What does Flying Dunhuang mean?
"Flying Apsaras" was originally the graceful and vivid Buddhist music god in the frescoes of Dunhuang Grottoes, symbolizing freedom, happiness and long-term happiness. "Dunhuang" was a famous cultural and artistic treasure house with many exquisite grotto murals and other artistic heritages. "Flying to Dunhuang" may refer to the images or works of art related to Dunhuang, such as dances inspired by the flying birds of Dunhuang.(For example, the dance program "Dunhuang·Flying Apsaras" in "2019 Central Radio and Television Station Spring Festival Gala"), music (such as the folk music ensembles "Flying Apsaras" created in 1982), calendar (such as "2024 Dunhuang Calendar" recreating the image of Flying Apsaras in Dunhuang murals), and actors (such as Liu Yifei's Dunhuang Flying Apsaras), etc., all show the cultural elements of Dunhuang Flying Apsaras. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Flying to Dunhuang
The Dunhuang Flying Apsaras were like a touch of vivid color in the thousands of years, carrying a heavy history and cultural heritage. The Flying Apsaras could be traced back to the time when Buddhism was introduced into China. It spanned more than a thousand years of history and evolved in various dynasties, forming an independent art form. It is represented by the Mogao Grottoes in Dunhuang, and is also distributed in many places such as the Grottoes of Maiji Mountain and Bingling Temple. In the early days, most of the characters in the Flying Heavens were female, except for some flying monks. From the Northern Liang of the Sixteen Kingdoms to the Northern Wei Dynasty, it was deeply influenced by the Indian and Western Region Flying Apsaras. It was generally the Western Region Flying Apsaras. Later, with the development of Buddhism in China, it merged with the artistic image of Taoist Flying Immortals. Flying Apsaras had a variety of appearances in the Sui Dynasty and had the most variations. They reached their peak in the Sui and Tang Dynasties. Not only did they appear in grottoes and monasteries, but they also appeared in the emperor's bedroom. In modern times, the image of a flying celestial still shone with a unique charm. The dance program "Dunhuang·Flying Apsaras" for the 2019 Spring Festival Gala was an example of the integration of traditional China art and Western Ballet. It was adapted from the original dance drama "Dunhuang" of the Central Ballet Troupe. Through the protection of the male and female protagonists to the Dunhuang murals and the emotional stories between each other, it reflects the brilliant artistic achievements of Dunhuang and pays tribute to the artists who stick to Dunhuang. Liu Yifei's Dunhuang Flying Apsaras were stunning on the internet. She perfectly combined classical beauty with exotic customs. Her delicate face matched with elegant makeup, gorgeous clothes danced with the wind, and her dance was both gentle and graceful in the East and passionate in the West. Through delicate performances, she vividly displayed the charm of Dunhuang Flying Apsaras and carried forward China traditional culture. In 2024, it was the 80th anniversary of the founding of the Dunhuang Research Institute. The 2024 Dunhuang Calendar recreated the magnificence of Dunhuang in the past, corresponding to 366 beautiful murals, including cave murals that were not often opened to the public such as Cave 112. There were also 19 dragon element murals that combined Dunhuang art with the zodiac. There was a Dragon Year greeting card and a red calendar holder, allowing people to enjoy the beauty of Dunhuang in 366 days. The world of music also had the mark of flying. In 1982, the composer of the folk music piece "Flying Apsaras" was inspired by the Dunhuang Grottoes. With the image of flying apsaras as the theme, it integrated the artistic conception of the breeze and auspicious clouds, vividly depicting the dance scene of flying apsaras. It won the second prize in the third national music works (national musical instruments) award. Dunhuang Flying Apsaras were the treasures of art. Whether in the long river of history or on the modern cultural stage, they exuded endless charm. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The story of flying in Dunhuang
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Dunhuang Flying Apsaras
Dunhuang Flying Apsaras originated from Dunhuang culture and were an important artistic image in Dunhuang murals. From the point of view of artistic creation, the dance program "Dunhuang·Flying Sky" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. The director Fei Bo went to Dunhuang to collect wind in 2012 and was touched by the watchmen of Dunhuang, and then drew from the story of Dunhuang. There are generations of watchmen in Dunhuang, such as Chang Shuhong, the first president of the Dunhuang Research Institute, who gave up the opportunity to study in France in the 1940s and came to Dunhuang to protect Dunhuang art; Duan Wenjie, the second president, spent half of his life copying more than 300 Dunhuang works; Fan Jinshi, the third president, took root in the desert, carried out grotto archaeological research and innovative management, and built "Digital Dunhuang". The dedication and perseverance of these Dunhuang people became the source of creation, and their stories were condensed into related works. The dance drama "Dunhuang" was revised by the Central Ballet Troupe for 28 drafts and took 7 years to prepare. The main creative team experienced the life of Dunhuang people for 3 months. The dancers used their limbs to pursue the oriental lines. Its picture modeling was based on the real painting environment and situation design of Dunhuang Mogao Grottoes. For example, the "lotus" shape symbolized the spiritual character of Dunhuang people such as noble and clean. The art of flying in Dunhuang had a deep cultural foundation. It was a part of China traditional culture and reflected the aesthetic concept of ancient China art. The flying goddesses in the murals were beautiful, their clothes fluttering, their movements light and elegant, their clothes gorgeous, and their ribbons were agile. Their images were extraordinary and elegant, conveying the freedom and elegance of the spirit, becoming a wonderful symbol in China culture. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
The Dunhuang Flying Fairy Portrait was a type of portrait with a unique charm. As an important town on the Silk Road and a holy land of Buddhist culture, Dunhuang's flying image was the most dazzling existence in Dunhuang murals, especially the murals related to the Tang Dynasty. Today, Dunhuang Flying Sky Portrait is very popular. In the photo shoot, it would involve clothing selection, makeup, and other aspects. For example, men would choose suitable clothes to present a feminine style when shooting Dunhuang Flying Flying Pictures. For example, Wang Churan's portrait of the Dunhuang Goddess. She was wearing a pink elegant long dress, holding a lute, her hair tied up high, and her eyes were red. She was so beautiful that she could not be compared to others. During the shooting process, the photographer would instruct the photographer to pose in various poses. Although some poses might make people feel uncomfortable, they could still produce good results. At the same time, there were many places that could create a realistic flying experience for tourists, providing gorgeous clothing and dazzling accessories, allowing people to instantly transform into fairies in murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Poetry
The following are some poems related to Dunhuang Flying Apsaras: 1. Li Yu's " Dunhuang Flying Apsaras ":" Beautiful makeup, elegant clothes, and shadows, surrounded by auspicious clouds. The strings move the nine heavens and the music rises, and the three worlds of drums and flutes listen from afar. Dome south to the north of the sky, suddenly east and west around the Buddhist court. In the morning and evening, the flowers in the sky will fall, and the sound of the fairy dance will stop." 2. "Seven Absolutes: Flying Snow of Dunhuang":"The vast sea hides the Mogao Grottoes, and the Dang River nourishes the crescent moon spring. Flying in the sky, the auspicious snow increases its magnificence, and scattered with the jade flower, half of the soul is round." 3. Guo Qun's "Linjiang Immortal" "The Beauty Plays the Old String Guqin." I miss you so much, and I know you well. The moon shone on the beautiful figure in the sky, and the breeze accompanied the long song. Her fairy-like bearing fills my lapel with fragrant flowers beyond the heavens. It's clearly a dream, but it moistens the heart of an old friend." "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Poem
The meaning of flying in Dunhuang
"Dunhuang Flying Apsaras" had many meanings. From an artistic point of view,"Dunhuang Flying Apsaras" was an important element of Dunhuang art. There were many flying images in Dunhuang murals. They were the incarnations of Qiantapa and Jinnaro in Buddhism. They usually flew in the sky in a beautiful posture, showing the beauty of agility and elegance. These images integrated the painting art and religious culture of ancient China. In terms of modern interpretation, it was represented by "Dunhuang Flying Apsaras", which was a dance program. The program was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. It integrated the experience of the guards of Dunhuang into it. By showing their protection of the Dunhuang murals and their feelings for each other, it reflected the brilliant artistic achievements of Dunhuang and combined thousands of years of silk road culture with the art of ballets. This modern dance was also a new interpretation of the cultural meaning of Dunhuang. In addition,"Dunhuang Feitian" was also used as a name, such as some places in Dunhuang such as "Dunhuang Feitian Hotel" and "Dunhuang Feitian Hotel", which also reflected the influence of the image of Dunhuang Feitian as a symbol of Dunhuang culture. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras were one of the symbols of Dunhuang art. In terms of dance, for example, the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Spring Festival Gala" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. Fei Bo, the director, once went to Dunhuang to collect folk songs and was touched by the watchmen of Dunhuang. These watchmen included Mr. Chang Shuhong, Mr. Duan Wenjie, Mr. Fan Jinshi, etc. They dedicated their youth and energy to protect Dunhuang art. The main creative team of the dance drama had gone through many years of preparation and revision. The dancers experienced the life of the Dunhuang people and used their limbs to show the oriental lines, allowing the audience to see the beauty of historical and cultural heritage. This dance program combined thousands of years of Silk Road culture with the art of Ballet. It was a unique dance that combined traditional China art with Western Ballet. Although the evaluation of the first combination was mixed, it was colorful and reflected the brilliant artistic achievements of Dunhuang. It also paid tribute to the artists of Dunhuang. From the perspective of cultural image, Liu Yifei's Dunhuang Flying Apsaras also brought us a lot of inspiration. Her style was inspired by the flying image in Dunhuang murals. Both her clothing and makeup were full of Dunhuang cultural elements. The clothes were colorful and the patterns were exquisite. The makeup was based on classic elements and had a sense of both classical and modern fashion. Her style not only gave people a visual enjoyment, but also caused a lot of discussions about traditional culture and modern aesthetics. On the one hand, some people think that this is a successful cultural innovation, re-interpretation of Dunhuang culture through modern aesthetics, attracting more people to pay attention to and love traditional culture, and stimulating people's desire to understand and learn deeply; On the other hand, some people worry that this is too commercial and entertaining, which may weaken the seriousness and historical sense of Dunhuang culture, making people ignore the profound meaning behind it. However, it was undeniable that this style was a beautiful collision between classical beauty and exotic customs. Her eyes, movements and expressions all showed unique charm, which made a good demonstration in the integration of cross-cultural art, letting people feel the infinite charm and possibility of art. It was also a good presentation and transmission of Dunhuang Feitian culture image in modern society. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The story of flying in Dunhuang
The Dunhuang Flying Apsaras were the treasures of ancient China art. In the culture of Dunhuang, the image of Feitian carried a rich meaning. From the point of view of dance art, for example, the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Spring Festival Gala" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. His creation was based on Fei Bo's trip to Dunhuang in 2012. He was touched by the stories of generations of watchmen in Dunhuang, such as Chang Shuhong giving up his opportunity to study in France and coming to Dunhuang to protect art, Duan Wenjie gathering half of his life to copy Dunhuang works, Fan Jinshi taking root in the desert for research and protection, etc. The dedication of these Dunhuang people reflected the spirit of Dunhuang, and the dance of "Dunhuang Flying Apsaras" condensed the experience of the Dunhuang watchmen into the story of the male and female protagonists, showing their protection of the murals and their feelings for each other, reflecting the brilliant artistic achievements of Dunhuang. From the perspective of modern image interpretation, Liu Yifei's Dunhuang flying photos received widespread attention. Her style was inspired by the flying image of Dunhuang murals. Her clothes were gorgeous, and her makeup drew on classic elements, retaining both the classical flavor and the modern fashion sense. Her performance reflected the combination of traditional and modern aesthetics. While arousing people's yearning for beauty, it also triggered a debate between cultural innovation and commercial entertainment. One side thought that it might weaken the seriousness and sense of history of Dunhuang culture, while the other side thought that it was a successful cultural innovation that could make more people pay attention to and understand traditional culture in depth. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The Flying Apsaras in Dunhuang
The flying murals in Dunhuang are the artistic treasures of the Mogao Grottoes. The Mogao Grottoes were built in the former Qin Dynasty and had been continuously built through many dynasties. They were huge in scale and contained many caves, murals, and clay sculptures. The image of "Flying Apsaras" in Dunhuang Flying Apsaras Murals had experienced a long process of development and evolution. At first, the image of the flying sky originated from the flying god in Indian Buddhism, but when it appeared in China, it was different from the flying god in Indian Buddhism. During the period from the Sixteen Kingdoms to the Northern Wei Dynasty, the flying gods of Dunhuang were deeply influenced by the flying gods of India and the Western Regions. Their images carried a strong foreign cultural atmosphere. The image of the flying gods of Buddhism in this period was probably a human figure with horns and the ability to ride clouds and fog. After being introduced to Dunhuang, they were created as the image of a gentle and beautiful woman who was dancing in the air and tied with long streamers. From the Western Wei Dynasty to the Sui Dynasty, the Dunhuang Flying Apsaras were in the stage of the exchange and integration of Buddhist Heaven and Man and Taoist Feather Man, and the Western Region Flying Apsaras and the Central Plains Flying Immortals. The Sui Dynasty had the largest number of "Flying Apsaras" and the most diverse types. The dynamic description of flying, the changes in limbs and clothing had been greatly improved. During the Tang Dynasty, the Flying Apsaras culture reached its peak, and the image was basically China. The change of line style became the dominant element, and the craftsmen's skills matured, making the image of the Flying Apsaras of this period almost perfect. Although there were modifications in the Xixia and Yuan dynasties, there were no major innovation. Dunhuang Flying Sky Murals had unique artistic features, including natural and agile lines, which were concentrated on the image of Flying Sky, which could show the flying track of the fluttering clothes and the rhythm of music. It had the shape of a weak willow supporting the wind, expressing the beauty of the shape through delicate texture and pen and ink language. The strokes were agile and colorful, and the ribbon enhanced the sense of movement of Flying Sky. At the same time, Dunhuang Flying Apsaras were not only a display of human beauty, but also a symbol of exuberant vitality. They were the product of the combination of romanticism and creative methods, with extremely high aesthetic and artistic taste. Flying Apsaras had missions such as scattering flowers and playing music in the Buddhist Kingdom. For example, some of them held flowers in one hand and scattered them in the other to create a beautiful atmosphere. There were also some who played the pipa, the waist drum, and the empty throat. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!