The application of micro-film lens language

Answer 1

The application of the micro-movie lens language was reflected in many aspects.

** 1. Farewell **
1. ** Extreme Vision and Vision **
- The extreme distance could display extremely distant scenery, in which the characters were as small as ants, and the distance would make the characters occupy a small proportion of the screen. They could be used to build a large environment and set the overall atmosphere and background for the microfilm. For example, in some nature-themed microfilms, the distant view could show mountains, forests, and other grand scenes.
2. ** Grand panoramic view **
- A picture that includes the entire subject and the surrounding environment. It is often used to introduce the environment of a film or television work. For example, when showing the city style or large-scale event scenes, the panoramic view can let the audience have an intuitive understanding of the overall environment.
3. ** View **
- Capture the whole body of a character or a small scene. You can see the character's movements and the environment. It is suitable for displaying the relationship between the character and the environment, such as the activity scene of the character in the room.
4. ** Small panoramic view **
- The actors were "indomitable", smaller than the panoramic view but relatively complete. They could highlight the main character and also take into account part of the environment.
5. ** Mid shot **
- Commonly known as the "seven-point image", it was a scene that captured the part of the character above the calf or the equivalent scene. It was a common scene for performing scenes. It could show the movements and expressions of the characters well, and at the same time, it could also reflect the interaction between the characters.
6. ** Half body view (close-up)**
- The scenery from the waist to the head focused on the upper body of the character, showing the details of the character's expression and movements more clearly.
7. ** Close-up **
- Capture images above the chest, which can also be used to show parts of the scene. It can emphasize the emotions of the character or the details of the object, allowing the audience to focus more on the emotional state of the character.
8. ** Close-ups and large close-ups **
- Close-up refers to taking a close-up shot of an object, using the head above the shoulder of the human body as a reference to highlight the details of the human body, objects, or scenery. The close-up would further highlight a part of the head, body, or a certain detail of the object, such as the eyes, the bolt, etc. This kind of scene could give the audience a strong visual impact and highlight the key elements.

** 2. Shot movement (shooting method)**
1. ** Pushing the camera (Pushing the camera)**
- The subject did not move, and the camera moved forward to shoot. The scope of the shot changed from large to small. It could guide the audience to focus on the main character and emphasize the importance of the main character. For example, when showing the changes in the protagonist's heart or important plot, the camera could push the camera so that the audience could gradually pay attention to the details such as the protagonist's expression.
2. ** Pull the camera (Pull the camera)**
- In contrast to pushing the camera, the camera moved backward, and the scope of the camera increased from small to large. It could be used to reveal the relationship between the subject and the environment. First, the subject was close-up and then pulled to the panoramic view, so that the audience could understand the subject's environment.
3. ** Pan (Pan)**
- When the camera was still, the lens could be moved left and right or up and down to show the scene space. For example, when shooting the furnishings in a room, the camera could show the corners of the room in turn.
4. ** Pan Shot (Pan Shot)**
- The camera moved in a certain direction to show the scene in all directions or to track the movement of the subject. For example, the camera could follow the footsteps of the person walking on the street to show the scenery on both sides of the street.
5. ** Follow the camera (Follow)**
- The camera followed the moving subject and could continue to show the moving state of the subject. It was more commonly used in chase scenes or scenes where the character continued to move.

** 3. Shot combination **
1. ** Fade in and out **
- Fading out meant that the screen would gradually turn black until it disappeared. Fading in meant that the screen would gradually turn bright from black until it was displayed normally. This combination can be used to distinguish between different plot segments, such as indicating the passage of time or the change of scenes.
2. ** Switch **
- The most common way to combine shots was to switch from one scene to another. It was used to quickly advance the plot or to switch between different scenes and characters.
3. ** Overlapping **
- The former image gradually disappeared while the latter image gradually appeared. The two overlapped to a certain extent. It was often used to express memories, dreams, or to hint at the connection between different things.

** 4. Color usage **
- Colors were symbolic and metaphorical. For example, in the mini-movie "Detained," the color of the character's clothes and other colors contained the information that the director wanted to convey to the audience. Different colors might hint at the character's personality, plot development, or hidden emotions.

** 5. Slow motion usage **
- For example, in "Detained," slow motion could be used to deal with the movements of the characters, enhancing the film's repression and tension. Although slow motion often gave people a sense of beauty and fantasy, in this movie, coupled with gloomy music, it brought a sense of uneasiness and oppression, strengthened the dark activities of the characters 'psychology, and showed the fear behind juvenile delinquency.
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