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Details of the camera lens parameters

Details of the camera lens parameters

2026-07-24 10:40
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The main parameters of the camera lens include focal length and aperture. The following is a detailed introduction: ** 1. Focus ** 1. ** Fixed focus lens ** - "definition: A lens with a fixed focal length. The common focal lengths are 10mm, 24mm, 35mm, 50mm, 85mm, 100mm, 135mm, etc. - Special traits: - The optical design and mechanical structure are simple, and the high image quality can be achieved at a low manufacturing cost. - It had a larger aperture and a lighter lens. - Because the focal length could not be changed, the adaptability was poor in scenes that required a quick change in the field of view. When shooting, one often had to move their position to change the framing range. 2. ** Zooming lens ** - "definition: A lens with a focal length that can be changed within a certain range, such as 12 - 24mm, 24 - 70mm, 70 - 200mm, etc. - Special traits: - The field of view could be changed, which was suitable for quick shots of active scenes. It was more convenient than carrying multiple fixed-focus lenses. - The structure was complicated, and the design of the optical path was difficult. Compared to the fixed-focus lens, the price was higher, the image quality was slightly worse, and the aperture was relatively small. - Different focal lengths: - Wide-angle range (usually <35mm): suitable for shooting culture, vlog, can highlight the sense of depth. - Medium focal length (usually 36mm-134mm): Often used for portraits or travel photography. - Telephoto end (usually> 136mm): suitable for shooting long-range shots, sports, flying birds, or expressing a sense of depth. ** 2. Aperture ** 1. ** Aperture expression and size relationship ** - The aperture value was marked with the letter f, such as 1:2.8, f/2.8, and F2.8. The smaller the f value, the larger the aperture, such as F1.4>F2.8>F4. The smaller the f value, the more blurred the background of the subject and the lighter the depth of field. At the same time, a large aperture also meant that the amount of light entering was larger. 2. ** Permanent Aperture and Non-Permanent Aperture (Floating Aperture)** - ** Permanent Aperture ** - For a zoom lens, the nominal maximum aperture can be used in all focal lengths, such as 24 - 70mmF2.8, 24 - 105mmF4, etc. - Special traits: - Generally, it can achieve better image quality (compared to a floating aperture lens). - Zooming when the aperture is set to the maximum will not affect the exposure. - If it was a wide-angle lens with a constant large aperture, it would be relatively expensive. - ** Non-constant Aperture (Floating Aperture)** - The aperture of the lens will change with the focal length, such as 18 - 300mmF3.5 - 5.6, 100 - 400mmF4.5 - 5.5, etc. - Special traits: - The lens was small in diameter, light in weight, and cheap. - The focusing speed was relatively slow. Due to the small aperture, it was not conducive to taking shallow depth of field photos. Read more exciting novels for free

Soviet camera lens parameters

The following are some of the parameters of the Soviet camera lens: - HELIOS44 58/2 lens ("Eight-feathered monster"). The specific parameters were not mentioned. - Mir - 1 2.8/37 lens: 37mm focal length (37.38mm), aperture ratio 1:2.8, field of view 60°, frame size 24x36mm, number of lenses/groups 6/5, front focal length-3.49mm, back focal length 37.17mm, distance from the first surface to the last surface 52.8mm, working distance (45.2mm for Mir - 1, 44.0mm for Mir - 1 -auto, 45.5mm for Mir - 1V), aperture ratio limit of 1:2.8 - 1:16, close-up focus limit of 0.7m, resolution of 45/23 lines/mm according to specifications (center/edge), light transmission rate of 0.78, connection (Lens-to-camera: Mir - 1 is M39×1, Mir - 1 -auto mount)(f/a Kiev - 10), Mir - 1V for M42×1; for screw attachment: Mir - 1 for Sp M49×0.5, Mir - 1V for M49×0.75; for snap-on attachment 51mm), overall size (The length of the lens with the lens cover: Mir - 1 is 62mm, Mir - 1V is 56mm, the largest frame diameter is 59mm), weight (Mir - 1 is 200g). - "JUPL- 9"("JUPL- 9" 2/85) lens: focal length 84.51MM, aperture 1:2 to 1:16, field of view 28 degrees 51 minutes, filter size M49*0.75MM, closest focusing 0.8M, seven pieces in three groups, the middle and back two parts are made of three lenses, the resolution is 32 lines/MM in the center, 23 lines/mm at the edge, volume 65(diameter)* 66mm, weight 0.36kg. - A particular camera had a focal length of 50mm and a clear aperture of 1:3.5. It was a three-piece, three-group orthoscope. The lens could be disassembled, and the shutter speed range was 1 - 1/1000. It also had a T-door and a B-door. There were ten levels of speed regulation, but the specific name of the lens was not mentioned. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-22 09:17

The main parameters of the camera lens

The main parameters of the camera lens were as follows: ** 1. Focus related ** 1. ** Fixed focus lens ** - The focal length was fixed. The common focal lengths were 10mm, 24mm, 35mm, 50mm, 85mm, 100mm, 135mm, etc. - The optical design and mechanical structure of the fixed-focus lens were simple. It could achieve high image quality, large aperture, and lighter at a lower cost. However, because the focal length could not be changed, it was not suitable for scenes that required rapid changes in the field of view. For example, when shooting dynamic scenes, the photographer might need to move his position to adjust the viewing range. 2. ** Zooming lens ** - The focal length can be changed within a certain range, such as 12 - 24mm, 24 - 70mm, 70 - 200mm, etc. - The advantage was that the field of view could be changed, and there was no need to change the lens to take photos of different scenes. It was suitable for quick shots of active scenes. However, its structure was complicated and the design of the optical path was difficult. Compared to a fixed-focus lens, the price might be higher, the image quality might be slightly worse, and the aperture might be smaller. ** 2. Aperture related ** 1. ** Constant-aperture lens ** - For the zoom lens, the nominal maximum aperture can be used in all focal lengths, such as 24 - 70mmF2.8, 24 - 105mmF4, 50mmF1.2, 85mmF1.4, etc. - The constant aperture lens would not affect the exposure when zooming at the maximum aperture, and generally could achieve better shooting quality. However, if it was a wide-angle lens with a constant large aperture, it would be relatively expensive. 2. ** Non-constant aperture lens (Floating aperture lens)** - The aperture of the lens would change accordingly with the focal length, such as 18 - 300mmF3.5 - 5.6, 100 - 400mmF4.5 - 5.5, etc. In addition, the aperture value was marked with the letter f. The smaller the f, the more blurred the background of the subject and the lighter the depth of field. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-24 06:25

The parameters of a single-lens reflex camera

The following are some important settings for a DSLR camera: 1. ** Shooting Mode **: It is recommended to choose the manual mode (M). This way, you can control the shutter, aperture, sensitivity, and other parameters independently. 2. ** Video recording format and size **: If there are no special requirements, you can choose to record 1920*1080, 25 frames, MOV format of high-definition video. If there are special requirements for zooming in, you can choose 4K or other format. 3. ** Shutter Speed **: Generally, it is twice the frame rate of the video. For example, when the frame rate is 25 frames, the shutter speed is set to 50; when the frame rate is 60 frames, the shutter speed is set to 120. This way, the visual effect can be achieved. 4. ** Aperture **: The aperture size affects the depth of field of the picture. A large aperture (such as F2.8) made the picture brighter and the background blur stronger, while a small aperture (such as F11) made the picture darker and the background blur weaker. The larger the aperture value, the smaller the actual aperture. 5. ** Light sensitivity (USB)**: When there is sufficient light, the lower the USB, the better. It is not advisable to set it too high in a dark environment, otherwise it will produce noise. For example, Canon DSLR can be set to 100 during the day and 800 - 1000 at night. A high USB (greater than 2000) will produce obvious noise and it will be difficult to repair later. 6. ** Color temperature (white balance)**: adjust to manual mode. Generally, it is recommended to adjust the color temperature between 4900 and 5300. The higher the color temperature, the more yellow the screen will be, and the lower the color temperature, the more blue the screen will be. 7. ** Focus **: If you have good manual operation ability, you can try to manually focus and select the focus point. Novice or for convenience, you can use the automatic intelligent autofocus. However, it is recommended to practice manual focus more if possible. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-17 03:18

What do the parameters of the camera lens mean?

The main parameters of the camera lens are focal length, aperture, etc. The following is to introduce their meaning: ** 1. Focus ** 1. ** The focal length of the fixed-focus lens ** - If the focal length of the lens is a number (for example, 50mm), this is a fixed-focus lens. The focal length of the fixed-focus lens was fixed, and it had a fixed angle of view. If one wanted to change the width of the picture, such as making the picture wider or making the distant view larger, they could only do so by moving the photographer's position back and forth. The common focal lengths of fixed-focus lenses were 10mm, 24mm, 35mm, 50mm, 85mm, 100mm, 135mm, etc. 2. ** The focal length of the zoom lens ** - When the focal length of the lens is two numbers (such as 24 - 70mm), this is a zoom lens. It could change the angle of view by adjusting the lens. For the same camera, the larger the focal length number, the smaller the angle of view, which could enlarge the distant scenery; the smaller the focal length number, the wider the angle of view, which could accommodate more information in the picture. For example, a 15 - 45mm lens could provide a wider angle of view than an 18 - 150mm lens, while an 18 - 150mm lens had a stronger zooming ability than a 15 - 45mm lens when shooting long-range shots. - The camera frame and the focal length of the lens jointly determined the angle of view, and the lens of the same focal length had different angles of view on different frame cameras. For the sake of comparison, the concept of equivalent coefficient and equivalent focal length was introduced (equivalent focal length = focal length × equivalent coefficient). Whether the equivalent focal length was calculated or not depended on the camera frame. ** 2. Aperture ** 1. ** Aperture size indicates ** - The maximum aperture of the lens could be written in many ways, such as 1:2.8, f/2.8, and F2.8. The aperture value is marked with the letter f. The smaller the f value, the larger the aperture. The larger the number, the smaller the aperture (for example, F1.4>F2.8>F4). 2. ** The effect of the aperture on the image ** - The aperture mainly affected the image. For the same camera and the same focal length, the larger the aperture, the shorter the depth of field. In portraits and still life shots, it was easier to blur the background and highlight the subject. - In addition to affecting the depth of field, the aperture, shutter, and sensitivity also formed the three elements of exposure. A large aperture helped to increase the shutter speed and increase the success rate of hand-held shooting when the subject was moving at high speed or in low-light environments. 3. ** Permanent Aperture and Non-Permanent Aperture (Floating Aperture)** - ** Permanent Aperture ** - For a zoom lens, if the lens aperture was a number (such as F2.8), it meant that it could reach F2.8 aperture over the entire focal length range. For example, the 24 - 70mmF2.8 was a constant aperture lens. Generally, a constant aperture lens could achieve better image quality. When the aperture was set to the maximum, the zooming operation would not affect the exposure of the constant aperture lens. - ** Non-constant Aperture (Floating Aperture)** - If the lens aperture was two numbers (for example, F3.5 - 5.6), the maximum aperture of the lens would change during zooming. For example, 28 - 70mm F3.5 - 4.5 was a floating aperture lens. The longer the focal length, the larger the aperture value. The aperture of the 70mm segment would be F4.5. The lens of a non-constant aperture lens had a small diameter, low weight, and was cheap, but the focusing speed was relatively slow. Due to the small aperture, it was not conducive to taking shallow depth of field photos. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-22 20:07

Single lens reflex camera parameters tutorial

The following is a tutorial on setting the parameters of the DSLR camera in different shooting scenes: ** 1. Portrait Shooting ** 1. ** Still Portrait ** - ** Shooting mode **: Aperture priority mode (LV) can be used. - ** Aperture Setting **: Use a large aperture, such as F2.8, to create a blurred background effect and highlight the main character. - ** Focus **: Focus on the eyes or key parts of the character. If you want to shoot a close-up of the character, the sharpness is moderate, and you can use the middle composition. When matching the character and the background, you can use the medium aperture F8 to highlight the character and the background. The focal length is the widest. The composition uses the three-point method or the golden section method. - ** Light sensitivity (USB)**: Try to set it as low as possible, such as USB 100. 2. ** When the character moves ** - ** Shooting Mode **: Shutter priority mode (TV). - ** Shutter Speed **: Usually set to about 1/250s to avoid blurring. ** 2. Scenery Shooting ** 1. ** Shooting Mode **: You can use P or M files. 2. ** Aperture setting **: Use a small aperture, generally F5.6 or smaller, such as F8 (on sunny days, around 100, F8, 1/200; on cloudy days, around 400). 3. ** Using the camera ** - ** Wide-angle lens **: It is suitable for taking photos of large scenes, such as buildings and landscapes. It has a short focal length, wide angle of view, and deep field of view, which can produce a strong visual impact. - Medium focus lens: It has the smallest distortion in the photo, can accurately reflect the shape of the subject, and is easy to design into a large aperture. - ** Telephoto lens **: Long focal length, small angle of view, large image on the film, suitable for shooting distant objects. 4. ** Composing **: To avoid placing the most attractive scenery in the middle, you can use the three-point composition, frame composition, symmetrical composition, diagonal composition, white space composition, etc. 5. ** Note **: It is recommended to bring a tripod to prevent the photo from blurring due to shaking. ** 3. Shoot flowers and plants ** 1. ** Shooting Mode **: Aperture priority mode (LV). 2. Aperture setting: Choose a large aperture lens or a 100-millimeter lens. The aperture should be large so that the depth of field is shallow and the subject can be highlighted. 3. ** Composing **: Use a central composition or a nine-square composition to place the object you want to shoot in the center of the picture. ** 4. Pet Shooting ** 1. ** Shooting Mode **: You can turn on the P automatic gear and start continuous shooting, or use the shutter priority mode (TV). 2. ** Shutter speed (in TV mode)**: Set it to 1/200s or higher. ** 5. Shooting Night Scenery ** 1. ** Shooting Mode **: Aperture priority mode or M mode can be used. 2. ** Aperture setting **: Use a small aperture, such as F10 or smaller. 3. ** Light sensitivity (USB)**: Normally set to USB 100. 4. ** Shutter Speed **: For example, 1/30s (Shutter 1/30, Aperture F10, SPD 100). 5. ** Metering Mode **: Can be set to the Evaluation Metering Mode (Matrix Metering Mode), and the exposure compensation can be reduced appropriately. 6. ** Ancestors **: Requires a tripod. If possible, you can use the shutter release to shoot. ** 6. Silhouette Shooting ** 1. ** Shooting Mode **: P-file is fine. 2. ** Metering **: Use spot photography to measure the highlight, then add or subtract the exposure according to actual needs, and place the focal point at the bright spot. ** 7. Setting the camera parameters for other shorthand scenes ** 1. ** Exterior Portrait **: 1/100s, Iso100, F1.2 - 2.8. 2. ** In-room portrait **: 1/80s, 1500, F2.8 or below. 3. ** Baby/Pet Shooting **: Above 1/200, USB 100 - 800, F1.4 - 5.6. 4. ** Still life/gourmet photography **: 1/80s- 1/200s, USB 100 - 400, F1.2 - 4. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-22 21:05

Instantaneous parameters of a single-lens reflex camera

When shooting the jump moment with a single-lens reflex camera, you can refer to the following parameters: 1. ** Shutter Speed **: Set it to TV mode and set the shutter speed to above 1/200S. This way, you can clearly capture the moment when the character jumps up. 2. ** Iso-level: Set it to 100 when the light is good during the day. If it is dusk or when the light is not good, you can set it to automatic to ensure that the exposure of the picture is normal. However, an increase in the Iso-level will affect the quality of the picture. 3. ** Focus Mode **: Set it to continuous autofocus. When shooting, press the shutter button and focus on the person before the person jumps. When the person jumps, the camera will focus on the person continuously to prevent the photo from blurring due to the movement of the person. This method is also suitable for shooting moving objects. 4. ** Shooting Mode **: Set it to high-speed continuous shooting. This way, you can take multiple photos for later screening. In addition, when shooting jump shots, you can also use a low angle to show that the person jumping is higher; focus on the face or body of the subject, and use a high-speed shutter to ensure that the subject is clear, it is best to use single-point focus; You can also use a tripod and adjust it to the lowest position to assist in shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-22 10:28

Single lens reflex camera track parameters

When shooting a car track with a single-lens reflex camera, you can refer to the following parameters: - <strong></strong><strong></strong> - Shutter Speed: Not a fixed value, but depends on the traffic and speed of the car. In sections with more traffic and faster speeds, the exposure time could be shortened, such as 4 seconds to 8 seconds, while in sections with less traffic and slower speeds, the shutter speed often needed to be adjusted to 15 seconds to 30 seconds. When the shutter speed did not exceed 30 seconds, the user could choose manual exposure or shutter priority mode, and when the shutter speed exceeded 30 seconds, the user could only choose B to manually control the shutter speed (usually, the shutter release was needed to control the exposure time). - Aperture: If the shutter priority mode is used, the aperture will be automatically adjusted, but try to control the aperture to around F8 - F11. You can also choose the aperture of F8.0 in the Av mode. In addition, it could be adjusted according to the actual shooting effect. In addition, when taking pictures of the train tracks, one could choose the shutter priority mode or the manual exposure mode. If you use the manual exposure mode, you can also refer to the above shutter speed, aperture, and sensitivity parameters to adjust. At the same time, a tripod was needed to fix the camera position, and the shutter release also helped with the shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-21 19:39

The parameters of a single-lens reflex camera in the studio

When shooting in the studio, the parameters of the single-lens reflex camera were set as follows: 1. ** Light sensitivity (USB)**: Due to the strong lighting in the studio, the sensitivity does not need to be too high. It can be set to a lower value, such as USB 50 or USB 100. 2. ** Metering method **: You can choose according to the subject. Matrix Metering is suitable for shooting natural scenery; Center Metering focuses on the central area of the picture, suitable for shooting portraits; Spot Metering focuses on the small area in the center of the picture. 3. ** Aperture and Shutter **: If you use the M mode, you need to set the aperture and shutter according to the light intensity in the studio and the light measurement results. You can also try taking a gray or white card, customize the white balance, check the highest sync speed of the flash, and then set the photo format. After the adjustment was completed, he could take a test shot. Then, he would connect the card to the computer and open the picture for comparison analysis and adjustment. If you use a constant light source to shoot still objects, it is recommended to use aperture priority and spot measurement. First, choose the depth of field according to the desired shooting effect, and then choose the aperture according to the depth of field. The camera will automatically match the shutter speed according to the ambient light. 4. ** White Balance **: If you use a constant light source, in order to accurately control the color temperature, it is recommended to use a gray card to correct the color temperature of the camera before taking a photo. 5. ** Lenses Setting **: Turn on surrounding brightness correction to reduce dark corners, turn on distortion correction, and select criteria for digital lens optimization. 6. ** Focus Mode **: You can set AF-ON to switch between single-shot focus, autofocus, and servo-autofocus. The setting step is to click AF-ON, then click the menu key (Menu). In the pop-up menu, choose the second camera setting from the right in the first layer of the menu. In the second layer of the menu, choose 3, and choose the custom button. Find AF-ON, which is the autofocus start button. 7. ** Image confirmation **: Generally, 2 seconds is enough. You can check the rough effect of the photo after the shooting. 8. ** High Iso-noise reduction setting **: If you are in an extremely dark environment without a lamp or tripod, you can set a high Iso-noise reduction setting to adjust the brightness of the screen. However, this method is not a long-term solution. If the environment is not bright enough, it is best to use lighting equipment. 9. ** Release the shutter without a memory card installed **: Choose to close the shutter to avoid accidentally pressing the shutter when the memory card is not installed. 10. ** Gridline Setting **: You can set it to 3x3 gridlines for easy composition. 11. ** exposure simulation **: When exposure simulation is enabled, what you see is what you get. The image you see on the screen is basically the same as the photo. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-24 01:59

Take the parameters of the single-lens reflex camera

The following are some parameters that can be used as a reference when shooting car tracks: 1. ** Shutter Speed **: You can choose the shutter priority mode, and the shutter speed can be adjusted to 3 - 10 seconds. When shooting the tracks on the mountain road, due to the small number of vehicles, you can use Door B to manually control the shutter speed when you see the car to record the track of the car. You can also set the shutter speed to 3 - 30 seconds. The longer the exposure time, the more obvious the effect of the tracks. 2. ** Light sensitivity (USB)**: It is recommended to set it to 100 to reduce noise and ensure image quality. In the case of insufficient light, try not to exceed 6400. If it is too dark, consider using a fill light. 3. ** Aperture **: You can use automatic adjustment first. If you use the aperture priority mode for experimental photos, you can also refer to this setting if you choose f/8 aperture to achieve a suitable exposure combination. If you are taking a group photo with a similar scene, you can also set a small aperture of about f8 to ensure the picture is clear. In addition, a tripod, shutter release, and other equipment were needed to assist in the shooting. Under long exposure, noise reduction and lens anti-shake needed to be turned off for a long time. During the shooting process, a few more photos were taken to select satisfactory photos. Later, the color temperature was adjusted appropriately to achieve a satisfactory effect of the environment. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-07-24 01:09

The parameters of an indoor single-lens reflex camera meeting

When shooting indoor conference scenes with a single-lens reflex camera, you can refer to the following parameters: 1. ** Shooting mode **: You can use the automatic mode to check whether the light measurement is normal, then change to manual mode; or use the aperture priority mode (Av mode) to let the camera automatically adjust the shutter speed to ensure the correct exposure. 2. ** Aperture **: Medium size, usually around 8 - 11, or set to 2.8 - 5.6. 3. ** Light sensitivity (USB)**: If the light in the meeting is good, try to lower it as much as possible. Generally, it should be between 200 - 400. It should not be too high within the allowed range. Otherwise, there may be a lot of noise when adjusting the light later. It can also be set to automatic. 4. ** Shutter Speed **: 1/125 to 1/250. 5. ** White balance **: It is determined according to the lighting of the scene. It is usually set at around 4000. Or, you can choose the indoor lighting white balance mode or use the automatic white balance mode to ensure the authenticity of the color. 6. ** Focus **: It is recommended to use the single-point focus mode and set the focus point on the main character or important object to ensure that the main character is clear and the background is blurred. If the conference scene is wide, you can choose a wide-angle lens and adjust the focal length to a smaller value to capture more details. 7. ** Flash **: If you are shooting indoors, please use flash. You can choose E/TL mode. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-06-30 17:47
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