Drawing videos, anime characters, gouache

Answer 1

Here are some key points about drawing cartoon characters in gouache:

** I. Writing Stage **
1. ** The composition and outline **
- First of all, he had to determine the composition and draw the outline of the cartoon character. At this stage, one had to pay attention to the position and proportion of the character in the picture. He could first sketch out the general shape of the character and start from the whole. For example, he could determine the position and size ratio of the character's head, body, and limbs. He could try to avoid getting caught up in the details at the beginning.
2. ** Line processing **
- When writing, try to express the structure and dynamic of the characters as concisely and accurately as possible. If one had a certain foundation in painting, they could display some simple line arrangements to reflect the relationship between light and dark or the structure of the character. However, if one was a beginner, it was enough to focus on clear and accurate outlines. At the same time, it was best not to leave any extra lines, so as not to affect the subsequent coloring steps.

** 2. Coloring Stage **
1. ** Skin Color **
- Blending the natural color of the skin. For example, you can use No. 8 boar's hair fan-shaped pen tone and sand color, rice camel, ochre as the inherent color base color. Because the color of the character's skin was relatively simple, it was more similar to the color changes. Later, he could use this mother color to mix other colors to express the different tones of the skin. Such as using pearl white, inherent color mother color, light gray blue to reconcile the bright color mother color; Using the inherent color mother color, ochre, yellow green to adjust the heavy gray face of the face; Using the inherent color mother color, ochre, light blue, yellow green to adjust the cool color behind the neck, etc.
- When drawing the skin color, you must pay attention to the difference between brightness, pure gray, and cold and warm colors. For example, the structure of the elderly was more obvious. When drawing their skin, the pen could be used to draw different color blocks according to the structure.
2. ** Overall color control **
- Starting from the large and dark color blocks, grasp the overall color tone. Pay attention to the changes in hue and the color relationship between the main color blocks of the picture. For example, he would first determine the color relationship of the hair, clothing, and other large colors of the character, and then carry out partial carving and shaping.
- First paint lightly, then paint thickly. During the thin coating, the paint was diluted with water. Based on the overall color feeling, it was quickly applied once to shape the overall color environment of the picture. Then, it was gradually thickened to emphasize the performance. Some places had to be preserved to reflect the thickness of the picture, emphasizing the layering and thickness.
- First dark, then bright. This was because a thick layer of bright colors would not be able to light up. Starting from the deep colors, the bright colors would be easily covered. Moreover, by drawing the deep colors, he could first determine the basic direction of the color of the picture. Then, it was the bright color and the middle color. Most of the screen was bright colors, so he painted large blocks of bright colors. If there were more middle colors, he painted the middle color first.
3. ** Common problems and solutions **
- ** Life **: If the painting has the feeling of "life", that is, using a single color everywhere, or the main color blocks are very simple, in fact, most of the colors encountered in sketching need several colors to reconcile. The solution was to repeatedly compare the pure gray relationship between objects.
- ** Gray **: If the black, white, and gray of the sketch cannot be separated, or if too many colors are added during the color adjustment, the picture will be " gray ". The solution was to separate the black, white, and gray, and start from the heaviest object. If you can use two colors, don't use three, and don't mix them all the time.
- ** Pink **: If the picture appears pink, it may be due to improper use of white powder or improper treatment of the temperature. The solution was to adjust the paint thoroughly when using white powder. Try to use less white powder in the dark area. Add light color or environmental color to highlight or draw white objects. Don't use white powder directly. At the same time, the cold and heat treatment should be in place, especially for white objects.
- ** Scorch **: If the picture has the feeling of being burnt, it may be due to excessive use of brown or ochre, or the object itself is brown or ochre, and the temperature is not handled properly, or the color is not uniform. The solution was to pay attention to the color matching, and when it came to cooked brown and ochre, it should be a little more transparent, and the contrast between cold and warm should be opened.
- ** Dirty **: When a variety of colors are mixed to make the color of the painting have no color tendency, or the color relationship between the color and the surrounding colors cannot be connected, as well as adding warm colors to the cool color base or adding cool colors to the warm color base, adding complementary colors when the base color is not dry, improper control of moisture, and scribbling will produce dirty colors.
- ** Boring **: Overuse of heavy colors will produce a partial or overall feeling of boredom. The solution was to pay attention to the brightness contrast. If the object was painted in heavy colors, pay attention to the brightness contrast and add a little bit of light color such as khaki.
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