Ancient Painting of Sun Wukong
In an ancient painting from the Xixia period about a thousand years ago, there were two people walking together in the scene of Xuanzang's Buddhist scriptures. One of them looked like a monkey. This period was only a few hundred years after the real Journey to the West. At that time, people had not yet " rumored " the story of the divine monkey accompanying Xuanzang. The entourage in the ancient painting was not a monkey, but a monk with a bushy beard, but it looked a little like an ape. Experts believed that the image in this ancient painting was the real appearance of Sun Wukong. Some experts and scholars said that Sun Wukong was actually a monk disciple named Shi Pantuo. In the stories of the Journey to the West in the paintings of the Song and Yuan Dynasties, Xuanzang's entourage began to turn into monkeys. In the ancient paintings of the Song Dynasty, the image of a monkey wearing a golden hoop appeared. In the paintings of the Yuan Dynasty, there was the image of a monkey holding a golden cudgel. In the Yuan Dynasty, the story of the Journey to the West had already been finalized, with Sun Wukong, Bajie, Monk Sand and other companions. This ancient painting of the Western Xia Dynasty proved that the legend of Sun Wukong had existed before Wu Chengen of the Ming Dynasty. After the Western Xia Dynasty, more and more accurate murals of Sun Wukong were discovered, all of which were earlier than Wu Chengen's era. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Sun Wukong's Painting
There were many types of pictures about Sun Wukong: - There was a typical Sun Wukong in the comic book, which looked cute. There was also the image of Sun Wukong in the colorful comic book. - Liu Jiyou used fine brush techniques to express Sun Wukong in detail. Through line drawing and coloring, the image was three-dimensional, with a sense of depth and depth. This kind of painting method was often used as a reference for contemporary illustrations. - Dai Dunbang's Wukong was also a unique form of expression. - Modern illustrations used hand-drawn and computer technology to draw Sun Wukong. It required creativity and hand-drawn skills, as well as understanding 3D and rendering. However, the difficulty of this kind of illustration was creativity. - There was also Sun Wukong Fighting Erlang Shen, which was published by Zhejiang People's Fine Arts Press in 1987 and drawn by Zhu Jietang; Sun Wukong Fighting Erlang Shen, which was published by Shanghai People's Fine Arts Press in 1988 and drawn by Liu Junxian; Sun Wukong Fighting Baijing Shen, which was published by Jiangxi People's Press in 1963 and drawn by Shi Zhengxue; Sun Wukong Fighting Baijing Shen, which was published by Shanghai Painting and Calligraphy Press in 1977 and drawn by Zhao Hongben; In 1977, it was published by Tianjin People's Fine Arts Press and drawn by Liu Jiyou. In 1978, it was published by Shanghai Painting and Calligraphy Press and drawn by Lu Yifei. In 1989, it was published by Shanghai People's Fine Arts Press and drawn by An Jie. In 1993, it was published by Tianjin Yangliu Painting Society, Jiang Zhongli's Sun Wukong Battles Erlang God, Inner Mongolia People's Press, Bao Fenglin's Treasure in the Dragon Palace, and many other art works related to Sun Wukong.
First, second and third grade painting blackened Sun Wukong
The following are some methods suitable for first, second and third grade students to draw the evil Sun Wukong: ###1. Image and characteristics 1. ** Overall appearance ** - For the first year students, they could start with simple shapes. The Blackened Sun Wukong's body outline could be represented by a circle for the head and a echelon for the body. His clothes could be drawn in a ragged manner, such as using some irregular lines to indicate the damaged edges of the clothes. - The second year students could add some details to this foundation. For example, the hair of the Darkened Sun Wukong could be drawn more messily, like flames rising up, and could be represented by some curved lines. - The third-year students could further refine their body proportions to make Sun Wukong's figure look more robust. His limbs could be drawn with a more muscular feel, using some simple lines to represent the outline of his muscles. 2. ** Face expression ** - A first year student could draw an angry expression with a simple arc for the eyebrows, a downward curve for anger, a circle for the eyes, a black center for the pupils, and a large downward curve for the mouth. - Second-year students could add some red elements to their eyes. For example, they could use a red colored pen to gently paint around the pupils to express the evil feeling after being blackened. The mouth could be drawn larger, revealing the teeth. The teeth were represented by some small squares. - Third years could add some shadows to their faces, such as under their eyes and on both sides of their cheeks. They could use a light gray colored pen or pencil to make their expressions look more three-dimensional and fierce. ###2. Color Selection 1. ** Overall Color ** - The first year students could choose black and red as the main colors. Use a black colored pen to paint Sun Wukong's clothes and hair black. Use a red colored pen to draw his eyes, belt, or the Jingu Staff in his hand (if the Jingu Staff is drawn). - The second year students could add some dark purple on top of the black and red. He could use dark purple to deepen the shadows of his clothes, or draw some purple smoke around Sun Wukong to express the mysterious atmosphere of blackening. - Third-year students can try to use colored pencil or watercolor for a richer color presentation. For example, in addition to black, red, and dark purple, he could also use some dark blue to draw the background. It would form a contrast with the main color of Sun Wukong and highlight the image of the blackened Sun Wukong. ###3. Drawing Steps 1. ** Picture composition ** - For first-year students, they could first draw the outline of Sun Wukong in the center of the drawing paper to ensure the balance of the picture. - Second year students can consider adding some simple background elements, such as clouds or stones, to enrich the picture. - The third year students could make more complicated compositions, such as having Sun Wukong stand on a mountain peak with some destroyed trees or traces of battle around him. 2. ** Description of details ** - After the first year students drew the general outline, they could slowly add some simple details, such as the Golden Hoop Incantation on Sun Wukong's head, which was represented by a simple circular line. - The second year students could add some patterns to the Golden Hoop Incantation and use small curves to represent it. He could also draw some simple patterns on the clothes, such as flame-shaped patterns. - The third-year students could carefully draw the fur on Sun Wukong's body and the texture of his clothes. For example, using short and dense lines to draw hair, and using intersecting lines to show the folds of clothes. 3. ** Color fill ** - According to the color selection mentioned earlier, he filled the color from light to dark. First year students can use a watercolor pen or oil painting stick to fill in with the help of an adult. Be careful not to paint outside the outline. - The second year students could try to fill in the colors with a gradual change, such as a gradual change from red to yellow on the Jingu Staff to make the picture more vivid. - If third-year students used watercolors, they could first soak the paper with water and then slowly color it. This would make the colors more harmonious and natural. Not satisfied with the game? You can read the novel related to Black Myth: Wukong to understand the exciting plot!
Red Sun Painting of Ancient Yamen
The Red Sun Painting of the ancient yamen was a painting that usually appeared in the background of the lobby of the ancient yamen. This painting symbolized justice and imperial power. The red sun symbolized justice and authority, representing the integrity of officials. This painting was usually composed of a light blue background, with a blue ocean and waves at the bottom and a red sun in the middle. Sometimes, there were cranes flying in the air. The overall meaning of this painting was to express the integrity and fairness of the officials, as well as the authority and light of the country. It was one of the decorations of the ancient yamen, used to remind officials to uphold the principles of justice and honesty.
Sun Wukong vs Sun Wukong
If it was a battle between Sun Wukong from different works, the situation would be more complicated. In Journey to the West, Sun Wukong was very powerful. He had seventy-two transformations, somersault clouds, and other spells. He also had an indestructible body and a weapon called the Ruyi Jingu Staff. He had gone through many experiences, from learning martial arts to wreaking havoc in heaven to later protecting Tang Sanzang to the west. He had rich combat experience and could deal with all kinds of demons and ghosts. In Dragon Ball, Sun Wukong (Kakarot) was a Saiyan. He had the fighting talent of a Saiyan and could constantly improve his strength and break through his limits in battle. He could also transform into a Super Saiyan and many other powerful forms. He had always been cultivating hard on the path of power, so his combat ability could not be underestimated. Sun Wukong in "One Hundred Thousand Cold Jokes" was originally an ordinary monkey from Huaguo Mountain who thought that he was a natural stone monkey and began his "hero's journey." His ability settings should also be based on the image of Sun Wukong in "Journey to the West", but there might be some spoof or unique story-related adjustments. If they were to fight, Sun Wukong in Dragon Ball might have an advantage in terms of combat strength and combat skills, because the combat system in his world was more focused on the improvement of strength and confrontation. In Journey to the West, Sun Wukong was more of a combination of magic and wisdom. He might use spells such as the Seventy-Two Changes to confuse his opponents and fight with the Jingu Staff. Sun Wukong in "100,000 Cold Jokes" might have some unpredictable situations due to the funny style of his work. Perhaps his ability did not completely follow the conventional battle logic. Of course, this was just a speculation based on the settings of their works. Not satisfied with the game? You can read the novel related to Black Myth: Wukong to understand the exciting plot!
Wukong Picture Painting
The following is some content related to Wukong's drawing: - In terms of traditional painting, there were many artists who had drawn paintings related to Wukong, such as Sun Wukong's Three Strikes with the White Bone Demon drawn by Shi Zhengxue in 1963 and Zhao Hongben's Three Strikes with the White Bone Demon in 1977. Different artists had their own styles. - From the perspective of modern paintings, there were the cartoon version of Dragon Ball Goku paintings, as well as some simple paintings such as Dragon Ball Goku paintings with paper in hand. There was also a hand-drawn cute Journey to the West, Sun Wukong, which was created by Qianku Network designers. It used a light color as the base color and added design elements such as Sun Wukong, Little Qingxin, Journey to the West, and Gandou Cloud. The source file was in PSD format, and the size of the work was 1200* 1200px. - In terms of AI drawing, taking Black Myth: Wukong as an example, one could compare the creation of AI with the image of Wukong's actor. Sun Wukong played by different actors had different styles, such as the classic image of Liu Xiaoling Tong, Zhou Xingchi's nonsensical style, etc., which could provide inspiration for Wukong's AI drawing creation.
Why is Sun Wukong called Sun Wukong?
When Sun Wukong sought to learn martial arts from Patriarch Bodhi, Patriarch Bodhi gave him the surname "Sun" because he looked like a monkey. Patriarch Bodhi's sect had a 12-word arrangement of " The vast wisdom is like the sea of nature, the shadow, and the enlightenment ". When it came to Sun Wukong, the word " enlightenment " happened to be arranged. The word "Kong" was very important in both Taoism and Buddhism, so Patriarch Bodhi named him "Sun Wukong". Not satisfied with the game? You can read the novel related to Black Myth: Wukong to understand the exciting plot!
Ancient Mythology Sun Wukong's Top 10
I recommend " My Doomsday Simulation Machine is Super Reckless ". The author should eat and sleep well. This was a sci-fi doomsday crisis novel. The male protagonist, Zhang Wei, relied on the doomsday simulator to choose his talent to store supplies. In the early stages of the simulation, he died miserably, but when the doomsday really came, he realized that it was not that dangerous. There were many characters, such as the 23-year-old Taurus Zhang Wei. One Piece's Supreme was not bad either. It was a light doujinshi novel written by Shattered Ice Kitten. The male protagonist, Milo, transmigrated to the pirate world to cultivate the hunter's psychic ability. The story revolved around his ability to seize fruits, and each character had their own characteristics. Although the description of the fight was lacking and the update was slow, the combination of pirates and hunters was very novel. " Tathagata Must Defeat " was super exciting. It was a Xianxia mythological cultivation genre created by Bird Cloud. The main character, Sun Wukong, changed his fate after obtaining modern knowledge. This Journey to the West had a lot of imagination and interesting characters, such as the socialistic monkey. The style of writing was relaxed. Although it was lacking, it was worth watching. "Brain Leaf Company's Incarnation" was a light novel that distorted Chef A's character. Jiang Hai had transmigrated into a strange body and was trapped in a cycle. He slowly accepted and made a choice. There were many characters, and the plot was well written. It was just that there was a reading threshold. There was also 'The Silly Pillar of the Siheyuan Rebirth', an urban life genre written by a programmer who was not lazy. Silly Zhu was miserable in his previous life. After his rebirth, he beat up trash and fought with the best. His daily novels were very attractive. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Black Wukong is Sun Wukong
In the setting of Black Myth: Wukong, Black Wukong and Sun Wukong were different concepts. In the game, Wukong was divided into True Wukong and False Wukong. In other related settings (such as Black Wukong, which was formed when the king of the tenth universe, Zamas, made a wish through the super dragon ball and swapped with Sun Wukong's body), Black Wukong was a character created by Zamas after occupying Sun Wukong's body. It was fundamentally different from Sun Wukong and could not be equated. Not satisfied with the game? You can read the novel related to Black Myth: Wukong to understand the exciting plot!
1972 Sun Wukong
In 1972, there was a film related to Sun Wukong, Sun Wukong vs. Red Boy, which was directed by Wu Jiajun and starred in Tian Niu. In addition, there was also a martial arts novel called " The 72nd Generation of Sun Wukong ", but it was not clear if it was specifically related to 1972. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Sun Wukong, chapter eight, Sun Wukong's quality
In the eighth chapter of Journey to the West, Sun Wukong displayed the following qualities: - He was capable and valued. Even though he had made mistakes and was suppressed under the Five Fingers Mountain, he was recognized by Guanyin as the best candidate to help the Buddhist scriptures because of his powerful skills. This showed that his ability was outstanding. - He knew how to bow his head and admit his mistakes. When Guanyin came, he bowed his head and confessed his guilt. He also promised Bodhisattva to help the Buddhist monk to learn the scriptures, showing a certain attitude of knowing his mistakes and changing. - He was full of hope for the future. After being suppressed for 500 years, he was given the opportunity to learn from Guanyin. He was willing to seize this opportunity to change his situation, which showed his positive attitude.