obtain better image quality. - XP: The lens with this logo is a high-end professional lens. It has a focus presetting function that allows the lens to remember a certain focus distance. After setting it, it can automatically return to the set focus distance. It is also effective in manual focus mode. - FT - M: A lens with full-time manual function. You can manually adjust the focus of the lens in autofocus mode. - S-KD: It means that the lens uses S-KD glass lenses, and its optical performance is close to that of fluorite. The effect of an S-KD lens is equivalent to that of a fluorite lens. - KD: It means that the lens is made of KD glass lenses. The effect of two KD lenses is equivalent to that of a fluorite lens. - <MACRO>: This means that the lens has a strong close-up ability. - [DPS: A coating technology that optimized bokeh.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-21 06:15

hitachi projection lens parameters

The parameters of the Hitachi projection lens were different. For example, the parameters of one projection lens were F = 1.7 - 2.1, f = 36.8 - 47.8mm; the other was F = 1.74 - 2.08, f = 36.8 - 47.8mm; and the zooming method was a zooming lens (F = 1.7 - 2.1, f = 24 - 29mm). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

1 answer
2026-07-21 09:40

The technical parameters of the optical lens

The main technical parameters of the optical lens were as follows: 1. ** effective focal length (EFL)**: The distance from the center of the lens to the focal point. It was further divided into image focal length (the distance between the main surface of the image and the focal point of the image) and object focal length (the distance between the main surface of the object and the focal point of the object). If the focal length is too short, the field of view will be too large, resulting in distortion, difficulty in controlling the main ray angle, low contrast, serious lens bending, difficulty in correcting the phase difference, and other problems, which is not conducive to the design; if the focal length is too long, the lens will be too long, which is not conducive to the miniaturized system. If the field of view is too small, it is difficult to meet the user's needs (FoV>60°). 2. ** Total length of lens (TL)**: It is divided into optical length (the distance between the first surface of the lens and the image surface) and mechanism length (the distance between the end of the lens barrel and the image surface). 3. ** Back focal length (BTL)**: The distance from the last side of the lens in the optical system to the image plane. 4. ** Front focal length (FFL)**: The distance from the first surface of the lens to the object surface in the optical system must be distinguished from the back focal length of the mechanism. 5. ** Mechanical back focal length (FTL/FFL)**: The distance from the last mechanical surface of the lens group to the image surface. 6. ** Field of view (FoV)**: refers to the largest field of view that the lens can capture. It can be divided into diagonal field of view (FoV-D), horizontal field of view (FoV-H), and vertical field of view (FoV-V). The diagonal field of view is the largest, followed by the horizontal field of view, and the vertical field of view is the smallest. The so-called field of view usually refers to the diagonal field of view of the digital camera module. 7. ** Joules (F/NO.)**: It is the ratio of the effective focal length to the diameter of the entrance pupil, which is used to determine the brightness of the lens. Under the premise of ensuring the same aperture, the shorter the focal length, the smaller the relative aperture should be. In general, the smaller the F/#, the larger the aperture. 8. ** Distortion **: It is the off-axis phase difference. It is the aberrations of the off-axis thin beam. It is the height difference between the intersection point of the off-axis point and the main ray on the image plane and the ideal (near axis) image plane. It is a function of the field of view and has nothing to do with the aperture. The primary distortion changes with the cubic power of the field of view (image height), and the percentage distortion increases with the square of the image height. The distortion varies with different fields of view, and the distortion changes are non-linear. It is only the distortion of the image and does not affect the clarity of the image. Distortion is divided into TV distortion and optical distortion. TV distortion is further divided into pillow type and cylinder type. Different application scenarios have different requirements for distortion. For example, Optical-Distortion <3% is not easy to detect by the human eye, and Optical-Distortion <2% is the distortion requirement of the photographic objective lens. 9. ** relative illumination (Ri)**: The ratio of the central illumination to the peripheral illumination. If the contrast was too low, the center of the image would be bright and the surroundings would be dark (vignette phenomenon, commonly known as dark corners), which would also cause color distortion. The Ri is directly proportional to COS4 (semi-fov). Different semi-fov values correspond to different theoretical values of the Ri. When the Ri<50%, the human eye can distinguish it. In serious cases, the four corners of the picture will be completely black. 10. ** resolution **: It can be defined as the number of pairs of black and white stripes that can be distinguished in millimeters when the lens is used to observe the black-and-white grid pattern. When selecting a lens, the lens resolution is usually required to be slightly higher than the resolution of the picture element. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-20 23:16

Nikon lens parameters setting

There were many parameters for Nikon lenses. The following are some of the main parameters: ** 1. Type of bayonet ** 1. **F mount ** - The FX-lens was suitable for all of Nikon's DSLR cameras, similar to Canon's EF-lens, while the DX-lens was suitable for Nikon's APS-C format camera, similar to Canon's EF-S lens. - Generally speaking, the price of the DV lens was more affordable and could be regarded as an APS-C (half-frame) entry-level lens, while the XP lens was a professional lens and had a higher price. However, Nikon's DV lens could be installed on a full-frame camera, but it might produce black circles or dark corners. If you didn't have a full-frame lens on hand, you could replace it after trimming the image. - Among the Nikon AF-S and AF-F lens models, the ones with the word "DK" were called "DK" lenses, and the others were "FO" lenses. The capital letter N was more commonly seen on the lens body of the FO lens. 2. ** Z-mount ** - The Z lens was suitable for Nikon micro-cameras, similar to Canon M-series lenses. ** 2. Type of motor ** 1. **AF** - This lens does not have a focus motor. You need to use a body equipped with a motor to achieve autofocus. 2. **AF - I** - It meant that the lens had a built-in motor design. 3. **AF - S** - It meant that the lens had a built-in ultrasonic motor design, which made focusing faster and quieter. Some half-frame lenses of Nikon also had this motor, which was different from Canon (Canon's similar logo was USM and was mostly used for full-frame lenses). 4. **AF - P** - It meant that the lens had a built-in stepping motor, similar to Canon's ATM logo. If there was the word (PC), it meant that the lens was a shift-axis lens. ** 3. Focus related parameters ** - Numbers such as 24 - 70mm/105mm on the lens indicate the focal length of the lens. The zooming lens was marked with the values at both ends of the focal length range, and the fixed-focus lens was represented by a single value. ** 4. Aperture related parameters ** 1. ** Maximum Aperture Value ** - For example, 1:3.5 - 5.6/1:2.8 represents the maximum aperture value. When the zoom lens had two values, they represented the maximum aperture of the wide-angle end and the telephoto end respectively; the fixed focal lens and the zoom lens used a single value to represent the constant maximum aperture. 2. ** Aperture Type ** - No Suffix meant that the lens had an aperture ring and could not provide distance information;D Suffix meant that the lens had an aperture ring and could provide distance information;G Suffix meant that the lens did not have an aperture ring but could provide distance information;E Suffix meant that the lens did not have an aperture ring, but an electromagnetic aperture could also provide distance information. E was more advanced than G. ** 5. Other parameters ** - II meant that the lens was a second-generation product. - TL, ED, PR, and so on indicate the type of lens used (Canon lenses do not indicate such information). - VR indicated that the lens had a shock absorption function, similar to Canon's IS logo. - N represents a special (nano) coated lens, which can effectively alleviate the ghostly shadows caused by red light and reduce the ghostly shadows and glare caused by the light entering the lens diagonally. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-21 21:55

Soviet camera lens parameters

The following are some of the parameters of the Soviet camera lens: - HELIOS44 58/2 lens ("Eight-feathered monster"). The specific parameters were not mentioned. - Mir - 1 2.8/37 lens: 37mm focal length (37.38mm), aperture ratio 1:2.8, field of view 60°, frame size 24x36mm, number of lenses/groups 6/5, front focal length-3.49mm, back focal length 37.17mm, distance from the first surface to the last surface 52.8mm, working distance (45.2mm for Mir - 1, 44.0mm for Mir - 1 -auto, 45.5mm for Mir - 1V), aperture ratio limit of 1:2.8 - 1:16, close-up focus limit of 0.7m, resolution of 45/23 lines/mm according to specifications (center/edge), light transmission rate of 0.78, connection (Lens-to-camera: Mir - 1 is M39×1, Mir - 1 -auto mount)(f/a Kiev - 10), Mir - 1V for M42×1; for screw attachment: Mir - 1 for Sp M49×0.5, Mir - 1V for M49×0.75; for snap-on attachment 51mm), overall size (The length of the lens with the lens cover: Mir - 1 is 62mm, Mir - 1V is 56mm, the largest frame diameter is 59mm), weight (Mir - 1 is 200g). - "JUPL- 9"("JUPL- 9" 2/85) lens: focal length 84.51MM, aperture 1:2 to 1:16, field of view 28 degrees 51 minutes, filter size M49*0.75MM, closest focusing 0.8M, seven pieces in three groups, the middle and back two parts are made of three lenses, the resolution is 32 lines/MM in the center, 23 lines/mm at the edge, volume 65(diameter)* 66mm, weight 0.36kg. - A particular camera had a focal length of 50mm and a clear aperture of 1:3.5. It was a three-piece, three-group orthoscope. The lens could be disassembled, and the shutter speed range was 1 - 1/1000. It also had a T-door and a B-door. There were ten levels of speed regulation, but the specific name of the lens was not mentioned. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-22 09:17

Monitor the parameters of the electric zoom lens

The following are some of the parameters that might be involved in monitoring the power zoom lens: 1. ** Focus Range **: - For example, 10 - 525mm, 10 - 150mm, 10 - 230mm, etc. Different focal lengths determined the zooming ability of the lens and the applicable monitoring distance and viewing angle. For example, the focal length of a telephoto electric lens could range from tens of millimeters to hundreds of millimeters or even higher for long-distance supervision; the focal length of a wide-angle lens was shorter, and the monitoring angle was wider but closer. 2. ** optical zooming factor **: For example, there are 52x and so on. The zooming factor reflects the zooming ability of the lens within the focal length range. 3. ** Pieces **: Some of the lenses are broadcast grade with 2 million pixels. Pieces affect the clarity and image quality of the image. 4. ** Automatic focus function **: Some lenses have an automatic focus function, which helps to quickly obtain clear images at different distances. 5. ** Fog Penetration Function **: It can be used in smoggy weather to improve the visibility of the monitoring screen. 6. ** Day and night function (infrared function)**: Can be used in different lighting conditions during the day and night. It can provide fine black-and-white images at night. 7. ** Automatic temperature compensation function **: To ensure that the lens works normally in different temperature environments. 8. ** Type of serial port communication **: For example, the serial port communication of the USB 485/USB 422 is used to independently control the lens. 9. ** Adaptability to the environment **: Able to work normally from-40 ° C to 70° C, and can adapt to various environmental temperatures. 10. ** Lowest Illumination **: If there is a lens, the minimum illumination is 0.002Lux(color mode), 0.0002Lux(black and white mode), and 0Lux(infrared light on). This parameters reflect the imaging ability of the lens in low-light environments. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-06-30 00:04

Industrial lens parameters detailed explanation

The parameters of an industrial lens included the following important aspects: ##1. Focus (EFL) 1. ** definition and essence ** - The focal length is the distance from the main light point of the optical system to the focal point. The distance from the topmost lens to the back focal point is called the back focal length, and the distance from the bottommost lens to the front focal point is called the front focal length. It was an indicator of the ability of an optical system to converge or diverge light. 2. ** Relationship with field of view ** - For the same sensor, the longer the focal length of the lens, the smaller the field of view, and the smaller the field of view. Conversely, the smaller the focal length, the larger the field of view, and the larger the field of view. ##2. Field of View 1. ** Meaning ** - It refers to the range of the image that the lens can capture, usually expressed in terms of field of view. ##3. Magnification 1. ** Concepts ** - Magnification refers to the ratio of the size of the image to the size of the object. ##4. Chip size 1. ** Selection Principle ** - To choose a lens with a larger compatibility, if the target surface of the CCD-chip is 1 ", the lens should at least use a lens with a maximum compatibility of 1". A 2/3 "lens is not suitable. ##5. Numeric Aperture UA 1. ** Impact on the camera ** - It would affect the resolution and aperture of the lens. The larger the UA value, the better the lens resolution and aperture. The resolution calculation formula is: resolution = 0.61* Lambda/UA (Lambda is the light source's wavelength). At the same time, effective FNO = optical magnification/(2xUA). ##6. Aperture Number (F.No) 1. ** Concepts ** - The aperture number (F.No) was the ratio of focal length (EFL) to the entrance pupil (D, the image of the aperture in the object space), which was F.No = EFL/D. 2. ** Impact on the picture ** - The size of the F.No number would affect the brightness of the screen, the depth of field, and the sensitivity of the installation. ##7. Working Distance WD 1. ** Concepts ** - It refers to the distance between the bottom of the lens and the surface of the object. In the machine vision optical system, the required space had to consider the length of the camera lens group itself and the working distance of the lens. If the space could not satisfy the sum of the two, it was necessary to consider changing the working direction of the prism or re-designing the optical system. ##8. DOF 1. ** Relationship with focal length and working distance ** - The relationship between depth of field and focal length was that the longer the focal length, the smaller the depth of field, and the shorter the focal length, the greater the depth of field. The relationship between depth of field and working distance was that the shorter the working distance, the closer the lens was to the object, and the smaller the depth of field. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-21 11:19
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