How to write when novels become a part of life

Answer 1

When a novel became a part of life, one could create it from the following aspects:

** 1. Material accumulation **
1. ** Observing from life **
- Pay attention to the behavior of the people around you in various scenes of daily life, such as taking the bus, subway, traveling, and gathering. Not only did he have to observe the appearance, but he also had to understand the inner emotions of the character. For example, fat people might eat very little, girls who never wear skirts might have confidence in their figures, grandmothers asking for prices when buying vegetables, grandfathers standing for a long time after sending their grandchildren into the garden, and so on. These were all sources of creative material.
- He paid attention to the details of his life and recorded everything he saw and thought. For example, a flash of inspiration, a nice name, a chapter title, a person you met, a flower you picked, or your emotions when you were alone looking at the clouds could all be used as original material. He categorized the material according to the scene, dialogue, and emotions of the characters. If there was any relevant material in his life, he would fill it in.
2. ** Borrowing from other works **
- When reading books, watching documentaries, and watching Short videos, he would record the content that resonated with them. These resources could be used to generate original content later, or after marking the source, they could be used in his own article.

** 2. Story Construction **
1. ** Plot Setting **
- Foreshadowing and foreshadowing could be set up to make the story compact and interesting. The foreshadowing set up in the early stage had to be reasonably explained or responded to in the subsequent plot, forming a response before and after. For example, when conceiving a story about friendship and growth, such as the experiences of the protagonist Xiao Ming and Little Light in the summer camp, such as getting lost, working together to solve problems, etc., these experiences could not only be a witness to their friendship, but also provide memories for Xiao Ming when he grew up and faced important decisions.
- There must be a logical flow and a grasp of rhythm. The story must have a beginning, a ending, and a turning. In a multi-threaded story, such as A Song of Ice and Fire, the readers could feel the ups and downs of the plot by switching the perspectives of multiple characters to ensure the overall cohesiveness and tension of the story.
2. ** Writing the outline **
- For a long novel, it was important to write a good outline. He planned out the beginning, development, climax, and ending of the novel in advance. The outline was like a fish bone, straightening out the ins and outs of the story, setting the turning point of the story just right, and then filling in the content. However, he had to pay attention to avoid mistakes in the outline writing, such as writing a running account without distinguishing the main and secondary stories, unclear story lines, too much dialogue, psychological, environmental descriptions, etc.
3. ** Target and conflict settings **
- Set the goal of the story, set the opposite, set obstacles, accidents, reversals, conflicts, and get the result. For example, in the story of friendship and growth, when Xiao Ming was faced with the choice of whether to accept a job far away from his hometown, he conflicted with his own hesitation and fear of the unknown. Recalling his friendship with Little Light became the source of strength to overcome these conflicts.

** 3. Character Creation **
1. ** Description of details **
- Drawing inspiration from life to create characters, through the details of the characters to reflect the atmosphere of life. For example, when describing a little girl who was on a diet, when her best friend was flaunting skewers in front of her, write down her gaze, swallowing movements, and the details of her hand clenching slightly to encourage herself. If you want to further reflect the character's inner struggle, you can also add a plot like her best friend ordering her favorite durian, showing her inner activities through expressions, movements, and expressions.
2. ** Character relationship construction **
- Character relationships could be inspired by interpersonal relationships in life, such as relationships between friends and relatives. For example, when describing friendships, one could learn from the way they got along with friends in life to make the relationship between the characters more realistic and believable.

** 4. Writing Techniques **
1. ** Perspective Selection **
- You can use first-person, omniscient perspective, or improved omniscient writing techniques. The omniscient perspective allowed the author to inform the reader of all the necessary information, allowing the reader to follow the plot development and understand the characters.
2. ** Scenes and feelings blend **
- In the process of writing, he incorporated various elements such as scenery and weather, making full use of the time and place to make the content of the novel richer and more vivid.

** 5. Revise and improve **
1. ** Modifications after the first draft is completed **
- After completing the first draft, he could use the hot modification method (strike while the iron is hot to modify it immediately) or the cold modification method (leave it for a while and then review it from an objective point of view), or he could use a combination of these two methods.
- When modifying, check whether the plot structure is strong and weak, whether the character setting is consistent, whether the psychological and environmental descriptions promote the development of the plot, whether the character dialogue has a language personality, etc., and delete the words, words, sentences, and passages that do not play a positive role in the plot.
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