How to praise the DSLR photography
They could praise the photo itself and the photographer's efforts. As for the photo itself, it could be praised for its ingenious composition and framing. The picture was attractive; the colors were rich, the saturation was good, and the atmosphere was full; the shot was clear and the exposure was just right, making people feel the atmosphere of the scene; the photographer had a photographic eye and could capture beautiful moments, making the photo full of story; the combination of the elements was good, which could resonate with the audience and had a unique beauty and emotion, making people have endless aftertaste. At the same time, don't forget to praise the time and energy that the photographer spent to take good photos, and affirm their passion for photography. Read more exciting novels for free
DSLR photography is white
DSLR photography may be caused by the following reasons: 1. ** Over-exposure **: Over-exposure will cause things to lose a lot of details and become layered, causing the image to turn white. 2. ** Flash is too strong **: If you use a DSLR flash to shoot, the flash will be too strong, and the photo may appear white. 3. ** White balance setting problem **: The camera is not that smart. Different light may affect its judgment of white. For example, under dim indoor light or incandescent light, it may cause deviation in white and become white. 4. ** Inappropriate shooting mode **: If you use the scene shooting mode, but the actual shooting scene does not match the selected mode, it is easy to cause color reproduction problems, which may lead to white. 5. ** Mishandling color settings **: DSLR cameras are highly controllable. Mishandling color settings may cause unnecessary problems, including the image turning white. 6. ** Monitor effect **: If the shooting scene is bright and observed through the monitor, there may be problems with inaccurate exposure and color reproduction, which may cause the picture to turn white. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
DSLR photography is a system
DSLR photography was a system that covered many aspects. From the perspective of equipment, it included single-lens reflex cameras and various lenses. Different lenses were suitable for different shooting scenes and requirements. For example, telephoto lenses were suitable for shooting long-range shots and close-ups, and wide-angle lenses were suitable for shooting large scenes. Together with the single-lens reflex camera, they constituted the hardware system. In terms of the shooting process, there was a complete set of steps for DSLR photography, including measuring light, setting exposure, composition, focusing, and shooting. Metering was like judging the heat before cooking. It was the camera's prediction of the strength of the light. Modern DSLR had an automatic measuring function and a variety of measuring modes. It could also use the exposure ruler to determine whether the exposure was correct. At the same time, it was necessary to pay attention to special situations such as the principle of "white plus black minus" when shooting white or black objects. Setting the exposure was based on the measurement results to adjust the parameters. The composition was related to the layout of the picture and the arrangement of the elements. The focus was to ensure that the subject was clear, and finally, the shot was taken. These steps were interconnected and linked together to form the operation process system of DSLR photography. From the perspective of the market and the users, DSLR photography had also become a system. In the market, despite the competition from micro-tablets, DSLR still had its own characteristics in terms of price system and market demand. For example, due to the suspension of production of some single-lens reflex cameras and lenses, the supply was reduced but the demand was strong, which made the price of these cameras stable in the second-hand market. For the users, when the budget was fixed, the choice of DSLR or micro-single had to consider the price of the body and lens, cost-performance ratio, and other factors. The needs and choices of the entire market and users also formed a part of the DSLR photography system. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Mobile phone photography and DSLR photography
There were many differences between cell phone photography and DSLR photography: ** 1. In terms of hardware ** 1. ** Shot ** - DSLR had the huge advantage of being able to change lenses. By using lenses with different focal lengths, such as wide-angle, telephoto, macro, etc., they could take photos with different effects to satisfy more personal shooting ideas. For example, when shooting scenery, the wide-angle lens could accommodate a wider scene, and when shooting close-ups, the macro lens could show the details of the microscopic world. - Although mobile phone lenses had multi-camera combinations such as main camera, ultra-wide angle, telephoto, and so on, there was still a gap in the flexibility and professionalism of the focal length compared to the DSLR lens. Moreover, it could not be freely changed to meet special shooting needs like the DSLR lens. 2. ** Light-sensitive element ** - The size of the sensor of the DSLR was larger, which allowed it to better control noise at high sensitivity and capture light better. In dark environments, such as night scenes, it could take photos with better quality and richer details. - The light-sensitive element of the mobile phone was relatively small, and it was easy to produce more noise under high sensitivity. The ability to shoot in dark light was limited, but the mobile phone manufacturer made up for this deficiency to a certain extent through algorithm optimization. 3. ** Control of shooting parameters ** - DSLR cameras could manually and precisely control the aperture, shutter, sensitivity, white balance, and many other parameters. For example, by adjusting the aperture size, you can control the depth of field and achieve the effect of background blurring. By adjusting the shutter speed, you can capture different instantaneous effects of moving objects, such as a high-speed shutter freezing the moment of movement, a slow shutter shooting the light track, and so on. - Although cell phones also had a professional mode, which could adjust some parameters such as sensitivity and shutter speed, the flexibility and accuracy of operation were not as good as that of a single-lens reflex camera. Moreover, many users relied more on the automatic shooting mode of the cell phone in their daily use. ** 2. In terms of shooting convenience ** 1. ** Volume and Portableness ** - The mobile phone was small and light. It was an item that people carried with them on a daily basis. It could be used to take photos anytime and anywhere. It was very suitable for capturing moments in life. - DSLR cameras were relatively large, heavy, and inconvenient to carry. They needed special camera bags and other equipment. They might miss some shooting opportunities because they were not portable. 2. ** Ease of operation ** - The cell phone was easy to operate and highly automated. For a novice photographer, he only needed to turn on the camera and press the shutter at the subject. The camera would automatically complete the measurement, focus, exposure, and other operations. Moreover, the camera function of the phone integrated many intelligent algorithms, such as beauty, scene recognition, etc., which could quickly get good photos. - The operation of a DSLR camera was relatively complicated and required a certain amount of learning costs. It required mastering the settings of various parameters and the use of function buttons, but its advantage was that it could be customized according to the photographer's creativity. 3. ** Post-processing ** - Mobile photography came with a lot of convenient post-production functions, such as filter, crop, color matching, etc. After shooting, you could immediately perform simple post-processing and share. Some phones also used software algorithms to perform deep optimization, such as computational optical to improve the quality of photos. - The post-production work after the shooting of the DSLR mainly relied on computer software, such as Adobe Photoshop, etc. The operation was relatively complicated, but it could carry out more detailed and professional post-processing. ** 3. In terms of shooting effects ** 1. ** Picture Quality and resolution ** - The photos taken by the single-lens reflex camera had a high level of image quality, resolution, color reproduction, and so on. Especially when the output was large, it could show more delicate details and more accurate colors. - Although cell phone photography was constantly improving in terms of the number of resolution, the overall picture quality was still inferior to that of a DSLR camera. When zooming in to see the details of the photo, it was easy to have problems such as blurriness and noise. 2. ** The artistry and atmosphere of the photos ** - When using traditional equipment such as old lenses, the photos taken by the single-lens reflex camera often had a unique texture, atmosphere, and light sense, such as film feeling, oily feeling, etc. This feeling was the result of the optical characteristics of the lens, the internal structure of the camera, and other factors. - Due to the optimization of the algorithm and other reasons, mobile photography photos were often clearer and sharper. To a certain extent, it lost the artistic sense and atmosphere of traditional photography and pursued more to restore the real scene. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The quality of mobile phone photography and DSLR photography
There were many differences in quality between cell phone photography and DSLR photography. ** 1. In terms of imaging hardware ** 1. ** Light-sensitive element ** - The size of the sensor in a single-lens reflex camera was relatively large, such as the full-frame (35mm) and APS-C (1.5 or 1.6x cropped), while the sensor in a mobile phone was mostly between 1/2.3 and 1/1.5. The larger sensor meant that the DSLR had an advantage in capturing light, displaying details, and performing better under high sensitivity. For example, in low-light environments, an DSLR could collect more light, reduce noise, and make the picture purer. On the other hand, mobile phones tended to have more noise and rough picture quality when they were at high sensitivity. 2. ** Shot ** - The lens of the single-lens reflex camera could be changed. It could choose the appropriate lens according to different shooting needs, such as telephoto, wide-angle, macro, etc., and the optical performance of the lens was excellent. Although there were many mobile phone lenses (such as three or four cameras), there was still a gap between the imaging and the real optical lens. There were more restrictions on the adjustment of the lens parameters, and the imaging effect was relatively poor. ** 2. Shooting Function ** 1. ** Void Effect ** - DSLR cameras could naturally achieve the blurring effect of the background and the background through the optical lens, which was the depth of field effect. Although mobile phones also had the concept of depth of field and could shoot background blurring, the effect of the blurring of the background was either not good or not natural enough. Even if there were some apps that could simulate a better blurring effect, it was still difficult to compare with the depth of field effect of optical lenses. 2. ** Zooming ability ** - Most mobile phones had digital zooming, which was a loss of zooming, and the quality of the picture would be reduced when shooting long-range zooming. The single-lens reflex camera used an optical lens and had the ability to zoom without damage. Even if it was shooting a distant object (such as the moon), it could clearly record the surface details. 3. ** Shutter performance ** - DSLR cameras used a mechanical shutter, and they could shoot immediately when the shutter was pressed. The continuous shooting speed was also very fast. As long as the shutter speed parameters were fast enough, they could clearly capture moving objects without smears. However, the electronic shutter on the cell phone had an obvious lag after pressing the shutter, which was not conducive to capturing fast-moving objects. ** 3. Image processing ** 1. ** Image quality and post-processing space ** - Due to the large light-sensitive element of the single-lens reflex camera and the good optical performance of the lens, the image quality was high, and there was a lot of room for post-production. Although cell phones had a high resolution, due to the small sensor, the image quality was not as good as that of an DSLR, and the space for post-processing was relatively small. Although mobile photography had advantages in terms of convenience, built-in image optimization function (direct effect, light, shadow, and color were almost perfect), and instant transmission (shooting at any time, entering the media at any time, and using the APP to quickly retouch the photo and make it beautiful), from the perspective of image quality itself, the overall quality of DSLR photography was higher than mobile photography due to the influence of various factors such as hardware and functions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Simple DSLR photography tutorial
The following is a simple DSLR photography tutorial: ** I. The structure of a single-lens reflex camera ** 1. Understanding the body, lens, sensor, viewfinder, shutter, display, and other components were the basic components of an DSLR camera. ** 2. Shot parameters ** 1. ** Type of lens **: For example, Canon lenses include different types of lenses such as EP, ESF-S (AP-S format), MP-E (1x or higher), and TS-E (shift-axis lens). 2. ** focal length **: For example, the Canon EF24 - 105mm f/4LIS USM lens, 24 - 105mm means that the maximum wide-angle end is 24mm, and the maximum telephoto end is 105mm; if there is only one value, it is a fixed-focus lens. 3. ** Maximum Aperture **: f/4 represents the maximum aperture, only one value represents a constant aperture lens, and two values represent the maximum aperture of the wide-angle end and telephoto end respectively. For example, L represents a Canon professional lens (with a red circle in front of the lens), IS represents anti-shake function, USM represents an ultrasonic motor, and II represents the second generation of this lens. ** 3. Focus related knowledge ** 1. ** Introduction to focal length **: It refers to the distance between the center of the lens and the surface of the sensor. The unit is millimeters (mm). 2. ** Focus length, field of view and depth of field **: The shorter the focus, the larger the shooting range and the greater the depth of field; the longer the focus, the smaller the shooting range and the smaller the depth of field. 3. ** Focus length and x-ray effect **: The shorter the focus, the stronger the x-ray effect (greater distortion); the longer the focus, the weaker the x-ray effect (lesser distortion). ** 4. Movie Tune ** 1. ** Concept **: Shadow tone refers to the brightness of a photo. Bright photos are high-profile, dark photos are low-profile, and neither bright nor dark photos are mid-tone. 2. ** Different shades **: Bright objects are suitable for high-profile performance, while dark objects are suitable for low-profile performance. ** 5. Shooting Mode Setting (for beginner users)** 1. ** Automatic or P mode **: suitable for beginner users who have just come into contact with the DSLR camera and haven't learned it in depth. Basically, there are not many settings. Just press the shutter and you can shoot. 2. ** AR (Aperture priority mode)**: You can set the aperture value (F value) yourself. The smaller the F value, the larger the aperture, and the higher the degree of blurring outside the main body. It is suitable for shooting scenes such as portraits, food, and macro scenes that focus on blurring the background. The higher the F value, the smaller the aperture, and the better the layering of the scenery. 3. **TV (Shutter priority mode)**: Set the shutter value manually. The smaller the value, the longer the exposure time inside the camera. It is suitable for shooting moving objects in a dark indoor environment (a tripod is needed to prevent the image from blurring). The higher the value, the shorter the exposure time of the camera. It is suitable for shooting fast-moving objects to prevent the subject from blurring the photo due to high speed. 4. **M (Manual)**: You need to manually set the shutter, sensitivity, and aperture size. It's relatively difficult, but it's a necessary skill for professional photographers. For example, outdoor portrait: 1/100s, 100F1.2 - 2.8; indoor portrait: 1/80s, 1500F2.8 or below; baby/pet photography: 1/200 or above, 100 - 800F1.4 - 5.6; still life/gourmet photography: 1/80s- 1/200s, 100 - 400F1.2 - 4. ** 6. Shutter Usage (Focus)** When you press the shutter, press it slightly. When the small square in the lens appears in the position you want to shoot (indicating that the focus is successful), then press the shutter. This way, the photo won't be out of focus. If the DSLR is a touch screen, the position where the hand touches will be the focus. ** 7. Setting of light sensitivity (USB)** The higher the sensitivity, the brighter the photo, but the worse the quality, the more noise; the lower the sensitivity, the darker the photo, but the better the quality, the less noise. Generally, it was recommended not to exceed the range of 1600. If you were to shoot outdoors on a sunny day, you would only need to shoot around 100. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Tweet about DSLR photography
Single-lens reflex photography was a field full of depth and skill. First of all, DSLR cameras had a unique structure and imaging principle. Its full name was a single-lens reflex camera. The camera body was equipped with a disassembled lens and a reflective plate that could be flipped inside. When shooting, the mirror was lifted after the shutter was pressed. At the same time, the shutter in front of the sensor, the LCD, was opened. The light entered the LCD sensor and was reflected to the focusing screen to form an image. After the sensor was finished, the mirror was reset, and the photographer could see the final image in the viewfinder and the memory card. This structure realized WYSIWYG. The viewing range was basically the same as the actual shooting image size, which was helpful for accurate framing composition. In terms of product line, Nikon had many series of DXR. For example, the Dx series represented the strongest focus and continuous shooting performance; the D8x series was the flagship of image quality; the D7x series and D6x series were entry-level full-frame models; the Dx00 series was the APS-C frame speed flagship model; the D7x00 series was the APS-C frame high-end image quality model; the D5x000 series and D3x00 series were low-end DSLR products (currently no longer competitive). There were many important points in terms of shooting techniques. For example, when shooting starlight effects, wide-angle was better than telephoto, small aperture was better than large aperture, and point light source was better than non-point light source. During the day, when the aperture was set to F11, the effect of the starlight was more obvious. The smaller the aperture, the more obvious the effect of the starlight and the longer the lines. However, when shooting with a DSLR, the aperture was opened to the maximum aperture by default to ensure that the viewfinder frame was bright. Pressing the shutter before pressing the aperture to set the exposure may cause repeated adjustments when shooting stars. However, you could use the "depth of field" button (there was no separate button to set the F-N button). After setting the aperture value, you could press it to see the changes after the aperture contracted, which could save the trouble of repeated test shots. When shooting the sun's starlight, you could let the sunlight shine through the gaps of the leaves on the lens. You could press the depth of field "button to change the camera position to find the best shooting point. In terms of the M setting, if there was enough light during the day, the sensitivity was set to 100 to ensure the image quality. When the environment was dark, it was better to increase the Iso but try not to exceed 6400. If it was too dark, you could use the fill light. Aperture setting, single shot can adjust the large aperture to blur the background, multi-person group photo set to about f8 to ensure the face is clear; Shutter setting, general portrait shooting with a safety shutter, sports models need to speed up the shutter speed to freeze the picture. In terms of composition, one had to pay attention to the elements and color matching of the picture. For example, when a narrow alley formed a frame, one could use a telephoto to zoom in on the buildings behind to create a sense of compression. One had to pay attention to the color matching between different elements such as buildings, eaves, lanterns, and so on. At the same time, one had to make good use of different tones. Although the camera was cumbersome, complicated to operate, and unstable, it could use a variety of lenses (such as fisheye, wide-angle, medium telephoto, telephoto, macro, etc.). It could accurately set the aperture, shutter, sensitivity, and other data. It was suitable for people who had professional photography needs and wanted to create high-quality, creative photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Learn photography, micro or DSLR
There were advantages and disadvantages to a micro single-lens camera and a DSLR camera. The choice could be made according to one's own needs. From the perspective of portable, the micro-camera was light and easy to carry, which was a big advantage, while the DSLR was relatively heavy. In terms of image quality, the image quality of a micro camera was no worse than that of a DSLR camera. If you want a light and high-quality photography experience, a micro-camera is a good choice. However, DSLR had its own characteristics. For example, in some professional fields, there might be some situations where the equipment was more complete and the operating habits were more in line with traditional photographers. However, in general, the use of micro-DSLR was becoming more and more common in the market, and it was the choice of many photography enthusiasts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cell phone photography and DSLR
From the perspective of photography, it was a profession for professionals, but it was a fun interest for ordinary people. The essence of this art did not change because of the shooting tool. Mobile phones and DSLR cameras were all in the category of photography. There were also many mobile photography competitions, and the level of excitement and perception of the participating works were not bad. However, there was a big difference in the quality of the images. In terms of hardware, mobile phones had many limitations. Most smart phones had a limited full-frame field of view after equivalent focal length conversion, and the difference between multi-camera lens imaging and real optical lens was large. The lens parameters were limited and the imaging was poor, while the imaging effect of single-lens reflex lens was excellent. The blurring effect of mobile phones was poor. They relied on chip calculations and were not as natural as the optical lens of a single-lens reflex. It was more advantageous to shoot portraits or flower single-lens reflex lenses. In terms of optical zooming, most mobile phones had digital zooming, which was a loss of zooming. When zooming, the image quality would decrease. The optical zooming of the single-lens reflex lens was not damaged. Although some mobile phones had a certain amount of loss-free zooming ability, the magnification was limited. The depth of field compression effect of mobile phones was related to the sensor and the lens. Some mobile phones did not have good results, but the depth of field compression effect of DSLR telephoto lenses was better. The size of the cell phone's sensor was small, and high resolution did not mean that the image quality was good. The size of the DSLR's LCD was relatively large. In addition, the shutter of the phone was lagging. Using an electronic shutter, there was a lag when pressing the camera, which was not conducive to snapping. The mechanical shutter of the DSLR was fast. However, mobile phones also had their own advantages. They had developed from fully automatic photography to professional manual mode, and could provide RAW format files. They were constantly improving in terms of sensor size, rear lens quality, and in-camera imaging algorithms. For example, some mobile phones had large-size sensors, high-quality lenses, and specialized imaging chips. Moreover, the phone was easy to operate, and it was easier to use for novices who were not used to professional photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Will smartphone photography replace DSLR?
Smart phone photography had great advantages in some aspects, such as high cost-performance ratio, convenience, ease of operation, efficient post-processing, etc. Moreover, with the development of technology, its photography ability continued to improve, and it could meet the needs of many people in daily shooting scenes. However, DSLR cameras were irreplaceable. For example, they had higher professional performance in terms of image quality, color resolution, tolerance, depth of field control, angle of view and composition, light and texture, etc., especially for those who pursued high-quality photography, needed more powerful optical performance, had extreme requirements for image quality, and were used in professional photography. Therefore, it was unlikely that a smartphone could completely replace a DSLR camera. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon DSLR photography tutorial
Here are some basic guides for Canon DSLR photography: 1. ** Cameras Assembly ** - First, find the battery compartment of the camera, gently open the battery compartment, install the battery compartment according to the interface on the battery, close the battery compartment after installation, and turn on the camera to check if it was normal. - When installing the lens, first find the power contact point between the lens and the camera (small yellow dots), align the camera and the lens 'teeth, press the camera buckle, rotate the lens clockwise, and hear a "click" sound. Release the buckle and check if it is loose. 2. ** Hold the camera ** - Using his right hand to grab the camera along the camera handle, his index finger was placed on the round button, his left hand was placed under the lens, and his thumb and middle finger were placed on the large focal point (newbies did not need to use the small focal point for the time being). 3. ** Shooting Mode ** - For Canon 77D and other models, there was an LCD display mode and real-time first mode (cat eye mode), which could be used by novices. If you didn't know the parameters such as aperture, shutter speed, and so on, you could turn the mode to P, which was a more convenient automatic mode. You basically didn't need to worry about the parameters to press the photo button to shoot. 4. ** Focus Mode ** - The single-shot autofocus mode was suitable for shooting still objects, such as scenery and portraits. The artificial intelligence autofocus mode could continue to focus when the shutter was half-pressed, which was suitable for shooting moving objects. The artificial intelligence servo-focus mode was suitable for shooting moving objects. When the object was still, it was single-shot focus, and when it was moving, it was autofocus. - Single-point autofocus had high accuracy and was suitable for still objects; area-based autofocus was suitable for shooting slow-moving objects; large-area autofocus was suitable for shooting fast-moving objects; and 45-point autofocus had a large focus area and a high success rate, but the accuracy was low and was suitable for emergencies. 5. ** About exposure ** - Manual mode was used for meetings, concerts, indoor fixed light sources, or scenes where exposure had to be controlled. - The B-door mode could control the exposure time at will and could be used to shoot light tracks. - The depth of field could be controlled in the AC mode, and the speed could be controlled in the TV mode. - The safety shutter was the inverse of the focal length, and the safety shutter speed could be achieved by controlling the shutter speed.(If the shutter speed was doubled, the shutter speed would be doubled. If there was a tripod or there was no need to increase the shutter speed, the shutter speed would be doubled. If the shutter speed was 100, the shutter speed would be doubled.) - If the brightness of the photo was not enough in P, LV, and TV modes, the brightness of the photo could be adjusted by adjusting the exposure compensation. - When shooting scenes with more white or black, the principle of white plus black minus should be followed to adjust the exposure compensation. - When the measuring position and the focusing position are not the same (such as a silhouette), you should use the exposure lock function and refocus after the exposure is locked in the measuring position. 6. ** Solve specific problems ** - If the flash of a Canon DSLR camera kept popping up (like the Canon 100D), it could be adjusted to P-mode. However, if the light was too dim after using the P file, it would easily lead to a long exposure time and blurry photos. He could increase the USB to solve the problem. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>