All of Mr. Yu Jin's novels

Answer 1

"Days of Cohabitation with Mother-in-law" was a short story created by the author of the Haidixiao Witch. It told the story of Ye Xilei, the daughter-in-law of the 1980s. She was beautiful, intelligent, lazy, and vain. When she faced her mother-in-law, she could not complete the role change as a daughter-in-law. Fang Qiaozhen was a mother-in-law born in the 50s. She was virtuous, hardworking, and eccentric. As a mother-in-law, she could not control the scale with ease. Xu Bin, the son born in the 1980s, swayed between his beloved wife and his caring mother. He weighed the balance between love and kinship. In the end, he lost his love and destroyed his marriage with his own hands. The work broke the conventional writing style of marriage and family dramas. It did not blindly attack the mother-in-law, nor did it protect the daughter-in-law. Instead, it used real examples from life to analyze the potential reasons for the destruction of the marriage due to the relationship between the mother-in-law and daughter-in-law. It showed Xilei's growth in a failed marriage.
The key words of this story were: Xilei's mother-in-law got married and divorced after the 1980s. The overall evaluation of this book was: The work broke the conventional writing style of marriage and family dramas. It did not blindly attack the mother-in-law, nor did it protect the daughter-in-law. Instead, it used real life examples to analyze the potential reasons for the destruction of marriage due to the relationship between mother-in-law and daughter-in-law. It showed Xilei's growth in a failed marriage.| Short story
The relationship between mother-in-law and daughter-in-law was a thousand-year-old topic!
Distance makes beauty!
"Wives for the Husband" was an ancient romance novel by Ling Longxiu. It told the story of a dynasty where women could be half the family. Ye Qianyu was reborn to shoulder the rise and fall of an aristocratic family. However, she only had half of the family's foresight. How could she lead her family to that flat road and plan a happy marriage for herself? Thank you, Jiang Jiang, for providing the title of the book. Thank you, Lemon, for providing the cover for this book. The overall evaluation of this book was: Looking at Ling Longxiu's works, you need to calm down and savor them carefully before you can appreciate the beauty of them.| Three-star. Most people can't stand it, but I think it's okay. The female lead is an ordinary person. The main story is that the female lead was spoiled by her nominal grandfather's family. Her parents were rather strange. Her mother was infatuated with her father and could abandon her children. It was quite difficult to understand.
Looking at Ling Longxiu's work, one needed to calm down and savor it carefully before they could appreciate the beauty of it. The most pleasant thing was that the main characters of her works were clear and full, and they always ran through the plot. The secondary characters were interwoven among them, cleverly connecting the various plots of the works. There was no lack of humor in her plain language, which slowly pushed the plot forward. It was as if he could see the most natural scenes of life slowly unfolding. Let the readers be in a good mood and be willing to follow the novel and slowly fall into it. This was one of the outstanding aspects of Ling Longxiu's work. The minor characters in Ling Longxiu's works included commoners, nobles, and royal relatives. There were positive and negative aspects. Through the lives of these ordinary people, their words, actions, and thoughts, they gradually guided the progression of the plot and perfected the main character's emotional maturity. Ling Longxiu always spared no expense in describing the plot development of these small characters, sometimes making readers who were concerned about the progress of the main character secretly anxious. This was especially true for readers who followed the novel. They always felt that the novel was too long-winded. However, when the plot reached a certain stage and one carefully reviewed the work, one would be surprised to discover that these small characters who appeared repeatedly and had more conversations than the main character were the most indispensable foreshadowing for the development of the plot. Through the description of the minor characters, we can see the emotional growth of the protagonist, whether it was childhood, youth, or adulthood, gradually influencing the entire work to perfection. It could be said that without these minor characters 'embellishment and wonderful cameos, only the male and female leads' continuous scenes would make people feel tired and lose interest in watching. Then, the entire work lost its original color. The biggest feature of writing was to use words to describe the inner activities and thoughts of the characters. Through the description of these words, the readers could experience the spiritual content that the author had given to the work. This was a completely different feeling from watching a film. In movies and television works, when the other party looked at each other, the audience would rarely be able to immediately tell what was going on in their minds. And in the works, excellent authors could make the readers exclaim in satisfaction through careful descriptions. Ling Longxiu was undoubtedly an expert. Not only did she bring the main character to life, but she also brought those insignificant supporting characters to life. The readers who liked Ling Longxiu's works should be people who had experienced life and settled down. Only by experiencing it could one understand that the inner independence that the author wanted to express was true independence. Only then could one taste the silent artistic conception in the author's simple and unadorned description. For those who are in a rich and colorful emotional world, if you have also absorbed the meaning from the works, then what I want to say is that your life will also be like what Ling Longxiu wrote. There will be a long blooming season that will accompany you for the rest of your life.
"Being a Ronin in the Afterlife" was a sci-fi space novel by the author, Third Young Master Jin. It told the story of An Ran's rebirth, three months before the end of the world. Obtaining the space, snatching opportunities, and preparing resources in advance. In this life, she did not want to enter the safe base to meet all kinds of people, get involved in those schemes, and be involved in those dirty things. In this life, he was willing to be a wanderer and wander the lands of China. However, she didn't expect that the bunch of people she had neglected in her previous life would use their pure hearts to warm An Ran up.
"I'm Really a Top-Class Artist on the Peninsula" was a novel written by Kong Kui, an urban and entertainment star. It told the story of a sixth sense guiding him in the right direction in the future. However, as he stood at the crossroad and looked at them on the other side, no one told him how to choose the right one. He might as well take them all! Starting from the defeated Kwon Hyun-hee, the character information was as follows: Saka Minasaki was the female lead, her age was 23.0, her birthday was 12/29, her constellation was Capricorn, her height was 166cm, and her weight was 48kg. Zhou Ziyu was the female lead, her age was 20.0, her birthday was 06/14, her constellation was Gemini, her height was 172.0cm, and her weight was 50.0kg. Zhao Meiyan was the female lead, her age was 22.0 years old, her birthday was 01/31, her star sign was Aquarius, her height was 161.0 cm, and her weight was 49.0 kg. Kim Ji-Soo was the female lead, her age was 24.0 years old, her birthday was 01/03, her star sign was Capricorn, her height was 162.0 cm, and her weight was 45.0 kg. Kwon Hyun-Hyeok is the male protagonist. His age is 22.0 years old, his birthday is 06/10, and his constellation is Gemini. His height is 188.0cm, and his weight is 75.0kg. Long Zhimeng is the female protagonist. His age is 19.0 years old, his birthday is 04/11, and his constellation is Aries. His height is 167.0cm, and his weight is 45.0kg. The overall rating of this book is: Female protagonists: Zhou Ziyu, Zhao Meiyan
Kong Kui's new book returns| ⭐ ⭐ ⭐ ⭐️️️️
Many female leads: Zhou Ziyu, Liu Zhimin, Kim Ji-Soo, Zhao Meiyan, Sana
Kong Kui's new book, currently not too many words, but worth reading; the plot design is ingenious and interesting, looking forward to the subsequent design and collision of several female leads.| The female lead, Yu, and others
The male lead in the third season of PD didn't make it into the industry, but he made his debut as an actor. The character description was quite good, and the plot was also quite smooth. Currently, he was mainly focused on his career, and there were few emotional lines. He could catch up with those he liked.| Han Yu, this was considered an old hand. The previous novel was pretty good, and this one was also quite well written. The time travel was 19 years, harem;
Xiangjiang: Entertainment Empire "was a novel written by the author Yan Dingsheng. It told the story of traveling through Xiangjiang City with a laptop. There were countless resources downloaded on it. The character information included Zhou Huimin as the female lead. A pure dream in the heart of a man in the 1990s. She had beautiful eyes, soft long hair, and a voice like that of an oriole. No matter how you looked at her, she was perfect. She was 17.0 years old, 165.0 cm tall, and 48.0 kg in weight.
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