Appreciation of Zhou Huijun's Calligrapher and Prosperity of Everything
Zhou Huijun's work," Harmony at Home, Prosperity in Everything ", was vigorous and refreshing, and it was full of changes. She never married and was the true successor of Mi Fu. In terms of spirit, she was the true successor of Mi Fu and also the pride of the Shanghai-style calligraphy world. She had reached an extremely high level in the art of calligraphy. Her brush strokes were used freely, showing both agility and freedom. The overall style was fresh and refined, natural and smooth. Whether it was the beginning, the beginning, or the end, every stroke was perfect. She combined the dignified atmosphere of regular script with the elegant agility of running script in an innovative form, presenting a fresh and refined beauty. However, there were also opinions that she had made a lot of changes in her character in the later stages, and the changes were too large, causing the visual or sensory distance from before to be very large. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligrapher Introduction and Works
Zhou Huijun (December 6, 1939-December 27, 2021) was from Zhenhai, Zhejiang Province. She had held many positions, including the vice president of the China Calligraphy Association, the fourth and fifth presidents of the Shanghai City Calligraphy Association, etc. She was also a national first-class artist and enjoyed special government subsidies issued by the State Council. His character had a rich experience. In 1944, he began to learn to read and write under the guidance of his father. In 1962, he made a name for himself in the calligraphy world by studying Shu Su Tie. Later, he entered the calligraphy class of Shanghai City Youth Palace to learn from many famous artists. In 1974, he published Running Script Calligraphy: Lu Xun's Poetry Selection, with a print run of more than one million copies. In 1975, he entered the Shanghai China Painting Academy and became a professional calligrapher. In 1980, he went to Japan for an exchange visit. In 1981, he was elected as a director of the China Calligraphy Association. In 1986, he won the first literary and art award of the Shanghai Federation of Literature and Art and published the "Song of Everlasting Sorrow" regular script. In 1998, he became the chairman of the Shanghai City Calligraphy Association and edited the "Collection of Shanghai Representative Calligraphers Series" and won the China Government Book Award. In 2005, he served as a consultant of the China Calligraphy Association. In 2007, he held an exhibition at the National Art Museum of China. In 2017, he invested 25 million yuan to establish the "Shanghai City Zhou Huijun Calligraphy Art Foundation". On December 6,2021, Zhou Huijun's Talk on Art and Literature was published. He died in Shanghai on December 27. In terms of social welfare, he donated 300,000 yuan in the 2008 earthquake in Sichuan, 25 million yuan in 2018 to establish the Calligraphy Art Foundation, and also explored talents through the "Zhou Huijun Cup" calligraphy competition. Her works had a unique style. She was a creative calligrapher and formed the "Zhou's model". He was proficient in a variety of calligraphy styles, and his calligraphy was both square and round. It was majestic and magnificent, vigorous and free. Her cursive calligraphy strokes were vigorous and imposing. For works such as "Watching the Sea", she could better unify the calligraphy form and content. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The famous calligrapher, Mr. Zhou Huijun
Zhou Huijun (December 6, 1939-December 27, 2021) was from Zhenhai, Zhejiang Province. She had held many important positions, such as the vice chairman of the China Calligraphy Association, the fourth and fifth chairman of the Shanghai City Calligraphy Association, etc. She was a national first-class artist and enjoyed special government subsidies issued by the State Council. Zhou Huijun was the only female winner of the Lifetime Achievement Award for calligraphy. Netizens called her the 'ceiling' of contemporary female calligraphers. She started learning calligraphy early. She once worshipped famous masters such as Shen Yinmo and Weng Kaiyun as her teachers. She was selected for the first calligraphy exhibition in Shanghai with Lin Mi Fu's Shu Su Tie. His calligraphy was based on the strokes of the two kings, and he also absorbed the strokes of Bei Bei, Yan Zhenqing, Liu Gongquan, the Four Schools of Song, as well as official script and seal script. He was extremely versatile. In 1974, her "Running Script Calligraphy: Lu Xun's Poetry Selection" was published. Once it was listed, it sold out and soon sold more than one million copies. Her cursive calligraphy was dark and thick, and the strokes were natural. The contrast between the thickness and thickness was obvious. It combined the elegant beauty of the calligraphy style of the "Two Wangs" and the grace and generosity of Yan Liu's calligraphy style. When she wrote, she could express her own personality. She was influenced by the "Shanghai-style Calligraphy" and learned from the "Tiexue" and paid attention to the combination of square and round. The regular script absorbed the meaning of the regular script and official script of the Northern Stele. The strokes were clear and smooth, and the style of gold and stone was full. She combined the "square pen" of the Northern Stele and the "round pen" in the center of the Tiexue to form the "Zhou Style" regular script. The horizontal painting and the pressing painting contained the meaning of official script, which was more simple and unsophisticated. His regular script learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools and went up to the North Stele. The cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". The style of writing was vigorous, smooth and bright, with its own style. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun Calligrapher Calligraphy Art
Zhou Huijun (December 6, 1939-December 27, 2021) was an outstanding calligrapher from Zhenhai, Zhejiang Province. She had made many achievements in the art of calligraphy. Judging from his learning experience, he participated in the calligraphy class of Shanghai City Youth Palace in 1962 and was taught by famous calligraphers such as Shen Yinmo, Gong Delin, Weng Kaiyun, etc. He learned regular script from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools and went up to the North Stele. The cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". His calligraphy style had gone through three stages of change. In the 1970s and before, the running script was wrapped in the center of the pen, the lines were round and concise, and the ups and downs of the running pen were full of charm and interest. The two kings of the word sect and Mi Fu's upright state were mutually generated, with a refined and calm atmosphere. After the 1980s, he began to draw lessons from the style and interest of the Northern Stele Wei Epitaph. The brush was folded according to the square, and the turning point strengthened the bone feeling and weight of the glyph. The qi broke the usual axis line movement, the size of the glyph was scattered, and the axis swing from left to right increased. The impact of the picture and the strong qi increased. The exploration of the combination of the inscriptions played an important role in the transformation and maturity of his calligraphy style. The running script that he saw now was already in a state of fusion with the interest of the inscriptions. The words were formed according to the shape. The middle palace was restrained and calm, but also ups and downs, vigorous and comfortable. The strokes were more varied. The lines were rich in expression, and the strokes were smooth. The vigorous ancient Qi pervaded between the lines. In terms of artistic expression, her brush strokes were like the wind mast array horse, dripping with joy. Her strokes were clean and vigorous, and she had the taste of Mi Fu's "brushing words". When he wrote a book, he entrusted his feelings and spirits to the wind. The strokes were a thousand miles away. The whole book was full of spirit. In the large-scale works, one could feel his uncontrollable creative passion. He could express his feelings of life in the pen and create an artistic style full of vitality. His works paid attention to the change and unity of the form composition in the rhythm flow. Sometimes the brush and ink were thick and airtight, and sometimes it was white and black. The composition was slightly exaggerated, and the lines were heavy and thick. As a whole, it broke the constraints of traditional calligraphy aesthetics. In addition to being elegant and handsome, it also showed the grand spirit of being strong and handsome. She also ingeniously combined the dignified atmosphere of regular script with the elegant agility of running script in an innovative form, presenting a fresh and refined beauty. Zhou Huijun had won many awards in the field of calligraphy. In 2014, she won the 5th "China Calligraphy Orchid Pavilion Award-Lifetime Achievement Award" and the 6th "Literature and Art Award-Outstanding Contribution Award" in Shanghai City. In 2019, she won the 7th "Literature and Art Award-Lifetime Achievement Award" in Shanghai City. Her works have also been widely published and disseminated, such as Zhou Huijun's Regular Script Jingsi Garden Record Jingsi Garden Ode published in April 2015, Running Script Calligraphy Calligraphy--Lu Xun's Poetry Selection published by Shanghai Painting and Calligraphy Press in 1974, Zhou Huijun's Talk on Art and Literature published in 2021, etc. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Appreciation of Qing Dynasty Calligrapher's Works
Qing Dynasty calligraphers had many outstanding works, including Tie Bao, Guo Shangxian and others. Tie Bao was the most famous calligrapher among the Manchu people. He was good at cursive script and was influenced by Yan Zhenqing, Wang Xizhi, and others. His works such as "Wei Qing Zhai Tie" were widely praised. Guo Shangxian was from Putian, Fujian. He was also very accomplished in calligraphy. The works of these calligraphers demonstrated their inheritance and development of Chinese culture.
What is the level of Zhou Huijun's calligraphy?
Zhou Huijun's calligraphy skills were extremely high. She was the only female calligrapher who had won the lifetime achievement award of the " Orchid Pavilion Award." Her calligraphy was not inferior to that of contemporary famous male calligraphers. Judging from her style, her calligraphy skills had two main characteristics. One was that her writing style was bright and clear, and the other was that her writing style was wonderful. He didn't pay much attention to the center of the brush, but he could reach the realm of agility and sharpness in all eight directions. His brush strokes were like the wind mast array horse, dripping and happy. His strokes were clean and vigorous, with the taste of Mi Fu's "brushing words". The long painting was full of twists and turns, with the intention of the valley. She combined the "round brush" from the calligraphy and the "square brush" from the stele. The words were straight and straight, the structure was clear, and the strokes were free and easy. She paid attention to the overall charm and gave people a feeling of flowing water. Her calligraphy lines were dignified, experienced, domineering, and powerful. However, the overall style was both elegant and handsome, with strange and natural aesthetic characteristics. It perfectly fused the seemingly contradictory aesthetic elements and artistic characteristics of hardness and softness, lightness and heaviness, emptiness and reality, strangeness and uprightness, magnificence and elegance, solemnity and emptiness, and formed a strong personal style. As early as the end of the 1980s, it had formed a unique personal style. In terms of influence and status, she became famous as early as the 1970s with her "Running Calligraphy: Lu Xun's Poetry Selection", and her influence has continued to this day. She was the vice president of the China Calligraphy Association, the president of the Shanghai Calligraphy Association, and other important positions. She is now a consultant of the China Calligraphy Association. In many people's perception, even among the famous calligraphers today, not many people could compare with her calligraphy. Some calligraphers even thought that her calligraphy level was above the current chairman of the China Calligraphy Association, Sun Xiaoyun. From the perspective of calligraphy evaluation standards, in terms of personal style, she had formed a strong and unique personal style. In terms of calligraphy theory, although there was no mention of whether she had enlightening opinions, from the perspective of creative practice, her idea of combining the north and south and taking the road of combining inscriptions had certain inspirations for calligraphy creation. In terms of leading the trend of calligraphy, she had many followers, and her calligraphy had demonstration and learning value for many people. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret
Zhou Huijun's Song of Everlasting Sorrow was quite unique. Zhou Huijun was a famous female calligrapher. Her calligraphy had two main characteristics. One was that her strokes were bright and concise, and the other was that her composition was wonderful. It gave Mi Fu a feeling of "brushing". Her calligraphy style could also be "full of twists and turns". In his calligraphy philosophy, it was clearly stated that he should know the white and guard the black. For example, in the Song of Everlasting Sorrow, the blank space in the word (white cloth) was also a component of the word. Although the degree of exquisiteness could not be described as an absolute shape, it had to conform to the aesthetics of some geometric figures, such as symmetrical, clear edges, pictograms, etc. Her Song of Everlasting Sorrow's running-standard script was the best of the modern running-standard script. It was very tasteful and was not inferior to Tang Kai's. It was worthy of appreciation. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's calligraphy is really not good
This statement was not accurate. Zhou Huijun had outstanding achievements in the field of calligraphy. She learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other masters in regular script, and also involved the Northern Stele. Cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings", learning from others. Her cursive strokes were bright and vigorous, and her style was wonderful. The seal script is full of the meaning of cursive, the strokes are refreshing, strong and fierce, the strokes are bold and unrestrained, the strokes are ancient and clumsy, but also very elegant and elegant. The style of the book was vigorous, smooth and bright, with its own style. The words revealed a stubborn spirit, showing a unique personality and artistic style. She had also won the 5th China Calligraphy Orchid Pavilion Award-Lifetime Achievement Award and many other awards. She had served as the vice president of the Chinese Calligraphy Association and many other important positions, which was enough to prove her influence in the calligraphy world and the artistic value of her calligraphy works. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
How much is Zhou Huijun's calligraphy worth?
Zhou Huijun's calligraphy prices varied greatly. In the 1990s (1990 - 1999), a 94×33cm eighth-grade calligraphy was sold for 320000 yuan, and another 8.5-grade calligraphy was sold for 8000 yuan. At the same time, there were other situations where the prices were different. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
How much is Zhou Huijun's authentic work worth?
The value of Zhou Huijun's authentic calligraphy varied from work to work. For example, her regular script, Preface to the Orchid Pavilion, with a size of 69×137cm, started at 180,000 yuan and finally dropped at 200,000 yuan. There was also a work from the 1990s (1990 - 1999) with a size of 94×33cm, which sold for 320000 yuan. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
I have a painting by Teacher Zhou Huijun
Teacher Zhou Huijun was a famous modern Chinese critic and scholar. She was mainly engaged in the creation and research of novels, prose, and poetry. His works had a unique style and beautiful language, which was deeply loved by readers. If you have any of Teacher Zhou Huijun's works, please share them with me. I will be very happy to provide you with information and comments about the works.