Bai Juyi's Pinyin of " Everlasting Lovesickness "
zhǎng xiàng sī ·biàn shuǐ liú Long Xiangsi, Bianshui Stream bái jū yì Bai Juyi biàn shuǐ liú ，sì shuǐ liú ，liú dào guā zhōu gǔ dù tóu 。wú shān diǎn diǎn chóu 。 Bianshui flow, Surabaya flow, flow to Guazhou ancient ferry head. on Mount Wu I feel a little melancholy. sī yōu yōu ，hèn yōu yōu ，hèn dào guī shí fāng shǐ xiū 。yuè míng rén yǐ lóu 。 I miss you long, I hate you long, I hate you until I go home. the moonlit man leaned against the tower. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Seeking Bai Juyi's "Everlasting Lovesickness" and "Woodpecking Song"
Bai Juyi's "Everlasting Lovesickness" and "Woodpecking Song" are as follows: Long Lovesickness I long for you, but I regret not meeting you. I don't know how I remember your face in the mirror. "Woodpecking Song" Woodpecker, oh woodpecker I've been drained of all my health. The bird roosts by the pond, and the tree monk knocks on the door under the moon. The wind and rain in the night, I know how many flowers fall. " Everlasting Lovesickness " and " Pecking Wood Song " were both poems written by the Tang Dynasty poet Bai Juyi. These two poems were both works of love. Among them," Everlasting Lovesickness " expressed the strong feelings of love by describing the scene of a woman missing her lover day and night and looking forward to reuniting with her lover, while " Woodpecker Song " expressed the idea of harmonious coexistence between man and nature by describing the life style of woodpeckers and the relationship between man and nature. These two poems had high literary and artistic value and were widely praised and appreciated.
Bai Juyi's "Song of Everlasting Regret" is written in Pinyin
hàn huánɡ zhònɡ sè sī qīnɡ ɡuó，yù yǔ duō nián qiú bù dé。 yánɡ jiā yǒu nǚ chū zhǎnɡ chénɡ，yǎnɡ zài shēn ɡuī rén wèi shí。 tiān shēnɡ lì zhì nán zì qì，yì zhāo xuǎn zài jūn wánɡ cè。 huí móu yí xiào bǎi mèi shēnɡ，liù ɡōnɡ fěn dài wú yán sè。 chūn hán cì yù huá qīnɡ chí，wēn quán shuǐ huá xǐ nínɡ zhī。 shì ér fú qǐ jiāo wú lì，shǐ shì xīn chénɡ ēn zé shí。 yún bìn huā yán jīn bù yáo，fú rónɡ zhànɡ nuǎn dù chūn xiāo。 chūn xiāo kǔ duǎn rì ɡāo qǐ，cónɡ cǐ jūn wánɡ bù zǎo cháo。 chénɡ huān shì yàn wú xián xiá，chūn cónɡ chūn yóu yè zhuān yè。 hòu ɡōnɡ jiā lì sān qiān rén，sān qiān chǒnɡ ài zài yì shēn。 jīn wū zhuānɡ chénɡ jiāo shì yè，yù lóu yàn bà zuì hé chūn。 zǐ mèi dì xionɡ jiē liè tǔ，kě lián ɡuānɡ cǎi shēnɡ mén hù。 suì lìnɡ tiān xià fù mǔ xīn，bú chónɡ shēnɡ nán chónɡ shēnɡ nǚ。 lí ɡōnɡ ɡāo chù rù qīnɡ yún，xiān yuè fēnɡ piāo chù chù wén。 huǎn ɡē màn wǔ nínɡ sī zhú，jìn rì jūn wánɡ kàn bù zú。 yú pī ɡǔ dònɡ dì lái，jīnɡ pò ní chánɡ yǔ yī qù。 jiǔ chónɡ chén què yān chén shēn，qiān shènɡ wàn jì xī nán xínɡ。 cuì huá yáo yáo xínɡ fù zhǐ，xī chū dōu mén bǎi yú lǐ。 liù jūn bù fā wú nài hé，zhuǎn wǎn é méi mǎ qián sǐ。 huā diàn wěi dì wú rén shōu，cuì qiào jīn què yù shāo tóu。 jūn wánɡ yǎn miàn jiù bù dé，huí kàn xuè lèi xiānɡ huò liú。 huánɡ āi sǎn màn fēnɡ xiāo suǒ，yún zhàn yínɡ yú dēng jiàn ɡé。 é méi shān xià shǎo rén xínɡ，jīn qí wú ɡuānɡ rì sè báo。 shǔ jiānɡ shuǐ bì shǔ shān qīnɡ，shènɡ zhǔ zhāo zhāo mù mù qínɡ。 xínɡ ɡōnɡ jiàn yuè shānɡ xīn sè，yè yǔ wén línɡ chánɡ duàn shēn。 tiān xuán rì zhuǎn huí lónɡ yù，dào cǐ lóu chǔn bù nénɡ qù。 mǎ wéi pō xià ní tǔ zhōnɡ，bù jiàn yù yán kōnɡ sǐ chù。 jūn chén xiānɡ gù jìn zhān yī，dōng wàng dōu mén xìn mǎ guī。 ɡuī lái chí yuàn jiē yī jiù，tài yè fú rónɡ wèi yānɡ liǔ。 fú rónɡ rú miàn liǔ rú méi，duì cǐ rú hé bù lèi chuí。 chūn fēnɡ táo lǐ huā kāi yè，qiū yǔ wú tónɡ yè luò shí。 xī ɡōnɡ nán yuàn duō qiū cǎo，luò yè mǎn jiē hónɡ bù sǎo。 lí yuán dì zǐ bái fā xīn，jiāo fánɡ é jiān qīnɡ é lǎo。 xī diàn yínɡ fēi sī qiāo rán，ɡū dēnɡ qiáo jìn wèi chénɡ mián。 chí chí zhōnɡ ɡǔ chū chánɡ yè，ɡěnɡ ɡěnɡ xīnɡ hé yù shǔ tiān。 yuān yānɡ wǎ lěnɡ shuānɡ huá zhònɡ，fěi cuì qīnɡ hán shuí yǔ ɡònɡ。 yōu yōu shēn sǐ bié jīnɡ nián，hún pò bù cénɡ lái rù mènɡ。 lín qiónɡ dào shì hónɡ dōu kè，nénɡ yǐ jīnɡ chénɡ zhì hún pò。 wèi ɡǎn jūn wánɡ zhǎn zhuǎn sī，suì jiào fānɡ shì yīn qín lì。 pái kōnɡ yù qì bēn rú diàn，shēnɡ tiān rù dì qiú zhī biàn。 shànɡ qiónɡ bì luò xià huánɡ quán，liǎnɡ chù mánɡ mánɡ jiē bù jiàn。 hū wén hǎi shànɡ yǒu xiān shān，shān zài xū wú piāo miǎo jiān。 lóu ɡé línɡ lónɡ wǔ yún qǐ，qí zhōnɡ chuò yuē duō xiān zǐ。 zhōnɡ yǒu yì rén zì tài zhēn，xuě fū huā mào cēn cī shì。 jīn què xī xiānɡ kòu yù jūn，zhuǎn jiào xiǎo yù bào shuānɡ chénɡ。 wén dào hàn jiā tiān zǐ shǐ，jiǔ huá zhànɡ lǐ mènɡ hún jīnɡ。 lǎn yī tuī zhěn qǐ pái huái，zhū bó yín pínɡ yǐ lǐ kāi。 yún bìn bàn piān xīn shuì jiào，huā ɡuān bù zhěnɡ xià tánɡ lái。 fēnɡ chuī xiān měi piāo yáo jǔ，yóu sì ní chénɡ yǔ yī wǔ。 yú rónɡ jì mò lèi lán ɡān，lí huā yī zhī chūn dài yǔ。 hán xìn nínɡ dì xiè jūn wánɡ，yī bié yīn rónɡ liǎnɡ miǎo mánɡ。 zhāo yánɡ diàn lǐ ēn ài jué，yú péng lái ɡōnɡ zhōnɡ rì yuè chánɡ。 huí tóu xià wàng rén huán chù，bù jiàn chánɡ ān jiàn chén wù。 wèi jiānɡ jiù wù biǎo shēn qínɡ，biàn hé jīn chāi jì jiānɡ qù。 chāi liú yī ɡǔ hé yī shān，chāi bō huánɡ jīn hé fēn diàn。 dàn lìnɡ xīn sì jīn diàn jiān，tiān shànɡ rén jiān huì xiānɡ jiàn。 lín bié yīn qín zhònɡ jì cí，cí zhōnɡ yǒu shì liǎnɡ xīn zhī。 qī yuè qī rì chánɡ shēnɡ diàn，yè bàn wú rén sī yǔ shí。 zài tiān yuàn zuò bǐ yì niǎo，zài dì yuàn wèi lián lǐ zhī。 tiān chánɡ dì jiǔ yǒu shí jìn，cǐ hèn mián mián wú jué qí。 The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's Long Lovesickness
The full text of Bai Juyi's "Everlasting Lovesickness" is as follows: The Bianshui River flows, the Surabaya River flows, flows to the ancient ferry of Guazhou, and the Wu Mountain is a little sad. Thinking long, hate long, hate to go home only to rest, the moon is bright people lean against the building.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret was a famous long poem from the Tang Dynasty. It described the tragic love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The following is the translation of the poem: Song of Everlasting Sorrow Tang Bai Juyi The emperor of the Han Dynasty was so fond of women that he poured the whole country and the world to seek them for many years, but he could not find them. The king covered his face and could not save himself from seeing the blood and tears flowing in harmony. The yellow dust is scattered, the wind is bleak, the cloud stack is winding, climbing the Sword Pavilion. At the foot of Mount Emei, there are few people walking. The flag is dark and the sun is thin. The water of Shu River is green, and the Lord Green of Shu Mountain is in love day and night. I see the moon in the palace, sad face, night rain, hear the sound of the bell, heartbroken. Heaven and earth spin, I recall your tears like beads of tears. Parting attentively, re-send words, words have vowed to know each other. On the seventh day of the seventh lunar month, in the middle of the night when no one was whispering in the Longevity Palace. In heaven I wish to be lovebirds, on earth I wish to be twigs. As long as the heavens and earth last, this regret will never end. This poem described the tragic fate of Emperor Xuanzong and Yang Guifei. The poem depicted the debauchery of Emperor Xuanzong of the Tang Dynasty and the grief of Yang Guifei, expressing people's loyalty and desire for love. The poem also mentioned some historical events and figures, such as the Han Emperor's love for women, the Battle of the Sword Pavilion, and Wang Zhihuan's "Climbing the Stork Tower", which had certain historical and political significance.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret
Bai Juyi's "Song of Everlasting Regret" expressed deep sentimental feelings. This poem described the love story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei, showing their infatuation and persistence, as well as their life and death separation. The poem was full of deep thoughts about love, human nature, and power. At the same time, it also reflected the criticism of power and debauchery. Song of Everlasting Sorrow was a classic work in the history of ancient China literature, with sincere emotions and beautiful language.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret was composed in the first year of Yuanhe of Emperor Xianzong of Tang Dynasty (806). At that time, Bai Juyi was a county captain and visited Xianyou Temple with his good friends Chen Hong and Wang Zhifu. During the tour, they talked about the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei, and were deeply moved. Thus, Bai Juyi decided to write their discussion and thoughts into a long narrative poem, Song of Everlasting Regret. This poem described the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei in concise language.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret was as follows: The emperor of the Han Dynasty valued beauty and wanted to destroy the country. He had been in the imperial palace for many years and could not find it. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret was a long narrative poem with a total of 120 words. The following is the full text of Song of Everlasting Sorrow: The emperor of the Han Dynasty valued beauty and wanted to destroy the country. He had been in the imperial palace for many years and could not find it. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, once chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. Therefore, the hearts of parents in the world are not born again, but born again. Li Palace high into the blue clouds, fairy music blowing everywhere. Slow singing and slow dancing, condensed silk and bamboo, all day long the king can not see enough. The drums of the fisherman's sun shook the earth, breaking the song of the rainbow dress and feather dress. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. The six armies could not do anything but turn around and die in front of their horses. The mother-of-pearl fell to the ground and no one collected it, and the jade hairpin was decorated with golden sparrows. I hope the above answers are helpful to you.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret had a famous line: 1. Looking back at her, a smile can make her look charming, and the six palaces have no color. 2. There is a time when the world will end, and this hatred will never end. 3. The bell and drum are late for the first night, and the stars are shining in the sky. 4. Up to the blue sky and down to the Yellow Springs, both places were nowhere to be seen. 5, mandarin duck tile cold frost heavy, jade quilt cold who share. 6. In the sky, I wish to be a pair of lovebirds, and on the ground, I wish to be a pair of branches.