Freehand Cat Ink Painting
Freehand cat ink painting had a unique artistic charm. Many artists were good at creating such works. For example, Liu Danzhai's cats were simple and complex, fresh and refined. The cats drawn were lazy, cute, or refined. The shapes were vivid and full of pen and ink fun. Qin Tianzhu was good at freehand flower and bird painting. His ink paintings were full of interest. His works pursued artistic conception, and the paintings were fresh, elegant, and ethereal. There was also the Swedish painter Endre Penovac, who had been painting ink animals for ten years. The cats in his works had different expressions, and the ink paintings varied in depth and depth, showing the cat's feathers vividly. In terms of the specific painting methods of freehand ink painting of cats, using the white cat painting method in the Chinese painting tutorial as an example, he first conceived the composition of the painting, starting from the head, using heavy ink to sketch the eyes, nose, and mouth, then using heavy ink to smoothly sketch the rough outline (brush peak flattened painting), then using light ink to dye the texture of the fur and color the eyes, nose, and ears, and then using a very thin white powder to dye the cat's whole body. When the picture was dry, he sketched the cat's whiskers and made up for the scene. Cats of different colors such as multi-colored cats, long-haired cats, yellow cats, etc. also had their own drawing steps, each with their own performance focus, such as multi-colored cats to show the flower spots, yellow cats to draw the yellow flower spots, etc.
Chinese dragon freehand ink painting
The China dragon freehand ink painting was a kind of ink painting with the China dragon as the theme. This kind of painting was usually drawn on paper with black ink and a brush to express the image and aura of the dragon. Chen Rong, a painter of the Southern Song Dynasty, was famous for his paintings of dragons. His work, Cloud Dragon Painting, was one of his representative works. This painting depicted a giant dragon leaping in the clouds. The dragon's body twisted and circled, and the dragon's head was raised high, giving people a feeling of extraordinary agility and grandeur. China dragon freehand ink painting emphasized freehand style and observation methods in artistic creation. Through the use of splashing ink and brush and ink, it constructed a picture full of intention. This kind of painting had an important position in China culture and was regarded as one of the totems of the Chinese nation.
Chinese dragon freehand ink painting
The Chinese dragon freehand ink painting was a kind of ink painting with the Chinese dragon as the theme. This kind of painting was usually drawn on paper with black ink and a brush to express the image and aura of the dragon. Chen Rong, a painter of the Southern Song Dynasty, was famous for his paintings of dragons. His work, Cloud Dragon Painting, was one of his representative works. This painting depicted a giant dragon leaping in the clouds. The dragon's body twisted and circled, and the dragon's head was raised high, giving people a feeling of extraordinary agility and grandeur. Chinese dragon freehand ink painting emphasized freehand style and observation methods in artistic creation. Through the use of splashing ink and brush and ink, it constructed a picture full of intention. This kind of painting had an important position in Chinese culture and was regarded as one of the totems of the Chinese nation.
Cat Ink Painting
Many artists had created cat ink paintings before. The Swedish painter Endre Penovac has been painting ink animals for ten years. His works are mainly based on animals, with a strong China ink painting style. The cats under his pen have different expressions, and the changes in the depth of the ink show the cat's agility vividly. The China painter Qin Tianzhu was good at freehand flower and bird painting. His philosophy advocated expressing feelings and expressing emotions through objects. The paintings were fresh and elegant, full of poetic meaning. Liu Danzhai's cat was drawn with a reduced brush, combining a variety of techniques. The brush was simple and vivid, and the style was fresh and refined. There were also many artists such as Cheng Zhang, Wang Xuetao, Cao Ruxian, and others who had ink paintings related to cat interest. Other than that, there were also works related to turning the cat in the back room into an ink wash painting.
Peony Freehand Painting
There were many ways to draw peony freehand paintings. The following were some common points: ** 1. Color adjustment ** 1. ** Red Flower ** - Vermilion could be used as the main color, mixed with bright red to form the basic color, and the tip of the pen dipped in ebony to draw. You can also use peony red on the pen belly and dip the tip of the pen in rouge to draw. This way, the red color drawn will be thick and thick to avoid appearing thin after drying. 2. ** Pink * - The color mixing method was white at the base of the pen, peony red at the belly of the pen, and rouge at the tip of the pen. 3. ** Yellow Flower ** - With yellow and white, the tip of the pen is dipped in the color of ochre and vermilion. The flower core can be painted with white or rouge. It can also be painted with white powder at the base of the pen, camboge at the belly of the pen, and green at the tip of the pen. When cleaning up, the tip of the pen should be painted with vermilion or rouge. 4. ** Orange * - Color for the pen root ochre, pen belly vermilion, pen tip rouge. 5. ** Blue Flower ** - You can use indigo, white and a small amount of eos as the basic color, the tip of the pen dipped in indigo painting, or the tip of the pen is white powder, the belly of the pen is blue, and the tip of the pen is painted with rouge. 6. ** Purple Flower ** - White, rouge, and indigo were mixed into the basic color. The tip of the pen was dipped in rouge. After it was roughly completed, it could be used to deepen the depth of the flower core and make the petals more abundant. It could also be white powder, rouge, and a little peptide-cyan. 7. ** White Flower ** - He used grass green, a little ochre, and a small amount of ink to adjust the basic color. When painting, he dipped it in pure white, and the tip of the pen dipped in the basic color. After he was done, he could use green to dye the dark parts and the heart of the flower, and pure white to emphasize the bright petals. 8. ** Ink Flower ** - The writing speed should be fast and decisive. It should have a fresh and carefree feeling. Don't repeat the revision. After the ink dried, you can use stone cyan, stone green, cinnabar and other opaque mineral colors to dot the flower core. When painting the petals, you must use a bold pen and do not leave white. 9. ** Black Peony ** - He used peony red, rouge, and ink to make it black and purple. 10. ** Green * - White, grass green, and a little vermilion were mixed into the basic color. The tip of the pen was dipped in grass green and painted from the reverse petal. Shi Qing was more suitable for painting the petal. 11. ** Dark red ** - Using bright red and a little eos to make the basic color, the tip of the pen was dipped in rouge, and the brush was clean and neat. It was to avoid repeating the brush to avoid "burning" the painting. The difficulty lay in the control of water content. If there was too much water content, the color would not feel heavy. If there was too little water content, it would easily appear dry and dull. Only with appropriate water content could it be thick and moist. ** 2. Drawing Steps ** 1. ** Flower Head Drawing ** - For example, when using the No. 3 Goat Hair Pen to draw a pink flower head, the pen belly was dipped in a little white powder, and the tip of the pen was mixed with a light red. Then, the reverse petal was drawn with the dotting brush method. After that, a slightly thicker red was added in front of the brush, and after mixing evenly, the tip of the pen was dipped in a thick ebony red. Then, the dotting brush method was used to draw the positive petal. The color of the outermost petal was darker. In the darkest part near the greenhouse, a little ink red was added to the tip of the pen to draw deeply. The drawing technique of the light red flower head at the bottom was similar. The color of the reverse petal was white powder mixed with ebony red, the color of the positive petal was ebony red, the tip of the pen was dipped in rouge and the ink was written in the darkest place. The reverse petal of the yellow flower head is the white powder of the pen belly, and the tip of the pen is garcinia. The positive petal is on the basis of the original reverse petal, and the tip of the pen is mixed with eos. - The flower bud was mainly drawn with a dotting stroke, but each dotting stroke had a certain stroke method, such as from top to bottom, from bottom to top, from left to right, from right to left, etc. The flower bud was divided into front, side, front and side, and other forms of expression. The flower buds on the front were mostly completed with four or five strokes, and the center was added with heavy colors; Some of the flower buds on the side were completed directly with one stroke, and some were completed with two or three strokes; The flower buds on the front side were completed with five or six strokes, and then one or two strokes were used to extend the petals to complete the shape. 2. ** Drawing of torus and leaves ** - Use No. 2 and No. 3 wolf-hair brush or stone badger bucket brush, fill the belly of the brush with garcinia and cyanine, dip the tip of the brush in rouge, and draw the tender leaves and flower holders according to the growth law and the needs of the composition. Then, use garcinia cambogia and indigo to adjust the pen belly, dip it in thick ink to draw deeper leaves. When the water content on the pen is insufficient, dip the tip of the pen in water and continue to draw the leaves. It is best to draw the gradual effect. Pay attention to the layout of the leaves and the shade of the leaves. 3. ** Hook leaf tendons and tender branches ** - He used a small brush or a leaf tendon pen. He used rouge and ink for the tender leaves and leaf tendons, and thick ink for the old leaves. He used the traditional nail head and mouse tail method to outline the direction of the leaves. Using garcinia and indigo, the tip of the pen was dipped in rouge to draw out the tender branches to connect the leaves. This step required strength in the brush. 4. ** Old stem and tender shoot drawing ** - Use No.2 and No.3 wolf hair bucket pen, Lao Gan uses vermilion and light ink or ochre to adjust the pen belly evenly, dip both sides of the pen in thick ink to draw. Garcinia cambogia and indigo, the tip of the pen dipped in rouge to point out the tender buds. Pay attention to the interweaving of the branches. 5. ** Drawing with stamens ** - You can use the small sheep hair to adjust the titanium white to draw the stamen, pay attention to the size and direction, and then use the bucket pen to adjust the light stone blue and light ink to clean up the entire layout. You can also adjust the color of garcinia and Taibai with a pen to point out the pistil. The pistil should be high or low, long or short. You can also point out the pistil in the middle (such as using three green dots to point out the pistil in the middle). When creating peony freehand paintings, the permeating effect of the rice paper should be fully exerted. The color of the flowers mainly depended on the water to mediate, and could not rely too much on the white color to avoid the effect of hardening and drying. At the same time, we should pay attention to the shape and charm of peony flowers. Don't copy its type mechanically. From "getting its shape to losing its shape, then getting its charm", we should truly understand the true essence of peony beauty and use appropriate techniques to describe it. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The best freehand peony painting
The quality of a work of art was very subjective. Different people might have different standards for judging the best. However, there were some painters who were highly praised for their freehand peony paintings. For example, Zhu Qizhan's freehand peony paintings were bright and resounding in color, with a strong sense of rhythm, power, and layering. The more he got older, the more vigorous and unrefined they became. The peony paintings under his pen were the performance of "clusters". Several huge flowers were blooming, graceful and magnanimous. The branches were "unkempt" but charming. The dark green branches and leaves were only a few strokes but had a meaningful charm. Shi Guozhi was also good at painting peonies with freehand painting techniques. His "Only Peonies Are the True Colors of the Country" showed the blooming scene of peonies through freehand painting. Peonies were especially beautiful under the heavy ink and heavy color rendering. Through freehand painting, he painted the peony with heavy makeup and light colors, thick black and green leaves, and the theme was distinct and prominent. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The first person in contemporary freehand painting
I recommend The Painter and Calligrapher of the Valley, a novel about urban life written by Wang Sanchuan. To teach a nameless junior in the ravine to become a painting master, to have the mission of revitalizing martial arts, and to be taught by the masters of the past generations. Although there were some small problems at the beginning, such as the unnatural act and the tacky character, the overall writing style was not bad. It made the painting interesting and could also increase one's knowledge. The lack of updates was a disadvantage. The recommendation index was three and a half stars. "Summoning Big Boss" was not bad either. It was a Xianxia novel written by Wastepaper Bridge. The main character, Lin Xi, was a Heavenly Demon who was determined to become a Chaos Demon God. The story was about transmigrating into the Heaven Demon Bug and being summoned to the living world to absorb negative emotions to strengthen himself. This book had a novel setting, sophisticated writing style, smooth logic, and wonderful stories, especially the part about Buddhism and demons. Although there were some small flaws, it was still food and grass. The recommended index was five stars. 'Heavenly King of Arts' was an urban novel written by I'm A Guzzle of Wind. The protagonist was a lover of literature and art, and he broke into the literary circle with a carving knife, a paintbrush, and a guitar. In the beginning, the style of writing was light, but it gradually became better. Those who liked literary stories could read it. "The Work World Game" was an urban work novel written by Endless Forest. The male lead, Feng Yun, was promoted in the workplace with the help of the "Work Game" app. It was a casual and daily work novel with a hotel as the background. The author's updates were guaranteed, and the recommendation index was four stars. "Wonders of the Literature and Art World" was an urban entertainment novel written by the meat governor. The protagonist Zhuang Yan accidentally entered the literary world after transmigrating. It was a plagiarist novel, but it was more creative. It interpreted famous works, but there were female characters describing poison, water, and possible eunuchs. The early stages were not bad. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Ink painting
'Ink painting' had many meanings. In the field of painting and calligraphy, there were works related to "Ink Painting Fragrance" created by artists. There was also a Fang Hua painting and calligraphy appraisal meeting with the theme of "Enchanting Landscape, Ink Painting Fragrance". Fang Hua's paintings and calligraphy had a unique artistic style in landscape painting. In the real estate field, Quanzhou had the urban construction·Ink Painting Fragrance project. It was located in the Xihuayang area and was the first commercial housing project launched in the area. The rough price limit was 16900 yuan/square meter. The project was close to March Lake Park and planned to build three to four houses with an area of about 105 - 150 square meters. It was built by the state-owned Quanzhou City Construction, but it faced poor sales. There was also a series of figure paintings called "The Beauty of Ink Painting." It had a unique style of painting. It was composed of large colored blocks and a few freehand lines. "Prosperous Brocade Record" is equally exciting. Everyone is welcome to click and read it!
Freehand Peony Painting Works Appreciate Fine Works
The following are some of the main points to appreciate freehand peony paintings: ###1. In terms of composition 1. ** Rationally arranged ** - In some excellent freehand peony works, the layout would pay attention to the vertical and horizontal, and the virtual and real. For example, in some works, a variety of flowers were arranged in parallel. Through the combination of points and surfaces, the flowers were numerous but not complicated, and they were unified in contradiction, creating a feeling like a breeze. - For example, the works that represented the theme of spring in Luo City arranged all kinds of peonies in the painting. The contrast of density was extremely strong, and the flowers and branches were scattered. The theme was highlighted through the bright colors and the appropriate layout of the flowers and leaves. 2. ** Combination of Picture Elements ** - The background of a peony painting was very important. Elegance was the most important. For example, some works were decorated with a stone, a clump of bamboo, and a pair of birds, which matched with the bright peony flowers to make the picture reasonable, harmonious, and more lively. Through the contrast of color and ink, the rich and elegant peony was expressed. - In the form of composition, there were mainly horizontal ones, such as the combination of a cluster of flowers and a cluster of bamboos, which constituted the contrast and unity of the picture. ###2. Color 1. ** Color expression ** - The key to painting the peony's color was to appreciate both refined and vulgar tastes. For example, the work of Yan Guan Qunfang had five colors of flowers drawn, and the colors were gorgeous and extraordinary. When mixing colors, one should pay attention to the brightness and variety of colors. For example, the color matching of green peony could be stone green or head green, and the amount of Kato yellow needed to be grasped. Painting light green powder was big, and dark green powder was used less. The pursuit of subtle changes in unification. - In the performance of red peony, rouge and ebony were used as the main colors, and the moisture of the flower was shown through the adjustment of the amount of white powder. 2. ** The relationship between colors ** - The penetration of colors would affect the overall look of the peony. For example, in some works, through the reasonable use of lecherous, moisture and white penetration, halo effect, so that the peony colorful but extraordinary. At the same time, the richness of the colors and the variety of the composition would make the picture bright and pleasant, rich and peaceful. ###3. Writing Techniques 1. ** The fluency of the pen ** - Some works focused on freehand calligraphy, neatly writing the form of peony, pursuing the moisture of brush and ink and color. It was done in one go, with the style of green vines. For example, in the works that reflected the style of peony, the brush was unrestrained, the ink was moist, and it was moist with the meaning of spring rain. - In the traditional Chinese painting of peony, in order to avoid breaking the branches, leaves, and flower shapes, it was necessary to pay attention to the combination of the brush and brush. At the same time, it was necessary to pay attention to the integrity of the outer outline of the flowers and leaves, so as to make the picture complete and colorful. 2. ** Reflect the charm of peony ** - Whether it was a blooming flower or a flower bud waiting to be released, excellent works could give people a vivid and realistic visual enjoyment. Through conciseness, lightness, dryness, and moisture, the peony's temperament, charm, and vitality came to his face. The pen's meaning was continuous and the charm was connected. In addition, painters such as Dong Liangda, Wang Zheng and Zhang Jixin all had freehand peony works. Dong Liangda's works were included in "Dong Liangda's Peony Freehand Painting Selection", which could be learned, referred to and copied by painting enthusiasts or art beginners; Wang Zheng's freehand peony painting was concise and magnificent, with a flying charm; Zhang Jixin's freehand peony works were published by Tianjin Yangliu Painting Society. The works of these artists all reflected the charm of freehand peony painting in different aspects. One could appreciate their fine works from the above perspectives of composition, color, and strokes. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Ink painting landscape painting pine
Pine trees were a common material element in ink landscape paintings. From a technical point of view, there were many ways to match pine trees with other scenery. For example, when pine and chrysanthemum are matched, first write the upper right inclined pine trunk, then add pine branches to dye pine needles, and write chrysanthemum in the lower right corner to echo the drooping pine branches; When pine and orchid are matched, first write the orchid on the cliff, then draw the inclined pine trunk to echo the orchid; When pine and plum are matched, the pine trunk is drawn behind the stone, the pine branches look back, and the plum and pine trunk are interlaced behind the stone; When pine and bamboo are matched, the bamboo is written first, then the pine trunk is added, and the pine branches droop. In other paintings like " Tianqu " and " Three Friends in Spring ", the layout and drawing method of pine trees in the painting were also reflected, including the drawing of pine needles and pine trunks, as well as the matters to pay attention to when dyeing. In terms of the type of work, there was an ink landscape painting that used pine trees as elements. For example, the 2023 new Huangshan welcoming pine Chinese ink landscape Chinese living room hanging painting. At the same time, there were also Chinese landscape paintings and Chinese ink paintings of pine trees created by Qianku Network designers. There were also AI paintings with pine trees as the theme. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Introduction to Ink Painting Huizhou
Ink Painting Huizhou was a county-level city under the jurisdiction of Huangshan City in China's Anhui Province. It was located at the foot of the Huangshan Mountain Range. Ink painting Huizhou was famous for its unique natural scenery and cultural heritage. It was known as the "cradle of Chinese landscape painting". Ink Painting Huizhou had many famous tourist attractions such as Huangshan, Huizhou Ancient City, Meishan Scenic Area, Xidi, Hongcun, etc. Huangshan Mountain is one of the famous tourist attractions in China, known as the " most wonderful mountain in the world "; Huizhou Ancient City is one of the traditional ancient cities in China, well-preserved and one of the famous historical and cultural cities in China; Meishan Scenic Area is one of the famous Buddhist attractions in China, with rich cultural heritage and ancient architectural complex; Xidi and Hongcun are the representative works of Chinese traditional Hui architecture, with rich Hui architectural style and cultural content. In addition, Ink Painting Huizhou also had many historical and cultural relics such as Huizhou government, Aofeng Academy, Huizhou Ancient Road, etc. Among them, the Huizhou government office was a well-preserved official office in Chinese history; Aofeng Academy was one of the famous academies in ancient China with rich cultural heritage and historical value; Huizhou Ancient Road was an ancient road connecting Huangshan and Huizhou, one of the ancient traffic routes in China with a long history and cultural heritage. Ink painting Huizhou was a region with a long history and profound cultural heritage. It was rich in natural scenery and historical and cultural relics. It was one of the traditional tourist attractions in China and was also known as the "cradle of Chinese landscape painting".