The reservoir was not an immovable cultural relic. Immovable cultural relics included ancient cultural sites, ancient tombs, ancient buildings, cave temples, stone carvings, murals, etc., while a reservoir was a man-made or naturally formed project for the purpose of developing water resources, which was used to intercept and regulate river flow. The two concepts were different. Read more exciting novels for free
Cultural relics are the general term for all valuable material relics left over from the historical development of human society, created by humans or related to human activities. Its basic characteristic is that it must be created by humans or related to human activities, and it must be a part of the past that has become history and cannot be recreated. Different countries have different titles, meanings, and scope of cultural relics, and there has not been a unified definition. The term "cultural relic" in China was basically the same as the concept of tangible cultural heritage in the world. In China,"cultural relic" was first seen in Zuo Zhuan. The "cultural relic" mentioned in the Tang Dynasty and Song Dynasty referred to the relics of the previous generation, which was close to the modern meaning. The concept and content of antiques in the Republic of China period were more extensive. After the establishment of the People's Republic of China, a series of laws and regulations to protect cultural relics followed the concept of "cultural relics". In addition, cultural relics have the characteristics of material (resource), epochal (historical), irreplaceable, non-regenerative, individual differences, and durability. They have historical value, artistic value, cultural value, and scientific value. According to the grading standards of cultural relics, they can be divided into first-class cultural relics, second-class cultural relics, third-class cultural relics, and general cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the restoration of cultural relics, cameras could be used to collect basic information about cultural relics. For example, in the Cultural Protection Laboratory Building of the Cultural Protection Department of the Nanjing City, high-definition cameras were like "doctors" taking the pulse of cultural relics. The staff would use them to take photos and record the damaged forms of the original cultural relics. In the cultural relic restoration hall of the Sanxing Dui Museum, the Central Radio and Television Station set up an intelligent robot camera that could shoot from multiple angles to show the beauty of the revival of newly unearthed cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Many exquisite hairpins were unearthed during archeological work. For example, a Sanskrit gold hairpin was unearthed in Wangjia Village, Changzhou, Jiangsu Province. It was 12 centimeters long, 5.8 centimeters wide, and weighed 31 grams. The golden hairpin of the pavilion figure unearthed from the tomb of Zhu Houye, King Yizhuang of the Ming Dynasty, was amazing. It was 5.5 cm wide, 8.5 cm long, 15 cm long and weighed 119.15 grams. It was collected in the Jiangxi Province Museum. There were exquisite pavilions, pavilions, flowers and trees on the hairpin. The top of the pavilion was a hexagonal double-eave, with pearls on the top, fans on the six sides, and statues outside the door. The craftsmanship was exquisite and shocked the archaeological community when it was unearthed. The treasure of the Nanjing Museum, the "Golden Cicada Jade Leaf" hairpin, was unearthed from the family tomb of Zhang Anwan, a scholar in the Hongzhi year of Dr. Wu Ming in Wufeng Mountain, Suzhou. It was the only one unearthed in China. The gold content of the golden cicada was 95%, the thickness of the cicada wings was only 0.2 mm, and the jade leaf was made of Hetian sheep fat jade from Xinjiang. There was also the Dragon Head Gold Hairpin unearthed in Henan, and the Tang Hairpin collected by the Zhou's Silverware Museum in Luoyang. They were also exquisite hairpin-type cultural relics. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Among the cultural relics of the pavilion hairpin, the more famous one was the golden hairpin of the pavilion figure of the Ming Dynasty. This was a set of rare hairpin cultural relics unearthed in the tomb of Zhu Houye, the king of Mingyi, and his first concubine Wang and second concubine Wan in Nancheng County, Jiangxi Province. Among them, there was a pair of pavilions with golden hairpins excavated from the tomb of King Yizhuang. They were three magnificent pavilions. It was said that they were modeled after the buildings of King Yizhuang's residence. There were small people in the pavilions. These golden hairpins reflected the exquisite carving and engraving standards of the time, using the traditional metalwork technique called tired silk. These hairpins were now collected in the National Museum of China. They were the embodiment of the superb skills of ancient Chinese craftsmen. This kind of pavilion gold hairpin was very popular among the noble women of the Ming Dynasty. Nine pavilion gold hairpins, including the one mentioned above, were found in the tomb of King Yizhuang. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Antiques and cultural relics swords had rich historical and cultural values. Judging from the craftsmanship of ancient swords, for example, the sword of King Gou Jian of Yue was the pinnacle of bronze swords, reflecting the superb level of bronze smelting technology at that time. In ancient times, the development of the sword had gone through many stages. From the embryonic form of the sword in the Neolith Age to the bronze sword in the Yellow Emperor period, to the bronze sword appearing again in the Spring and Autumn Period and becoming the mainstream weapon on the battlefield. Finally, as the iron smelting technology matured, the iron sword entered the historical stage. Ancient famous swords like the Clear Sable Sword had the characteristic of " cutting iron like mud " in ancient records. However, the " iron " here was not steel in the modern sense. There might be a certain degree of misinformation and exaggeration. There were also some swords with special historical significance, such as the loyal king Li Xiucheng sword, which had a unique historical story. It returned to the motherland after being lost overseas for 97 years and witnessed the historical events of the Taiping Heavenly Kingdom. The Yongle Sword was a product of the Ming Dynasty in 1420. It was the pinnacle of craftsmanship. The sword body was exquisite, and the scabbard and hilt were gilded. The sword body was engraved with the image of a Buddhist auspicious beast. However, in 1860, when the Anglo-French coalition forces burned down the Yuanmingyuan, it was plundered overseas. Now, it has become the treasure of the Royal Armament Bureau Museum. Although a China collector wanted to buy it back for a sky-high price of 1 billion, it was rejected. There were also some complicated situations in the collection of antique swords. For example, if someone brought a sword that was suspected to be Zhao Yun's sword, it was determined by experts to be a fake or not worth it. In addition, there were also some bronze antique swords on the market that were sold as antique collections for occasions such as birthdays and Christmas gifts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many types of bowls as cultural relics, each with its own characteristics. There are bowls now collected in Lishui City Celadon Museum, straight mouth, round lips, arc belly, circle foot, green glaze, gray color, no glaze on the outer bottom is vermilion, some inner bottom is also printed with the word "Gu", the word outside two circles string pattern, the periphery is decorated with water grass pattern, the outer wall of the abdomen is decorated with comb pattern. In 1973, a seemingly ordinary but precious bowl appeared in a cultural relic store in Beijing. When the old lady brought it over, the bowl was thick, blue and white glazed, and it was stained with a strange smell. The bottom was printed with the words "Ming Xuande Year". It was identified as a blue glazed bowl fired in Jingdezhen official kiln during the Ming Xuande period. It was a rare treasure. The golden bowl used by Emperor Qianlong was now stored in the Forbidden City in Taibei, China. It was made of high-purity gold. The material was precious and the craftsmanship was exquisite. The inside of the bowl is plain, the outside of the bowl is decorated with flower and leaf patterns with silk pinching technique, and the gap is decorated with gold beads. Ming Chenghua Doucai Chicken Jar Cup was sold at Sotheby's Hong Kong on April 8,2014 for 281.24 million Hong Kong dollars. It was a wine cup used by Emperor Chenghua. The shape was exquisite and small, and the porcelain wall was as thin as cicada wings. The pattern was made with Doucai technology. First, the outline of the pattern was drawn with blue and white fine lines, then glazed and fired into the carcass at high temperature in the kiln. There were no more than 20 existing treasures in the world. There were also Longquan kiln pink bamboo hat bowls, glazed green with pink, crystal clear like jasper, shaped as a large open, small circle foot, like an inverted bamboo hat. Two pieces were collected in the Guangyuan Grotto Research Institute and exhibited in the Guangyuan City Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
I recommend a few good novels about the restoration of cultural relics. The first book was " Heavenly Works ", written by Sandbag. It told the story of Su Jin, a top cultural relic restorer, who restored the Forbidden City, the Leshan Giant Buddha, Dunhuang murals, and other cultural relics in a new world. The second book was " Cultural Relic Restorer ", written by Cat Shangshu. It mainly introduced the process and skills of cultural relic restoration, and incorporated a love story. The third book was " The Cultural Relic I Cultivated Has Become a Spirit." The author was Tong Tong. It told the story of the Forbidden City's cultural relic restoration interns discovering that cultural relics had become spirits. These novels could give readers a deep understanding of the hardships and technical content of cultural relics restoration.
The Liangzhu site was successfully declared as a World Heritage site at the World Heritage Conference of the United Nations Cultural and Scientific Organization in July 2019. This site was regarded as the center of power and belief of Liangzhu culture. It witnessed the birth of an early regional country in the lower reaches of the Yangtze River in the late Neoliths period of China. It proved the 5,000-year history of Chinese civilization and transformed Liangzhu Ancient City from a national treasure of China to a cultural treasure of all mankind. The novel " Watching the Moon on Fish Island " is equally exciting. Everyone is welcome to click and read it!
There were many cultural relics with the word "father Yi" on them, such as the bronze jue of father Yi in the Shang Dynasty, the horn of father Yi in the early Western Zhou Dynasty, the bronze Gu of father Yi in the Shang Dynasty, and the tripod of father Yi in the late Shang Dynasty. The word "Fuyi" in these cultural relics may refer to the sacrificial vessels made by the maker to commemorate his father named "Fuyi"(such as the Fuyi Ding). However, different studies and speculations have different conclusions about who exactly "Fuyi" is. For example, the "Fuyi" in the inscriptions on the bronze ware of the Shang Dynasty may be Wuding's father "Xiaoyi". Click on the link below to read the comic "The Viscountess Bits Everyone When She's Crazy"
I recommend " The Prosperous Age Collection ", a novel about urban life that was written subversively. The poor boy from the countryside brought the art of tomb robbing and treasure identification to the capital and stirred up a storm in the cultural relics market. He grew up from a young boy to a collector. No special ability cheat, relying on one's own ability, the early stage of the money is reliable, the description is exquisite, but the length is less than 1 million, too short, recommendation index: " I, Hermione, Traversing Marvel as a Savior ", a light novel written by Hungry Mosquitoes. Lin Qingyun was lucky. She picked up the Hogwarts notice and transmigrated into Hermione. There were many transmigration options and involved many worlds, but more than a hundred chapters were still in the HP world. The book list evaluation was single, which was quite interesting. " The Great Collectors " was a novel about the urban life of the Ghost Disciples. It revolved around antiques and antiques. There were keywords such as antiques and antiques. " Psionic Energy Recovery: I've Acquired an Immortal Body " was an urban supernatural novel written by the petrel in the storm. In the era of Psionic Energy Recovery, humans competed with beasts. There were characters such as the male protagonist, Li Xingzhou. The Golden Escape was a novel about urban life. The little courier had picked up the Five Elements Escape Technique in the antique world. Although it was innovative, it still had the routine of appraising treasures. The plot was slow and the character was weak, but the book was still a read. The recommendation index was ***. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>