Journey to the West: Women's Country, Male Version
According to the information provided, there was a male version of the theme song of Journey to the West, The Kingdom of Women, which included the lyrics,"How can we have both in this world? I can't live up to the Buddha, I can't live up to you, I can't reflect on my mortal heart, I can't live up to my Buddhist behavior, I've never been so smart, I've already suffered, I'm going west, how can I give birth to a beauty, how can the city erase you…" However, he could not find more detailed information about this male version of the theme song, so he could not answer further. Read more exciting novels for free
86 Version of Journey to the West, Country of Women
The filming locations for the 86 edition of Journey to the West included Lion Forest in Suzhou City, Jiangsu Province, East Lake in Shaoxing, Zhejiang Province, Panmen Scenic Area in Suzhou City, Jiangsu Province, and Jinli Bridge in Luzhi Town, Wuzhong District, Suzhou City, Jiangsu Province. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Journey to the West, Country of Women, old version
The following is the footage of the 86th edition of Journey to the West: - In terms of casting, in order to find a suitable actress to play the role of the king of the Kingdom of Women, the production team received thousands of photos of actresses. Many actresses came to audition but did not satisfy the director. In the end, Director Yang Jie accidentally saw Zhu Lin's photo and felt that she fit the image of the king of the country of women in her heart. Li Chengru recognized that this was his old classmate Zhu Lin, so Zhu Lin joined the crew. - When Zhu Lin first met Xu Shaohua after joining the cast, both of them were attracted by each other's image. Zhu Lin looked shy and Xu Shaohua was at a loss. However, when the filming officially started, because Zhu Lin's costume was too large at that time, Xu Shaohua was so nervous that he broke out in a cold sweat when he looked at her. He frequently forgot his lines, and the scene of four eyes looking at each other was filmed eight times. Later, Director Yang Jie drove the others out of the set, and the classic scene of Tang Sanzang admiring the national treasure at night was filmed. - In terms of plot creation, the director of this episode had made major changes to the original plot, especially to the psychological activity of Tang Sanzang. In the original novel, Tang Sanzang seemed to be indifferent to the relationship between men and women, but in this episode, Tang Sanzang once fell in love with the king of the Kingdom of Women, but eventually refused the queen's love because he had become a Buddhist and shouldered the great responsibility of obtaining scriptures. - In terms of setting, part of the outdoor scenes of " The Kingdom of Women " was selected to be in the Lion Forest, one of the four major gardens in Suzhou. Several larger halls in the garden were renovated by the crew into the palace and bedroom of the King of Women. The art designer used the pearl-like curtains and tulle from the Suzhou plastic factory to decorate the scene. Coupled with the color rendering of the styling lights, it created a magnificent scene full of feminine characteristics and soft beauty. - In the creation of the background music, Director Yang Jie personally modified the lyrics of " Daughter's Love " recorded by Xu Jingqing in the recording studio. For example, she changed " Quietly ask my brother " to " Quietly ask the holy monk " to make the lyrics more in line with the situation. It just described the bumpy heart of the queen's love and the relationship between the two. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Journey to the West: The Country of Women
Tang Sanzang and his disciples passed by the Kingdom of Women. Tang Sanzang and Bajie became pregnant after drinking the water of the Zimu River. They needed to get the spring water from the Fetus Falling Spring to abort their pregnancy. Sun Wukong got the spring water after fighting with the owner of the spring, True Immortal Ruyi. When the king of the Kingdom of Women saw Tang Sanzang, he wanted to call him his husband. Sun Wukong asked Tang Sanzang to pretend to agree in order to get the pass. During the banquet, Sun Wukong coincidentally obtained the official document. After that, the three disciples pretended to bid farewell, and the Queen and Tang Sanzang sent them off together. Outside the city, Tang Sanzang expressed that he wanted to go to fetch the scriptures, but he was captured by the scorpion spirit. Sun Wukong and Zhu Bajie could not defeat the scorpion spirit. Guanyin told them to invite the Pleiades Sun Star. After the Pleiades Sun Star subdued the scorpion spirit, the four of them continued westward. In this difficulty, Tang Sanzang faced the test of love, which was considered to be an extremely difficult hurdle. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Journey to the West, Women's Country Clothing
In the 86th edition of Journey to the West, the clothes of the king of the Kingdom of Women were very exquisite. It was said that the embroidery on his clothes was completed by dozens of embroidery ladies over a few months, embroidered with all kinds of exquisite flowers and mysterious patterns. The king of the Kingdom of Women played by Zhu Lin had many sets of clothes. When she first appeared, she wore a big red corolla, a bright yellow coat, and a pearl hairpin on her head. She was graceful and luxurious. When she met Tang Sanzang, she wore pink clothes and pink flowers on her head. When she wanted to recruit Tang Sanzang as her son-in-law, she wore blue accessories and blue brocade clothes. When they visited the park together, they wore light yellow clothes and pink skirts. In 2002, in " The Great Sage, Heaven's Equal, Sun Wukong," filmed by Taiwan's eight major television stations, Hu Jing's role as the king of the Kingdom of Women was not very effective. In the 2010 Zhejiang version of Journey to the West, the king of the Kingdom of Women played by Wang Like was dressed in jewelry, similar to the Thai welcoming maid, but the jewelry was not exquisite enough. In the 2012 New Journey to the West directed by Zhang Jizhong, Shu Chang played the role of the king of the Kingdom of Women, who always wore a long headscarf on his head. His arms, neck, and head were all wearing glittering jewelry, which had a "minority" style. Zhao Liying played the king in the 2018 film special edition of Journey to the West, but there was no mention of clothing features. In addition, there were also costumes for the performance of Journey to the West for rent. The fabric of the king's clothes was Chenille, and the main fabric was made of denim. It was suitable for folk dance and could be worn by both men and women. " The New Emperor on Girls 'Day " is equally exciting. Everyone is welcome to click and read it!
Journey to the West: A summary of the country of women
In Journey to the West, the story of the Land of Women was mainly as follows: When Tang Sanzang and his disciples passed by Zimu River, Tang Sanzang and Bajie became pregnant after drinking the water. It turned out that this was a country of women, and women became pregnant by drinking Zimu River water. The village woman told Sun Wukong that he could go to the Broken Child Cave in Mount Jieyang to get the spring water for abortion. When Sun Wukong went to get the spring water, he was stopped by the spring owner, True Immortal Ruyi (because of his nephew, Red Boy). Sun Wukong lured True Immortal Ruyi out and got the spring water. After the women found the master and apprentice, they reported to the queen. The queen wanted to call him her husband after seeing Tang Sanzang. In order to get the queen's certificate, Sun Wukong asked Tang Sanzang to pretend to agree. The Queen hosted a banquet to entertain the four of them. During the banquet, Sun Wukong happened to get the pass. The three apprentices pretended to leave. When the Queen and Tang Sanzang saw them off, Tang Sanzang said that he wanted to go to fetch the scriptures. The Queen refused. At this time, Tang Sanzang was captured by the scorpion spirit. Sun Wukong tracked him to Pipa Cave of Poison Enemy Mountain. He and Bajie failed to defeat the scorpion spirit. Later, Guanyin suggested that they should invite the Pleiades Sun Star of the East Heaven's Gate. Sun Wukong invited the Pleiades Sun Star to conquer the scorpion spirit. Only then did Tang Sanzang and his disciples continue westward. In the original novel, the Kingdom of Women was not as beautiful and pure as some movies and television dramas. There was contact with the outside world (the Tongtian River could lead to the Kingdom of Women). The old woman's remarks in the original novel showed that the attitude of the Kingdom of Women to men was more terrifying. When the king of the Kingdom of Women and Tang Sanzang first met, the king showed a strong desire to make love, and Tang Sanzang was shy and did not dare to raise his head. The film adaptation often beautified this plot. For example, in the TV series, Zhu Lin played the dignified and beautiful king of the Kingdom of Women, who had a touching emotional scene with Tang Sanzang. The movie also had the plot of Tang Sanzang and his four disciples mistakenly entering the Kingdom of Women and falling in love here. Finally, they gave up their personal love for the sake of all living beings in the world. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Journey to the West: A summary of the country of women
In the original story of Journey to the West, the four disciples of Tang Sanzang passed by the Kingdom of Women in Xiliang on their way to obtain the scriptures. This country was full of women who got pregnant and gave birth by drinking the water of Zimu River. Zhu Bajie and Tang Sanzang drank the water of Zimu River by mistake and became pregnant. Sun Wukong took the water of Luotai Spring to relieve the fetus. The king of the Kingdom of Women took a fancy to Tang Sanzang and wanted to marry him. The movie Journey to the West, the Kingdom of Women, was adapted from Journey to the West. It was directed by Zheng Baorui and starred by Feng Shaofeng, Guo Fucheng, Zhao Liying, etc. It told the story of Tang Sanzang and his disciples entering the Kingdom of Women by mistake and falling in love here. Finally, they gave up their personal love for all living beings in the world. The TV series Journey to the West, The Kingdom of Women, was directed by Huang Zuquan and starred by Hou Minghao, Aoguan, White Deer, Huang Zheng, etc. It told the story of the emotional entanglement between Tang Sanzang and the king of the Kingdom of Women before he became a monk. After helping the king of the Kingdom of Women return to the throne, he felt relieved and set foot on the road to the Western Heaven to learn scriptures. In the 86 edition of Journey to the West, in the plot of the Kingdom of Women, the king of the Kingdom of Women appeared for the first time with a powerful and beautiful aura. After she saw Tang Sanzang, she fell in love with him and expressed her love to him in many ways, such as taking Tang Sanzang to the imperial garden and personally picking up food for him. Tang Sanzang, on the other hand, had to face a difficult choice between love and mission. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Journey to the West, Women's Country TV Series
There was an ancient drama called Journey to the West, the Kingdom of Women, directed by Huang Zuquan, with Hou Minghao, Ao Quan, Bai Lu, and Huang Zheng as the main actors. The play told the story of the emotional entanglement between Tang Sanzang and the king of the Kingdom of Women before he became a monk. After helping the king of the Kingdom of Women return to the throne, he felt relieved and embarked on the journey to the West. It was completed in September 2017. The production team was supervised by Bai Yicong, and Zhang Yimou's art, Huo Tingxiao, and others personally participated. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Journey to the West, Interesting Classics, Women's Country
In Journey to the West, the plot of the Land of Women contained rich meanings, and the presentation of different versions also brought readers and audiences a variety of insights. From an emotional point of view, this plot profoundly displayed the conflict between love and responsibility. The King of the Kingdom of Women and Tang Sanzang had developed a love for each other. This feeling was sincere and touching. The king was willing to give up his royal power and wealth, and Tang Sanzang had also wavered his will to travel west. However, Tang Sanzang was shouldering the great mission of learning from the Western Heaven and saving all living beings. He finally chose to restrain his emotions and continue to travel west. This reflected that when faced with personal feelings and a great mission, they needed to make difficult choices. They could not lose their righteousness because of small love. In terms of character creation, the image of the king of the Kingdom of Women was very impressive. She had the courage to pursue love, but she also had the decisiveness to let go in the face of the big picture. She understood that if Tang Sanzang was forced to stay, even if he got it, it would not be perfect. This mature view of love reflected her wisdom and open-mindedness. Tang Sanzang's struggle in this plot also made his image more three-dimensional. He was not a holy monk who was completely out of the mortal world, but he had mortal feelings, but he could stick to his faith and mission. From the different versions of the adaptation, the movie version added a love story between the state preceptor and the river god. By comparing the state preceptor's love for the country and the river god's obsession with love, it further strengthened the theme of love and responsibility. In general, the plot of The Kingdom of Women was a unique love story that explored human nature, responsibility, love, growth, and many other topics. Whether it was in the original work or the adapted work, it gave people a deep thought and aftertaste. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Original Journey to the West, Women's Country Video
Here are some ideas for creating the original video for Journey to the West: The Kingdom of Women: ** 1. Story Creation ** 1. ** A new plot angle ** - It could be explained from the perspective of the ordinary people of the Kingdom of Women. For example, it depicted a young woman from the Kingdom of Women. Before the arrival of Tang Sanzang and his disciples, she was full of curiosity about the outside world. When Tang Sanzang and his disciples entered the Kingdom of Women, she witnessed the emotional entanglement between the king and Tang Sanzang. At the same time, she also saw the strangeness of the four masters, such as the magical powers of Sun Wukong and the charmingly naive Zhu Bajie. In this process, her own ideas had also changed. From only knowing the single culture of the country of women, she yearned for the outside world and thought about new things such as Buddhism. - Or perhaps the story would start from the past and present lives of the king of the Kingdom of Women. Assuming that the king of the Kingdom of Women had some kind of unfinished fate with Tang Sanzang in her previous life, and they met again in this life, this kind of fate made her feelings for Tang Sanzang even more complicated and deep. In this process, some fantasy elements could be inserted, such as the king recalling the fragments of his previous life in his dream, or seeing the experience of Tang Sanzang's previous life through some mysterious power (such as the sacred object of the Kingdom of Women). 2. ** Character Creation Deepens ** - As for Tang Sanzang, apart from showing how conflicted he was when facing the feelings of the king of the Kingdom of Women, he could also show how he spread the concept of Buddhism to the people during his time in the Kingdom of Women. He might encounter some situations where he did not understand or resist Buddhism. For example, some people thought that the country of women had been living well without men and did not need the guidance of Buddhism. Tang Sanzang used some ingenious methods, such as using the natural phenomena or customs of the country of women to explain the concepts of karma in Buddhism. - As for the king of the Kingdom of Women, he could focus on her leadership skills. In addition to her love for Tang Sanzang, she had to govern a country with only women. She faced many unique challenges, such as labor distribution, national defense (although the country of women may face fewer wars, but the potential threats of neighboring countries, etc.) and other issues. When Tang Sanzang arrived, her balance between love and national responsibility could also be described in more detail. For example, she was worried that if she was with Tang Sanzang, it would affect the tradition and stability of the country, or she tried to find a way to keep Tang Sanzang and make the country accept it. - People like Sun Wukong, Zhu Bajie, and Monk Sand also had their own space to perform in the Kingdom of Women. Sun Wukong could explore some mysterious spells or phenomena in the Kingdom of Women, while Zhu Bajie might make a fool of himself because of the delicacies of the Kingdom of Women or the gentleness of women. Monk Sand could play a more important role in maintaining the relationship between Tang Sanzang and his master and disciple. For example, when Tang Sanzang fell into emotional confusion, Monk Sand used his simple words to remind Tang Sanzang of his mission to learn from the scriptures. ** 2. Visual presentation ** 1. ** Scene Design ** - The scene of the Kingdom of Women had to reflect the characteristics of women. The architectural style could be soft and delicate. For example, the shape of the house could be round, the lines could be smooth, and the colors could be soft, such as pink or lilac. In the layout of the city, there could be many gardens and streams, symbolizing the beauty and agility of women. At the same time, there were some special buildings in the Kingdom of Women, such as the Queen's Palace, which was more magnificent. There could be exquisite murals inside the palace depicting the history and legends of the Kingdom of Women. - For the border of the Kingdom of Women or the junction with the outside world, some mysterious barriers or checkpoints could be designed to reflect the relatively closed characteristics of the Kingdom of Women. When Tang Sanzang and his disciples entered, the opening or passing of these barriers could have some magical visual effects, such as the flashing of light and the appearance of mysterious runes. 2. ** Character Image Design ** - Women in the country of women had to have a variety of clothing styles. The clothes of ordinary people could be simple and rich in ethnic characteristics. They were mainly made of light cloth, which was convenient for labor. At the same time, there were some feminine decorations such as flowers and ribbons. The clothes of the king of the Kingdom of Women were more gorgeous. They were made of high-grade silk and could have exquisite embroidery. The patterns could be symbols of the Kingdom of Women, such as phoenixes, lotuses, etc. The headdress had to be solemn and gorgeous to show her identity as the king. - The image of Tang Sanzang and his disciples could be improved on the basis of maintaining the original features. Tang Sanzang's kasaya could be more exquisite, with some unique patterns or decorations, reflecting his extraordinariness as an eminent monk. Sun Wukong's clothing could be decorated with some elements of the Kingdom of Women to show his experience in the Kingdom of Women. For example, he could wrap some colorful ribbons of the Kingdom of Women around his Golden Cudgel (this was an interesting design that would not affect his combat ability). The images of Zhu Bajie and Monk Sand could also be adjusted in details. For example, Zhu Bajie's clothes could have a pattern of delicacies from the Kingdom of Women (to match his gluttonous characteristics), and Monk Sand's shoulder pole could hang some small ornaments from the Kingdom of Women. ** 3. Music and Sound Effects ** 1. ** Music Style ** - It could be a combination of classical and ethnic music. In the scene of the Kingdom of Women, the music was mainly composed of melodious strings and soft wind instruments, such as guzheng, flute, and other musical instruments, creating a gentle and mysterious atmosphere. When expressing the feelings between the king of the Kingdom of Women and Tang Sanzang, some lyrical melodies could be added. The melody lines could be slow and tactful, like the solo part of a violin. When describing the fights or magical spells of Sun Wukong, the rhythm of the music could be accelerated, and some percussion instruments such as drums could be added to increase the tension. 2. ** Sound effects design ** - The environmental sound effects of the Kingdom of Women could include the sound of birds chirping, the sound of running water, the sound of the wind blowing through the flowers in the garden, etc. These sounds could make the audience more immersive. When the mysterious spells or rituals of the Kingdom of Women appeared, there could be some special sound effects, such as the ethereal bell, the sound of mysterious spells, and so on. As for the sound effects of Tang Sanzang and his disciples, Sun Wukong's Golden Cudgel could have a unique wind effect, Zhu Bajie's walking sound could be designed to be heavy and funny, and Monk Sand's voice should have a calm feeling. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Journey to the West original text, the country of women
In the original novel of Journey to the West, there was a story about the country of women. The people there were all dressed in long skirts and short jackets. They were all women, regardless of age. They were doing business on the two streets. When they saw the four of them coming, they clapped and laughed. They had plastic surgery and said," The people are here! The people are here!" Immediately after, the author attached a poem,"Jiao E called people all over the road, young women filled the streets to meet pink men." It's not that Wu Neng made an ugly face, or that fireworks surrounded suffering! " Hoo Renzong,"" Receiving Fans,"" Firework En," and other descriptions showed the unique scene of the country of women. At the end of the chapter, it was mentioned that the woman created a whirlwind and took Tang Sanzang away with a whoosh. He disappeared without a trace and no one knew where he was. [I have escaped the net of fireworks and met the demon of the wind and moon.] In addition, the original work also described the appearance of Tang Sanzang and the king of the Kingdom of Women. For example, the queen had phoenix eyes and crescent eyebrows. If one looked carefully, they really looked extraordinary. Tang Sanzang, on the other hand, was handsome and dignified. Teeth white like silver, lips red mouth square. The top is flat, the forehead is wide, the sky is full, the eyes are beautiful, the eyebrows are clear, and the cabinet is long. Two ears have round really outstanding people, a body is not ordinary is a talented man. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!