Small temple of ceramic relics
In terms of small temples related to ceramic cultural relics, there was a small temple called "Qingguang Temple" near Qingliang Temple. Most collectors who wanted to go to Qingliang Temple to see Ruyao related cultural relics could not see Qingliang Temple near Ruyao Museum, only this ordinary small temple. In addition, the ancient porcelain kiln site of Qudou Palace was named after the small temple of Qudou Palace near the kiln site. There was a stone railing in the temple that looked ordinary but could be called a national treasure. Read more exciting novels for free
Cultural Relics Protection of Kaishan Temple
Kaishan Temple was a national key cultural relic protection unit located in Gaobeidian City, Hebei Province. Kaishan Temple was listed as a national key cultural relic protection unit in 1996. The temple had undergone many repairs and protection works, including the repair of the main body of the Mahavira Hall, the Heavenly King Hall, the Vajra Hall, and other buildings. The walls and courtyards were repaired, guardrails were installed, and special personnel were assigned to take care of them 24 hours a day. The main hall of Kaishan Temple was one of the representative wooden structures of the Liao Dynasty and had an important position in the history of ancient China architecture. In 2006, the State Council declared the temple as a national key cultural relic protection unit. After the renovation, Kaishan Temple was officially opened to visitors for free on April 25th, 2023. The visitors could visit the thousand-year-old temple up close and feel its grandeur and magnificence.
Small scale cultural relics exhibition
The small scale cultural relics exhibition was a part of the cultural relics exhibition. In terms of small-scale cultural relics display, it could be carried out from many angles. In terms of venue, a place like the Miaoli Railroad Cultural Relics Exhibition Hall, which specialized in preserving and publicly displaying cultural relics such as railway vehicles, was a place to display small-scale cultural relics. There were also various local museum. For example, the Grand Canal Museum in Hebei Province, through the cooperation between the People's Republic of China's Public Security Bureau and the cultural relics department, allowed many cultural relics, including small cultural relics, to be sorted out, maintained, and displayed. The canal scenery exhibition hall was open to the public to display small cultural relics and other collections, showing the historical changes and cultural content of the Grand Canal. In terms of exhibition activities, small-scale cultural relics would also be displayed in activities such as the National Cultural Relics Store Exchange Meeting held in Changsha, Hunan Province. More than 20 well-known cultural relics stores in China would gather and display thousands of precious cultural relics, including small-scale cultural relics. From the perspective of display methods, with the development of technology, OLED screens and the like began to be used in cultural relics display. Small cultural relics could also be displayed in this way of multi-media interaction, thereby improving the display effect and allowing the audience to better appreciate small cultural relics and the cultural value behind them. At the same time, some large-scale exhibition also included the display of small cultural relics, such as the exhibition of "Ritual Movement in the East: Essence of Shandong Ancient Civilization" in the Art Museum of Tsinghua University. There were small cultural relics such as the white pottery of Dawenkou culture. The exhibition integrated small cultural relics through careful exhibition design and reasonable unit division, so that the audience could fully understand the civilization and cultural characteristics of different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The small county museum houses national treasure-level cultural relics
There were many national treasures in the county's museum. For example, although Yunmeng County Museum was located in the smallest county in Hubei Province, it hid many national treasure-level cultural relics and created four "first" brilliant achievements: China's First Law-Qin Law, China's First Building-Eastern Han Tao Lou, China's First Long Wen Gu-Zhengjia Lake Wood Gu, China's First Family Letter-Wooden Letter. At present, there are 4285 cultural relics in the museum, including 49 national first-class cultural relics, 64 second-class cultural relics and 240 third-class cultural relics. There was also the Qingzhou City Museum, which was the only county-level comprehensive museum among the first batch of 83 state-level first-class museum. It was known as the "small museum", which was located in a small county and had a large collection of cultural relics. There was a unique copy of Zhao Bingzhong's palace examination volume in the twenty-sixth year of Wanli of the Ming Dynasty, as well as the Eastern Han Dynasty's "Yi Descendants" jade, Buddhist statues unearthed from the Longxing Temple ruins, and other treasures. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Jilan ceramic
Blue porcelain was lime soda glazed porcelain with tungsten dioxide as the coloring agent. Its glaze color was also known as "blue","sacrificial blue", etc. The earliest application of this kind of ceramic coloring agent can be traced back to the Tang Dynasty. The appearance of blue Jun glaze in the Song Dynasty laid a certain foundation for the development of blue porcelain. Jingdezhen kiln in the Yuan Dynasty started to create blue porcelain. At that time, due to the use of high-temperature tungsten ore from the Muslim countries, blue porcelain was successfully fired. However, the production of blue porcelain in the Yuan Dynasty was small. Except for museum collections, there was little folk circulation. The successful firing of the Yuan Dynasty sacrificial blue glazed porcelain laid a good foundation for the development of the Ming and Qing dynasties. During the Ming Dynasty, the firing technology of the blue porcelain was constantly developing. The Xuande dynasty's blue porcelain craftsmanship and glaze color were obviously improved. The hair color was deep and bright, and there were rust spots in the glaze. It was the pinnacle of blue glaze firing at that time. During the Chenghua, Hongzhi, and Zhengde periods, there were not many blue glazed porcelains handed down from generation to generation. Blue glazed porcelain was more popular in Jiajing and Wanli periods, and there were new developments in the types of shapes and glaze colors. After the Wanli period, blue glazed porcelain was basically extinct. In the Qing Dynasty, during the Kangxi period, the blue glaze became popular again. The sacrificial blue and blue flowers used materials with a high content of Cobalt. The color was strong, and the glaze was thin and smooth. During the Yongzheng and Qianlong periods, the use of tungsten changed, and the iron content increased. The color of the blue glaze during the Yongzheng period was not as elegant as that of the Kangxi period, but the color was dark blue and the glaze color was gorgeous. In the Qianlong period, in addition to the traditional blue glaze porcelain, there were many complicated techniques derived from the single color. For example, the blue glaze was first fired at high temperature, and then the gold pattern was painted on the glaze, and then it was baked at low temperature. However, this technique was complicated and difficult to preserve. In the Qing Dynasty, the blue glaze porcelain was mainly made of palace sacrificial vessels and furnishings. The official kiln's blue glaze was mostly made of official style and exquisite workmanship. The civilian kiln was mostly made of temple sacrificial vessels. There was no official style and most of the products produced in Jingdezhen were dated. Blue porcelain was mainly glazed on sacrificial vessels, luxurious furnishings and sacrificial porcelain. Its color characteristics were similar to bright red glaze. The glaze surface did not flow or crack, the color tone was uniform, and the color was stable. Under the high temperature, the glaze layer melted and flowed down, causing the mouth of the object to become thinner along the glaze layer, revealing the white fetus bone, commonly known as the " lamp grass mouth ". The glaze layer at the bottom flowed down and piled up, showing a blue-purple brown color. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Where is the Small Xuankong Temple in Shanxi?
Shanxi's Small Xuankong Temple was located between the cliffs of Cuiping Peak on the west side of Jinlong Gorge, Hengshan, Hunyuan County, Datong City, Shanxi Province.
Couplets from a small village temple
The choice of couplets in small rural temples varied from person to person, and there was no clear best choice. The couplet of a village temple was usually chosen according to the characteristics of the temple, beliefs, and personal preferences. One could see some examples of couplets from rural temples, such as the first couplet: "Although the temple is small, it has great power", the second couplet: "God does not speak, rewards and punishments are clear", and the horizontal couplet: "Lord of one side". There were also other examples of couplets from rural temples, such as the first verse: " The world is in great trouble and I open my mouth to smile " and the second verse: " The world of mortals and the sea of bitterness speak leisurely." However, there was no clear best choice. Therefore, the choice of couplets for small temples in rural areas should be determined according to the specific situation and personal preferences.
I have a small Taoist temple
The author of " I Have a Taoist Temple " was Little Scum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The temple novel in the small mountain village
The following are some novels related to temples in small villages: There was a novel that mentioned a temple in a small village, which actually alarmed the mother of Emperor Wanli, Empress Dowager Li. This temple was located in Xin Village, Dongyangguan Town, Licheng County, Changzhi City, Shanxi Province. It was called Tianqi Wang Temple and was now listed as a national security unit. The inscription on the stone tablet at the entrance of the temple had the words "How many years of Wanli?" and the seal of Empress Dowager Cisheng (the mother of Emperor Wanli) was pinned on it. Next to it was a stone tablet with the words "Inscription of the Sutra of Datong Temple" written on it. This might involve the relationship between the descendants of the first generation of King Shen Zhu Mo (King Shen had many descendants and had been granted 28 commanderies) and the temple of the King of Tianqi. It might be that the family of King Shen reported the temple to Empress Dowager Li, which made the Empress Dowager seal it. However, the specific relationship still needed to be explained by the locals. There was also a novel that mentioned the plot of the village temple. For example, Chapter 5 was called the village temple. It might contain some stories, customs, and mysterious events in the village temple, but the specific plot was difficult to describe in detail due to limited information. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
ceramic gilding technique
The ceramic gilding technique was a process of metalizing the surface of ceramic products with gold. One way was to apply gold glaze (an overglaze glaze made of gold powder, lead siliconate, essential oil, and other materials) on the surface of the ceramic. The gold glaze would appear dark brown in its natural state. After baking it at a low temperature, it would be polished with beeswax or agate. There was another process: Porcelains are made by plain firing or with only a layer of diluted glaze. After cleaning, the surface is coated with silver.(A thin layer of silver paste is evenly coated on the surface of the porcelain, and after drying at a temperature of 200 - 300 ° C, the process is repeated for 1 - 2 times. After the silver paste is coated for the last time, it can be directly fired. After the firing temperature reaches 500 - 800 ° C, and the preferred temperature is 600 - 700 ° C, the temperature is kept for 15 minutes- 3 hours, and the preferred temperature is half an hour- 1 hour. After that, it is cooled to normal temperature. The silver paste is then fired and reduced.) forming a silver layer on the surface of the porcelain), then nickel-plating, then copper-plating or titanium-plating, and then gold-plating to obtain the gold-plated product. This method increased the thickness of the base layer by using cheap metal. On the one hand, it could save the amount of gold used, and on the other hand, it could greatly improve the quality of the product, especially for the production of more complicated parts. The ancient gilding process was also known as fire gilding. It was to synthesize gold and mercury into gold mercury. The coating was heated to more than 400 ° C to evaporate the mercury. The gold was attached to the surface of the ware, and then a "press" made of agate or jade was used to press along the surface of the ware to make it shine. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Intangible cultural relics gather in Xitang Temple Fair, fire comes out of the circle
The Xitang Temple Fair was one of the traditional temple festivals in Huishan District and one of the representative projects of the intangible cultural heritage of Wuxi City. In addition to the activities of the temple fair itself, there were also 23 kinds of intangible traditional skills displayed and performed. Among them, six dragon dance national intangible cultural heritage project teams in Huishan District showed their skills at the temple fair. In addition, other intangible cultural relics such as wheat straw paintings were also displayed at the temple fair. The temple fair would be held from March 15 to March 18, 2024, at Guanghui Park Square in Xitang. The temple fair would present a variety of exciting events, including dragon dance performances, intangible cultural relics displays, opera gatherings, artistic performances, volunteer services, and folk snacks. The success of the Xitang Temple Fair made the intangible cultural heritage culture glow with new vitality and successfully integrate into modern life.