(Kang Corporation.) Kang's family had no overnight food, and it was really difficult to resist hunger and cold. I was born with a thin fate, like a blade of grass on the road. After July and August this year, I don't know if I will live or not next year. (White) I'm from the Kang family, and my husband is Zhang Shihua. He had two sons, the eldest son Zhang Ren and the second son Zhang Yi. His eldest son went to the capital to seek an official position, but there was no news of him coming back. Only Zhang Yi was left. He fished under the Mengjin River every day for a living. At this time, he still had not returned. True: (read) A poor family produces a filial son, and a country in chaos shows its loyal officials. (Zhang Yishang.) Zhang Yi (read) hurriedly told his mother about what happened under the river. Greetings, Mother. How many fish did you catch today and how much did you sell for? Zhang Yi (Bai)'s son never caught fish and sold them for money. He was like a treasure… Kang shi (singing) is called Zhang Yi, my son, listen to mother's lesson, wait for mother to tell Jiao Er clearly. His son's father had met with misfortune and lost his life. How could he pass the time by leaving his mother and son behind? I don't listen to him because my son is young and my mother is middle-aged. I'm afraid that after a hundred years, I won't be able to see my son's deceased ancestors in the underworld. My son. Note: This is only part of the lyrics. The complete lyrics can be obtained by searching for special Peking opera information. Read more exciting novels for free
The following is part of the lyrics in the Peking opera "Luo Shen": [First round] Cao Zhi (Xipi Guideboard) bid farewell to the emperor in the Golden Palace and returned to the east slowly. (Xipi Yuanban) Just now I turned my back on Yi Que and crossed the shaft. Along the way, I passed through the valley and stepped on Jingshan Mountain. I don't think the sun is setting in the west. The fields of hay and grass in the fields are hurried to stand in front, Suddenly, he saw Luochuan in front of the horse's head. Luo Shen (Inner Two Yellow Guide Plate) The sky is full of clouds and mist, wet my light clothes. Like the Milky Way by the blue river. Where can I find my ethereal love of spring? the misty moon in a pavilion cannot bear the chill. (Erhuang Sanban) Thinking of the past, my heart is melancholy. Meeting again is a dream, so sad. Cao Zhi (Erhuang Sanban) is not used to long distances, so he is tired. To whom should I speak of my evil feelings? [Second round] Song lyrics: The wind is clear, the sky is clear, the southern hills are clear, the northern hills are clear, the fairy spirits are mixed, the year is in the water mansion, cultivating the true nature, today, all the sisters play together on the riverside, riding the breeze, raising the fairy sleeves, flying ducks, quickly pulling Qiong Ju, showing six pieces of Xiang River Luo skirt, I am here to fly to the God Island, picking the fairy Zhi, I am here to play with the clear stream, dividing the waves, I am here to pick the green feathers, slanting hairpin, cloud temples, I am here to pick the pearl and decorate the skirt, all the sisters are moving impermanently, if dangerous, if stable, light body like a crane standing, long chanting the laurel flag, and letting the fragrance shade him from the sun. The pattern of the clothes must be guarded against the clouds, picking wild geese, the gentle wind state, dancing together, forming a reclining array, lightly moving lotus steps, treading on the waves, moving like a startled swan, if coming to take a photo, like a divine dragon playing on the seaside, moving like a wandering figure, watching the divine light, "Luo Han's Lyric Collection" is equally exciting. Everyone is welcome to click and read it!
Peking opera is one of the traditional Chinese operas that originated in Beijing. After hundreds of years of development, it has formed a unique artistic style and performance form. The following are some representative works of Beijing opera: " Dream of the Red Chamber ":" Dream of the Red Chamber " is a classic in Chinese classical literature and one of the representative plays of Peking opera. The play tells the love story of Jia Baoyu, Lin Daiyu and others, and shows the grievances and disputes between feudal families. It is known as a classic of Beijing opera. The Legend of the White Snake: The Legend of the White Snake is a famous story in ancient Chinese literature and one of the representative plays of Peking opera. The play was about the love story between the white snake and Xu Xian. It showed the white snake's complicated feelings and selfless spirit, and was hailed as a classic of Beijing opera. 3. The Three Kingdoms: The Three Kingdoms is an important event and character in ancient Chinese history. It is also one of the representative plays of Beijing opera. The play narrated the various wars and political struggles during the Three Kingdoms period, showing the stories of Liu Bei, Cao Cao, Sun Quan and others. It was hailed as a classic of Peking opera. 4." Hongyang Cave ":" Hongyang Cave " was a famous story in ancient Chinese literature and one of the representative plays of Beijing opera. The play told the story of the Hongyang Cave family, showing the contradictions and disputes between families, and was hailed as a classic of Beijing opera. 5." Lock the Autumn ":" Lock the Autumn " is a famous story in modern Chinese literature and one of the representative plays of Peking opera. The play was about the love story between Ye Kai and Qin Hongmian. It showed the complexity and cruelty of the feudal society and was hailed as a classic of Beijing opera. These are some of the masterpieces of Beijing opera, and there are many other excellent plays, such as "Si Lang Visits His Mother","Wujiapo","Red Cliff","Huashan Sword Discussion" and so on.
There were many versions of the Spring and Autumn Annals, and some of the lyrics were as follows: - Zhang Pai,"Forced to pick up firewood, tears fall like rain, sickly and powerless, unable to struggle." - Huang Sect's Meng Junzi asked repeatedly, although they were men and women, he had to answer. I live under the Stalwart Star Tower in Luo County City. My father's name is Jiang Shao, and he trades in the world. I couldn't stand being tortured by my stepmother at home, so I had no choice but to come to the wilderness to pick up the reed flowers." The score of "Spring and Autumn Match"(a discount for picking firewood) could be found on the public account of the "Good Morning Peking opera" series. The mobile version of the Love Music Network provided the score of "Forced to Pick Firewood"(a selection from the Peking opera "Spring and Autumn Match"), sung (played) by Xue Yaping. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
At the beginning of the adaptation of the Beijing opera "Sha Jia Bang," the original cast was as follows: Zhao Yanxia played Ah Qingsao, Gao Baoxian played Guo Jianguang, Wan Yiying played Grandma Sha, Zhou Hetong played Hu Chuankui, and Jiang Yuanrong played Diao Deyi (Mr. Jiang Yuanrong was a famous actor). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Shanghai opera "Golden Embroidered Maiden" will be staged at Beijing's Mei Lanfang Grand Theater on November 28th. On November 23rd, the play held a press conference in Beijing. The leading actress was Shen Huiqin, the head of Shanghai New Dongyuan Shanghai Theater Troupe and a national first-class actress. The artistic director and famous Shanghai opera performing artist Chen Yu, the national first-class director Shen Gang, the leading actor and famous Shanghai opera artist Qian Sijian, and the special guest, famous drama director Chen Xinyi, attended. "The Golden Embroidered Lady" was based on the battle of crossing the river in the spring of 1949. It told the heroic story of Liang Chao, the staff officer, who sneaked into the Jiangnan area to contact the underground party organization in order to obtain information about the enemy's river defense. During this period, he met the witty and brave Golden Embroidered Lady. The two of them formed a deep friendship in the common struggle. Finally, with the help of the Golden Embroidered Lady, Liang Chao successfully escaped the enemy's pursuit and delivered important information. As early as 1977, when the Shanghai Shanghai Theater Arts Institute (formerly the Shanghai Theater) created the first edition of "The Golden Embroidered Lady," they had the dream of performing in Beijing. At that time, Shen Huiqin's mentor, Zhu Huiqin, played the role of the Golden Embroidered Lady, but it did not happen. This time, the New Dongyuan Shanghai Theater and the Shanghai Shanghai Theater jointly rehearsed the performance of "Golden Embroidered Maiden" in Beijing, which fulfilled the regrets of the past and continued the artistic wish of her teacher Zhu Huiqin. The novel, Drunken Golden Cup, is equally exciting. Everyone is welcome to click and read it!
The Qingyi in Kunqu and Peking operas belonged to the Dan Xing, and they had an important position in their respective operas. ** 1. Kunqu Qingyi ** 1. ** Acting Style ** - The performance of Kunqu opera was restrained, tactful and delicate. Kunqu Qingyi needed to adjust her breath reasonably when performing, because Kunqu singing did not "pass the door", and it was a test of strength to sing while doing the body. 2. [Character Creation] - For example, when Fang Tingyu played Cui Yingying, she showed her oriental aesthetics by turning her head and raising her eyes. Kunqu Qingyi emphasized on traditional China aesthetics when creating characters. 3. ** Inheritance and Development ** - There were examples of Peking opera actors like Lian Wenqing learning from Kunqu opera. Lian Wenqing had studied Kunqu's "Peony Pavilion" for a year and a half from Liang Guyin, an 80-year-old Kunqu artist. This showed that the performing arts of Kunqu Qingyi were worth learning from Peking opera actors. At the same time, it also reflected that the exchange and integration of opera arts would help the inheritance and development of Kunqu Qingyi performing arts. ** 2. Beijing opera, Tsing Yi ** 1. ** Acting Style ** - Peking opera performances were more external. The movements of Qing Yi in Beijing opera were relatively small, but her movements were more stable. She was usually dignified, calm, and beautiful. The recitation of the poem is generally called "rhyme", and the main focus is on singing. 2. [Character Creation] - The role played by Qing Yi in Beijing opera was usually a dignified and quiet married young woman. When performing tragic characters and people at the bottom of society, their costumes were often black (black was called "Qing" in ancient times, which was also one of the origins of the name Qing Yi). For example, Zhang Huoding played the role of Concubine Yu. As an actress of the Cheng School, she found a unique Cheng School performance style for the role of Concubine Yu when she performed Farewell My Concubine. From the singing to the performance movements, she carefully designed them, reflecting the uniqueness of the role creation of the Qing Yi in Beijing opera. 3. ** Inheritance and Development ** - In the course of development, it had undergone many reforms. In the 1920s, Wang Yaoqing and Mei Lanfang reformed the Qingyi industry, integrating the skills of Hua Dan and Dao Ma Dan into Qingyi performances. In the 1950s, Zhang Junqiu integrated the characteristics of the four famous actresses, making the Peking opera Qingyi continue to develop. According to the genre, the Qingyi of Beijing opera can be divided into the Qingyi of the Plum Sect and the Qingyi of the Zhang Sect. The singing of the Plum Sect is simple and fresh, with a combination of hardness and softness, with the beauty of natural harmony; the singing of the Zhang Sect is vigorous and euphemistic, beautiful and fresh. The development of different schools had enriched the performing arts of the Beijing opera. The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
The Phantom of the opera lyrics: In sleep he sang to me He in dreams he came That voice which calls to me And speaks my name And do I dream again For now I find The phantom of the opera is there Inside my mind Sing once again with me Our strange duet My power over you Goes stronger yet And though you turn from me To glance behind The phantom of the opera is there Inside your mind Whose who have seen your face Draw back in fear I am the mask you wear It’s me they hear Your (my) spirit and your (my) voice In one combined The phantom of the opera is there Inside your (my) mind In all your fantasies You always knew That man and mystery Were both in you And in this labyrinth Where night is behind The phantom of the opera is there Inside your (my) mind Sing my angel of music He’s there the phantom of the opera Aha Phantom of the opera Chinese version (Fei Xiang and Zhu Hua duet version) Lyric: Female: It seems to be asleep, but also seems to be awake, like a dream, like reality. This blurred call trembles my heart Is it a ghost or someone by my side? The phantom song in the middle of the night keeps calling to me Man: Only in the nightmare you and I resonate This soul is gone, but you don't wake up at night Leave your fragile heart by my side The phantom song keeps calling you in the middle of the night Woman: You're a ghost imprisoned, born for the night I live the day for you Man: Tell me what's on my mind Together: My soul is connected to your song The phantom song in the middle of the night keeps calling to you and me You listen to the phantom singing in the middle of the night This dreamy night, the phantom's song Man: In your nightmare, have you ever questioned Like a soul, like a phantom Woman: It's both fake and true Confusion in the maze, the soul is entangled The phantom song in the middle of the night keeps calling to you and me Man: Singing the song of an angel Woman: The Phantom of the Night Ah…Ah… Male: Sing Woman: Ah…Ah… Man: Sing for me Woman: Ah…ah…ah…ah… Male: Sing Woman: Ah…Ah… Man: You were born for me Woman: Ah… Man: Sing for me Woman: Ah… All I Ask of You (Phantom of the opera) All I Ask of You (the Phantom of the Opera) Translated by Zhou Kenan No more talk of darkness Forget these wide - eyed fears I’m here Nothing can harm you My words will warm and calm you Let me be your freedom Let daylight dry your tears I’m here With you beside you To guard you and to guide you Say you love me every waking moment Turn my head with talk of summertime Say you need me with you now and always Promise me that all you say is true That’s all I ask of you Let me be your shelter Let me be your light You’re safe No one will find you Your fears are far behind you All I want is freedom A world with no more night And you Always beside me To hold me and to hide me Then say you’ll share with me one love One lifetime Let me lead you from your solitude Say you need me with you Here beside you Anywhere you go, let me go too Christine, that’s all I ask of you Say you share with me one love One lifetime Say the words and I will follow you Share each day with me Each night each morning Say you love, you know I do Love me That’s all I ask of you Anywhere you go, let me go too Love me That’s all I ask of you "Luo Han's Lyric Collection" is equally exciting. Everyone is welcome to click and read it!
The original singers of the three-person Peking opera duet for "Battle of wits" were Zhou Hetong, Ma Changli, and Hong Xuefei. The novel "Don't Consume My Identity" is equally exciting. Everyone is welcome to click and read it!
Shaoxing opera was one of the most popular local operas in China, also known as Chinese opera. It originated in Shengzhou, Zhejiang Province, and originated in Shanghai. Now, it has flourished throughout the country and spread to all parts of the world. Shaoxing opera was mainly lyrical, focusing on singing and performing arts. The voice was beautiful and moving, and the performance was real and moving. It was beautiful and elegant, and it was very beautiful and elegant. There were hundreds of plays in Yue opera. Some of the representative plays included Liang Zhu, The Romance of the Western Chamber, Spring in the Jade Hall, Meng Lijun, Legend of the White Snake, and so on. There were many other schools in Shaoxing opera, among which the Four Famous Dan-actors represented by Yuan Xuefen and Xu Yulan were the most famous. Generally speaking, Yue opera was a form of opera that was full of charm and art, and was deeply loved by the audience.
At present, there were some resources related to the teaching of Peking opera. For example, on TikTok, there was the teaching of the singing section of "Selling Water". The teacher would teach the content of the singing section,"Pow full, inside the sound." Sister Red Flower, Green Flower Man, Dried Plum Blossoms 'Curtain. Ivory bed, mandarin duck pillow. Put a mattress with osmanthus flowers on the bed and cover the bed." There was also the Peking opera teaching content of Li Chonglin's "For the Country (Part 1)" from "Hongyang Cave" in the "Good Morning Peking opera" series on the official account. These could be used as resources for learning Peking opera. The novel "Don't Consume My Identity" is equally exciting. Everyone is welcome to click and read it!