Guo Degang's wife sang a Beijing rhyme drum song
Wang Hui's representative works of the Beijing Rhyme Drum include "Tan Qingwen,""Meng Jiangnu,""Great Illusionary Land," and so on. Read more exciting novels for free
The best Beijing rhyme drum song
The evaluation of " the best song " varied from person to person, but Master Luo Yusheng's performance of the Jingyun drum songs was highly praised, such as " Hearing the Bell in the Sword Pavilion,"" The End of Chou and the Beginning of Yin,"" Beat the Drum and Curse Cao," and " Tan Qingwen." In addition, Zhang Yunlei's "Hundred Mountains Painting" was also loved by some of the audience. Different people's preferences for different songs depended on many factors, such as personal music taste and emotional resonance. The novel " Legend of the Flower Dance " is equally exciting. Everyone is welcome to click and read it!
Beijing Rhyme Drum Beijing opera
There were many connections and differences between the Beijing Rhyme Drum and the Beijing opera. ** 1. Contact ** 1. ** Art reference ** - In the process of development, the Beijing Rhyme Drum borrowed some of the singing methods of Beijing opera. For example, when Liu Baoquan reformed the wooden drum and created a new tune, he absorbed some of the singing methods of Beijing opera. He also drew lessons from the singing charm of famous Peking opera artists such as Gong Yunfu, gradually forming the characteristics of the Liu school's Jingyun drum. - The performance of the Beijing Rhyme Drum borrowed from the performance program of Beijing opera. It used the eyes, facial expressions, and the sword and spear stance of raising hands and feet to form a set of performance posture. Moreover, he had also absorbed the style of Beijing opera in his pronunciation. 2. ** Actors 'Quality Connection ** - In traditional crosstalk performances, crosstalk actors had the skills to " learn ", which included learning Beijing opera and the Beijing rhythm drum. This showed that the two were studied together in the traditional folk art performance system, reflecting the connection between the two in the performing arts system. 3. ** Music accompaniment contact ** - The common musical instruments used in the performance of the Beijing Rhyme Drum were the book drum, castanets, three-string, four-stringed instrument, pipa, etc. The accompaniment instruments used in the Beijing opera were the Jinghu, Yueqin, three-string, etc. Both of them had three strings as accompaniment instruments, and there might be some mutual influence or inspiration in terms of harmony and rhythm. 4. ** The target audience and the scope of communication overlap ** - The Beijing Rhyme Drum and Beijing opera were both popular in the Beijing-Tianjin region and other northern regions, and their audiences overlapped to a certain extent. In the late Qing Dynasty and the early Republic of China, these two art forms were popular entertainment for the public. They were performed in tea gardens, theaters, and other places, and had a wide audience base. ** 2. Different aspects ** 1. ** Essence of Art Form ** - Peking opera was a form of opera with a complete storyline, characters, and stage performances. It used character acting as the core, and the story was presented through the various performances of the actors on stage. - The Beijing Rhyme Drum was a type of folk art, mainly the art of rap. It was mainly sung by one person standing and narrating stories and depicting characters through rap. Although there was a certain level of performance, it was not like the all-round role-playing in Beijing opera. 2. ** Singing style ** - The singing style of Beijing opera was rich and varied. Different professions had different singing characteristics, such as Xipi, Erhuang, and other vocal systems. Each vocal system had a variety of styles, such as adagio, allegro, etc. The singing of Peking opera had strict requirements and differences according to different professions in terms of timbre and range. - The Beijing Rhyme Drum had its own unique singing schools, such as the Liu School, the Bai School, the Zhang School, the Shao Bai School, the Luo School, etc. Its singing style was featured by both refined and popular tastes, a combination of hardness and softness, and a combination of rap and singing. Compared to Peking opera, it focused more on narrative rap. 3. ** Performance Scale ** - Peking opera was a large-scale performance that required the cooperation of stage, props, and many actors. A Peking opera play might have multiple characters appearing at the same time, and the scene transition was more complicated. - The Beijing Rhyme Drum performance was relatively small. It was mainly an actor standing in front of the drum and performing a rap performance with simple musical accompaniment. Although there was a performance posture, it did not require the complicated stage layout and cooperation of many actors like Beijing opera. The novel " Legend of the Flower Dance " is equally exciting. Everyone is welcome to click and read it!
Beijing rhyme drum female representative
Luo Yusheng was a famous representative of the Beijing Rhyme Drum Woman. She was the founder of the "Luo Sect" of the Beijing Rhyme Drum. Wang Hui was also a Beijing Rhyme Drum actress, and her Beijing Rhyme Drum had received guidance from Luo Yusheng. Yang Fengjie was also a master of drum music, and he was good at Beijing rhythm drums and other drum music. The novel " Legend of the Flower Dance " is equally exciting. Everyone is welcome to click and read it!
Guo Degang's wife
Guo Degang's second wife was Wang Hui. Wang Hui was a Hui, born in Tianjin in 1976. She was a China drumming actress and a folk artist. Wang Hui provided strong support and warm love for Guo Degang and Guo Qilin. They had two sons, Guo Qilin and Guo Fenyang. Guo Degang posted a family photo on social media, showing the warmth and happiness of their family. Wang Hui was a good wife and mother, and her relationship with Guo Qilin was not bad. "A good wife and husband will bring less trouble, and a filial son will be more magnanimous," Guo Degang said with emotion. Guo Degang's support and trust in Wang Hui was one of the important factors for his success.
Guo Degang's wife
Guo Degang's first wife was Hu Zhonghui. They got married in 1994 but divorced in 1996. Guo Degang's second wife was Wang Hui, a Beijing drum actress. They fell in love in 2001 and got married in 2004. Wang Hui was Guo Degang's lucky star. She gave up her career and devoted herself to the management of Deyun Society. Their marriage was happy and Wang Hui was called his lucky star by Guo Degang.
Guo Degang's wife
Guo Degang's first wife was Hu Zhonghui. They met in a crosstalk class at the Hongqiao Cultural Center in Tianjin and got married in 1994, but divorced in 1996. Guo Degang's second wife was Wang Hui. She was a Beijing drum actress who studied under Li Shusheng and Luo Yusheng. Guo Degang and Wang Hui fell in love in 2001 and got married in October 2004. Wang Hui gave up her career and devoted herself to the management of Deyun Society. She played an important role in the development of Deyun Society and also treated Guo Degang's son, Guo Qilin, as her own. Today, Guo Degang and Wang Hui's husband and wife relationship was very loving. Guo Degang called Wang Hui his lucky star.
Guo Degang's little song, Flower Terrace, with lyrics
The lyrics of "Illuminating Flower Terrace" were as follows: The moon's shadow shines on the flower terrace. Sister Qiuxiang had made up her mind. She said that she would come later. We were so loving in front of the Peony Pavilion, hoping that the phoenix would be able to match up with us as soon as possible. No matter how much we waited, it didn't come. Tang Jieyuan looked up at the sky and couldn't help but feel sad. Beauty, autumn fragrance, soul-stirring female skirt hairpin. Second, before the moon's shadow shone on the flowers, Minister Hua's residence trapped the amorous Top Scorer Tang. Infatuated scholar, I am a romantic man, I have been begging in front of Buddha for thousands of years. He didn't see the fairy maiden, nor did he see the charming fairy maiden. Tang Bohu was facing the bright moon. He didn't care about the cold night, the beauty, the autumn fragrance, and the charming fairy maiden. Three ah, more two miles ah, every month shining in the sky, why don't the old moon come to tie the red rope, peony that pavilion I complain in the air, a little bit of yearning, sigh a gust of wind, the moon in the sky is hazy, the moon in front of the pavilion is hazy, the pavilion bridge is more hometown, the sound of iron horses in front of me, beauty, autumn fragrance ah, enchanting female Chan Juan (my son is called Gao Feng). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Guo Degang sang opera, Zhang Yunlei went to the scene
When Guo Degang was going to sing the Beijing opera "Pan Yang Suit" at the Mei Lanfang Grand Theater in Beijing, Zhang Yunlei said he wanted a ticket to the opera. However, they did not find out whether Zhang Yunlei really went to the scene to watch Guo Degang sing. The novel " Humph, Call Me Senior Brother " is equally exciting. Everyone is welcome to click and read it!
Guo Degang
Guo Degang was a famous crosstalk actor and director in China. His representative works included "Crosstalk Hall" and "Crosstalk Conference", which were hailed as the "masters" of the Chinese crosstalk world.
Guo Degang's wife Wang Hui's recent photo
At present, they could only obtain information about the photos of Wang Hui wearing a black coat, a pair of light gray dirty and frayed pants, and black shoes when the Tianjin Silk Festival opened. She went to the event without taking care of her face. This photo was posted together with a photo of Teacher Han Baoli. Teacher Han Baoli was wearing a beige coat with a black mid-collared sweater and had a big white beard (he had not cleaned up in time because he had just come down from the stage to take off his makeup). While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!