What lens does a documentary photographer use?
Different documentary photographers might choose different shots based on their own needs, shooting scenes, styles, and other factors. For example, Mark Lü Bu used the lens of a Lihua camera to shoot. When shooting the glass workers, use the gr3 camera (the lens is not specified, but the camera itself is equipped with the corresponding lens). There was no data that indicated that documentary photographers had a specific lens to use. Instead, they would choose from a variety of lens types according to the actual situation, such as wide-angle lens (suitable for shooting large scenes, emphasizing the environment, etc.), telephoto lens (suitable for close-up shots, long-distance shots, etc.), standard lens (close to the human eye's visual effect), and so on. Read more exciting novels for free
What lens does a space photographer use?
In different spatial photography scenes, spatial photographers would use different lenses: - When shooting buildings, indoors, and other spaces, the GFX100II camera was a better choice with the professional shift-axis lens of the GFX100II, which was specially developed for buildings, indoors, and landscape design. This combination was suitable for spatial photography needs such as shooting construction projects. The shifting lens helped to adjust the perspective relationship. - If you wanted to shoot long-distance images, such as the moon and other long-distance space objects, a telephoto lens was more suitable. The higher the focal length, the larger the multiple, and the clearer the long-distance image could be shot. - When shooting a portrait's sense of space, although no specific lens was mentioned, the aperture factor needed to be considered in order to achieve different photographic relationships (such as virtual and real relationships, etc.), which was related to the lens. A large aperture (a small aperture value) helped to create the effect of a solid front and empty back to reflect the sense of space, so a large aperture lens might be used in portrait space photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of camera does a documentary photographer use?
A documentary photographer can use a variety of cameras. Here are some common choices: - Nikon D3000: This is an entry-level single-lens reflex camera, suitable for photographers who are new to cultural documentary photography. - Fuji Xpro2: It has better image quality, but it is more expensive. It can be used in some documentary photography scenes that have higher requirements for image quality and have a certain budget. - Nikon Z8: suitable for cultural documentary photography, but also for scenery, portraits, stage and other subjects. - Insta360X4: panoramic camera, suitable for documentary shooting during motorcycle travel. Its advantage is that you don't have to worry about missing the picture. The picture quality has been improved from 5.7k30 frames to 8k30 frames. It comes with a disassembled lens protection mirror, supports gesture control, connects the helmet and Bluetooth headset for voice control, and has improved battery life. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of camera lens does a human photographer use?
Different shots in cultural photography had different characteristics and applicable scenes: - ** 35mm lens **: - ** Special features and advantages **: The 35mm lens is often referred to as the "Eye of Humanity" and is a commonly used lens for photography. Its perspective was relatively wide and could accommodate more scenes. In the creation of documentary street photography, more elements could be integrated into the picture to enhance the atmosphere. For example, in the vegetable market, night market, streets, and other places with large traffic and messy but full of changes, the 35mm lens could not only clearly show the main body of the person, but also accommodate the environment well, showing the "culture" in the humanities, reflecting the relationship between people and the environment, telling stories, and reflecting local culture. Although the depth of field was slightly deeper than the 50mm focal length lens under the same aperture, in some shooting scenes, even if the aperture was fully open, there was a relatively wide depth of field to record the background and add more storytelling to the subject. However, more elements would make the structure of the picture more complicated, and there would be a certain requirement for composition skills. - ** recommended scene **: For example, the lens of the Canon, the Nikkor Z 35mm f/1.8S, was a wide-angle lens with a large aperture that could provide good rendering effects. It was suitable for a variety of shooting scenes, providing good imaging performance throughout the entire shooting range, and the autofocus control was accurate and fast. The Fuji X100V was equipped with a newly designed equivalent 35mm F2 lens. Its hard parameters could be used, and it had a built-in, well-received Fuji classic negative film simulation. It did not require post-production to take retro-colored photos. - ** 50mm lens **: - ** Special features and advantages **: The perspective of the 50mm lens is close to the human eye's observation effect, which is more conducive to composition. It provided a certain blurring effect and could use the shallow depth of field to highlight the theme of the picture. It was very friendly to beginners in photography. When shooting on the streets, it was suitable for beginners who did not dare to get close to strangers because this focal length allowed the photographer to maintain a certain distance from the subject and increase the success rate of shooting. - ** Required lens **: Nikkor Z 50mm f/1.8S achieved a high resolution, providing sharp details reproduction throughout the entire picture. It also used a nano-crystal coating to reduce ghosting and glare, making it easy to shoot under backlighting. - ** Telephoto lens (such as 70 - 200mm lens)**: - [Special features and advantages: Able to shoot characters in cultural scenes from a distance without disturbing the other party. Time to consider composition.] It was well-hidden and suitable for people who were not good at communication. It had a strong ability to express the details of the character, making the details of the character's face clearer and more obvious. It could also compress the space and simplify the background to make the main character more prominent. - ** Flaws **: The photos always give people a sense of distance, and there is no communication with the subject. - ** Wide-angle lens (equivalent to a 28mm F2.8 lens)**: - ** Special features and advantages **: Take the Ricoh GH III as an example. It is equivalent to a 28mm F2.8 lens. It can capture many elements in the scene from a distance. When shooting cultural scenes, it could use the background to reveal the identity of the character. By moving the camera closer, the viewer could feel that the character in the picture was right in front of them. There was a strong sense of communication between the images and they could feel the other party's state. Within a range of less than one meter, more information could be captured. Not only could the main character be highlighted, but the story could also be told. - ** Disadvantages **: The image distortion is obvious. It will be severely distorted around the edges. When shooting, try to hold the camera flat. Don't arrange the characters too far away, but you can also use the distortion to express your thoughts. In addition, cameras such as Ricoh GRIII, with a small body that could be carried around, were suitable for shooting cultural photography of any subject; Fuji X100V had a retro design, which had a unique shooting fun; Leopard Q2 was suitable for serious cultural photographers and equipment strokers; Although the price of the SonyRX1RII was more expensive, it also had good performance. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cannon lens photographer
"Cannon lens" usually referred to a telephoto lens. This type of lens had a unique advantage in photography and was often used by photographers to shoot specific scenes. The telephoto lens could capture people, objects, and scenes in the distance as if they were in front of them. It had the effect of a "telescope". It had a certain sense of space compression and a large background blurring ability. It could also capture a photo effect with a strong sense of separation. It could also capture a completely different effect from the conventional perspective through the telephoto lens. Its focal length range ranged from 85mm to 800mm, 1000mm, and even longer. For sports photographers, the telephoto lens was the most commonly used lens for shooting sports because it could capture the details of the movements of athletes from afar. When shooting animals, telephoto lenses were also a common choice. For example, when shooting egrets resting more than 100 meters away, using a 1200mm ultra-long-range fixed-focus lens could make the egrets clearly visible in front of the camera. In landscape photography, telephoto lenses could also be used to re-define the sense of space. For example, by compressing the depth of the space and exaggerating the background, the three-dimensional space could be presented in a "flat" manner. However, telephoto lenses also had some shortcomings, such as being too long, too heavy, and too difficult to focus. They usually needed to be equipped with a solid tripod when using them, and they had to increase the shutter speed as much as possible to ensure that the picture was clear. At the same time, due to the small angle of view, they had to pay attention to accurate composition when shooting. Due to the irreplaceable role of the telephoto lens in certain scenes, despite some shortcomings, many photographers still chose to use the cannon lens to meet the shooting needs when shooting specific subjects (such as sports, animals, some scenery, etc.). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Wedding photographer lens
A documentary photographer recommended
Here are some recommendations from documentary photographers: - He was currently a photographer for Zhang Hong's documentary, participating in the selection of films for the "Chinese documentary festival". - Kim Walhart, the director of a documentary about wild animals, was willing to risk his life to get close to animals for the sake of filming real scenes. He must have something unique about photography. - Liu Dedong, a famous contemporary photographer and documentary director in China, was known as the " Yuan 'an Man " and " Soul Sniper " in the history of Chinese documentaries. He was the founder of Chinese psychology documentaries. He had won many awards such as the Best Cinematography Award for domestic and foreign documentaries, the National Starlight Award, and many other awards. He had participated in the filming of many documentaries such as " Ancestral House,"" Ballad of the Far Mountain," and " Boatman." - The photographers in Photographer 2.0, such as Dan Winters, Dylan Winters, Paul Nick, and others, talked about the challenges and growth of young photographers chasing their dreams. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of camera lens does a photographer use to sweep the streets?
Here are some shots suitable for street sweeping: - ** Large zoom lens **: - ** Tenglong 50 - 400mm F4.5 - 6.3 E-mount lens **: The price is 8399 yuan. It breaks the conventional large zoom and redefined the Tianya lens. Although it lacks a wide angle, the overall quality is good. It can be used for street sweeping, tourism, landscape photography, etc. It weighs only 1155g and is relatively light. - ** Tenglong 28 - 200mm F2.8 - 5.6 E-mount lens **: The price is about 5350 yuan. The wide-angle 28mm starting aperture reaches F2.8. The focal length range is wide and the image quality is better. It is more recommended than the original 24 - 240mm lens. It can reduce the weight burden of external photography. - ** Nikon Z24 - 200mm F4 - 6.3 lens **: Price: 6380 yuan. It's a standard Tianya lens. It's coated with ARNEO, and it's also coated with fluorite. It's dust-proof and drip-proof, and it suppresses breathing during focus. It weighs 570g. The overall picture quality is good. It's suitable for daily street sweeping and traveling. - ** Canon RF24 - 240mm F4 - 6.3 lens **: Price: 7999 yuan. Although the image quality is not particularly good, the focal length is wide and it is easy to shoot. It is a world-famous lens in the sense of the RF-mount. The sales are good. - ** Tenglong 18 - 300mm F3.5 - 6.3 lens **: Price: 4190 yuan. It is also a large zoom lens suitable for street sweeping. - ** Special focal length lens **: - ** 35mm focal length lens **: It is an ideal focal length for street photography and is basically enough to use. - **24 - 70mm lens **: Professional photographers and news photographers prefer it, and it is also the first choice for beginners. The focal length is both wide and medium, and there is no need to change the lens when sweeping the street. The 24 - 70mm F2.8DG GN II just launched by Sima| The Art lens was relatively light (E-mount 735g, L-mount 745g), fast response, and easy to play with at close range. In addition, when sweeping the streets, you can also use the phone's telephoto lens and turn on the phone's sports mode to increase the shutter speed for capturing photos. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Japanese portrait photographer lens
The following are some of the features of the Japanese portrait photographer: ** 1. Kajiwara Kenji ** 1. ** Photographer and Style ** - He focused on filming his own children, and his works were often praised as having the "Hayao Miyazaki style." - The color of the work was fresh, creating a peaceful and healing atmosphere where children and nature were in harmony, making people feel pure and peaceful. 2. ** Learn from his works ** - You can learn how to choose the theme of the shoot, such as how to present the relationship between family and nature, and how to create a fresh and quiet atmosphere. ** 2. Iwakura Shiori ** 1. ** Photographer and Style ** - Living in Xiangshan Prefecture, Japan, the four seasons under the lens had different lights and colors. He was known as the most "seasonal" portrait photographer. - The girl in the film exuded a refreshing and pure aura. The picture had the texture of film, clean and transparent, and was mostly based on the blue notes without any color bias. 2. ** Post-processing and reference points ** - If you want to bring out a similar color tone, when the shooting conditions are similar, you can first evenly expose, reduce the contrast of the dark parts and highlights, brighten the dark parts and expose the photo to make the photo transparent, then use the HTL tool to control the color tone, add the film taste to the curve, and add color to the color grading tool (choose cyan for the highlights and blue for the shadows) to create a turquoise tone. - From her works, one could learn photography composition techniques, photo atmosphere construction, post-processing techniques, etc., and understand the relationship between light and shadow, color and emotion, composition and visual balance. ** 3. Ryosuke Kosuge (rkrkrk)** 1. ** Photographer and Style ** - He combined the "urban dark aesthetics" with the "creative composition" and integrated a large number of elements into the picture, but it was not chaotic. - He was good at using perspective and light and shadow texture to show elements. The color tones of his works were mainly dark series but overall bright. The contrast between cold and warm colors was clear. The warm colors were thick and bright, and the cold colors were low but not dull, with a heavy sense of beauty and mystery. - The contrast between light and shadow was strong. On the basis of normal exposure, the contrast was increased, and the clarity and sharpness of the photo were improved to enhance the texture. 2. ** Shooting range and creativity ** - The shooting scenes were not limited to Japan, but also included famous scenic spots in China and other countries. The content of the work was rich and full of creative ideas. ** 4. Kyotaro Nakayama ** 1. ** Photographer and Style ** - At the age of 19, he began to self-study photography, pursuing self-improvement and free expression, capturing the beauty of daily life. - The color tone of Japanese photos was mainly blue and white. Whether it was still life or portraits, the images were very fresh and transparent. Blue was the eternal theme. Blue items were given a gentle filter under the lens, giving people a poetic and picturesque feeling. ** 5. Sakai Takahiro ** 1. ** Photographer and Style ** - A freelance photographer from Tokyo, Japan. He mainly takes portraits. His works are fresh and natural, clean and bright, gentle and quiet, and can vividly show the girl's girlish, sweet, and dreamy appearance. - The work had a high-class feel to it. It was clean and pure as the background color, and it was featured by cool colors and emotions. When the bright and fresh style met the magnified emotions in the close-up, the cold expression brought a sense of distance, and the embellishment of flowers and light added a high-class feel. ** 6. Reylia Slaby** 1. ** Photographer and Style ** - Although he was of white descent, he was Japanese. He was born and raised in Japan. He integrated traditional Japanese aesthetics and culture into portrait photography, presenting works that were different from the old-fashioned Japanese style. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Senior documentary photographer application
If one wanted to apply for the Senior Photographer certification of the Tuchong community, it was currently granted directly by the system. For the time being, individual applications were not supported. The system would take into account the following criteria: first, the diligence of the author, second, the overall popularity of the fans, likes, and comments, and third, the quality of the work. You need to be a creator in the field of documentary photography and continue to create in the Tulong community. The content you publish must be widely recognized to have a chance to obtain this certification. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Scenery photographer's common lens
Scenery photographers often used the following lenses: - [Wide-angle lens: This is a necessary lens for landscape photography.] It could provide a larger shooting angle and could include a wide scene into the lens. Many landscape photography works had a wide viewing angle, and they sold well in the gallery. It has a strong perspective relationship between near and far, allowing the photographer to emphasize the scenery in the scene, such as the flowers on the ground or the clouds in the sky. For full-frame DSLR cameras, the standard 24mm or 28mm wide-angle lens could be used daily, but for landscape photographers, it might not be able to fully meet the creative needs. When shooting outdoor scenery, the impact of the 10 - 19mm ultra-wide-angle lens was incomparable to the wide-angle end of the standard zoom lens. - ** Telephoto lens **: The wide-angle lens contains a lot of content, but the image may be loose and lack focus. The telephoto lens can make up for this problem. It could zoom in on distant scenes, and as the focal length increased, it could produce a picture compression effect. Moreover, its depth of field was small, making it easy to blur the background to highlight the main body. The 70 - 200mm and 100 - 400mm telephoto lenses were suitable for shooting scenery. The 100 - 400mm focal length lens was best at shooting sunrise and sunset. It was easy to shoot a huge duck egg yellow effect. It had great flexibility in the composition of vast scenes such as mountains and grasslands. It could also shoot static birds and wild animals, but it was less stable when held. Usually, it needed the assistance of a tripod. The 70 - 200mm focal length was used in a variety of scenes. It could be used indoors and outdoors, as well as people and scenes. However, there might be a problem that the focal length was not long enough for large scenes. - ** Fixed focus lens **: If the photographer has been to a place many times and has tried the composition, he can bring a fixed focus lens to focus on the image performance and composition when shooting, reducing the interference of focal length selection. Compared to a zoom lens, a fixed-focus lens generally had clearer shots, higher image resolution, excellent image quality, and lighter weight. - ** Standard zoom lens **: When looking for scenery to shoot, you can bring a portable standard zoom lens for a test shot. For full-frame DSLR cameras, the focal length was generally 24 - 70mm or 24 - 105mm. The production process was relatively mature, which could guarantee good image quality. The angle of view of the picture changed greatly. There were practical wide-angle focal lengths and medium-focal lengths, which could meet the shooting of most scenery scenes. It was commonly known as the hanging head. - ** Large zoom lens **: It is suitable for travel photography with tight schedules. Its biggest feature is its large zoom range, which is suitable for dealing with complex composition and framing in landscape photography. On a full-frame DSLR camera, it is usually 28 - 200mm or 24 - 240mm, but the maximum aperture is generally only f/3.5 - f/6.3. It is difficult to shoot with a hand-held lens, and the image quality will be reduced compared to standard zoom lens and fixed-focus lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>