Nikon's shooting parameters
The following are some parameters that Nikon can refer to when shooting scenery: 1. ** In terms of depth of field ** - Most landscape shots required the scene to be in clear focus, often with a deeper depth of field. In terms of depth of field, the front boundary was usually half of the back boundary, and the focus would usually be placed in the first third of the picture. - The Nikon D850 introduced the focal length change shooting function, which could be used for scenes that were too deep. It could shoot a series of images of up to about 300 frames, and at the same time, it would gradually move the focus position from the starting point to infinity. The shutter release interval could be set to 0 - 30 seconds, the focal length step could be selected to 10 levels, and it also provided about 5 frames per second continuous shooting. 2. ** Aperture ** - If you want a deeper depth of field, you may use a smaller aperture value, but you have to pay attention to the fact that too small an aperture will produce a refraction phenomenon that will reduce the quality of the image. It needs to be adjusted according to the actual situation. 3. ** Nikon recipe example ** - ** Fresh Japanese photos **: White balance: Natural light adaptation, optimization standard:20, pure effect level:40, definition:+2 contrast:+1 dynamic D-Lighting: high exposure compensation:+0.BEV, USB:auto aperture:f4 - ** Vintage Hong Kong style photo parameters **: White balance: natural light adaptation optimization standard:10 pure effect level:40 clarity:+2 contrast:+1 dynamic D-Lighting: low exposure compensation: +0.3EV, USB:auto aperture:f1.4 - ** Cold Antique photo parameters **: White balance: Natural light adaptation optimization standard:10 Pure effect level:40 Clarity:+2 contrast:+3 dynamic D-Lighting: medium exposure compensation: +0.3EV, USB:auto aperture:f1.8 - ** Autumn portrait photo parameters (can also be used as a reference for landscape photography)**: White balance: Natural light adaptation optimization standard:20 Pure effect level:60 Clarity:+2 contrast:+2 dynamic D-Lighting: medium exposure compensation:0 SO:auto aperture:f2.8 - ** Pure portrait photo parameters (can also be used as a reference for landscape photography)**: White balance: Natural light adaptation optimization standard:20 Pure effect level:80 Clarity:+3 contrast:+1 dynamic D-Lighting: low exposure compensation: +0.3EVIso:auto aperture:f2.8 Read more exciting novels for free
Nikon 100-micro parameters
The parameters of the Nikon 100 micro (Nikkor Z macro 105mm f/2.8VR S) lens are as follows: 1. [** Weight **: 630g] 2. * * Structure design **: 11 groups of 16 lenses, including 3 low-dispersion (ED) lenses and 1 aspheric lens. 3. * * Coat design **: Nanocrystal coating, anti-reflective high-definition coating, fluorite coating. 4. * * Focus mode **: In the autofocus (AFF) mode, the focus switch between macro and non-macro mode is fast and efficient; in the manual focus (MT) mode, the focus ring's vibration and user feel comfortable, and the adjustment is smooth. In macro mode, the lever can be switched to "0.5m-0.29m" mode to shorten the search range of the AF. 5. * * Anti Shaking Ability **: Upgraded to 4.5. 6. * * Optics **: Completely suppresses the color difference from infinity to extremely close range. Outstanding performance in anti-glare, ghost elimination, and color difference reduction. No purple edges appear when shooting against the light. Excellent image quality. Even when shooting with a small aperture, there is still a good blurring level. The focal point is sharp and clear, which can meet the needs of professional macro photography. 7. * * Z-mount features **: Shorter distance between the two sides and larger inner diameter, more contacts to increase communication capabilities and more functions, and the lens also has an electronic window (equivalent to the shoulder screen in Z-mount cameras, useful in dark environments). 8. * * Focus: 105 mm. 9. * * Maximum Aperture **: f/2.8. 10. * * Maximum Magnification **: 1x. 11. * * Number of aperture blades **: 9 circular aperture blades. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon lens parameters setting
There were many parameters for Nikon lenses. The following are some of the main parameters: ** 1. Type of bayonet ** 1. **F mount ** - The FX-lens was suitable for all of Nikon's DSLR cameras, similar to Canon's EF-lens, while the DX-lens was suitable for Nikon's APS-C format camera, similar to Canon's EF-S lens. - Generally speaking, the price of the DV lens was more affordable and could be regarded as an APS-C (half-frame) entry-level lens, while the XP lens was a professional lens and had a higher price. However, Nikon's DV lens could be installed on a full-frame camera, but it might produce black circles or dark corners. If you didn't have a full-frame lens on hand, you could replace it after trimming the image. - Among the Nikon AF-S and AF-F lens models, the ones with the word "DK" were called "DK" lenses, and the others were "FO" lenses. The capital letter N was more commonly seen on the lens body of the FO lens. 2. ** Z-mount ** - The Z lens was suitable for Nikon micro-cameras, similar to Canon M-series lenses. ** 2. Type of motor ** 1. **AF** - This lens does not have a focus motor. You need to use a body equipped with a motor to achieve autofocus. 2. **AF - I** - It meant that the lens had a built-in motor design. 3. **AF - S** - It meant that the lens had a built-in ultrasonic motor design, which made focusing faster and quieter. Some half-frame lenses of Nikon also had this motor, which was different from Canon (Canon's similar logo was USM and was mostly used for full-frame lenses). 4. **AF - P** - It meant that the lens had a built-in stepping motor, similar to Canon's ATM logo. If there was the word (PC), it meant that the lens was a shift-axis lens. ** 3. Focus related parameters ** - Numbers such as 24 - 70mm/105mm on the lens indicate the focal length of the lens. The zooming lens was marked with the values at both ends of the focal length range, and the fixed-focus lens was represented by a single value. ** 4. Aperture related parameters ** 1. ** Maximum Aperture Value ** - For example, 1:3.5 - 5.6/1:2.8 represents the maximum aperture value. When the zoom lens had two values, they represented the maximum aperture of the wide-angle end and the telephoto end respectively; the fixed focal lens and the zoom lens used a single value to represent the constant maximum aperture. 2. ** Aperture Type ** - No Suffix meant that the lens had an aperture ring and could not provide distance information;D Suffix meant that the lens had an aperture ring and could provide distance information;G Suffix meant that the lens did not have an aperture ring but could provide distance information;E Suffix meant that the lens did not have an aperture ring, but an electromagnetic aperture could also provide distance information. E was more advanced than G. ** 5. Other parameters ** - II meant that the lens was a second-generation product. - TL, ED, PR, and so on indicate the type of lens used (Canon lenses do not indicate such information). - VR indicated that the lens had a shock absorption function, similar to Canon's IS logo. - N represents a special (nano) coated lens, which can effectively alleviate the ghostly shadows caused by red light and reduce the ghostly shadows and glare caused by the light entering the lens diagonally. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon white balance parameters
The white balance settings of a Nikon camera would vary depending on factors such as the shooting style and environment. For different shooting styles, for example, the white balance of Japanese refreshing photos was adapted to natural light, the optimization standard was 20 purity, the effect level was 40, and so on. The white balance of vintage Hong Kong style photos was adapted to natural light, the optimization standard was 10 purity, the effect level was 40, and so on. The white balance of cool ancient style photos was adapted to natural light, the optimization standard was 10 purity, the effect level was 40, and so on. The white balance of hazy portrait photos was adapted to natural light, with parameters such as optimization standard 10 purity and effect level 20; the white balance of autumn portrait photos was adapted to natural light, with parameters such as optimization standard 20 purity and effect level 60; and the white balance of pure portrait photos was adapted to natural light, with parameters such as optimization standard 20 purity and effect level 80. White balance is closely related to color temperature, which is a unit of measurement (K) that represents the color contained in light. Different light sources had different color temperatures. For example, 1700K was match light, 1850K was candlelight, 3000K was sunrise and sunset, 3200K was incandescent light, 5600K was noon sunlight, 7000K was cloudy sky, and 20000K was clear sky. The range of the automatic white balance mode was roughly between 3000K and 8000K, and it would be adjusted according to the environment. For example, the color temperature was about 5300K on a sunny day, about 6000K on a cloudy day, about 7500K in the shade, about 3000K for incandescent lamps, about 4200K for fluorescent lamps, and about 5600K for flashes. If it was daily shooting, turning on the automatic white balance would usually meet the needs, because the camera manufacturer's adjustment of the white balance was more mature. However, if you want to take photos with a special atmosphere, you may need to manually adjust the white balance. For example, if you want to restore the color cast when shooting sunrise and sunset, you need to lower the color temperature. If you want the picture to be warmer (suitable for family, afternoon, sunrise, etc.), you need to increase the K value. If you want the picture to be colder (such as shooting snow), you need to lower the K value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon's parameters for shooting waves
The following are some examples of the parameters of Canon cameras when shooting waves: - Using Canon 1DG, Canon 11 - 24mm@13mm, NiSi 180mm filter holder + Soft gnd8, f/11, ISO - 200, with an exposure time of 1.6 seconds, you can capture the effect of seawater brushing; with an exposure time of about 1/10 to 1/4 seconds, you can capture the moment when the waves hit the stone. - When shooting with Canon 6D(stand-alone), there were different settings as follows: - Aperture: f/6.3, exposure time: 1/1000, USB: 100, focal length: 135.0. - Aperture: f/14.0, exposure time: 1/160, USB: 100, focal length: 88.0. - Aperture: f/14.0, exposure time: 1/160, USB: 100, focal length: 135.0. - Aperture: f/14.0, exposure time: 1/200, USB: 160, focal length: 200.0 <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How does Nikon set shutter parameters?
For setting the shutter parameters of Nikon cameras, the following are some common situations: - In a Nikon single-lens reflex camera, if you wanted to adjust the shutter speed, you could first adjust the single-lens reflex camera to the M position (full manual mode), then turn the dial to adjust the shutter speed. When adjusting, the corresponding shutter speed value would change. When pressing the exposure compensation button, you could also turn the dial to adjust the aperture size. When adjusting, the corresponding aperture size value would change. - The entry-level Nikon D3000 and D5000 had an exposure mode dial, which could adjust the shutter speed with the command dial when the exposure mode was set to the shutter priority S or manual exposure M position. - Set the mode to Shutter priority auto exposure S or manual exposure M, and turn the main command dial while looking at the screen to adjust the shutter speed to 1/8000 seconds. - The shutter speed of the Nikon d7000 could be set by moving the mode dial to the S position (shutter priority). At this time, the shutter speed could be adjusted by moving the dial in front of the right hand. When the mode dial was moved to the M position (full manual mode), the front dial adjusted the aperture, and the back dial adjusted the shutter speed. - There was a custom option called "Flash Shutter Speed" in Nikon DSLR cameras. It allowed the user to choose a speed between 1/60 seconds and 30 seconds. This was the adjustment opportunity to control the slowest speed when using programmed exposure and aperture priority exposure.(When using flash photography, you also need to consider factors such as flash sync speed to limit the shutter speed range.) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon Character Shooting Machine
Nikon has a variety of cameras suitable for shooting people. The following are some common models: - Nikon Z9: The flagship full-frame micro-single digital camera launched in December 2021, with an effective pixelated of 45.71 million. The memory card supports the CCexpress (B type) and XQD-type memory cards. Its focusing system is fast and accurate, which can quickly capture the dynamic changes of people. The continuous shooting speed is fast, and the skin color restoration is excellent. It can accurately capture the facial details of people. - Nikon Z8: A full-frame/Nikon FX-format micro-digital camera released in May 2023, with an effective pixelation of 45.71 million. The memory card supports CCExpress (B-type), XKD memory card, and SD card. In portrait shooting, its new skin beautification effect could make the skin color natural and smooth. It could also quickly detect the face under strong backlighting, and the details such as eyes, eyelashes, and hair in the focus were clear. - Nikon Zf: A full-frame camera launched in October 2023. It has an effective resolution of 24.5 million, and the memory card supports SD and microSD cards. - Nikon Z30: suitable for beginners, but also for character photography. - Nikon Z6III: It can be used with the Nikkor Z50mm f/1.4 lens for portrait shooting. It has certain advantages in portrait shooting, such as the body's own skin softening function. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon Bird Shooting Machine
Nikon's recommended lens for shooting stars
The Nikon 14 - 24mm f/2.8G ED was a good choice for shooting stars. In addition, the Nikon Z20mm f/1.8S lens was also very suitable for shooting stars. It was a high-quality lens for high-end users. It had a super wide-angle focal length and a large aperture of F1.8. Its appearance and design were excellent, and its grip and user experience were excellent. It was sold at about 7480 yuan in the 3600 store. The size was 84.5 x 108.5mm (diameter x length), the filter diameter was 77mm, and the weight was 505g. It used a lotus-shaped hood. It can eliminate glare and ghostly shadows caused by edge light and protect the lens. The closest focusing distance is 0.2 meters, and the maximum magnification is 0.19 times. It can create a blurring effect at close range. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lens shooting parameters
The common shooting parameters of Canon lenses were as follows: - ** Shot Type **: - "EP: Can be used with Canon's Canon's Canon 'Canon's Canon' Canon - ESF-S: Canon's APS-C frame single-lens reflex lens. It can't be directly installed on a full-frame single-lens reflex. It can be used on the eos-M series micro-lens and eos-R full-frame micro-lens through the transfer ring. - "ESF-M: Canon's Eos M series micro-lens. It cannot be used on other Canon cameras. - <<PR>: Canon's Eos R series full-frame micro-lens. It cannot be used on other Canon cameras. There were also MP-E (specialized for macro photography) and TS-E (electronic controlled shift lens), two special products. - ** focal length of lens **: A small number means a wide angle of view, and a large number means a good telescope. The focal length in the lens model is the physical focal length. For non-full frame cameras, you may need to consider the equivalent factor conversion according to the camera model. - ** Maximum Aperture **: For a zoom lens, if it is in the form of "f/2.8", it means that it is a constant aperture lens, and the entire focal length range can be set to this aperture; if it is similar to "f/3.5 - 5.6", it is a floating aperture lens, and its maximum aperture changes over the entire focal length range. - ** Lenses Grade **: L (Luxury) means Canon's high-end lenses, which are red circle lenses. These lenses usually have a red decorative ring at the front. - ** Image Stabilizer **: The IS (Image Stabilizer) logo indicates that the lens is equipped with Canon's unique image stabilizer, which can offset the image blurring caused by hand shaking within a certain range. It is commonly used in Canon's high-end professional lenses. - ** Focus motor **: - USM (Ultra-Sonic Motor): The lens using USM technology can achieve silent and fast-response autofocus. It is divided into three types: micro, ring, and NANO. - <strong></strong> - ** Other Marks **: - AL: It means that aspheric lenses are used in the lens design, which can reduce the number of lenses, reduce weight and volume, and provide better optical performance. It is used to solve the problems of glare and edge distortion in wide-angle and zoom lenses. It can also improve the optical quality of telephoto lenses. - DO: Lenses marked with this logo are equipped with multi-layer reflective lenses, which have the characteristics of fluorite and aspheric lenses. They are generally high-end lenses. - EMD: It means that the lens can open and close the aperture by electronic control. - Float: When the lens is used for close-up shooting, the lens will compensate for the aberrations at close range to obtain better image quality. - XP: The lens with this logo is a high-end professional lens. It has a focus presetting function that allows the lens to remember a certain focus distance. After setting it, it can automatically return to the set focus distance. It is also effective in manual focus mode. - FT - M: A lens with full-time manual function. You can manually adjust the focus of the lens in autofocus mode. - S-KD: It means that the lens uses S-KD glass lenses, and its optical performance is close to that of fluorite. The effect of an S-KD lens is equivalent to that of a fluorite lens. - KD: It means that the lens is made of KD glass lenses. The effect of two KD lenses is equivalent to that of a fluorite lens. - <MACRO>: This means that the lens has a strong close-up ability. - [DPS: A coating technology that optimized bokeh.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon video shooting parameters
Canon's video parameters included the following important aspects: 1. ** resolution ** - The most common ones were 720P (1280x720), 1080P (1920x1080), 2K (2560x1440), 4K (3840x2160), and 8K (7680x4320). "P" meant a line by line scan, the number represented the number of vertical rows, and "K" represented the approximate number of horizontal columns of the video. The higher the resolution, the greater the post-processing space, but the requirements for the equipment were also higher. Currently, 1080P was the mainstream, but supporting 4K video capture was a basic condition when buying a camera. 2. ** Framerate ** - The unit of measurement was "fps", and the common ones were 24fps, 30fps, 60fps, and so on. The higher the frame rate, the smoother and more realistic the video would be. It was especially important for slow-motion shooting. However, if the frame rate was too high, it would increase the pressure on the equipment and affect the image quality. 3. ** Deep ** - There were commonly 8bit, 10bit, 12bit, and so on. The higher the value, the more color samples there would be in the early stage, the richer the colors, and the larger the color space in the later stage. 8bit was the most common. 4. ** Video compression and coding ** - For example, the ALL-I (Intra frame compression) in the Eos R5 compressed every frame without affecting the effect of the image. The compression between frames was irrelevant. The interframe compression (IFB) would calculate the repeated or similar elements in the frame before and after and compress them accordingly. Its video compression rate was higher than that of the ALL-I, and it consumed less storage capacity. However, it required powerful computing power and might affect the image performance in the later stages. 5. ** Other parameters (e.g., the Eos R5)** - 8K 30p internal recording video recording ability, 8K can shoot RAW or 10bit 4:2:2 H.265. - Full-width 4K 120p shooting without trimming, support 10-bit 4:2:2 internal recording, support C-log or HVR PVP. - 4K 60p supports internal and external recording, and the video supports full-pel dual-core AF-autofocus technology. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>