The authentic porcelain made by Emperor Yongzheng had many characteristics. ** 1. Craftsmanship ** 1. ** Embryonic quality and formation ** - The fetus was extremely fine and smooth, and the walls were extremely thin and even, with tight joints. For example, some of the porcelain from the Yongzheng period was as thin as an egg curtain, and the texture was as white as snow. - Some of them were hand-drawn, and there might be tire marks, which were uneven in thickness. For example, some Yongzheng Enamel Porcelains were the thickest in the middle when they were drawn, and gradually became thinner toward the bottom. 2. ** Glaze and firing ** - First, he worked on the plain fired porcelain body. The glaze was extremely fine and the glaze color was extremely white. - It was an overglaze decorative technique. After painting the surface of the porcelain with an enameled material, it was fired for a second time. Enamel colored porcelain was made with extraordinary skills and was difficult to fire. - Enamel colored porcelain was fired in the Ruyi Hall of Qixiang Palace, Yuanmingyuan, Prince Yi's residence, etc. 3. ** Colors ** - Enamel was imported and expensive. Its colors were rich and varied. Just red alone included bright red, deep red, purplish red, carmine, pink, rose red, and so on. Compared with the five-colored painting, the painting had obvious advantages. It was influenced by Western realistic painting, focusing on the realistic image of the main body, the light and shadow effect of the picture, and the spatial relationship between the front and back. - The colors were heavy and beautiful. The color of the painting was not created by the painter at will, but by the sample manuscript provided by the Ruyi Hall in the palace, which was highly consistent with the palace painting. ** 2. In terms of artistic features ** 1. ** Painting content and style ** - The content of the painting was rich, such as drawing patterns of flowers and birds. His painting skills were extremely high, influenced by Western realistic painting. He had a realistic painting subject and paid attention to light and shadow effects and spatial relationships. - For example, connoisseurs of the Qing Dynasty praised Yongzheng's colored porcelain as having four unique features: "The texture is as white as snow, which is the first unique feature; The texture is as thin as an egg curtain, which is blown up and wants to fly, which is the second unique feature; Looking at it with an extremely fine microscope, the flowers have dewdrops, bright and slender, the butterflies have hair, and the neck is erect, which is the third unique feature; The skit is inscribed with extremely fine regular script and seal characters, which are as fine as flies, which is the fourth unique feature." 2. ** Name ** - It was common to see the four words "Yongzheng Imperial System" or "Yongzheng Year System" in color, and the font was regular script. ** 3. Usage and Existence ** 1. ** Usage * - Most of them were plates, pots, boxes, appreciation bottles, bowls, and other small utensils, which were specially used for the enjoyment of the emperor's concubines and religious sacrifices. 2. ** Survival situation ** - Due to the difficulty of the firing technique and the scarcity of its quantity, it was an extremely precious imperial ware that was specially made by the royal family. It was highly respected by the collectors and had high collection value and investment potential. As time passed, the value of its collection continued to rise. For example, the Yongzheng Enamel Hibiscus Osmanthus Bowl was collected in the National Palace Museum. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
In the art auction, Yongzheng's imperial porcelain was highly valued. For example, a set of 12 pieces of the twelve flower god cups made by Emperor Yongzheng, with regular shape, thick glaze, pure hair color, etc., was cherished as soon as it was released and had been popular in the overseas collection world. Although the exact price of the auction was not clear, it could be seen that it had an important position in the collection industry. There was also an imperial vase made by Emperor Yongzheng. It was made during the Yongzheng period of the Qing Dynasty. During this period, the porcelain technology was quite mature. The firing technology of the glaze was difficult and there were very few of them in existence. As time passed, the collection value and investment potential continued to rise, but the specific auction price was not mentioned. All of these showed that the imperial porcelain made by Emperor Yongzheng had a very high value in the auction market. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
Emperor Yongzheng's imperial style of porcelain was very valuable. For example, the Qing Emperor Yongzheng imperial style of the Enamel Color Hundred Flowers Tea Yuan was sold for 15,525,000 yuan; a pair of Enamel Color Apricot Forest Spring Swallow Bowl made by the Emperor Yongzheng of the Qing Dynasty was sold by the brand in 2021. Although the appearance was ninety-five products and the maker and age were unknown, the price was 1450 yuan; there were also very few Enamel Color Small Bowl from the Yongzheng period, which was very precious. However, there were also cases of high-quality imitations on the market. For example, three years ago, a 26 million yuan Yongzheng Enamel Cup sold at an unknown auction in the United States was confirmed to be a high-quality imitation made by a young man from Jingdezhen. In general, the value of the authentic Yongzheng imperial porcelain was very high, but it was necessary to guard against fakes. The novel "Glittering Four Seasons" is equally exciting. Everyone is welcome to click and read it!
There was a collection of genuine Yongzheng Enamel Painted Artifacts in the Forbidden City. From the perspective of handed down products, most of the porcelain from the Yongzheng period were painted directly on the white glaze, except for a few colored decorations like the Kangxi Dynasty. The shape of the utensils included bottles, bowls, plates, saucers, cups, etc. The shape was elegant and elegant, and the carcass was light and thin. Some of them reached the level of semi-rebirth. In terms of decorative patterns, it changed the monotonous situation of only painting flowers and no birds during the Kangxi period. There were a large number of patterns depicting flowers, birds, flowers, bamboo stones, mountains and rivers, etc. in the style of academy paintings. The blank spaces of the pictures were inscribed with exquisite calligraphy and elegant poems. There was a leisure chapter of Zhu Wen at the beginning of the poem and two leisure chapters at the end of the sentence.(Or both sides are Zhu Wen, or both sides are Bai Wen and Zhu Wen), making the porcelain of Yongzheng period become an art treasure that combines porcelain making techniques with poetry, calligraphy, painting and printing. According to incomplete statistics, the Forbidden City in Beijing had collected more than ten pieces of porcelain paintings from the Yongzheng period, such as an olive vase with pine, bamboo and plum flowers, a bowl with pale yellow colored orchid stone patterns, and a bowl with yellow colored poetry and plum flowers patterns. These works all displayed the unique artistic charm and superb craftsmanship of Yongzheng Enamel. The novel "Glittering Four Seasons" is equally exciting. Everyone is welcome to click and read it!
Emperor Yongzheng and Emperor Yongzheng were two different novels that told the legendary stories of Emperor Yongzheng and Emperor Yongzheng respectively. Emperor Yongzheng mainly narrated the life stories and war experiences of Emperor Yongzheng during his reign. It depicted the process of Emperor Yongzheng growing from an ordinary official to a wise ruler. The novel used history as the background to show Emperor Yongzheng's political wisdom, military ability, and governance ability through fictional plots and characters. The ending of the novel also left a deep impression on people. " Emperor Yongzheng " mainly narrated the life stories and war experiences of Emperor Yongzheng during his reign. By narrating the growth process of Emperor Yongzheng, it showed Emperor Yongzheng's great talents and leadership skills. The novel also inserted a large amount of historical background and details to gain a deeper understanding of the Qing Dynasty's politics, economy, military, culture, and other aspects. The ending of the novel was rather tragic and left a deep impression. These two works not only narrated the history, but also added fictional plots and characters to show the different characteristics and charm of Emperor Yongzheng and Emperor Yongzheng through different narrative angles.
In the Yongzheng Dynasty, Jiao Huang played the role of Yongzheng.
The actor who played the role of Yongzheng in the Yongzheng Dynasty was Tang Guoqiang.
The actor who played the role of Yongzheng in the Yongzheng Dynasty was Tang Guoqiang.
Emperor Yongzheng (1722 - 1735) was the third emperor of the Qing Dynasty and one of the most controversial emperors of the Qing Dynasty. His political career began in 1722 and ended in 1735, a total of 13 years. During the reign of Emperor Yongzheng, a series of important reform measures were implemented, including the implementation of the policy of "sharing the population into the mu", strengthening the central power, straightening out the bureaucracy, and promoting the event of "nine sons fighting for the throne". He was also an extremely talented monarch who was good at calligraphy and painting. After the death of Emperor Yongzheng, his mausoleum was built in Jingshan Back Street in Dongcheng Area of Beijing City, becoming one of the most famous mausoleums of the Qing Dynasty.
Zhou Wenyong (1905 - 1928), male, born in Kaiping City, Guangdong Province, China. He once led the provincial and Hong Kong strikes, Guangzhou Uprising, etc. He was one of the outstanding leaders of the youth movement and workers 'movement in Guangzhou during the Great Revolution. In 1923, Zhou Wenyong joined the Chinese Youth League and later joined the Chinese Party in 1925. He used to be a member of the Guangdong District Committee of the Chinese People's Republic of China, the chief captain of the Guangzhou workers 'picket team, the head of the Organization Department of the Guangzhou Municipal Committee of the Chinese People's Republic of China and the secretary of the Municipal Committee of the Chinese People's Republic of China. In October 1927, after the failure of the Great Revolution, Zhou Wenyong devoted himself to the preparation work of the Guangzhou Uprising. At the same time, he established a secret contact office of the Party with Chen Tiejun, a woman member of the Guangdong and Guangxi District Committee of the Chinese People's Republic of China. The two pretended to be husband and wife. At that time, Zhou Wenyong's main job was to organize the riots of Guangzhou workers and expose the false faces of Wang Jingwei, Chen Gongbo and others. He was injured and arrested due to the suppression of the military and police, and was successfully rescued by Chen Tiejun. In January 1928, Zhou Wenyong and Chen Tiejun were betrayed by traitors while pretending to be husband and wife in Guangzhou. Both of them were arrested at the same time. During the struggle in prison, Zhou Wenyong and Chen Tiejun fell in love. In February of the same year, Zhou Wenyong and Chen Tiejun were sentenced to death. When they were about to die, Zhou Wenyong wrote a poem on the prison wall and proposed to take a photo with Chen Tiejun as their wedding photo. In 2009, Zhou Wenyong and Chen Tiejun were selected as "100 heroic model figures who made outstanding contributions to the founding of New China". While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Yongzheng was indeed a misunderstood emperor. On the issue of succession, many people said that he had tampered with the edict to seize the throne. Some people said that Kangxi originally wanted to pass the throne to the 40th or 8th prince, but in fact, Yongzheng's throne was supported by Kangxi's edict. In his later years, Kangxi handed many major events to Prince Yong to manage and ordered him to worship heaven on behalf of him (worship heaven was a matter that only the emperor was qualified to do). This showed that Kangxi had long intended to pass the throne to him. The so-called tamper with the edict was groundless. He was rumored to be vicious and cruel to his brothers. For example, the imprisonment of his third brother, Yin Zhi. Although Yin Zhi did not directly participate in the battle for the throne, he had the ability to inherit the throne. He had exposed the eldest prince and caused him to be stripped of his title and imprisoned. He was suspected of instigating fire. He also had a friendship with the members of the Eighth Master Party and was indifferent at Prince Yi's funeral. This made Yongzheng disgusted with him. Yongzheng imprisoned him until he died, but in the political environment at that time, this was a relatively lenient punishment. There was also the 17th Prince, who was fabricated by some novels as having his hands in the harem. However, in fact, the 17th Prince was weak and devoted himself to studying Tibetan Buddhist scriptures, so he did not commit such inappropriate acts. In terms of governance, some people thought that his extravagance had caused the national treasury to be in deficit. In fact, when he first ascended the throne, he was eager to recover the national treasury's debts, actively selected talents, exhausted himself for the country, implemented reforms, and diligently ruled for 13 years, effectively improving the living conditions of the vast majority of the people. In summary, Yongzheng was burdened by many rumors. In fact, he had an important positive significance in history and should not be overly misunderstood. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!