The origin and allusions of the tiger called the big cat
Tigers were called " big cats " because they were feline animals. They looked like cats but were bigger than cats, so they had this nickname. In Wenzhou, there was a speculation that tigers were called big cats to avoid misunderstandings. In the Ming Dynasty, Liu Bowen mentioned that the word "tiger" and "fire" had the same pronunciation in the Dongou language. The roofs of houses here were mostly made of thatch, and there were many fires. A businessman mistakenly heard Shanxi's " Tiger Destroyer Hero " as " Fire Extinguisher Hero ", and Feng Fu did not understand Wenzhou dialect, so she took " Fire Comes " as " Tiger Comes ". In the end, Feng Fu was burned to death. If the tiger had been called a " big cat " back then, perhaps there would not have been such a misunderstanding.
My Fierce Tigress Wife
origin of allusions
The allusions originally referred to the old system and old rules, and were also the official names of those who were in charge of historical facts such as the ritual and music system in the Han Dynasty. Later, they referred to stories or legends about historical figures, institutions, systems, etc. Their names could be traced back to the Han Dynasty. Many allusions came from various ancient texts. The following are some common allusions and examples of their origins: - From Zuo Zhuan, the 10th year of Duke Zhuang, Caogui proposed during the Qi Lu War," To fight is to have courage. One burst of energy, another burst of energy, three bursts of energy." - [A single word is worth a thousand gold. It comes from the Biography of Lu Buwei in the Records of the Historian. Lu Buwei copied the entire text of the Spring and Autumn Annals of the Lü Family and pasted it on the gate of Xianyang. He also posted a notice saying," Anyone who can add or delete a word in the book, or even change a word, will be rewarded with a thousand taels of gold."] - ** One Character Master **: From Ji Gonggong's Chronicle of Tang Poetry in the Song Dynasty. Zheng Gu changed the poem "Several Branches Blooming" written by Monk Qi Ji's "Early Plum Blossom" into "One Branch Blooming". Qi Ji bowed down and people regarded Zheng Gu as a One Character Master. - ** A Meal of Gold **: From the Biography of the Marquis of Huaiyin in the Records of the Historian, Han Xin once received the grace of food from the Drifting Mother. Later, Han Xin returned to the country and rewarded the Drifting Mother with a thousand gold. - ** Rise again **: From the Biography of Xie An in the Book of Jin. Xie An lived in seclusion in Dongshan, Kuaiji. When he was over forty years old, he came out again as Sima Huan Wen. He was promoted to important positions many times, which turned the Jin Dynasty from danger to safety. In addition, there were many allusions, such as "the picture is poor and the truth is revealed" from "Warring States Strategy·Yan Ce 3","On Paper" from "Records of the Historian·Lian Po Lin Xiangru Biography" and so on. "Let go and become a Buddha, draw your saber!" The novel is equally exciting. Everyone is welcome to click and read it!
The origin of the powerful allusions
"Splash Fang Qiu" comes from Mao Ze Dong's poem "Qin Yuan Chun·Changsha". Among them, the word "reprimand" came from Zhuangzi·Tian Zifang. The original sentence was "reprimand eight poles, the spirit does not change". Chairman Mao used Zhuangzi's sentence pattern to create the expression of "vigorous and vigorous", which reflected the characteristics of young students 'enthusiasm and enthusiasm. The novel " The Lost Seventeen " is equally exciting. Everyone is welcome to read it!
The Origin and Allusions of the Mother of the Borers
The Mother of the Borers was a character in the online novel " A Record of a Mortal's Journey to Immortality." She was a powerful existence with the power to devour worlds. It was said that after the Mother Borer appeared, it devoured several worlds in one go and harmed countless living beings. Therefore, the Heavenly Court sent immortals to kill her. According to the analysis, the Mother of the Borers might have been born from the remains of the ancient ferocious beast, the Nine-Headed Taotie, in the mystic realm. She had three heads, one of which was a human face, and the other two were extremely ferocious. There were countless eyeballs of different sizes on the top of her head. In "A Record of a Mortal's Journey to Immortality", Han Li had joined forces with old ghost He Kang to kill the Mother Borer. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
The origin and allusions of the south and the north
The origins and allusions of the story could be traced back to ancient literature. Among them,"Shu on Road Construction" was an important source. This work was written by Ye Shi in the Song Dynasty. There was a sentence in the "Road Construction Shu" that described the journey from south to north: "From south to north, there is no need to worry about dragging water and mud; from morning to evening, there is no need to knock your head." This sentence vividly described the scene of people coming and going. In addition, Li Xingdao's " Grey Lanji " of the Yuan Dynasty also mentioned traveling from south to north, describing the scene of merchants coming to the shop to drink. The descriptions in these literary works made the phrase " coming from the south and going from the north " a common idiom used to describe the bustling scene of people coming and going.
The invisible origin and allusions of elephants
"The elephant is invisible" came from Tao Te Ching. This was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. The original meaning was that grand scenes often had no definite shape. However, he didn't find any special allusions about the invisible elephant.
Celebrating the origin of allusions in the past years
The origin of the name 'Joy of Life' was a song from 'Dream of the Red Chamber',' Remaining Celebration'. This song described the decline of the Jia family. After Jia Qiaoer was sold by her uncle, she was saved by Granny Liu, who had once helped her, and continued to live a carefree life.
Celebrating the origin of allusions in the past years
Joy of Life's allusion came from a song in Dream of the Red Chamber called " Remaining Celebration." This song described the decline of the Jia family. After Jia Qiaoer was sold by her uncle, she was saved by Granny Liu, who had once helped her, and continued to live a carefree life.
Celebrating the origin of allusions in the past years
Joy of Life's allusion came from a song in Dream of the Red Chamber called " Remaining Celebration."
Celebrating the origin of allusions in the past years
Joy of Life had two main sources. First of all, the name 'Joy of Life' came from a song in 'Dream of the Red Chamber',' Remaining Celebration'. This song described the decline of the Jia family. After Jia Qiaoer was sold by her uncle, she was saved by Granny Liu, who had once helped her, and continued to live a carefree life. Secondly, the name Joy of Life also came from the word " Liu Yuqing " in the " Yi Zhuan·Wen Yan Zhuan·Kun Wen Yan ". In this allusion, Qing meant that there would be Yu Qing in a family that accumulated good deeds. Leaving Yu Qing meant that he had suddenly met a benefactor and was lucky to have his mother. Therefore, the meaning of the name Joy of Life was that a family that accumulated good deeds must have a surplus of good deeds. If they kept the surplus of good deeds, they would suddenly meet a benefactor and be lucky enough to have a mother.
Celebrating the origin of allusions in the past years
There were two main sources for the name Joy of Life. First of all, the name 'Joy of Life' came from a song in 'Dream of the Red Chamber',' Remaining Celebration'. This song described the decline of the Jia family. After Jia Qiaoer was sold by her uncle, she was saved by Granny Liu, who had once helped her, and continued to live a carefree life. Secondly, the name Joy of Life also came from the novel Twelve Kingdoms by the Japanese author, Ono Fujimi.