Eight Famous Songs of Jiangnan Silk and Bamboo
The eight famous songs of Jiangnan's silk and bamboo were "Three Strokes of Plum Blossoms"(36),"Smoky Wind Song"(6th Plate of Middle Flower),"Walking Street","Ruyi of Four Harmonies","Celebration of Clouds","Happy Song","Manliu Plate", and "Man36." These songs had their own characteristics. For example,"Walking Street" was divided into two parts, Adagio and Alegretto. The Adagio was light and beautiful, while the Alegretto was warm and cheerful. It had a strong flavor of life. There were two versions, both of which were based on "Walking Street" and its variations."Zhonghua Liuban" was a slow and flowery version of "Lao Liuban". It was fresh, smooth, delicate, and beautiful, full of Jiangnan charm. It could also be played with a few instruments such as Xiao and Erhu. When it was named "Smoke Wind Song," the style was more elegant."Manliu Ban" originated from "Lao Liu Ban", the rhythm and speed techniques tend to be gentle, elegant and smooth, full of charm;"Happy Song" has a bright and passionate tune, ups and downs, full of singing, using the variation technique of slowing down and adding flowers to form a specific variation structure;"Sanliu" is also known as "Sanluo", the original score is running water board. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Jiangnan Silk and Bamboo Eight Famous Music Streets
The Walking Street was one of the Eight Great Musical Songs of Jiangnan, also known as the Four Harmonies of the Walking Street. It had two versions: one was composed of "Little Worship Gate","Yu E Lang","Walking Street" and their changing and repeating parts; the other was composed of "Walking Street","Kuai Liu Ban","Liu Qing Niang","Kuai Liu Ban", and the end of "Walking Street". The similarity between the two versions was that the main body was Walking Street and its variations, which belonged to the couplet of variation. The whole song was divided into two parts, the adagio and the allegro. The adagio part was light and beautiful, while the allegro part was warm and cheerful and accelerated layer by layer, pushing the festive atmosphere to a climax, full of a strong sense of life. In terms of performance, this song uses the method of branch sound polytony texture. Each instrument part can give full play to its own performance specialty and instrument performance, with distinct personality. Together, they coordinate and integrate with each other, reflecting the characteristics of Jiangnan silk and bamboo branch sound polytony texture. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Appreciation of Ten Famous Songs of Jiangnan Silk and Bamboo
The top ten famous songs of Jiangnan's silk and bamboo industry included "Walking Street,""Three Six,""Man Six,""Man Three Six,""Middle Flower Six,""Cloud Celebration,""Happy Song,""Four Harmony Ruyi,""Rainbow Song" and "Liu Qingniang." These pieces of music played an important role in Jiangnan's music, and each piece had its own unique style and characteristics. Among them,"Walking Street" was a form of performance while walking, often used for wedding and festival temple tour;"36" was a cheerful music, often played in folk festive occasions;"Man Liu Ban" and "Man 36" showed the elegant, smooth and rich charm of Jiangnan silk and bamboo music;"Cloud Celebration" showed the beauty of Jiangnan silk and bamboo music with melodious tunes and bright melodies."Happy Song" was a song full of singing and smooth melody, often used in festive temple festivals and other lively occasions, while "Sihe Ruyi" was a comprehensive Daqu composed of many pieces. These famous songs were the essence of Jiangnan's music and were worth appreciating and savoring.
What are the representative songs of Jiangnan silk and bamboo
The representative songs of Jiangnan Sizhu were rich and varied. Traditional music included "Zhonghua Liuban,""Sanliu,""Walking Street,""Four Harmonies,""Yunqing," etc. The main eight pieces of music included "Happy Song,""Yunqing,""Old Three Six,""Slow Three Six,""Zhonghua Liuban,""Slow Six Pulls,""Four Harmonies Ruyi,""Walking Street," etc. In addition,"Francolin Flying,""Liu Qingniang,""High Mountain Flowing Water,""Nishang Song,""Reverse Pulling Oar" and other music were often performed. In some performances, there were also new pieces of music, such as "Painting of the Swirling Creek,""Slow Walk on the Su Cavern,""This Life of Silk and Bamboo,""Spring on the Gu Mountain," etc., which also reflected the development of Jiangnan silk and bamboo. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Jiangnan Silk and Bamboo
Some of the songs of Jiangnan Sizhu include "Four Harmonies on the Street,""Smoked Wind Song,""Three Six,""Happy Song,""Clouds Rolling and Clouds Shu,""Embroidered Tune,""Society Celebration,""Cloud Celebration,""Zhonghua Liuban,""Bridge Street,""Spring in Jiangnan,""Spring Dawn in Bamboo Forest,""Water Village Music,""Flower Liuban,""Man Liuban,""Worship Hall," etc. However, only these songs were found, and it was not possible to provide 50 songs. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Jiangnan in the Silk and Bamboo
"Jiangnan in the Sizhu" could be understood from the traditional musical instrument of Jiangnan Sizhu. Jiangnan Sizhu was a branch of "Sizhu" music, popular in Shanghai, southern Jiangsu, and western Zhejiang. Silk and bamboo instruments include silk instruments (such as the erhu, pipa, Zhonghu and other bowstrings, plucked strings) and bamboo instruments (such as bamboo flute, sheng, xiao, etc.). Jiangnan's Sizhu had a deep historical origin. It had been passed down for a long time. There was a related Sizhu band in the Jialong period of the Ming Dynasty. The string music formed in Wuzhong at the end of the Ming Wanli period was the predecessor of its development in Suzhou. Later, it was officially named "Jiangnan Sizhu" and was selected as a national intangible cultural heritage. In terms of performance, its characteristics were flexibility and improvisation. The traditional score was recorded using Gongchi score. The performer played flexibly according to their familiarity with the music. The performance would change according to different occasions and moods. The instruments were contrasted and coordinated with each other, and there was sufficient communication between the musicians. The texture writing method was mainly based on polytonation, and each voice part was full of personality and harmonious with each other. It paid attention to the artistic style of "small, fine, light and elegant". In terms of music structure, there were mainly two types of music structure: plate type changes and tune combination. Usually, a tune was used as the mother tune, and through the slow addition of flowers or accelerated reduction of words, it developed into several independent pieces, such as the evolution of "Old Six Plate." Jiangnan's Sizhu should retain its traditional characteristics while integrating modern elements to attract more young people. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Meaning of Jiangnan Silk and Bamboo
Jiangnan Sizhu was an important type of traditional China musical instrument. It was a branch of "Sizhu" music and was popular in Shanghai, southern Jiangsu, and western Zhejiang. There were two types of musical instruments: silk musical instruments (such as erhu, pipa, Zhonghu, etc.) and bamboo musical instruments (such as bamboo flute, sheng, xiao, etc.). It originated in the late Ming Dynasty. It was gradually formed by generations of silk and bamboo masters and famous artists who adapted and processed folk music and ancient songs. During the Jialong period of the Ming Dynasty, there were matters related to the formation of silk and bamboo bands by opera musicians. The string music formed in Suzhou at the end of Wanli of the Ming Dynasty was its predecessor. Later, it was officially named "Jiangnan Silk and Bamboo". Moreover, it was closely related to folk activities and was a national intangible cultural heritage. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Style of Jiangnan Silk and Bamboo
The style of Jiangnan Sizhu had the following characteristics: 1. ** Music Style **: Light, bright, cheerful, lively, typical of Jiangnan Water Town culture. 2. ** Playing style **: Exquisite. Each instrument part is full of personality and harmonious with each other when performing. It is known as "China light music". Its artistic features can be summarized as "flower, fine, light, small, lively", both colorful, delicate, small, light and lively. 3. [The characteristics of the performance: flexibility and improvisation.] In the past, the music of Jiangnan silk and bamboo mostly used Gongchi score. Even if folk artists did not know the score, they could still rely on years of immersion to memorize the songs. According to different occasions and moods, they could fully demonstrate flexibility and improvisation, and each performance would have different changes. When performing, there should be no music stand. The performers should communicate with each other fully, so that each instrument can compare and contrast with each other according to certain rules and characteristics. Only in this way can the unique charm be reflected. 4. [The characteristics of the texture-writing method: It is mainly based on the polytonation of the branch sound. Each voice is full of personality and harmony with each other. The techniques are rich and colorful, and the changes are endless.] It emphasized the artistic style of "you complex and I simple, you high and I low, adding flower variations, blocking to make way, improvisation", showing the artistic style of "small, thin, light and elegant". The parts of each instrument should be dominated by the line sound. 5. ** The characteristics of the musical structure **: The musical structure is mainly composed of two types, namely the change of the board and the combination of the tunes. It is similar to the two major musical structures of the opera, especially the change of the board. It was often used as the mother piece of a tune, and developed into several independent pieces by slowing down the flower or speeding up the word reduction. For example,"Old Six Board" could evolve into "Fast Six Board","Middle Six Board","Middle Flower Six Board","Slow Six Board", etc. The evolution process could be from fast to slow, from simple to complex, or vice versa, reflecting folk nature, flexibility, and improvisation. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Meaning of Jiangnan Silk and Bamboo
Jiangnan Sizhu was an important type of traditional China musical instrument. It was a branch of "Sizhu" music and was popular in Shanghai, southern Jiangsu, and western Zhejiang. There were two types of musical instruments: silk musical instruments (such as the erhu, pipa, Zhonghu, and other bowstrings or plucked strings) and bamboo musical instruments (such as bamboo flute, sheng, xiao, and other bamboo musical instruments). It originated in the late Ming Dynasty and gradually formed its characteristics in the process of adapting folk music and ancient songs by generations of silk and bamboo masters. During the Jialong period of the Ming Dynasty, the opera musicians created the Kunqu Shuimo tune and formed the Sizhu band. The string music formed in Suzhou at the end of the Ming Dynasty was its predecessor, and later officially named "Jiangnan Sizhu", and it was closely related to folk activities. On May 20, 2006, the Jiangnan Sizhu declared by Taicang City of Jiangsu Province was selected as the first batch of national intangible cultural heritage. In 2008, the Jiangnan Sizhu declared by Hangzhou City of Zhejiang Province was selected as the second batch of national intangible cultural heritage. Jiangnan Sizhu was also a traditional musical instrument. The number of performers ranged from two to three to seven or eight, with the erhu and flute as the main instruments. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Appreciation of Jiangnan Silk and Bamboo
Jiangnan Sizhu is a traditional music popular in Shanghai, southern Jiangsu, and western Zhejiang. It has a unique artistic charm. The following are the aspects of Jiangnan Sizhu appreciation: ** 1. Musical instrument combination ** 1. ** Instrument Type ** - Jiangnan Sizhu included silk instruments and bamboo instruments. Silk instruments such as erhu, pipa, Zhonghu, etc., these silk string instruments mostly produce sound through bowstring pulling or plucking; Bamboo instruments such as bamboo flute, sheng, xiao, etc., are made of bamboo. 2. ** Combination characteristics ** - The combination of instruments was flexible and varied, and there was usually only one instrument for each piece. The performer could improvise according to the performance of the instrument and play different tunes on the basis of the same tune. Various instruments used a variety of ingenious methods when cooperating, such as you enter and I exit, I enter and you exit, you complex and I simplify, I complex and you simplify, etc. This way of cooperation made the music rich and varied. ** 2. Music Style ** 1. ** Overall Style ** - The music style was light, bright, cheerful, and lively. It had the typical cultural characteristics of Jiangnan water towns. The artistic characteristics could be summarized as "flower, fine, light, small, lively", which meant that it was colorful, delicate, small, light and lively. 2. ** Performance Form ** - ** Solo **: Each instrument takes turns to play the main role, with other instruments as accompaniment. During the solo, it could fully display the unique tone and performance skills of each instrument. For example, the erhu solo part might have delicate glissando, trill and other techniques, while the bamboo flute solo part could reflect its crisp and bright tone characteristics. - ** Ensemble **: The parts of each instrument cooperate with each other to perform a song together. During the performance, each part of the instrument was full of personality and harmonious with each other. The tones of different instruments were intertwined to form a rich harmony effect. - ** Concerto **: The main instrument and the concerto instrument are played in turns, forming a sharp contrast and coordination. ** 3. Songs ** 1. ** Traditional Songs ** - Most of the songs were developed from folk tunes, town tunes, opera tunes, etc., such as "Four Harmonies on the Street,""Smoke Wind Song,""Three Six,""Happy Song," etc., which were all classic Jiangnan silk and bamboo songs. These songs often had strong Jiangnan regional characteristics. The melody was beautiful and pleasant, and the rhythm was bright and light. 2. ** Modern New Creation ** - There were also some new works created with modern composing techniques, such as " Clouds and Clouds,"" Embroidered Tune," etc. On the basis of retaining the characteristics of Jiangnan silk and bamboo, modern music elements were integrated, injecting new vitality into the development of Jiangnan silk and bamboo. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Jiangnan Silk and Bamboo, Jiangnan Charm Music
You can get the score of Jiangnan Sizhu (Jiang Zhonghai's Ci Party's Ji Zhi Song) from China Music Score Network. In addition, Zhou's Jiangnan Silk and Bamboo Music Score for a Hundred Years contained the most classic eight pieces of Jiangnan silk and bamboo music, but the specific score did not mention the content in detail. There was also a simplified musical score of Jiangnan Silk and Bamboo, which could be used to check the lyrics and the latest score of Jiangnan Silk and Bamboo, but it did not show the content of the score in detail. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!