Calligrapher Yang Zaichun's Calligraphy Works Appreciation
Yang Zaichun, born in August 1943, was a native of Tang Shan, Hebei Province. He was China famous calligrapher, calligrapher, photographer, and one of the founders of the China Calligraphy Association. His representative work, Cursive Rules, had been reprinted and printed many times. From the perspective of his calligraphy skills, in terms of stroke writing, the side edge immediately turned inward to the center after entering the pen. For example, in some strokes, the effect of the non-white pen was produced by the downward speed. The side edge of the pen at the end of the pen was adjusted to the center and lifted up. There were small square folding pen and big circle turning pen at the connecting place of the strokes. The big circle turning pen needed the ring finger to complete the shaft. The lifting action was sometimes to meet the power of the bottom and the top, the purpose was to hide the edge of the pen. The speed of the pen should not be too fast when it goes down. A slight pause at each intersection can make the horizontal and vertical intersecting pen produce a welding effect to make the font more full. The long vertical pen should use the ring finger as the rudder to make it more upright. Finally, the pen should be lifted up instead of sweeping out the pen tip. However, there were also some different views on his calligraphy. Some people thought that his calligraphy was lacking in quality, style, and style. For example, his regular script was rigid, his running script was thin, his cursive script was fancy, and his lines were as empty as rotten grass ropes. However, there were also people who thought that his calligraphy creation skills in his later years were perfect, and his calligraphy theory had influenced generations of calligraphy lovers. Appreciating his calligraphy work required a comprehensive consideration of many factors. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Calligrapher Yang Haiqing's Calligraphy Price
The price of Yang Haiqing's calligraphy works was 12000 yuan per square foot, and the customized price of his handwritten calligraphy works was 2,860.00 - 4,286.00 yuan per piece. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Appreciation of Qing Dynasty Calligrapher's Works
Qing Dynasty calligraphers had many outstanding works, including Tie Bao, Guo Shangxian and others. Tie Bao was the most famous calligrapher among the Manchu people. He was good at cursive script and was influenced by Yan Zhenqing, Wang Xizhi, and others. His works such as "Wei Qing Zhai Tie" were widely praised. Guo Shangxian was from Putian, Fujian. He was also very accomplished in calligraphy. The works of these calligraphers demonstrated their inheritance and development of Chinese culture.
Appreciation of Calligraphy Works
All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.
Appreciation of Lanting Calligraphy Works
Lanting's calligraphy works were worth appreciating. Take Wang Xizhi's Preface to Lanting Collection as an example. It was a preface written by Wang Xizhi, Xie An, Sun Zhuo, and other forty-one people during a gathering at Lanting on Kuaiji Mountain on March 3, in the ninth year of Yonghe of the Eastern Jin Dynasty (353). From a literary point of view, this article started from the customs of the Eastern Jin Dynasty. It drew out the feelings of life and death from the way people lived in the world, pointed out that the feelings of ancient and modern times were the same, and stimulated people to think about the deep common feelings of birth, aging, illness, and death in the dialogue between ancient and modern times. Its writing was natural and natural, and its diction was like flowing water. It was an excellent prose work. From the perspective of calligraphy, the Preface to Lanting Collection was known as the world's first semi-cursive script. It was a model for calligraphy lovers to learn, whether it was brush calligraphy or hard pen calligraphy. The beauty of his calligraphy lies in his nimble and charming strokes. In terms of modern Lanting calligraphy works, some of the winning works of the Lanting Award also had their own characteristics. Some works won with spirit, seemingly scattered but not scattered. Although the writing seemed messy, it had a unique "scattered" charm. This style was unique in the contemporary trend of calligraphy creation that pursued a sense of form and integrity. Some wrote the literary spirit. In the process of cursive writing, the strokes, font shapes, and the arrangement of chapters were carefully handled with the attitude of a scholar, exuding literary spirit in the overall realm. There were also works that displayed their skills in the brush and ink. For example, the center of the brush was mainly used to avoid dullness. The ink color was mainly thick ink, and the rising ink, light ink, and dry brush were used to add vitality. The control of the brush was strong. There were no dead or dull strokes in the strokes. Every stroke was full of vitality. Moreover, it integrated a variety of classic inscriptions styles, showing the author's ability to integrate classic works. Yi Bingshou's official script,'Lan Ting Pan Gu Five Character Couplet,' was also very appreciative. The first couplet of this work,"A Chant and a Chant," comes from "Preface to the Orchid Pavilion," and the second couplet,"Drinking and Eating," comes from Han Yu's "Preface to the Valley." Yi Bingshou was good at official script. His writing style was rigorous. The center stroke was straight and thick, and the swallowtail was vague. The structure was rich and broad. The font was square, fat and thin, or the combination of virtual and real. It was subject to the overall artistic effect. The ink color was soft and black like paint. It had the effect of rising ink and the contrast of dry brush. It showed a unique artistic style as a whole. His works were regarded as an important model for learning and inheritance. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Appreciation of Youth Calligraphy Works
The following are some of the appreciation of the young people's calligraphy works: - Cai Nina's official script work,"Presented to Luqiu Chushi," from Class 21 of Year Two of Maling Middle School, was selected for the first Youth Calligraphy and Seal Cutting Exhibition in Jiangsu Province, which showed the achievements of teenagers in official script calligraphy creation. - The 12-year-old Li Ming had an original calligraphy work with positive energy,"All Rivers Run Into the Sea," which showed the potential of young calligraphy. - There were many excellent works in the 4th Yangtze River Delta Youth Elegance Exhibition Collection Activity, such as Xu Ziqian (Qingpu District Middle School)'s Ancient Poetry. Although the poet felt lonely when he bid farewell to his friends, he used the Ice Heart Jade Urn as a metaphor. By writing this poem, he could encourage himself to face setbacks. Ge Qianrui (Xu Jiaoyuan Affiliated High School) wrote Seven Laws·Long March, which was a revolutionary epic about the Red Army's Long March, reflecting the fearless spirit and revolutionary optimism of the Red Army soldiers. Zhang Jianxin (Shanghai Middle School) wrote Youth Journey, which conveyed the idea that a strong youth would make the country strong. Xu Zichao (Jiangyin City Secondary Professional School Xu Xiake Campus)'s "Running Script Ode to Twenty Great Poem", the use of allusions in the poem is accurate, the words are elegant; Zhang Ruoyu (Shanghai City Xuhui District Education College Affiliated Experimental Middle School)'s "Teacher Shuo", attacked the bad habits of being ashamed of being a teacher at that time, hoping to advocate the atmosphere of persisting in learning from teachers. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
Appreciation of the latest calligraphy works
The following is some information about calligraphy works that can be appreciated: There is Wang Wei's "Lovesickness" of the Tang Dynasty. I hope you can pick more, this is the most lovesick) calligraphy creation, as well as semi-cursive calligraphy "Caigen Tan"(I) and other works for appreciation.
Appreciation of Chang Lao's Calligraphy Works
Elder Chang was a famous calligrapher. His works demonstrated his inheritance and innovation of Han Li art. His works include stone inscriptions such as Yi Ying Stele, Rites Stele, Huashan Stele, Cao Quan Stele, Zhang Qian Stele, etc. These works show the classic beauty of Han Li. He also created a series of works, such as Honest, Tea Ceremony, Filial Piety, Mother, Win-win Cooperation, Family Harmony, Rare Confusion, Heaven Rewards Diligence, etc. These works demonstrated his understanding and expression of traditional values. Elder Chang's calligraphy works had participated in many national and local calligraphy exhibition, and his creative ability had been widely recognized. In his calligraphy creation, he paid attention to copying the classic inscriptions and studied the rules and characteristics of the strokes and knots. He also drew on the works of other calligraphers, such as Wang Xizhi and Mi Fu's letters. Through comparison and learning, he formed his own unique style. Elder Chang's calligraphy works showed his respect for the ancients and his expression of his inner world. His works were filled with indifference and calmness. In short, Elder Chang's calligraphy was exquisite and unique, worthy of appreciation.
Appreciation of Fan Jianhua's Calligraphy Works
Fan Jianhua's calligraphy works did not mention the specific content or style in the search results provided. Therefore, the information provided about Fan Jianhua's appreciation of calligraphy was not enough to answer this question.
Appreciation of Jiao Yongtang's Calligraphy Works
Jiao Yongtang was a young calligrapher from Hohhot City. His works had been exhibited many times in national and provincial professional exhibition. His small regular script works were delicate and exquisite, warm and beautiful, while the Wei stele style displayed a profound ancient meaning of being strong, rough and clumsy. Jiao Yongtang's works had the characteristics of both regular script and cursive script. His regular script contained the elements of seal script, official script, Wei stele and other calligraphy styles, while his cursive script was full of meaning and unrestrained atmosphere, showing the unique charm of ancient cursive script. However, the search results didn't provide any specific content about Jiao Yongtang's calligraphy works.
Appreciation of Tang Bohu's Calligraphy Works
Tang Bohu was one of the famous calligraphers of the Ming Dynasty. His calligraphy works showed his unique aesthetic understanding and rich learning. We can see that his calligraphy works include "Falling Flower Poetry" and "Manxing Ink". The Book of Falling Flowers was his masterpiece of semi-cursive script and was known as one of the Four Talents of Wuzhong. This piece of work was elegant and rigorous in calligraphy, but it also showed his love affairs. " Comic Ink " was a comic poem he wrote for his friend after getting drunk. The strokes were exquisite and the body was to the right. It was round and beautiful, full of vivid postures. These works all displayed the unique style and talent of Tang Bohu's calligraphy.