The cost of performing in the countryside for opera actors
The fees for performing in the countryside varied according to the level of the troupe. County-level troupes cost 2000 - 3000 yuan, prefecture-level troupes 5000 - 8000 yuan, provincial-level troupes 20000 - 50000 yuan, and small troupes below the county level cost 1500 - 3000 yuan. Moreover, in the second half of the year, because there was a mission to send movies to the countryside, the fee was usually half price. Under normal circumstances, the cost of sending a show to the countryside was about 5000 yuan, including labor, props, venue, transportation, food and other expenses. There were also situations where three shows per day, 3000 yuan per scene, 9,000 yuan per day (including food and salary), and 3000 yuan per performance (including organization, background, sound equipment, program list, actors, food and water, and all other related expenses). Read more exciting novels for free
Are there any actors performing together?
There were, for example, Huang Bo and Ni Ni would work together on a movie; Guo Degang and Zeng Zhaojuan would work together to perform a cross-border drama called "Beating the Dog to Persuade the Husband"; Zhang Guoli, Wang Gang and Zhang Tielin would work together on the 10th screen to perform "Old Guy";"Skinny Man" of Guangzhou Wild Comedy Talk Show originally participated in the performance, but was suspended for teasing Wang Chuqin; There was also actor Chen Liyao who insisted on finishing the opera performance after a heatstroke. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yue opera performing artist He Saifei
He Saifei was a performing artist of Yue opera in mainland China. He was born on April 11, 1963 in Daishan County, Zhoushan City, Zhejiang Province. She was a national first-class actress and graduated from Zhejiang Arts School with a major in opera performance. He Saifei was famous for his beauty, temperament, and solemnity in the Yue opera world. He was known as an outstanding "famous actor". Her acting career was not only limited to the Yue opera stage, but also involved herself in the film and television industry, achieving remarkable achievements. She had acted in many well-known movies and TV series, such as Dream of the Red Chamber, Raise the Red Lantern, and Grand Mansion Gate. She had won many awards for her outstanding performance. In 2023, she played the role of Teacher Qi in the movie Chasing the Moon and won the 36th Golden Rooster Award for Best Actress. He Saifei won the audience's love and praise for his superb acting skills and diverse character creation. She was a well-respected and worshiped performing artist of Yue opera, and her acting career would continue to develop and achieve higher achievements.
Yue opera actors sing Beijing opera
Many Shaoxing opera actors would sing Peking opera. For example, the famous Yue opera actor Zhao Zhigang (Yue opera Yin School Xiaosheng) was the Beijing opera "Yang Men Female General", Han Tingting (Yue opera Fan School Xiaosheng) was the Beijing opera "Phoenix Returning to the Nest", Jin Jing (Yue opera Qi School Hua Dan) was the Beijing opera "Du Fu Shan". There was also the Yue opera actor Feng Fengxian humming Yue Wei Peking opera 'Three Houses' and so on. This showed that actors of different types of opera had a certain degree of compatibility and innovation in artistic performances. They showed the charm of different types of opera through cross-border singing, and also brought new vitality to the inheritance and development of opera art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qu opera, wailing, funeral in the countryside
Qu opera wailing was a form of performance in rural funerals. In rural areas, when someone died, the Wailing Woman would organize a eulogy and sing some sad songs to express the memory and grief of the deceased. The crying spirit girl was usually dressed in white mourning clothes, holding a microphone, kneeling in front of the mourning hall and crying, singing the paragraph "December Crying Father and Mother". This kind of performance was especially common in the remote mountainous areas of northwest Henan. The content of the performance was not limited to Henan opera and Qu opera, and sometimes it would be accompanied by a little Hui accent. The wailing usually lasted for about half an hour, and the host would give the wailer a red packet as a reward. As a unique art form, wailing still had an important cultural heritage value.
Industry classification of opera actors
|classify| characteristic| |--|--| |professional actors| Become a professional opera performer through traditional opera learning methods, such as a master taking an apprentice, entering a professional class, etc., and perform officially on the stage to inherit the traditional opera culture, such as Shang Xiaoyun, Ma Lianliang, etc.| |Non-professional actors:<br> Likes| They didn't reject plays and only listened to plays based on interest. They didn't have any requirements for drama knowledge, plot, singing, performance, and skills. They were easily forgotten after watching and were at a low level.| |fancier| He had a simple understanding of drama, knew some schools, had a general understanding of the forms of expression and performance system, could decide his taste according to his preferences, could read drama theory and basic materials, and had a preliminary understanding of the "four skills and five methods". He was in the primary stage.| |fans| Having a deep understanding of drama, having their own views on the formation and development of schools, having a scientific understanding of drama, being able to express their views on problems, having mature opinions and being willing to publicize and promote drama, beginning to imitate and learn the essence of the arts of predecessors, at the intermediate stage| |ticket friends| He has studied the history and origin of drama, has a unique understanding of the artistic characteristics of various schools, has his own style of performance, can fully express the characters, plot, and skills, and is at an advanced stage.| <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The makeup of the opera actors in the documentary
The makeup of opera actors was a unique art. The makeup of opera actors in the documentary could show the unique charm of this ancient art form. Make-up was one of the most important departments in stage art for the appearance of characters. It was based on the script and created the character image that met the requirements of the plot based on the actor's own conditions. The venue for the performance was the stage. It had to be displayed in a specific stage environment (a typical environment created by the setting, lighting, etc. that met the requirements of the plot), and the factor of the audience watching from a certain distance had to be taken into account. Judging from the style of makeup of the opera actors, there might be differences between different operas. For example, in terms of opera makeup, this was a very unique part of opera makeup. It evolved from masks, and according to the profession (Sheng, Dan, Jing, Chou), it used strong romantic colors and concise and distinct techniques to reflect the appearance of the character's character. Jingjiao's facial makeup had endless variations. For example, Ma Wu of Beijing opera and Han opera had a green face, Ma Wu of Qi opera had a red face, and Ma Wu of Guangdong opera had a black and white face. The facial makeup was a kind of personification (from the perspective of drama) and pattern (from the perspective of art) makeup and plastic arts. It was gradually formed with the development of opera and was relatively fixed by the score. Through facial makeup, one could express the character's personality, temperament, morality, emotions, psychology, and other aspects. It could also directly present the opera composer's evaluation of the good and evil of the character. The dressing rooms of opera actors were also unique. Compared with celebrities (such as movie and television stars), the dressing rooms of opera actors were more practical and ceremonial. This was because the makeup and costumes of opera actors were often strictly regulated. They had to conform to the identity and personality of the character, and also show the unique beauty of the opera. Therefore, the makeup room would have more traditional elements, such as complicated headwear and exquisite costumes. The makeup of actors in different dramas had their own requirements. For example, the makeup of Huangmei opera and other dramas was also based on the basic rules of opera makeup, according to the characteristics of their own drama and the needs of the role. In the documentary, one could delve into the details, processes, and cultural implications behind the makeup of actors in different dramas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nanyang opera actors list is the latest
The following were some Nanyang opera actors: Hou Honglian, who was selected for the performance award with the three-string book Shizi Slope; Sun Bingxin, a national first-class actor, whose representative works included Butcher Champion, Trapped in the Imperial Mausoleum, and Down the River East. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nine Generations of Yue opera actors
The first generation of Shaoxing opera actors was Lv Ruiying, the founder of the Lv School of Shaoxing opera; the second generation was Meng Liying, a national second-class actor; the third generation was a national first-class Shaoxing opera actor, Liu Jue; the fourth generation was a national second-class Shaoxing opera actor, Wang Xiuyue; the fifth generation was a national first-class Shaoxing opera actor, Qian Huili; the sixth generation was a Shaoxing opera actor, Wang Qing; the seventh generation was a national second-class Shaoxing opera actor, Chen Huidi; the eighth generation was a Shaoxing opera actor, Shi Yanbin; and the ninth generation was a graduate of the undergraduate class of Shanghai Traditional Arts School. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Who are the young actors of Kunqu opera?
The young actors of Kunqu opera included Zhou Yimin, Ni Xuhao, Yuan Jia, Zhang Weiwei, Qian Yuting from Shanghai Kunqu opera troupe, Wang Sheng and Lin Yujia from Kunshan contemporary Kunqu opera theater, Zhu Yingyuan from Suzhou Kunqu opera theater in Jiangsu Province, and Ou Longjuan from Hunan Province opera troupe. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!
List of Old Actors of Kunqu opera
The following are some of the veteran Kunqu opera actors: Zheng Chuanjian, January 19,1910-July 6,1996, Suzhou, Jiangsu Province, technical director, Kunqu opera actor, old worker; Liu Yilong, graduated from the first Kunqu opera class of Shanghai City Drama School in 1961, working as a clown. He died at Shanghai Ruijin Hospital at 14:45 on December 13,2023 at the age of 83. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!