Cheng Rong was born into an opera family. His grandfather was the famous Kunqu opera performer Bai Yunsheng, his grandmother was the famous Kunqu opera actor Li Fengyun, and his father, Cheng Zengkui, was a literary worker. Cheng Rong had been influenced by his family's artistic atmosphere since he was a child. He was admitted to the Beijing opera school to study Peking opera and specialized in Hua Dan. During the audition for the 87th edition of 'Dream of the Red Chamber', she was chosen to play Ling Guan because she looked similar to Chen Xiaoxu, who played Lin Daiyu, and she could sing Beijing opera. After joining the crew, because he was used to reciting lines in Beijing opera, he startled the director when he opened his mouth during the first scene of Ling Guan Hua Qiang. After correction, he understood the difference between film and television performance and opera performance. Ling Guan Hua Qiang's scene in the rain was filmed six or seven times before it ended. Although she and Chen Xiaoxu looked alike and had been in the production team for a while, the two of them had never acted together or taken photos together. After that, Cheng Rong also acted in the movie Dream of the Red Chamber, playing Xing Xiuyan, and the TV series Cao Xueqin's Dream of the West Mountain, playing Lin Daiyu. Cheng Rong's experience in 'Dream of the Red Chamber' had improved her artistic and life value. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Cheng Rong was the actor who played Ling Guan in the 87th edition of the TV series " Dream of the Red Chamber." She was born into an opera family. Her grandfather and grandmother were both famous Kunqu opera artists. In her early years, she was admitted to Beijing City opera school to study Beijing opera. Her performance in the 87 edition of Dream of the Red Chamber was delicate and meticulous, showing Ling Guan's stubbornness, sensitivity and infatuation vividly. Although Ling Guan was not a particularly prominent character in the original work, her performance left a deep impression on the audience. Although the love story with Jia Qiang was not long, it was sincere and enthusiastic. Cheng Rong made a name for himself in the film and television industry with the role of Ling Guan. His acting skills were recognized by the industry and he was loved by many viewers. However, her acting career had not been smooth sailing. She had experienced the ups and downs from the peak to the bottom, and had tasted the warmth and coldness of human feelings. However, she did not give up. She chose to settle down and improve her acting skills and cultivation, and went deep into life to draw inspiration. Later, she met the other half of her life and started a family. In the family, she played the role of a gentle wife and a loving mother. While enjoying the happiness of the family, she also faced the challenge of balancing her career and family. However, she faced these challenges with wisdom and courage. Now, she became more mature, steady, and knew how to cherish and be grateful. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
There were a few times when Cheng Rong attended the gatherings of the cast and crew of 'Dream of the Red Chamber'. For example, on December 25th, 2019, the actor of the assault, Yuan Mei, organized a small gathering, and Cheng Rong also participated in the reunion of some of the cast members of the 87 edition of 'Dream of the Red Chamber'. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Cheng Yi's book was a version of 'Dream of the Red Chamber', a revised version of Cheng Jia's book. In the fifty-seventh year of Qianlong (1792), Gao E and Cheng Weiyuan used movable type printing to print the 120 chapters of 'Dream of the Red Chamber'. The time was about 70 days after Cheng Jia's version was printed, hence the name Cheng Yi's version. Cheng Yi's version had more than 20,000 words than Cheng A's version. The layout and illustrations were exactly the same as Cheng A's version, but there were more than 20,000 words of difference in the text. There was also an additional "introduction" jointly signed by Cheng Weiyuan and Gao E. There are more copies than Cheng Jia's, and they are collected in the National Library, China Bookstore, Shandong Library, Hangzhou Library, Shaoxing Library, Shanghai Library, and some private places. Some people believed that Cheng Yi's 120-chapter version of Dream of the Red Chamber was more complete. Without Zhiyanzhai's comments, the first 80 chapters and the subsequent 40 chapters had been greatly modified to make the theme consistent. The theme was believed to reveal the decline of feudal society and family, the love and emotional entanglement of Bao Dai Chai, the complexity of human nature and the impermanence of the world, and the contradiction of class. From the origin of the version, some studies have shown that the Dream Script is the ancestor of Cheng Yi's version. For example, the wrong sentences in the Dream Script were inherited in the Cheng Yi Script, and the unique usage of the word "many" in the Dream Script also provided evidence that it was the ancestor of the Cheng Yi Script. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cheng Yuanyuan began to receive attention after playing the role of " Ping Er " in the new version of " Dream of the Red Chamber." However, it was actually the influence of " Dream of the Red Chamber " itself and her successful creation of the role of " Ping Er " that made her stand out in the entertainment industry. In 2007, Cheng Yuanyuan participated in the talent show for " The Man in the Dream of the Red Chamber " and won the third place in the Daiyu Group. She was given the opportunity to play Ping 'er in Director Li Shaohong's " Dream of the Red Chamber." After that, she relied on her own efforts to continuously participate in many film and television works, such as "The Great Golden Robbery" and "Love Post Office". She gradually broadened her acting path and her acting skills were continuously recognized. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In 'Dream of the Red Chamber', You Shi sent Jia Rong to receive the spring sacrifice reward. Jia Rong first went to the Ministry of Rites to get it, but did not get it, so he went to Guanglu Temple to get it. After receiving it, Jia Rong reported the situation to Jia Zhen and Madam You. He also presented a yellow cloth bag with the words " Emperor's Grace " printed on it and a certain amount of silver. After Jia Zhen and Madam You looked at it, they ordered Jia Rong to bring the yellow cloth bag to the Rong Mansion for Grandmother Jia, Jia She, and Lady Xing to look at. Then they went home and took out the silver to buy offerings and placed them in front of the ancestral tablets. Finally, they placed the yellow cloth bag in the ancestral hall and burned it. This process reflected many aspects of meaning, such as showing the "Emperor's grace". At the end of each year, the emperor would reward the officials who were granted the shade according to the usual practice, which was the "Spring Sacrifice Grace Reward", which was distributed by Guanglu Temple. It reflected the "Enen Xifu". Jia's ancestors were the founding fathers. Although this reward was not much, it could remind everyone in the Jia family to remember the kindness of their ancestors. However, the younger generation of the Jia family could not do it, so the decline became inevitable. It also reflected the cautious etiquette. The etiquette involved in the whole process of receiving was very strict. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cheng Yiben's Dream of the Red Chamber was printed in the 57th year of Qianlong by Cheng Weiyuan and Gao E using wooden movable type. It was first circulated among friends and became very popular. It was published by China Bookstore Press on January 1, 2011. Cheng Yi's version was a revised version of Cheng Jia's version published the previous year. It had more than 20,000 words than Cheng Jia's version. The reason was probably that "because he was anxious to make it public, he did not have time to carefully check it when it was first printed, and there were mistakes." It was exactly the same as Cheng Jia's version, but there were more than 20,000 words of text differences. There was also an additional "introduction" signed by Cheng Weiyuan and Gao E. From the perspective of the circulation of the versions, the versions of Dream of the Red Chamber were roughly divided into two systems: the early manuscripts (fat batches) and the printed versions. Cheng Yi's version was one of the printed versions, and its text was very different from the early manuscripts. From the 1920s to the 1980s, the collated version of Dream of the Red Chamber, which was based on Cheng Yi's version, was widely read by the public and had a great impact. There were not many copies of Cheng Yi's book in existence, and even fewer were well-preserved. Some collections or private collections of Cheng Yi's book were mixed with Cheng Jia's book or other copies and printed copies. However, the copy of 'Dream of the Red Chamber' in the library of Beijing Normal University was a well-preserved pure first edition, which had a high edition value. A certain Redology Society encouraged students to read Cheng Yi's version of 'Dream of the Red Chamber'. The reason was that the 120-chapter version was more complete. Without Zhiyanzhai's comments, the first 80 chapters and the subsequent 40 chapters had been greatly modified to facilitate the consistent theme.(Revealing the decline of the feudal society, the love and emotional entanglement of the treasures and hairpins, reflecting the complexity of human nature and the impermanence of the world, and then rising to class contradiction), it was convenient for the teacher to set the questions, and the Redology Society's interpretation of Cheng Yi's text could be used as an examination guide and language teaching reference. In terms of edition research, some people believed that the Dream Manuscript was the ancestor of Cheng Yiben. The Dream Manuscript was identified as the "first copy" that was closest to the author's original manuscript. This discovery also provided a new perspective and basis for Cheng Yiben's related research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In Cheng Jia's 'Dream of the Red Chamber': - Jia Baoyu left home after ranking seventh in the imperial examination, leaving his pregnant wife and elderly parents behind. His whereabouts were unknown and he was thought to have become a monk. - Lin Daiyu died of tears. - For the rest of her life, Xue Baochai was like Zhen Shiyin's wife, Feng Shi. Her husband never returned. - Jia Yuanchun died of illness. - Shi Xiangyun became the singer on the ship in the 120th chapter of Dream of the Red Chamber (the ending was different from the original story where the unicorn was hiding in the white head and the double stars). - Wang Xifeng was abandoned by her husband for being unreasonable and had to return to her hometown in Jinling. After many harmful things were exposed, the court ordered her to be taken back to the Ministry of Justice for trial. On the way back from Jinling, she hanged herself (different from the suicide in the well in the original novel of The Stone). - Sister Jia Qiao was rescued by Granny Liu after wandering in the fireworks alley. - Qin Keqing had died of illness (different from the original story of "Story of the Stone" where she was buried in the Heavenly Fragrance Pavilion). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In Dream of the Red Chamber, Rong's daughter-in-law's background was not described in detail. In the novel, her name did not appear in the character list, nor was she mentioned. We can only guess that she might be a concubine of the Jia family or the granddaughter of the Grandmother Jia. But this is only speculation because the novel does not provide enough clues to help us determine her background.
There was a novel called " The Dream of the Red Chamber: A King with a Different Surname ". The main character was Jia Rong and Jia Zhen. The content involved Jia Rong's plot, but it did not explicitly mention the elements of rebirth. Based on the current reference materials, the specific name of Jia Rong's novel, Dream of the Red Chamber, was not found. Sorry, I can't give an accurate answer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The main content of Spring in the Red Chamber was the story of Jia Baoyu, Lin Daiyu, and others flying kites in the Grand View Garden. The story started when everyone picked up a big butterfly kite that Miss Yanhong had flown in the Grand View Garden. It aroused everyone's interest, so everyone took out their kites and prepared to fly. Baoqin flew the big bat kite, Baochai flew the wild goose kite, but Baoyu couldn't fly the beauty kite, which annoyed him. When Daiyu flew the kite, everyone said that it could take away the root of her illness. In the end, everyone released their kites. Through describing the scene of flying a kite, this text showed the character and destiny of the characters. At the same time, it showed their leisure and happiness in life, bringing people a beautiful enjoyment.