Appreciation of Zhou Huijun's Calligraphy Couplets
Zhou Huijun's calligraphy couplets had a unique artistic charm. Her calligraphy style was integrated with the inscriptions, forming a bold, old, and dangerous style. Her works not only had the bold and free style of Mi Fu's semi-cursive script, but also did not lose the delicate and gentle beauty of women. She rationally interpreted the beauty of the lines of calligraphy art, making the couplet work give people a bold and unrestrained artistic enjoyment. In terms of content, these couplets had a wide range of contents, including warm blessings, lofty aspirations, self-cultivation, and patriotic feelings. Whether they were hung in elegant rooms, study rooms, or given to relatives and friends, they could become carriers of deep friendship and beautiful visions. Not only could they decorate the space, but they could also warm people's hearts. Each stroke contained profound cultural heritage and superb artistic attainments, which was extremely valuable for collection and appraisal. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy
Zhou Huijun is good at regular script, especially good at cursive. His regular script learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools, and went up to the North Stele; His cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". Her cursive strokes were bright, vigorous, vigorous, and wonderful; her seal script had the interest of cursive strokes, vigorous, bold, and elegant. The style of the book was bold and unconstrained, and the words revealed a stubborn aura. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy Collection
At present, the information only mentioned Zhou Huijun's calligraphy collection, which contained her inscriptions," Ode to Jingsi Garden in Regular Script." At the request of the garden owner, Mr. Chen Jingen, he wrote two long volumes of " Ode to Jingsi Garden " and " Jingsi Garden " for her. It was published in April 2015. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
How to evaluate Zhou Huijun's calligraphy
Zhou Huijun's calligraphy had many characteristics. The following is the evaluation of her calligraphy: In terms of calligraphy, she was good at regular script, especially cursive, and seal script was also very unique. In cursive calligraphy, her strokes were bright and vigorous, and her style was wonderful. His cursive work was based on the overall situation, not small and exquisite. In the rhythm of the flow, he skillfully handled the change and unity of "density, gathering and scattering, light and heavy, opening and closing, size, virtual and real". Sometimes the brush and ink are thick and airtight, sometimes white is black, sparse can run horse, turn around and look around, relaxed and natural interest is filled in the line. The composition was slightly exaggerated, and the lines were solemn and thick, breaking the constraints of traditional calligraphy aesthetics. In addition to being handsome, it also showed the grand spirit of a strong man. In seal script, the strokes are vigorous and vigorous, the strokes are bold and unrestrained, the strokes are ancient and clumsy, and the strokes are very elegant and elegant. Her calligraphy style was distinct, and her personality was distinct. Her style was bold and unconstrained, and her words revealed a stubborn spirit. This stubbornness expressed her personality, displayed her mentality, and also achieved her calligraphy skills. From the point of view of the method, she inherited the Mi Nan Palace, and widely studied the Northern Wei steles, Han bamboo slips and wooden slips, and then traced back to the Jin and Tang Dynasties, down to the Ming and Qing Dynasties, learning from others. She wasn't satisfied with developing in calligraphy and firmly walked the path of combining inscriptions with calligraphy. In terms of influence, she was the winner of the Lanting Lifetime Achievement Award and was the only female famous author to receive this award. She had a very high status in the domestic book industry. Her copybooks were popular all over the country, and there were many scholars who liked them. Her calligraphy style was unique and easy to learn, so many calligraphy lovers began to learn her words. However, because her style was too unique, it was difficult for others to imitate her own characteristics, which also reflected her strong creativity. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
What is the level of Zhou Huijun's calligraphy?
Zhou Huijun's calligraphy skills were extremely high. She was the only female calligrapher who had won the lifetime achievement award of the " Orchid Pavilion Award." Her calligraphy was not inferior to that of contemporary famous male calligraphers. Judging from her style, her calligraphy skills had two main characteristics. One was that her writing style was bright and clear, and the other was that her writing style was wonderful. He didn't pay much attention to the center of the brush, but he could reach the realm of agility and sharpness in all eight directions. His brush strokes were like the wind mast array horse, dripping and happy. His strokes were clean and vigorous, with the taste of Mi Fu's "brushing words". The long painting was full of twists and turns, with the intention of the valley. She combined the "round brush" from the calligraphy and the "square brush" from the stele. The words were straight and straight, the structure was clear, and the strokes were free and easy. She paid attention to the overall charm and gave people a feeling of flowing water. Her calligraphy lines were dignified, experienced, domineering, and powerful. However, the overall style was both elegant and handsome, with strange and natural aesthetic characteristics. It perfectly fused the seemingly contradictory aesthetic elements and artistic characteristics of hardness and softness, lightness and heaviness, emptiness and reality, strangeness and uprightness, magnificence and elegance, solemnity and emptiness, and formed a strong personal style. As early as the end of the 1980s, it had formed a unique personal style. In terms of influence and status, she became famous as early as the 1970s with her "Running Calligraphy: Lu Xun's Poetry Selection", and her influence has continued to this day. She was the vice president of the China Calligraphy Association, the president of the Shanghai Calligraphy Association, and other important positions. She is now a consultant of the China Calligraphy Association. In many people's perception, even among the famous calligraphers today, not many people could compare with her calligraphy. Some calligraphers even thought that her calligraphy level was above the current chairman of the China Calligraphy Association, Sun Xiaoyun. From the perspective of calligraphy evaluation standards, in terms of personal style, she had formed a strong and unique personal style. In terms of calligraphy theory, although there was no mention of whether she had enlightening opinions, from the perspective of creative practice, her idea of combining the north and south and taking the road of combining inscriptions had certain inspirations for calligraphy creation. In terms of leading the trend of calligraphy, she had many followers, and her calligraphy had demonstration and learning value for many people. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's calligraphy is really not good
This statement was not accurate. Zhou Huijun had outstanding achievements in the field of calligraphy. She learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other masters in regular script, and also involved the Northern Stele. Cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings", learning from others. Her cursive strokes were bright and vigorous, and her style was wonderful. The seal script is full of the meaning of cursive, the strokes are refreshing, strong and fierce, the strokes are bold and unrestrained, the strokes are ancient and clumsy, but also very elegant and elegant. The style of the book was vigorous, smooth and bright, with its own style. The words revealed a stubborn spirit, showing a unique personality and artistic style. She had also won the 5th China Calligraphy Orchid Pavilion Award-Lifetime Achievement Award and many other awards. She had served as the vice president of the Chinese Calligraphy Association and many other important positions, which was enough to prove her influence in the calligraphy world and the artistic value of her calligraphy works. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Appreciation of Zhou Huijun's Running Script
Zhou Huijun's semi-cursive script had a unique artistic charm. His strokes were vigorous and beautiful, and his strokes were agile and unrestrained. The overall style was fresh and refined, natural and smooth. He started, ran, and finished his writing perfectly. She combined the dignified atmosphere of regular script with the elegant agility of running script in an innovative form, presenting a unique beauty. Her semi-cursive script had the rhythm of Yan Zhenqing and Mi Fu. Her calligraphy works included well-known ancient prose and poems of the past dynasties, which could be copied and used for reference in calligraphy creation. For example, Zhou Huijun's Running Script-Lu Xun's Poetry Selection is elegant and upright, and the pen is vigorous and free. Zhou Huijun's semi-cursive script reflected her profound calligraphy skills. She had a high attainments in semi-cursive writing, which was worth pondering and understanding from many aspects such as the rules. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun Calligrapher Calligraphy Art
Zhou Huijun (December 6, 1939-December 27, 2021) was an outstanding calligrapher from Zhenhai, Zhejiang Province. She had made many achievements in the art of calligraphy. Judging from his learning experience, he participated in the calligraphy class of Shanghai City Youth Palace in 1962 and was taught by famous calligraphers such as Shen Yinmo, Gong Delin, Weng Kaiyun, etc. He learned regular script from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools and went up to the North Stele. The cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". His calligraphy style had gone through three stages of change. In the 1970s and before, the running script was wrapped in the center of the pen, the lines were round and concise, and the ups and downs of the running pen were full of charm and interest. The two kings of the word sect and Mi Fu's upright state were mutually generated, with a refined and calm atmosphere. After the 1980s, he began to draw lessons from the style and interest of the Northern Stele Wei Epitaph. The brush was folded according to the square, and the turning point strengthened the bone feeling and weight of the glyph. The qi broke the usual axis line movement, the size of the glyph was scattered, and the axis swing from left to right increased. The impact of the picture and the strong qi increased. The exploration of the combination of the inscriptions played an important role in the transformation and maturity of his calligraphy style. The running script that he saw now was already in a state of fusion with the interest of the inscriptions. The words were formed according to the shape. The middle palace was restrained and calm, but also ups and downs, vigorous and comfortable. The strokes were more varied. The lines were rich in expression, and the strokes were smooth. The vigorous ancient Qi pervaded between the lines. In terms of artistic expression, her brush strokes were like the wind mast array horse, dripping with joy. Her strokes were clean and vigorous, and she had the taste of Mi Fu's "brushing words". When he wrote a book, he entrusted his feelings and spirits to the wind. The strokes were a thousand miles away. The whole book was full of spirit. In the large-scale works, one could feel his uncontrollable creative passion. He could express his feelings of life in the pen and create an artistic style full of vitality. His works paid attention to the change and unity of the form composition in the rhythm flow. Sometimes the brush and ink were thick and airtight, and sometimes it was white and black. The composition was slightly exaggerated, and the lines were heavy and thick. As a whole, it broke the constraints of traditional calligraphy aesthetics. In addition to being elegant and handsome, it also showed the grand spirit of being strong and handsome. She also ingeniously combined the dignified atmosphere of regular script with the elegant agility of running script in an innovative form, presenting a fresh and refined beauty. Zhou Huijun had won many awards in the field of calligraphy. In 2014, she won the 5th "China Calligraphy Orchid Pavilion Award-Lifetime Achievement Award" and the 6th "Literature and Art Award-Outstanding Contribution Award" in Shanghai City. In 2019, she won the 7th "Literature and Art Award-Lifetime Achievement Award" in Shanghai City. Her works have also been widely published and disseminated, such as Zhou Huijun's Regular Script Jingsi Garden Record Jingsi Garden Ode published in April 2015, Running Script Calligraphy Calligraphy--Lu Xun's Poetry Selection published by Shanghai Painting and Calligraphy Press in 1974, Zhou Huijun's Talk on Art and Literature published in 2021, etc. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy of Song of Everlasting Regret
Zhou Huijun's Song of Everlasting Regret was published in 1986. She had been personally taught by famous calligraphers such as Shen Yinmo, Gong Delin, Weng Kaiyun, and had high attainments in the art of calligraphy. Her regular script, Song of Everlasting Regret, showed her artistic achievements in regular script calligraphy. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's calligraphy price is 5 square feet
The price of Zhou Huijun's calligraphy was not fixed. It was affected by the appearance, size, age, and many other factors. Generally speaking, the price of her calligraphy works ranged from a few thousand yuan to hundreds of thousands of yuan. The price of a one-foot-long calligraphy work could reach hundreds of thousands of yuan, but there were also a few works that were more affordable, ranging from a few thousand yuan to ten thousand yuan. If it was a piece of work that was five square feet, it would be difficult to give an exact price, but it would probably fluctuate between tens of thousands to millions of yuan. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
How much is Zhou Huijun's calligraphy worth?
Zhou Huijun's calligraphy prices varied greatly. In the 1990s (1990 - 1999), a 94×33cm eighth-grade calligraphy was sold for 320000 yuan, and another 8.5-grade calligraphy was sold for 8000 yuan. At the same time, there were other situations where the prices were different. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!