What lens should I use to take a portrait with blurred background?
If you want to shoot a portrait with a blurred background, you can choose from the following shots: - Classic large-aperture lenses were more suitable, such as Nikon's 50mm F1.4, Canon's 50mm F1.4 or 85mm F1.8, and Sima's 35mm F1.4. Although these lenses had different blurring effects, they could easily achieve portrait background blurring. - Medium telephoto lenses (such as 50mm or 85mm) were the first choice in portrait photography. They could have a good balance between moderate background blurring and maintaining a clear environment. - The 135mm f/2L USM was also suitable for shooting portraits with blurred backgrounds. Read more exciting novels for free
What kind of lens should I use to take a portrait?
What kind of lens should I use for a portrait? Several cameras and lenses were recommended for portrait photography. The Canon 5D4 and 6D2 cameras were praised for their excellent image quality and portrait color performance. Canon 5D4 was equipped with a 30.4-million-pel full-frame sensor and 4K video function, suitable for portrait photographers. The Canon 6D2, on the other hand, had a high cost-performance ratio and excellent portrait color performance. It was suitable for photographers with limited budget but pursuing high quality. In addition, 35mm and 50mm lenses were also considered good choices for portraits. The 35mm lens was suitable for full-body shots and street photography, which could better express the surrounding environment of the subject. The 50mm lens was natural and suitable for indoor and outdoor shooting. In addition, an 85mm telephoto lens was also recommended. Using a large aperture to blur the background, it could shoot beautiful portraits. In general, Canon 5D4 and 6D2 cameras with 35mm, 50mm, or 85mm lenses were good choices for portraits.
How to shoot the blurred background of the single-lens reflex
To achieve the blurred background effect of a DSLR, one could start from the following aspects: 1. ** Aperture: If you want to achieve a clear main body and blurred background, it's easier to use the A mode (Aperture priority mode). The larger the aperture, the smaller the depth of field, and the higher the degree of background blurring. The smaller the aperture, the greater the depth of field, and the clearer the background. The large aperture was suitable for people, portraits, still lives, flowers, and other subjects. 2. ** In terms of focal length **: The longer the focal length, the smaller the depth of field, and the higher the degree of background blurring; the shorter the focal length, the greater the depth of field, and the higher the clarity of the background. 3. ** Shooting distance **: The closer the shooting distance, the smaller the depth of field, and the higher the degree of background blurring; the further the shooting distance, the greater the depth of field, and the clearer the background. 4. ** Comprehensive use **: In actual shooting, using the aperture, focal length, and shooting distance at the same time can get a more obvious depth of field effect, but at least one of the two needs to be met. Many people only used the aperture size to control the depth of field to achieve the effect of "clear main body and blurred background", but it was not as good as using all three at the same time. 5. ** In terms of background selection **: If you want the blurring effect to be obvious, the choice of the background has a requirement. A clean and regular background will be much more obvious than a messy background blurring effect. 6. Focus: Focus on the main body. The clearer the main body, the better the background blurring. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
I'm a Sonny A5100. The background of a portrait is almost unblurred. I want to change the lens. It can be blurred when shooting a character.
The sony a5100 is a good camera, but you might be disappointed that the background doesn't blur much when shooting portraits. In order to improve this situation, he could consider changing the lens. Some shots that are suitable for portraits can produce the effect of blurring the background. This effect is often called "background blurring", which makes the character appear more realistic in the background. Some common shots suitable for portraits include: - 85mm f/18 lens: This type of lens is often referred to as a "large aperture lens". It can produce a shallow depth of field effect that can make people and backgrounds clearer. - 35mm f/14 lens: This lens is also a wide-angle lens that can shoot a wider portrait and also produce some background blurring effects. - 50mm f/14 lens: This lens is also a wide-angle lens, but it is more suitable for shooting portraits than 35mm because its focal length is longer and it can better capture the details of the person's face. Of course, when choosing a suitable lens for oneself, one also had to consider one's own needs and shooting scene. You can choose the lens that suits you according to your camera model and shooting needs.
What is a portrait camera lens?
Portrait photography lenses were used for portrait photography. There were many focal lengths to choose from, and different focal lengths had different characteristics. The wide-angle lens (such as 16mm) has its own characteristics that can highlight the perspective effect of the scene. When shooting close to the subject, it will cause the subject to have an exaggerated distortion effect, which can cause a certain distortion of the portrait to enhance the interest of the picture. The standard lens (such as 50mm) was close to the range of the human eye. The portraits that were shot were intimate. It was more convenient outdoors. Indoors, one could only shoot half of the body. It was relatively easy to get started and was a cost-effective entry-level choice. It could shoot the background blurring effect and could be used to practice composition. It could shoot both half and full-body portraits. Telephoto lenses (such as 85mm, 135mm, 70 - 200mm, etc.) had the effect of compressing the depth of field. They could blur the background and the front to highlight the main body. The smaller the angle of view, the more compact the scene and the overall simplicity. The shooting angle of the 85mm focal length was 28 degrees, which could simplify the background and highlight the character. The background blurring effect was good, and the image quality was good. It was suitable for full-body to close-up shooting from 1.5 meters to 5 meters, which could allow the photographer to maintain a comfortable distance from the model and avoid the sense of oppression. Its perspective angle was small, and the face of the character would look better when shooting close-up. The 135mm focal length could bring a stronger sense of compression and better blurring effect. It could separate the character from the background very well. It was called a small air cutter and was mostly used for close-up shots. In addition, there was also a macro lens that could be used to shoot close-up portraits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Professional photography portrait lens
There were many options for professional photography. The following were some common ones: - ** 35mm lens **: This is an environmental portrait lens between the wide-angle and 50mm standard focal length. Its advantage was that it could accommodate the characters and the surrounding environment well in the picture, and it could make the story feel good. It was easier to take full-body photos, and it could even shoot long legs. It was also easy to communicate with the subject at close range. However, it might not be suitable for close-up shots when sweeping the streets and taking photos of unfamiliar girls. It was suitable for shooting scenes such as children at home. The 35mm lenses from sub-factories such as Tenglong and Sigma were relatively cost-effective. - ** 50mm lens **: If the budget is not high and you are a beginner, you can consider this lens. The 50mmF1.8 was a relatively cheap large circle focal point. It was easy to shoot the background blurring effect, but it was difficult to use it well. This focal length could only be used to shoot half of the body indoors, but it was more convenient outdoors. It could be used to practice composition, and it could be used to shoot both half and full-body portraits. - ** 85mm lens **: This was the focal length of a classic portrait lens. Its perspective relationship could obtain a cream-like out-of-focus effect, close to the human eye's vision with almost no distortion. It was suitable for shooting close-up portraits, such as half-body portraits or headshots. It could also shoot full-body portraits if it was retreated appropriately, but the indoor full-body portrait distance required was more than 5 meters. They didn't pursue extreme sharpness and resolution, but retained aberrations to achieve delicate transition of skin tone details and beauty outside of focus. The 85mm lenses of various manufacturers were specially optimized for shooting portraits, but the price was usually higher. - ** 135mm lens **: This is a close-up shot of a person. In theory, it can bring a stronger sense of compression and better blurring effect. It is called a small air cutter, which can separate the person from the background very well. However, the usage rate was relatively low. It was rarely used for other subjects except portraits, and it was easily replaced by 70 - 200mm lenses. - **70 - 200mm lens **: It is also an option for portrait photography. In addition, a standard portrait photography lens usually referred to a lens that took a person at a distance of 1.5m -2m, corresponding to a focal length of 70mm-135mm. According to general aesthetics, the facial features of the person at this distance were more beautiful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Sports portrait camera lens
In sports portrait photography, there were many lenses to choose from. For example, Nikon's AFZoom-Nikkor 80 - 200mm f/2.8D ED lens was used for sports portrait photography. Its large aperture f/2.8 could adapt to different lighting conditions and achieve better background blurring effects. Canon's EF24 - 70mm f/2.8L II USM lens could also be used for this type of photography. It could meet certain shooting needs in terms of focal length. In addition, lenses such as Nikon's AFDK Fisheye - Nikkor 10.5mm f/2.8G ED, AFNikkor 85mm f/1.8D, etc. could also be used for sports portraits. Different lenses had their own characteristics in terms of focal length, aperture, and other parameters. The photographer could choose the appropriate lens according to actual needs. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Japanese portrait photographer lens
The following are some of the features of the Japanese portrait photographer: ** 1. Kajiwara Kenji ** 1. ** Photographer and Style ** - He focused on filming his own children, and his works were often praised as having the "Hayao Miyazaki style." - The color of the work was fresh, creating a peaceful and healing atmosphere where children and nature were in harmony, making people feel pure and peaceful. 2. ** Learn from his works ** - You can learn how to choose the theme of the shoot, such as how to present the relationship between family and nature, and how to create a fresh and quiet atmosphere. ** 2. Iwakura Shiori ** 1. ** Photographer and Style ** - Living in Xiangshan Prefecture, Japan, the four seasons under the lens had different lights and colors. He was known as the most "seasonal" portrait photographer. - The girl in the film exuded a refreshing and pure aura. The picture had the texture of film, clean and transparent, and was mostly based on the blue notes without any color bias. 2. ** Post-processing and reference points ** - If you want to bring out a similar color tone, when the shooting conditions are similar, you can first evenly expose, reduce the contrast of the dark parts and highlights, brighten the dark parts and expose the photo to make the photo transparent, then use the HTL tool to control the color tone, add the film taste to the curve, and add color to the color grading tool (choose cyan for the highlights and blue for the shadows) to create a turquoise tone. - From her works, one could learn photography composition techniques, photo atmosphere construction, post-processing techniques, etc., and understand the relationship between light and shadow, color and emotion, composition and visual balance. ** 3. Ryosuke Kosuge (rkrkrk)** 1. ** Photographer and Style ** - He combined the "urban dark aesthetics" with the "creative composition" and integrated a large number of elements into the picture, but it was not chaotic. - He was good at using perspective and light and shadow texture to show elements. The color tones of his works were mainly dark series but overall bright. The contrast between cold and warm colors was clear. The warm colors were thick and bright, and the cold colors were low but not dull, with a heavy sense of beauty and mystery. - The contrast between light and shadow was strong. On the basis of normal exposure, the contrast was increased, and the clarity and sharpness of the photo were improved to enhance the texture. 2. ** Shooting range and creativity ** - The shooting scenes were not limited to Japan, but also included famous scenic spots in China and other countries. The content of the work was rich and full of creative ideas. ** 4. Kyotaro Nakayama ** 1. ** Photographer and Style ** - At the age of 19, he began to self-study photography, pursuing self-improvement and free expression, capturing the beauty of daily life. - The color tone of Japanese photos was mainly blue and white. Whether it was still life or portraits, the images were very fresh and transparent. Blue was the eternal theme. Blue items were given a gentle filter under the lens, giving people a poetic and picturesque feeling. ** 5. Sakai Takahiro ** 1. ** Photographer and Style ** - A freelance photographer from Tokyo, Japan. He mainly takes portraits. His works are fresh and natural, clean and bright, gentle and quiet, and can vividly show the girl's girlish, sweet, and dreamy appearance. - The work had a high-class feel to it. It was clean and pure as the background color, and it was featured by cool colors and emotions. When the bright and fresh style met the magnified emotions in the close-up, the cold expression brought a sense of distance, and the embellishment of flowers and light added a high-class feel. ** 6. Reylia Slaby** 1. ** Photographer and Style ** - Although he was of white descent, he was Japanese. He was born and raised in Japan. He integrated traditional Japanese aesthetics and culture into portrait photography, presenting works that were different from the old-fashioned Japanese style. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Movie lens for portrait photography
There were many options and considerations for using a movie lens in portrait photography. Some movie shots had unique advantages in portrait shooting. For example, the 25mm, 85mm, and 35mm lenses in NiSi's new Athena film lens set (all with a T value of 1.9) could be used for portrait shooting. The barrel distortion of the 25mm lens could make the face look thinner in specific scenes; the 35mm lens was similar to the life perspective, and it was more touching when used for life slicing. With the 85mm lens, it could create a movie feel. The SKR Magic CINE 25mm T1.5 film fixed-focus lens could also be used for portrait shooting. It was compact and small, only 685 grams. The all-metal mirror body was suitable for complex shooting environments. Its 25mm focal length was equivalent to 50mm with an M4/3 frame camera. It could be used for portrait, architectural, and landscape shooting. Moreover, the unique infinite aperture of the film lens could accurately control the image exposure. The infinite focusing ring design made the focus without breathing effect during shooting, and the focus felt smooth. Different focal lengths would produce different effects. In portrait photography, one had to consider the relationship between the body and focal length, color reproduction, image imaging style, and other factors to choose the appropriate film lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
indoor single-lens reflex portrait camera lens
If it was an indoor portrait photography, the different focal lengths of the lens had their own characteristics: - ** 35mm lens **: This focal length lens is a good choice for home use and beginners. It was between wide-angle and 50mm standard focal length, and the angle of view could move forward and backward freely. When shooting indoors, its angle of view could better accommodate the character and the surrounding environment. It was an environmental portrait lens. It was easier to shoot full-body photos, and it could also shoot long legs. It was also convenient to communicate with the subject. - ** 50mm lens **: If you don't have a lot of budget and are a beginner, 50mmF1.8 is more suitable. It could produce a blurred background effect and was relatively easy to use. It could shoot a half-body portrait indoors and a full-body portrait a few steps back. - ** 85mm lens **: This focal length is mainly used for half-length portraits. You can take a headshot when you get close, but it is difficult to take a full-body portrait indoors. It requires a large space (more than 5 meters). - ** 135mm lens **: Due to its narrow angle of view, its indoor use is very limited. It is not suitable for indoor single-lens reflex photography. - **70 - 200mm lens **: Although it is a zoom lens, it is easy to use, but it is relatively heavy. It may not be able to be used indoors. However, it is excellent in portrait shooting. It can compress space, highlight the main body, and blur the background and background. If the indoor space allows, it can also be used. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What if the glass of the Huawei phone lens is broken and blurred?
If the lens glass of the Huawei phone is broken and blurred, you can go to the phone application to make an appointment for repair service. The operation method is as follows: open the "My Huawei" app and enter the "Home" interface in the lower left corner; click the "Service" button at the top to enter the service page; click the "More Repair" button on the page to enter the repair appointment page; Choose a maintenance method, fill in the information, and submit an appointment request (the operating environment is the Huawei P50, HarmonyOS 2.0.0 as an example). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>