The past and present lives of the pavilion characters Jinzan

Answer 1

The golden hairpin of the pavilion figure is the headdress of the Ming Dynasty. The craftsmanship was exquisite, such as the golden hairpin of Ming Pavilion figures unearthed from the tomb of Zhu Houye, King Yizhuang, Nancheng, Jiangxi Province in 1958. The gold ware was two three-dimensional pavilions surrounded by flowers and trees, which looked like a garden. The feet of the hairpin, the shape of the pavilion, and the statues inside were all carefully designed. For example, the pavilion was hexagonal in shape, with a hexagonal roof and a pearl at the top. There were fans on all six sides. There was a statue outside each of the four doors. There were also statues of people in the hall. The whole hairpin was exquisite and exquisite.

Most of the unearthed tombs of this kind of golden hairpin were located in the south, mainly in the Jiangnan area, such as the tomb of Zhu Houye, King of Yizhuang in Jiangxi Province, and the tomb of Xia Yi in Changjing, Jiangyin, Jiangsu Province. Taking the tomb of Zhu Houye, King of Yizhuang, as an example, the golden hairpin of the pavilion figure unearthed from the tomb of his second concubine, Wan, was said to be built in imitation of the building of King Yi's residence, which was also helpful for archaeological research of Ming Dynasty architecture. Among them, the National Museum of China collected some of the golden hairpins of the pavilion figures unearthed from the tomb of King Yizhuang. In 1958, more than 120 pieces of gold and silver ware were found in the wooden coffin of the Wan family in the tomb. There were 11 golden hairpins of the pavilion figures, and the National Museum of China collected 9 pieces.

In the Ming Dynasty, nobles and married women from rich families would wear a "bun" to insert various hairpins. The golden hairpins of pavilion figures had different names because of the different positions inserted on the bun. For example, the top hairpin was inserted from top to bottom; the one inserted diagonally in front was the heart; the one at the back was called distraction, and the hairpin head was generally curved; the hairpin at the temples was called covering the temples, etc. The shapes of the golden hairpins and the scenes of the characters in different positions were also different. For example, there were three groups of pavilions woven with silk craftsmanship, connected by flower patterns. Each group was composed of three small pavilions side by side and a tall pavilion at the back. The three large pavilions at the back were built on the top of the mountain, and the middle was slightly higher. The hairpin was shaped like a mountain. Not only did it have clear tile patterns, but there were also a kiss and a spine temple on the spine. Different characters were engraved in the pavilions, showing different scenes. There were layers of pavilions covering the temples. In the middle were women sitting on one side, on one side were children holding vases, and on the other side were children serving. In addition to the golden hairpin of Princess Yizhuang of Jiangxi Province, a similar hairpin of a pavilion figure was unearthed from the tomb of Lady Cai, a chieftain family of the Ming Dynasty in Pingwu, Sichuan Province. The hairpin was long and had the image of a double-storey pavilion. The characters in the pavilion were related to the origin of allusions, such as showing the "Yingzhou Scholar Painting". Today, these golden hairpins have become a collection of the museum, which can be appreciated by people. From them, you can also get a glimpse of the superb level of gold and silver craftsmanship of the Ming Dynasty, as well as the culture and living style of that time.

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