The difference between Fuxi and Zhongni's zither
The Fuxi style zither had one bend at the neck and two bends at the waist, making it look thicker than the Zhongni style zither. The Fuxi style Guqin was more vigorous in shape, with a slightly round head, while the Zhongni style Guqin had a common square head. In the case of the same craftsmanship and materials, the Fuxi style had a heavier voice than the Zhongni style. This was mainly because the abdominal area of the two was different. The Fuxi style retained the large and round sound quality of the Tang zither, while the Zhongni style only flourished in the Song Dynasty. It was in line with the graceful, fresh and elegant style of the Song Ci, and its sound quality was more delicate and slender.
The difference between Fuxi style and Zhongni style of Guqin
Fuxi Style and Zhongni Style were different in terms of shape and tone. In terms of shape, the Fuxi style piano head is slightly round, the neck has a curved circle, the waist is two consecutive half moons, the neck is wide from the shoulder to the bottom and narrow with the piano head, the waist is a double-arc shape, the overall shape is thick and solid; The Zhongni style piano head is a square head, the neck and shoulders are retracted with a slanted arc, the waist is retracted with a square strip, the neck is folded inward, and the waist is folded in a straight line. The whole is simple and generous, the arc is round and square. The Fuxi Style had one bend at the neck and two bends at the waist, which made it look thicker than the Zhongni Style. The Zhongni Style zither had one bend at the neck and a straight waist, which made it look simpler. In terms of timbre, with the same craftsmanship and materials, Fuxi's voice was thicker than Zhongni's. This was mainly caused by the difference in the size of the abdominal cavity. The Fuxi style mainly retained the large and round sound quality of the Tang zither, while the Zhongni style zither only began to flourish in the Song Dynasty. Its sound quality was more delicate and slender, which matched the fresh and elegant style of the Song Ci.
Is there a big difference between Fuxi's style and Zhongni's style
There was a huge difference between the Fuxi Style and the Zhongni Style. From the appearance of the shape, the Fuxi style of the piano head is slightly round, the neck has a curved circle, the waist has two consecutive half moons, the neck is wide from the shoulder to the bottom narrow and the piano head is one, the waist is a double-connected arc; The Zhongni style of the piano head is a common square head, the neck and shoulders are closed in an inclined arc, the waist is closed in a square strip, the neck is folded in, and the waist is folded in a straight line. On the whole, the Fuxi Style looked thicker than the Zhongni Style, while the Zhongni Style was more concise. In terms of timbre, with the same craftsmanship and materials, Fuxi's voice was thicker than Zhongni's. This was because the abdominal area of the two was different. The Fuxi style mainly retained the large and round sound quality of the Tang zither, while the Zhongni style zither flourished in the Song Dynasty. Influenced by the graceful, fresh and elegant style at that time, the sound quality was more delicate and slender. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Guqin, Fuxi or Zhongni style
Choosing between the Fuxi style or the Zhongni style, one could consider the following aspects: - ** Appearance **: - The Fuxi style is thick and solid. The head is slightly round, the neck has a curved circle, and the waist has two consecutive half-moons. The neck is wide from the shoulder and narrow from the bottom. It is integrated with the head. The waist is a double-arc shape. The Zhongni style head is a square head. The neck and shoulders are retracted by an arc. The waist is retracted by a square strip. The neck is folded inward. The waist is folded in a straight line. The whole is simple and generous. The arc is round and square. - ** Voice characteristics **: - In the case of the same craftsmanship and materials, the Fuxi style sounded heavier than the Zhongni style. The Fuxi style mainly retained the large and round sound quality of the Tang zither, while the Zhongni style zither flourished in the Song Dynasty, and its sound quality was more delicate and slender, which matched the fresh and elegant style of the Song Ci. - ** Cultural Connotation **: - The Fuxi Style was said to have been created by Fuxi, and the Zhongni Style was said to be related to Confucius. Although it was not certain whether it was created by Confucius, it was inevitable that people would think of Confucius because of its name. The Zhongni Style reflected the reserved style of Confucianism, and its voice was elegant and pure, fitting the voice of a gentleman. - ** Popularity and personal preference **: - The Zhongni style was one of the most widely spread and commonly used styles. It occupied a relatively high proportion in many Guqin collections. Scholars also liked the Zhongni style Guqin because its style was simple and simple, and its sound was neutral and peaceful. The Fuxi style was also a widely spread style, and was also loved by many Guqin friends. If you prefer a simple structure and a more elegant and delicate tone, the Zhongni style might be more suitable; if you like a thick voice and a more ancient and vigorous style, you can choose the Fuxi style. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Guqin, Fuxi's style or Zhongni's style, which is better?
Fuxi Style and Zhongni Style had their own characteristics, so it was difficult to judge which was better. The Fuxi style was thick and vigorous. The head was slightly round, the neck was curved, and the waist was two consecutive half-moons. The neck was wide from the shoulder and narrow from the bottom. The waist was a double-arc shape. The whole style was simple and generous, and it was the oldest style. Since the appearance of the Tang Dynasty, there were famous Fuxi style zither in the past dynasties. The Zhongni-style zither head was a common square head. The neck and shoulders of the zither retracted into a slanted arc, the waist retracted into a square strip, the neck folded inward, and the waist folded into a straight line. The whole was simple and generous. The arc was round and square. It was quite the Confucian way of life. It was one of the most widespread and commonly used shapes. The choice of Fuxi style or Zhongni style depended on many factors, such as personal aesthetic preferences, performance habits, and the needs of the tone characteristics of the qin. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
What is the meaning of Fuxi style zither?
The Fuxi Style Guqin was a type of Guqin style that was said to have been created by Fuxi. Legend has it that Fuxi saw a phoenix gathering in a paulownia tree, so he cut a paulownia tree according to its shape and made a zither. In terms of shape, the head of the zither was slightly round, the neck had a curved circle, and the waist had two consecutive half-moons. The neck was wide from the shoulder and narrow from the bottom to the head. The waist of the zither was a double-arc shape, which was simple and elegant. Most of the Fuxi-style zither objects were similar in shape. The overall length was between 121.0cm and 124.0cm, and the shoulder width was between 19.0cm and 21.0cm. However, some objects had great differences in shape such as overall length. Moreover, from the development of the times, the size of the Tang Dynasty to the Qing Dynasty gradually became smaller. During the Tang, Song, Ming, and Qing Dynasties, there were Fuxi-style zither objects, such as the "Jiuxiao Huanpei" zither. The Fuxi style zither had the same craftsmanship and material as the Zhongni style zither, but the sound was thicker than the Zhongni style zither, retaining the large and round sound quality of the Tang zither. In terms of cultural significance, it was related to the concept of self-cultivation and rationality, anti-innocence, etc. The owner of the zither might use it to express his emotions and entertainment, self-cultivation or govern the country. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
A novel with a Fuxi zither in the male protagonist's body
I recommend the author of Beacon Cheetah, Giant Wave East Wind. Retired special forces and mercenary Li Yang traveled to the early stage of the 1937 Anti-Japanese War. He led his brothers to fight bravely. The Cheetah Special Forces were famous and defeated the devils. 'The Qin Emperor' must be recommended. It was written by the Third Young Master of the Tang family. Ye Yinzhu had grown from an innocent youth to the king of the zither, creating the first music magic. The rainbow level setting was extremely novel. Although the ending was somewhat controversial and the harem plot was not pleasing, the zither music, magic, battle energy, and other elements in the story were extremely exciting. It was extremely popular back then and was a very outstanding work of the Third Young Master. Twelve Movements of Gods was not bad either. The author suddenly became popular. Earth's music genius Qin Yue had come to the other world, where music was very powerful. Twelve Divine Comedy runs through the entire text. The setting is rare. Although it might end badly, it's worth watching. The Guqin Master of the Live Stream, written by Buried Sword Qingshan. The main character, Qingfeng Chen, used the zither to spread Chinese culture. All kinds of famous songs were played on the zither. The setting was good. Although there were some shortcomings, it was overall good. There was also 'The Immortal String Emperor' written by the Internet Black Man. The story of the young zither player with a deficient innate Yang Meridian who had experienced many hardships, but was blessed with a blessing in disguise after being possessed by Qi deviation, was very interesting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The difference between a knee zither and a zither
The knee zither was a type of zither. The difference between the two was mainly reflected in the size. The regular size of the zither was about 120 centimeters, while the size of the knee zither was generally about 90 - 100 centimeters, and there were also 100 centimeters. It was not suitable to play below 80 centimeters. In addition, from the perspective of the usage scenario, the knee zither was small and convenient to carry. It could be placed on the knee while sitting cross-legged on the ground to play, while the conventional zither did not have such special usage scenario restrictions. In terms of timbre, the tones of different materials would be different. There was no essential difference between the materials of the knee zither and the ancient zither. The common materials of the front plate were cedar, paulownia, paulownia, etc. The bottom plate was mostly made of Chinese wood. The tones of the zither made of different materials were different, such as clear paulownia, loose paulownia, etc. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
What's the difference between a moon zither and a three-string zither?
The Moon Zither was a plucked instrument, and the number of strings could be two, three, or four. The three-string Moon Zither was a type of the Moon Zither with the number of strings. There were the following differences between the two: 1. ** String Number and Range ** - There were many types of Moon String, and the most common ones were 2-string, 3-string, 4-string, and so on. Among them, when the four-string moon zither was set to g, d1, g1, and d2, the range was 9 - c4. In the 1980s, the number of long-pole moon zither notes increased to 30, and the range reached 4 octaves. The sound range of a three-string moon zither was usually from g to g1, which was different from the sound range of other moon zither strings. 2. ** Tune Method ** - There were differences in the methods of setting the strings of the Moon Zither with different numbers of strings. There were many ways to tune the four-string moon zither, such as d1, d1, a1, a1, a, d1, g1, c2, etc. The setting of the three-string moon zither was generally g, d1, g1;g, c1, g1, and in Beijing opera, the setting was 363 or 626. The three-string moon zither was different from the other moon zither in terms of the variety of tuning methods and the specific pitch setting. 3. ** Voice performance ** - Due to the different number of strings, the combination effect of each string on the tone was different. For example, the three strings of the three-string moon zither had their own characteristics. The first string had a soft and low tone, the second string had a bright and crisp tone, and the third string had a high and sharp tone. The multi-stringed moon zither was different from the three-stringed moon zither in terms of the richness of the overall tone and the layered structure. 4. ** Playing Style ** - In terms of performance, the three strings of the three-string zither played differently. The first string was mainly used to play chords and bass melodies, the second string was mainly used to play mid-range melodies, and the third string was mainly used to play high-pitched melodies and decorative notes. As for the Moon Guqin with more strings, the performer would have more choices and combinations of strings when performing melodies and chords. The novel New Moon is equally exciting. Everyone is welcome to click and read it!
What were the apocalyptic novels where the protagonist used the Fuxi Zither?
Guqin Zhongni Style
The zither style of Zhongni was also known as the Confucius style or the Confucius style. The head of the zither was a common square head. The neck and shoulders of the zither retracted into a slanted arc, the waist retracted into a square strip, the neck folded inward, and the waist folded into a straight line. The whole body was simple and generous, and the arc was round and square. It was quite the Confucian way of life. The biggest difference between it and the other zither was that it was very simple. There were only two concave folds at the waist and neck, and the rest were not decorated. There was a song in the straight, and the song was straight, reflecting the Confucian style of the mean. It is precisely because of the simple structure, the sound is elegant and pure, in line with the gentleman's voice. It was said that it was created by Confucius and belonged to the category of saints who made zither. However, there was no literature to verify this statement, but it was appropriate to use the name "Zhongni". This shape was one of the two most widely spread and commonly used shapes. Most scholars loved the Zhongni-style zither because its style was simple and unadorned. It had the air of a scholar, and its voice was neutral and peaceful. It was an elegant sound that was the confidant of most scholars. From the number of production, since ancient times, Zhongni style zither was the most cut. For example, among the more than 200 guqin contained in the "Jin Yu Qin Periodical," the Zhongni style accounted for 80%, and among the 109 guqin introduced in the "China Guqin Treasures," 62 pieces were Zhongni style, accounting for 60%. The Zhongni-style guqin, such as the "Pine of Ten Thousand Gullies" and "Jade Pot Ice" collected by the Palace Museum, were elegant, dignified, and exquisite. Their high notes were ethereal and euphemistic, the middle notes were mellow and beautiful, and the low notes were deep and tranquil. They had the same characteristics as the modern Zhongni-style guqin. In the classification of ancient zither making, it belonged to the sage making zither. Nowadays, there were many types of zither, and zither players were willing to try different shapes, but Zhongni style was still the first choice of literati. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!