The Three Plays of the White Peony in the Qing Dynasty
I recommend " Two or Three Things Between Me and the White Lotus Flower." It was written by Xian Ke. It was an ancient romance novel. It talked about the story after the female protagonist stopped writing about the white lotus flower. The book list was selectively evaluated. Although it was controversial, it was not bad. " Modern Servant Girl " was not bad either. It was written by the white butterfly by the crescent moon spring. Modern girls transmigrated into ancient official slaves and relied on their wisdom to deal with many men. 'Beauty of the Nation' was superb. It was re-written by Yi Qian. The heroine was as tough as a peony. In the Tang Dynasty, she went from being despised by her husband to living a new life with a scumbag. Yi Qianzhong's writing style was exquisite, the characters were vivid, and the plot was not intense but very attractive. It was closer to reality without a cheat. The atmosphere of the Tang Dynasty was eye-catching. It was Yi Qianzhong's early masterpiece, five stars recommended. " The Fujin Family " was the work of Yanyu Mobai. The female protagonist was reborn as the 13th Fujin. She only knew modern medical knowledge and wanted to find happiness in the Qing Dynasty. Qing Yuan was created by Ying Liuxiang. The world changed after a noble girl's dream, and there was a new story about the fight for the throne between the nine dragons. However, 44 was a little bad. His writing was good. Although there was a small regret, it was worth reading. Read more exciting novels for free
Qing Dynasty Peony Painting
In the Qing Dynasty, there were many situations related to peony paintings. Jiang Tingxi had the "Hundred Peonies List", which was painted and presented to Emperor Yongzheng during the internal court. It was sold for 173 million yuan in the 2016 Kuangshi International Spring Auction, setting an auction record for Jiang Tingxi's personal work. At that time, the bidding was fierce. The starting price was 15 million yuan, and the final price was 173 million yuan. From the perspective of painting creators, there were many famous painters of peony in the Qing Dynasty, such as Shen Quan's "Wealth in the Jade Hall", Shi Tao's "Wealth Painting", Bada Shanren's "Songshi Peony Painting", Gao Xiang's "New Year Wealth Ruyi Painting", and Yun Shouping's many paintings related to peony, such as "Peony Book".(collected by the National Palace Museum in Taibei), Painting of National Fragrance in Spring (collected by Nanjing Museum), Painting of Huachun Wealth and Riches, etc. Gao Fenghan has Painting of Peony Wealth and Riches, Li Wei has Painting of Wealth and Riches, Li Fangying has Painting of Peony, Hua Wei has Painting of Peony Bamboo and Stone (collected by Tianjin Museum), Fan Qi has Painting of Peony (collected by Lushun Museum), Ma Yi has Painting of National Beauty and Heavenly Fragrance, Yun Bing has Painting of Flowers and Flowers, and Qian Weicheng has Painting of National Beauty and Heavenly Fragrance. Lang Shining had the peonies and lily peonies in the Fairy Calyx Changchun Atlas, Xu Yang had the Peony Mountain Painting, and Yu Sheng had the Peonies Waiting in the Valley Rain.(collected by the National Palace Museum in Taiwan),"Flowers Blossoms and Riches", Shen Quan also had "Five Lun Quan Tu","Peony Flowers and Birds","Peony", Chen Mei had "Peony", Zou Yigui had "Yutang Wealth Tu"(collected by the Museum of Liaoning Province),"Flowers", Wang Chengpei had "Peony Butterfly","Peony Tu","Three Spring Shao Peony Tu", Yu Wei had "Peony", Ren Bonian had "Wealth and Riches Whitehead Tu" made in 1880, Wu Changshuo had "Year's Qing Gong", Cixi had "Wealth and Riches Tu","Peony Painting","Wealth Prolonging Years"(collected by the Palace Museum in Beijing), etc. In addition, there are Oriental Paintings·Flowers and Birds of Qing Dynasty: Peony Painting published by Cultural Relics Press, and the colorful peony pattern pots collected by the Museum of Qingdao City, all of which reflect the cultural and artistic situation related to the peony painting of Qing Dynasty from different aspects. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
White Peony
In the Singapore TV series Journey to the East, the white peony was the reincarnation of the peony fairy. In her previous life, she was a female immortal who looked after the peach garden and was valued and loved by the Queen Mother. She fell in love with the Eastern Flower Immortal and was disheartened after her confession was rejected. After Immortal Donghua reincarnated as Lu Dongbin, he showed her warm care, and her true feelings were rekindled. She had stolen the Mountain-stabilizing Godly Needle of the Queen Mother to avenge Lu Dongbin. She was punished by the Heavenly Court and was banished to the mortal world. However, her character was still sentimental and her inner character did not change. She once again fell in love with Lu Dongbin, who had come to help her cultivate. She tried her best to stay by his side, but Lu Dongbin repeatedly rejected her because of the heavenly rules. Under the bewitchment of Sect Master Tongtian, she cast a blood curse on Lü Dongbin. After that, she felt extremely guilty and knelt down in the Purple Bamboo Forest every three steps. Lu Dongbin became a mortal after the blood curse was lifted. He was moved by her true feelings and had a short happy life with her. However, she finally persuaded Lu Dongbin to return to the Eight Immortals for the sake of the common people. In the end, she was severely injured by the pangolin's palm and died in Lu Dongbin's arms. In the concept of white tea, white peony had one bud and one leaf or one bud and two leaves. The bud head was long, the leaves were thin and narrow, the stem was short and small, the buds were more than the leaves, the white was more than the green, the white leaves were green, and the appearance was beautiful. Moreover, in the national standard of white tea, the classification was the most detailed. In the opera "Lu Dongbin's Three Plays with Peonies", there was a unique story content to show its character image. In addition, in the plot of " Rebirth," there was a plot where white peony tea was not for sale as a gift, but this had little to do with the character image. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The actor who plays the role of the heir of the Qing Dynasty
Joy of Life was played by Liu Runnan.
The actor who plays the role of the heir of the Qing Dynasty
Joy of Life was played by Liu Runnan.
White Peony Actor
Many actors had played the role of the white peony. Tian Li played the role of the white peony in the TV series Love in Spring; Guo Feili played the reincarnation of the white peony fairy; Wu Junli was called "White Peony" in the Cantonese opera world, and she was one of the "Eight Peonies"; Xiao Bai Peony (formerly known as Hua Guying) was also associated with the role of the white peony. At the age of 9, she studied the art of Peking opera under the famous Shanghai flower Dan Bai Peony. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The fragrance of white peony
The fragrance and taste of white peony had many characteristics. In terms of fragrance, the dry tea had a sweet fragrance, and it presented different fragrances at different stages. The new tea that had just been made within six months was fragrant. When the water vapor of the new tea faded, one could smell the fragrance and sweet flower fragrance. When brewing, boiling water was poured into the lid bowl, and the elegant tea fragrance would ripple. When it was hot, there would be a faint fragrance and a floral fragrance on the lid. When it was first brewed, there was a strong and bright floral fragrance at the top of the lid, accompanied by the smell of wild grass. When the lid was slightly cool, the floral fragrance gradually faded, and the smell of wild plants filled the air. After the lid was completely cool, the fragrance of fresh flowers came up and interweaved with the fragrance of grass. The final note was the fragrance of fresh flowers and plants, and there was a hint of sweetness in the floral fragrance. In terms of taste, when the new tea was about six months old, the tea was heavy and strong. The taste was green and full. During the tasting period, the white peony tea soup was fresh, mellow, sweet and smooth. It had a fresh fragrance, a fragrant fragrance, and a quiet fragrance. The taste was fresh, mellow, sweet, and the soup tasted fresh, mellow, and full. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony
Tang Dynasty peonies had a very high status at that time. From the perspective of planting development, the original birthplace of peony was Hedong Road in Tang Dynasty. Emperor Gaozong of Tang Dynasty moved it from Fenzhou in Hedong to Chang 'an. Later, Wu Zetian transplanted a large number of peonies to Luoyang. As northerners went south, peonies were also brought to Jiangnan area. The planting of peonies had harsh environmental requirements, but as time passed, the cultivation techniques became more and more mature. From the special planting in the royal gardens to the common planting in the homes of nobles and dignitaries, and then to the common people, there were also skilled craftsmen who planted peonies. In terms of social status, peonies were regarded as the " national flower " and a symbol of power and prosperity. Their low production made them expensive and only the rich and powerful could enjoy them. It was regarded as an extremely precious flower and became a way for people to show their status and wealth. The royal family attached great importance to peonies. When they were transplanted to the imperial garden, they were managed and cultivated by professional flower masters. On major holidays or banquets, peonies would be placed to liven up the mood. The empress and concubines would also put peonies on their heads. The emperor also gave peonies as gifts to foreign envoys to show the country's wealth and strength. In terms of cultural content, many famous poets of the Tang Dynasty left behind countless beautiful poems about peonies. From the prosperous Tang Dynasty, the Tang people loved peonies and became popular in the middle and late Tang Dynasty. Peony was integrated into every corner of the life of the Tang Dynasty people. From planting flowers, admiring flowers to painting flowers and chanting flowers, it was endowed with rich cultural implications. Moreover, at that time, the color of peonies was also related to the concept of social hierarchy. Because the official uniforms of the Tang Dynasty were divided into grades by color, the Tang people had a tendency of " valuing purple and despising white " when viewing peonies. For example, white peonies were not popular, while peonies with bright colors were more popular. In the late Tang Dynasty, peonies became a symbol of people's nostalgia, representing the glory of the former Tang Dynasty. Poets from the late Tang Dynasty to the Five Dynasties and Ten Kingdoms often lamented that things remained the same but people had changed. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony of Ming Dynasty
There were many cases of peonies in the Ming Dynasty. In Heze, Shandong Province, there was a 400-year-old peony king of the Ming Dynasty. It was a species of jade green lotus. It was planted in 1610 (the 38th year of Wanli of the Ming Dynasty) and bloomed more than 400 flowers every year. It was an ancient peony tree with a large body and was regarded as the treasure of the town garden. In the Twin Towers Museum in Taiyuan, Shanxi Province, there was a peony Zixia Immortal planted in the Ming Dynasty more than 400 years ago. The Peony King Stele of the Ming Dynasty witnessed the existence of peonies in the Ming Dynasty. In addition, the center of peony in the Ming Dynasty was in Heze. At that time, 80% to 90% of the peonies in Beijing came from Heze. The porcelain of the Ming Dynasty also had patterns of phoenixes wearing peonies, which implied wealth, and cultural relics such as the red peony peacock plate of the Ming Dynasty. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Yuan Dynasty peony
In the Yuan Dynasty, peonies had an important presence in the field of painting. There were many painters in the Yuan Dynasty who were good at painting peonies. For example, Qian Xuan's flower and bird paintings were the most outstanding. The Painting of Peonies with Broken Branches was gentle and beautiful, with gossamer sketching, accurately and vividly showing the posture of peonies, and the colors were light and elegant. His Painting of Fragrance Offering Auspicious Scenery (a copy of the Qing Dynasty painter Jiang Tingxi in the fifty-third year of Kangxi) painted flowers such as peonies. Shen Mengjian had the Painting of Peony and Butterfly. The composition was exquisite, the carving was precise, the movement was appropriate, and it was lifelike. It was now stored in the National Museum of Tokyo, Japan. Wang Yuan's "Peony Painting" had a style of "Huang Family's Wealth". The color was taken from ink and was distinguished by the outline and ink. The shape was precise and the expression was vivid, fully reflecting the artistic effect of "ink with five colors". In terms of porcelain, the blue and white porcelain vase of the Yuan Dynasty had a peacock peony pattern. It was based on a flat, intertwined peony, and two peacocks, one male and one female, sang opposite each other. The idea was developed from the phoenix peony pattern, and the peony symbolized wealth. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony
Tang Dynasty peonies had many characteristics. ** 1. Origin ** 1. ** Widely distributed ** - Peonies were native to Sichuan (Bajun) and Hanzhong, Shaanxi. In the Tang Dynasty, in addition to these two places, peonies grew in Yichuan and Yan 'an, Shaanxi, Fenyang, Taiyuan, Shandong, and Anhui. There were many places of origin in Shaanxi, and there were still large areas of wild peony groups in Yan 'an. 2. ** Contact with Chang 'an ** - Chang 'an (present-day Xi'an) played an important role in the development of peony culture in the Tang Dynasty. Before the prosperous Tang Dynasty, peonies in Chang 'an were mainly distributed in the palace and the mansions of dignitaries. During the Mid-Tang Dynasty, peonies were widely distributed in Chang' an, and the number of peonies planted in private houses and public places increased significantly. During the Late Tang Dynasty, due to the frequent wars, the number of peonies planted in Chang 'an decreased significantly, and gradually moved to the south. Chang 'an was the birthplace of peony culture, which influenced the planting of peonies everywhere and preserved the cultural foundation of peony. ** 2. Cultural Status ** 1. ** Symbolism ** - Peony symbolized elegance, happiness, and health. It catered to the beautiful vision of prosperity, wealth, and peace that the people of the Tang Dynasty prayed for. 2. ** National Flower Status ** - In the Tang Dynasty, she was regarded as the "national flower" and had an extremely high status. It was a symbol of power and prosperity. The emperor would give peonies as gifts to foreign envoys to show the wealth and strength of the country. 3. ** Literature Impact ** - Li Bai, Bai Juyi, Liu Yuxi, and other great poets wrote many poems praising peonies, such as Liu Yuxi's poem,"Only peonies are truly beautiful, and when they bloom, they move the capital." These poems deepened the status of peony in people's hearts and also reflected the importance of peony in the culture of the Tang Dynasty. ** 3. Ornamental and cultivation related ** 1. ** Watching the situation ** - Peony flowers were luxuriant and gorgeous, with rich colors. It was known as the "King of Flowers." In the Tang Dynasty, rich people would hire professional gardeners to plant peonies in their courtyards. The royal family would even transplant peonies into the imperial garden and have professional gardeners manage and cultivate them. On major holidays or banquets for important officials, peonies would be placed to liven things up. Empresses and concubines liked to insert peonies on their heads as decorations (hairpin flowers). 2. ** Cultivation Techniques ** - During the Tang Dynasty, the cultivation techniques of peonies had developed greatly. At that time, the production of peonies was relatively small, mainly concentrated in the central and western regions, which made peonies expensive and only the rich and powerful could afford them. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!